Tag Archives: Seattle

Seattle Focus: Public Safety Concerns Underscored by Mass Shooting

Illustration by Jennifer Daydreamer

Guest Column by Jennifer Daydreamer

Editor’s Note: On January 22, 2019, the Seattle downtown core was rocked by a mass shooting. Part of the heart of downtown Seattle is Third Avenue and Pine Street, one of the most congested downtown areas in any American city and long known as a hub for crime. This incident underscores the dysfunction at City Hall and how Seattle city leaders have long struggled to understand and address crime. Seattle cartoonist and writer Jennifer Daydreamer speaks out on the challenging situation Seattle citizens must face.

Seattle mass shooting crime scene. The Seattle Times.

SEATTLE: THIS IS HOW TO PROTEST THE CRIME

We have a real crime problem in Seattle. Who are the superheroes that have emerged to champion public safety? The business community. The Downtown Business Association commissioned the 2019 System Failure Report, held an impromptu 1.24.20 downtown safety rally, and, most recently, signed a petition letter to Seattle and King County leadership, pleading for safety reform. This should give one pause. Can you feel the topsy-turvy of a non government entity – businesses – doing our government’s job of protecting the people? Something is terribly wrong.

What has our council, mayor and governor been doing in response to crime? They give speeches! It’s always the same one, too. Their speeches consist of feel good solutions that appeal to their voter base. They never have the courage to say that the law is not being enforced and if it were, it would reduce the crime on the streets dramatically. Now, why would their voter base not want safety? The short answer is that the hard Left is keen on bridging the economic divide. An example of this is the focus on free bus rides, library fees waived and free winter rent (to be paid back, if the landlord can collect it). Do you hear our leaders talk with the same passion on the need to stop people from getting stabbed, gunned, punched, pushed and robbed? No.

In case you have been asleep like Sleeping Beauty the last decade, the speech our leaders give is this: “We have to build more housing, have alternatives to incarceration, offer drug rehabilitation programs and mental health assistance.” All of that is very good. Well planned, thoughtful alternatives are important. The problem is, given the track record of our government’s inability to create such entities, I don’t think these ambitions will become reality for another twenty years, if ever. When politicians offer up nonsensical solutions to the immediate need of public safety, it’s a way of denying the crime.

I recognize the Emperor’s New Clothes when I see it. Make no mistake, the crime is real. The majority of you in Seattle know this; you’re experiencing crime and reading and watching the news. At its core level, law and order is gold; it’s been melted down and is slipping through your civic fingers. I recommend KOMO television’s 1.27.2020 Town Hall, Downtown Seattle Violence: Enough is Enough. Attorney Scott Lindsay describes the City’s approach to public safety as “The appearance of gross negligence.”

When you hold a large protest, it tells our politicians that this is a voting public. Allow me to describe to you my dream rally. Have a simple rally, centrally located in downtown. Chants can be yelled for ten minutes such as ‘Enough Is Enough!’ and ‘We Want Safety and We Want It Now!’ The twist is, in any part of downtown, business owners only have to step outside their building to the sidewalk, to join in the chanting. Isn’t it cool that business is strategically located to have a protest that stretches to both ends of downtown? Anyone can join in, employees, passersbys, all people. I really believe there are enough people affected by crime that many will join in. Yet, this can be peaceful. There’s no need to spill onto the streets and block traffic. Police can join in for a change instead of having to keep the peace. Businesses won’t break their own windows. Everyone yells during his or her break and then back to work. Efficient! 

Maybe I’m dreaming too big, to say this, but the protest can be spectacular and stretch “across the land” from business to business, residence to residence, person to person; to Belltown to Beacon Hill to Capitol Hill, all the way to Alki Beach to Ballard to Fremont to the U District…you get the picture.

We are in a kingdom, a fiefdom! It’s time to awaken! Although I use fairy tales as metaphors, I am not naïve. I know I am preaching to the choir out there in the Emerald City. Seattle, you know the crime is real.

Let your voices soar, loud and clear.

Jennifer Daydreamer

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Emerald City Comic Con in Seattle, March 12-15, 2020

Image Comics/Skybound Entertainment at Emerald City Comic Con

Emerald City Comic Con is the premier comic book and pop culture convention in the Pacific Northwest. ECCC is the place to be in Seattle, held at the Washington State Convention Center, March 12-15, 2020. Tickets are available here. ECCC presents a top ten list highlighting reasons to attend:

ECCC tickets are available here.

