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Review: Basquiat: A Graphic Novel by Paolo Parisi

Basquiat: A Graphic Novel by Paolo Parisi

The artist Jean-Michel Basquiat is a monumental figure in contemporary art for a number of reasons. To say that Basquiat was at the right place at the right time is a great understatement. In his case, he seems to have been born to conquer the art world despite the drawbacks of starting out with zero connections and zero money. Personally, for me, I had filed away Basquiat in my mind many years ago  and hadn’t looked back. I look back fondly, and return regularly, to a number of artists ranging from Edward Manet to R.B. Kitaj but not Basquiat…not until recently. I happen to have been in New York and got to see a spectacular Basquiat show. It then dawned on me that, the further away one is from New York, the less is known or understood about Basquiat. Like it or not, Basquiat is an obscure household name! Some people love him and some hate him and probably for all the wrong reasons. I wasn’t sure if one graphic novel could help shed sufficient light on the subject but I decided to find out by reading Basquiat: A Graphic Novel by Paolo Parisi, published by Laurence King Publishing. This new English translation by Edward Fortes will be a welcome addition to anyone interested in better understanding one of the most celebrated and enigmatic of artists.

Basquiat: A Graphic Novel by Paolo Parisi

Paolo Parisi is in many ways an ideal artist to create a graphic novel about Basquiat. Parisi has proven himself to have the right temperament for the job. His previous graphic novels include a book on John Coltrane and one on Billie Holiday. As he puts it, his graphic novels all follow a common thread that includes “jazz, art, painting and process, rhythm, rigor, improvisation, and spontaneity.” Well, you can find all of that with Basquiat, an artist that jumped feet first into his art at an early age and never looked back, as if guided mostly by instinct and sheer will. His was an original and singular vision.

Basquiat: A Graphic Novel by Paolo Parisi

Within this biography, the reader will come away with a good sense of the trajectory of Basquiat’s art career, from his early forays into street art to his mugging for the camera on cable access to his navigating the highest levels of the New York art world. Parisi does a great service to Basquiat by generously quoting directly from him and from the people who knew him best. Much of this book is made up of quotes, transcriptions from letters, and just the right amount of carefully composed dramatization. The bold use of color in this graphic novel is supposed to evoke the same bold use of color that Basquiat used in his own paintings. Alas, we somehow don’t explore any of Basquiat’s actual paintings! Diego Cortez, the curator of the famous Times Square Show that helped to launch Basquiat is quoted: “Jean had something different. He reminded me of Cy Twombly and Franz Kline. He didn’t even know who Kline and Twombly were, but he had instinct, charm, and energy on his side.” There is plenty of instinct, charm, and energy on display in this book. And you can take it any way you like: for beginners, it’s a wonderful first step; for those familiar with Basquiat, it’s a great New York fable.

Basquiat: A Graphic Novel is a 128-page hardcover, in full color, published by Laurence King Publishing, English translation edition (May 14, 2019).

 

 

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Filed under Art, Basquiat, Graphic Novel Reviews, New York City

ECCC Interview: Camilla d’Errico, Pop Surrealism, Comics and Illustration

Camilla d’Errico has something for you: graphic novels, how-to creative books, coloring books, paintings, prints, and so much more. Welcome to the world of Camilla d’Errico! If you’re into manga, Pop Surrealism, or even classic Italian painting, this artist is for you! You can call her a commercial artist or a fine artist. She’s definitely both. In this interview, we explore as much as possible in a brief video format. I offer up a new buzzword in Pop Surrealism, the idea that we’re living in the era of the Anthropocene, a time when us humans are dominating over the climate and the environment. Hope you like this short and sweet interview. Just click above.

Camilla d’Errico at ECCC 2019

If you’re heading out to Emerald City Comic Con, March 14-17, be sure to visit Camilla d’Errico on the main Exhibitor Floor at Booth 108!

In the Studio.

As I say, there is so much to love from the world of Camilla d’Errico, which includes melting rainbows, fuzzbutts, and albino rhinos! Be sure to keep with her in 2019. She has a new book out and new gallery art show!

POP MANGA DRAWING

POP MANGA DRAWING is a new how-to book detailing how to draw in the d’Errico style with pencils, available July 2nd from Watson-Guptill.

ZODIAC

ZODIAC is a new art show at Haven Gallery in New York that will run from May 11 thru June 16, 2019.

Femina & Fauna, by Camilla d’Errico, published by Dark Horse Comics

Camilla d’Errico has been making waves in the fine art and comic industries with her manga-influenced style. Ever the prolific artist, d’Errico is an urban contemporary painter, illustrator, designer, character creator, and comic artist residing in Vancouver, Canada. Nominated for both Eisner and Joe Shuster Awards, she has worked with Random House, Dark Horse Comics, Image