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PARIS/LONDON: A FIRST LOOK, an art book by Henry Chamberlain and Jennifer Daydreamer

PARIS/LONDON: A FIRST LOOK

Paris/London: A First Look is an art book by Henry Chamberlain and Jennifer Daydreamer, published by Comics Grinder Productions. It is a tour of Paris and London through the eyes of two cartoonists. There are 24 drawings featured in this full color hardcover. You can buy it here.

Art by Henry Chamberlain

Henry and Jennifer set out to explore Europe together for the first time equipped with sketchbooks and eager to create art. This is their carnet de voyage to share with all those with a similar wanderlust.

Art by Jennifer Daydreamer

The idea for this book is simple: share one’s joie de vivre on a trip abroad. In this collection of drawings you’ll find a nice variety of subjects covered: culture, food, sightseeing, and the personal observations that you find in journal entries.

The Montparnasse neighborhood where we stayed for most of our visit to Paris.

What is it that compels someone to draw what they see? Well, that can be anyone for all sorts of reasons. One ideal scenario is when you’re completely out of your element. Say goodbye to the familiar routine. Set aside your regular obligations. Your only goal, really, is to be good to yourself. Of course, we can all do that right this minute right within our everyday life. But it never hurts to set out and explore something new, right? So, why not Paris? Why not London? Indeed!

Henry Chamberlain: “Sometimes, drawing in the rain is your best medicine.”

Let me give you a perfect example of how being out of the norm gives you that added boost. While Jennifer and I were visiting the Rodin Museum, it began to pour down rain like we hadn’t seen in a long time. It was nonstop and torrential. But we didn’t let that get in our way. In fact, I drew my portrait of Rodin’s Thinker while being pelted by rain. Would I have been so nonchalant about rain if I was trying to draw something in Seattle? Heck no, I would have just packed it up and walked away! But you draw from a special reserve inside you that is saved for moments like this. I told myself that I’d better concentrate and keep drawing since I didn’t know when I’d get this chance again! Sometimes, drawing in the rain is your best medicine. As it turned out, it all worked out rather well. The drawing I did was sealed with raindrops when I closed my sketchbook. The next time I opened it, I discovered that the ink had run onto the opposite page creating a perfect mirror image! Now, that sort of thing would not normally happen to me back in Seattle but I’m eager to be patient and see if it just might all the same. These trips abroad have a way of re-energizing you and giving you the added perspective you need once you’re back home.

Rules drawing by Jennifer Daydreamer

I’ll add a bit more here. I know that our trip did wonders for us. And we can’t wait to go back. This is our first book together. We have drawn mini-comics together but this is our first art book. I look forward to more collaborations and all sorts of other creative projects. And I look forward to visiting that venerable landmark in London, now one of our favorite places for a meal and a drink, Rules! Let me tell you about it. Established in 1798, Rules serves classic British food (especially game) in what we came to appreciate as, “Edwardian surrounds.” The restaurant is decorated primarily with an array of vintage artwork, especially old cartoons, which we really loved. For the more adventurous, after dinner, you can sneak up to the bar up two narrow flights of stairs. This is exactly where King Edward went to rendezvous with entertainer Lillie Langtry during the time of their affair. So, the place is a little dark, intimate, and filled with a sense of intrigue. It was perfect inspiration of Jennifer and she created one of her best drawings there. She gave it to the two bartenders that night. But I was quick to act and took a photo before it was on its way and added essential digital color once back in Seattle. Pretty cool, huh?

Around the Champs-Élysées

Alright, now that we’re quite settled in and I’m in a more chatty mood, I’ll continue along for some more. The photo above is another of many photos I took on the sly as we were briskly walking from one place to another. You wouldn’t know it but there’s a story here. We began our trip in London, then took the train to Paris, and ultimately took the train back to London. We found going through Heathtrow to be rather comforting. I recall Charles De Gaulle airport being very hectic from a trip many years ago. Anyway, the plan had been to have a spectacular view of the Eiffel Tower from the table we’d reserved at Chez Francis. But, for some reason, we were having great difficulty finding Chez Francis! We just didn’t have it all together yet. Subsequently, on our way from some other event, we stumbled upon Chez Francis and finally had our dinner with a view. This is a goal of many a tourist and even the Chez Francis menu is dominated by the Eiffel Tower. Later on, the next day I think, Jennifer wanted to know how it was that we missed the Arc de Triomphe if we were already on the Champs-Élysées. Well, it was already getting late and pretty dark and it just wasn’t meant to be! But I managed to get the above photo which I still like very much. I’m looking forward to finding the movie that is advertised on that column. Looks like it’s probably a moody action thriller, doesn’t it? Yeah, leave it to the French to make great moody action thrillers.

Paris/London: A First Look is available at the Comics Grinder store.

Paris/London: A First Look

 

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Filed under Art, Comics, Henry Chamberlain, Jennifer Daydreamer

Short Run Report 2019: Where the Heck is Marc Bell?

If you were looking for Marc Bell at Short Run, you were out of luck.

Marc Bell was designated as a special guest this year at Short Run Comix & Arts Festival in Seattle and he is, no doubt, a wonderful representative of the indie zeitgeist. The problem was that he was nowhere to be found. Literally, he wasn’t there. He didn’t show up. Always the comics journalist, I was able to track down the publisher of Neoglyphic Media and he was very helpful and nice to talk to. He explained that border crossings from Canada to the United States have become very problematic and it left Marc Bell one very concerned Canadian. He had to bow out. And that’s totally understandable. It’s a shame that the cancellation wasn’t announced on the Short Run website. But there is a nice interview with Bell you can read here. I was really looking forward to talking to Marc Bell but, who knows, maybe I’ll cross that scary border myself and meet up with him sometime. And let’s look forward to less problematic and politicized borders in the future, whenever that is. With that said, I’m going to share with you some items that you can find over at the Neoglyphic Media website: Worn Tuff Elbow #2 by Marc Bell; Boutique Mag #4; and The Assignment #1.

Worn Tuff Elbow #2 by Marc Bell

For the most diehard fans of Marc Bell, it has been 14 long years since his comic book, Worn Tuff Elbow #1. Now, the wait is over and Bell has returned to the comics page his characters, Shrimpy, Stroppy, Paul and his friends. As they say, this new issue turns out to have been worth the wait. From the very first page, all the way to the last, this is quite the surreal treat harking back to the best in early 20th century comic strips and underground comix from the sixties. It is Bell’s unique take, channeling a bit of Philip Guston along the way. And it’s all very clean and precise work. Imitators will be stymied since they always rush their work. Nope, this kind of art requires skill, integrity and determination. I should mention that this book is published by No World Books and distributed by Drawn & Quarterly. It happens to also be available thru Neoglyphic Media.

Boutique Mag #4

Okay, this next publication is co-published by No World Books and Neoglyphic Media. Great, hope that’s clear. This is Boutique Mag #4 and it features the work of Marc Bell. This one is a fun little book clocking in at 12 pages for $5, as opposed to the previous book with 36 pages for only $8. If you are a completist and enjoy little extras, then you may want to get the latest issue of Boutique Mag.

The Assignment #1 by Stathis Tsemberlidis

Finally, there’s The Assignment #1, which is published by Decadence Comics. This is 28 pages for $12. It is by Stathis Tsemberlidis, a cartoonist based out of London. It is well worth the relatively high price point. That’s just how it is with indie publications that seem to be in it more for the art than for anything else. The price for such a publication simply needs to be bumped up to help make up for the costs involved.  I’m very pleased with it. I wish I could have interviewed Tsemberlidis while I was recently in London. Perhaps next time. It makes me think of what David Bowie, during his Major Tom phase, might have done if he created comics. This book is distributed by Neoglyphic Media.

Alright, well that’s it. I need to get a bunch of reviews, and other goodies, including a British indie comics roundup, out the door before the end of the year so I hate to cut this one short but I must. You can expect another post really soon. In fact, there’s so much really yummy stuff that I could potentially present to you that, no matter what I do, stuff is going to inevitably spill over into next year–but so it goes. And you are welcome to reach out, comment and support my efforts however you can. Next year will see a lot more of the same quality content while also shifting towards balancing out what I’m doing behind the scenes, showing you more original artwork and just getting on with various projects. Well, there’s always tracking down Marc Bell. Yeah, that would be quite a fun and intriguing project all to itself, don’t you think?

Be sure to keep up with Short Run as they do all sorts of fun and interesting things during the year.

Visit Marc Bell here.

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Filed under Comic Arts Festivals, Comics, Short Run Comix & Arts Festival

Seattle Focus: Short Run Comix & Arts Festival on 9 November 2019

SHORT RUN 2019

Some events take on a life of their own and so it is with Short Run, the annual comic arts festival in Seattle. No matter who is in charge, what keeps this gathering alive is a core group of young people who have faith in comics and zines. No matter who is found to be a star attraction, no matter what the list of new titles known by the experts, it is the rush of young people seeking to connect with art and the zeitgeist who give this annual gathering its energy.

Special Guest Marc Bell

That said, much is put into organizing this event, lots of love and care. There are numerous workshops to enjoy. And this year’s special guest is renowned Canadian cartoonist Marc Bell, known as much for his comics and zines as his paintings. Many cities have at least one sort of arts festival such as this and Short Run is part of the Seattle landscape. It’s a combination of the aspirations of the show’s organizers and the zeal of its audience, the will of the people, that makes this possible year after year. If you are in Seattle, and especially if comic arts festivals are new to you, do make sure to pay a visit to Seattle Center, Saturday, Nov. 9th, 2019, 11 am-6 pm.

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Interview: Abby London and 50 Ways to Boot the Seattle City Council

In Seattle, if you’re concerned about public safety, you shouldn’t also have to worry about being labeled a NIMBY but that’s a problem with Seattle politics. It’s become such a problem that frustrated citizens are more than ready for a change in their so-called progressive city government. Well, I put on my reporter’s hat again and interviewed singer/songwriter Abby London who debuted a music video that speaks to many of us in Seattle who are simply looking for a fresh new approach and some common sense when it comes to issues of housing, homelessness, and public safety.

Sergio for city council. A campaign with style and substance that has struck a chord.

In my interview, Abby speaks with great conviction about how she can’t recommend Seattle right now to out-of-state friends. This concern rings true with so many people here in Seattle and beyond. It’s not very difficult for folks outside Seattle to relate with. We close our interview with a call for all Seattle voters to get out and vote in the August 6th primary election. Don’t be left out!

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Filed under Commentary, Homeless, Interviews, Music, NIMBY, Seattle

Seattle Focus: Speaking Out Against the “Progressive” Status Quo

The overall crime rate in Seattle is 115% higher than the national average. For every 100,000 people, there are 16.14 daily crimes that occur in Seattle. Seattle is only safer than 7% of the cities in the United States. The lack of good judgement from the City of Seattle has left Seattle in a chaotic state to put it mildly. To quote from a recent piece by The Seattle Times editorial board: “Seattle is in a crisis of its own making, with soaring crime in parts of the city enabled by lax enforcement and prosecution.”

“Public officials have abdicated their duty to deal with this criminal cohort. Their failure is creating a citizen backlash that could erode support for all homeless programs. Homelessness should not be criminalized. But crime cannot be excused or ignored.” –David Horsey, The Seattle Times

That said, we here in Seattle who are left scratching our heads must also contend with so-called progressives who believe that if you have a problem with crime then you are part of the problem. Which brings us to the above video by local singer/songwriter Abby London which should help stir up interest in voting in Seattle’s primary election on August 6th. London has just released this video to help shape a new Seattle City Council. One incumbent has already stepped down and others are not seeking reelection to the Seattle City Council, opening a crowded field of 55 candidates. They are offering a diverse range of solutions to problems such as homelessness, housing affordability and transportation.

The Seattle Times editorial  quoted above can be read in its entirety below:

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Seattle Focus: The Celebrated Return of RON and DON

Seattle’s Ron and Don – The Protectors of the People

Guest column by Jennifer Daydreamer

Any study of pop culture would not be complete without a look at talk show culture. Let’s take a look at Seattle’s Ron and Don. Followers of the former Ron and Don Show on KIRO would attest to the program’s integrity. They now have their own DIY podcast! These two cool dudes take up causes with honest discussion. In fact, I am knighting them,  “The Protectors of the People.”  Now, why such a lofty title? Because they have a knack for seeing an injustice before any of the local news media does. I am not kidding. Even if the media reports a story, Ron and Don are the ones who know how to put all the moving parts together.

Case in point: the homeless crisis in Seattle.  About ten years ago, long before the TV news reported that there are illegal encampments and any ramifications of crime, Don and Ron talked about these issues. They walked around their neighborhoods, scoping things out. They decided to just go to the RVs camped out and talk to the people there.  They said, quite emphatically, that many of the tenants are good people and being homeless is crushing. And yes, of course, that homelessness is not a crime. They talked quite a lot about volunteering at homeless shelters and how the listener can help. They also talked to policemen and firemen and they were really concerned, warning Seattle had a real problem it was not addressing. They said that there is a subset of the homeless population, not the majority by any means, but that there is this subset that is doing drugs and selling and stealing and they had weapons and they don’t care about you, nor your family and your kids. They said “We are really worried about this. We talked to the mayor and we talked to the council and no one is doing anything about it.”

I remember their warnings so clearly. I told myself that the mayor would step in if things got this unsafe for citizens, in the very least, the governor would step in. Cut to today. Based on my own crime experiences, and my friends and strangers I have spoken to, we are now all living their warnings.

Crime in Seattle has steadily risen in recent years. Regarding crime, it’s not the same Seattle from even just ten years ago. The discussion now is not about crime by the unhoused or by drug addicts or by the housed, it’s just about crime, man. That’s the bottom line.  Here are some recent basic facts: The overall crime rate in Seattle is 115% higher than the national average. For every 100,000 people, there are 16.14 daily crimes that occur in Seattle. Seattle is safer than 7% of the cities in the United States.

In case you don’t know, California arrests for .3 grams of any hardcore drug while Seattle does not. Hardcore drugs are illegal here but police have stopped arresting as attorneys are not prosecuting the way they do in a lot of states, including California.  Experts say that when you don’t arrest for hard drugs, it creates a lot of chaos in a society. Seattle police feel their hands are tied with red tape. Another way to put it, California is a liberal state and Seattle proper at least, is very far left by comparison on how it enacts its law and order.

Seattle media is very disjointed and it makes it difficult to find the truth. There are a lot of hard-working journalists out there but a lot of stories that should be common knowledge fall through the cracks. Many people know we have a homeless crisis but have no idea the crisis is cloaking “crime in general” activity. In other words, concerns about theft, break-ins and assault are looked upon as “complaints against the homeless” when people just want basic safety. That’s really what people want, including safety for the unhoused or homeless (choose your adjective) but all the moving parts of this BIGGER PICTURE are getting mixed up. There is in-fighting and sidetracks and name-calling and it’s really about grounding Seattle. Get the basic safety in place and then everyone can continue with improvements. Part of the problem is the fact that we are basically a one paper town. The Seattle Times does a good job, sometimes a great job, at reporting. But, it’s not enough. We need commentators like Ron and Don more than ever to keep us all informed with their natural point/counterpoint type of coverage. I am rooting for their continued success.

Be sure to listen and support the new Ron and Don Show.

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Seattle Focus: Sergio Garcia for City Council

Sergio Garcia for Seattle City Council.

We turn our attention to Seattle and a most engaging campaign by Sergio Garcia for City Council. This is a vibrant campaign on many fronts. One key element, to start off with, is the distinctive character illustration for the campaign. Garcia appears on campaign posters in the form of a contemporary Seattle police officer with prominent mustache and tattoos. The latest posters boil it all down to Garcia’s iconic mustache. It is a look that is getting people’s attention.

A campaign with style and substance that has struck a chord.

An essential issue that Garcia is addressing is the need for an improved and sensible approach to Seattle’s homeless population and related issues: affordable housing, crime and disruption. A basic need for safety is mired in politics and in desperate need of clarity. This is where someone like Sergio Garcia, with a law enforcement background and fresh perspective, steps in. Seattle citizens, fed up with the lax and chaotic approach to crime from the City of Seattle are more than ready for a fresh change and it looks more and more like Sergio Garcia can lead that new path.

Seattle is ready for a change.

And, with that said, it looks like this is a case where image and substance appear to be in sync. Garcia’s message, along with his brand, appears to be resonating with Seattle voters who are more than ready for a change. Having spoken with a number of business owners, the response I’ve gotten has been consistently positive. If Sergio Garcia wins, it will be thanks to a vigorous grassroots campaign. The primary election is August 6, 2019 and the general election is November 5, 2019.

Vote for Sergio Garcia, Seattle City Council.

For more details, visit the Sergio Garcia campaign site right here.

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Filed under Comics, Crime, Illustration, Seattle

Interview: Ulli Lust and ‘How I Tried to Be a Good Person’

Cartoonist auteur Ulli Lust

Ulli Lust is an artist who has created some of the most engaging work in comics. Her long form works include Today is the Last Day of the Rest of Your Life (2009), and her latest, How I Tried to Be a Good Person, both published in the US by Fantagraphics Books. These titles are wonderful testaments to the power of auto-bio graphic memoir. You can read my review of  the latest title in the previous post. In this interview, I chat with Ulli Lust about her work and about being an artist. The transcript follows and you can also see the video by clicking the link below.

HENRY CHAMBERLAIN: Do you find that creating comics is becoming easier for you?

ULLI LUST: It’s absolutely easier. After the first one hundred pages, you get into the flow of the book.

What do you think people in the United States might not understand about the great love for comics in France?

Maybe it’s not well known that the French comics readership is the second largest comics market in the world, after the Japanese. And the third largest is American. France is not a very large country and yet it is producing so many comics, I believe it is 5,000 per year, with all those readers, I  don’t think that’s common knowledge. The French love comics.

Today is the Last Day of the Rest of Your Life

Please share about your writing process. For example, when you are working out a narrative, do you recite it in your head and then share it with friends, tell them the story and see what they think?

It actually is a very good technique to tell your story to other people because you get to know what points are interesting and which are not. The problem with my comics is that the stories are too complex to tell in a short from to a friend. I need all these pages to bring out a story’s details which sometimes are not very logical in itself. If I do tell a story to a friend, I mainly keep to the fun parts. I don’t talk about all the details that seem illogical. For example, with Today is the Last Day of the Rest of Your Life, I would talk at parties about the stories involving the Mafia but I could never really communicate the real impact of the whole trip because these stories aren’t simply funny.

Would you share about your drawing and comics production process. For example, how do you color your work?

The colors I do only on the computer. I care about the linework. It needs to be strong and fixed. The color is only a second layer. I want it to just be flat. The color doesn’t need to have character. So, the computer coloring is perfect.

It’s an aesthetic choice. You don’t want to mess with shading and other effects. You want the color to serve a secondary function.

I like the old-fashioned printing of the early 20th century. The lithographs were very flat. The colors were very separated. The linework is very important but the shading effects are not important. I don’t think that is necessary for comics, at least not for the comics that I create. I really like the more raw drawings.

How I Tried to Be a Good Person

What can you tell us about the love triangle between the characters Ulli, Georg and Kim? What can you tell us about this problematic relationship?

I told this story about a problematic relationship because the problematic stories are always more interesting. I’m in a very happy 20-year relationship with this man (points over to her partner, the artist Kai Peiffer) and we don’t have any problematic stories to tell! I told the story of the triangle with Georg and Kim because I find it important to say that you don’t have to stick to a monogamous partnership. That has its own set of problems. Actually, I was surprised at how well that triangle relationship worked for a time and I wanted to show that. That it didn’t end well in the end is a pity. Maybe it makes for a richer story and brings in other social aspects. It was important to talk about domestic violence. I didn’t experience that a second time, only that one time.

Could you give us a taste of what it’s like leading a class in comics since you teach at the University of Hanover. What are the typical expectations of students?

I teach drawing, comics and storytelling. My students are mainly graphic designers, not illustrators. I do a lot of exercises to train their senses, curiosity and attitude as creators. I think the mindset is important as an artist. Whatever you do, a comic, a painting or a website, it all requires a certain mindset.

How might you compare the process of making comics with other forms of art? For example, with painting and comics, the process begins very loose and bit by bit you are refining.

I envy painters because they can create with their raw emotions and they don’t have to think so much. There are so many details to juggle with comics. I think it’s easier to do a big painting than it is to do a work in comics.

Do you have any observations on the art and comics scene? You always need to maintain a certain cool appearance as an artist even though that has nothing to do with how good an artist you are.

I feel at home in the art scene. I don’t feel at home in a more restricted environment. So, I don’t need to play it cool.

Who are some cartoonists right now that really wow you?

I like a lot of the American women who are creating comics and storytelling: Lauren Weinstein, Leela Corman, Keiler Roberts and Liana Finck. If I were to put together an anthology, I would include them as well as other cartoonists. I discover them through the internet. And they’re really great.

Any final thoughts? Anything else you might like to add?

For sure, there are plenty of things. Going back to teaching, I would tell students that want to go into comics that it isn’t instant success. It involves so much work. My students need to create a comic during the course but I don’t push them to continue on with it after the course is done. It has to be their own decision. They really have to want it. Otherwise, it doesn’t make sense.

Be sure to take a look at the video interview by going to the link below:

How I Tried to Be a Good Person is a 368-page trade paperback, published by Fantagraphics Books.

Be sure to visit Ulli Lust right here.

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Filed under Comics, Fantagraphics Books, Graphic Memoir, graphic novels, Interviews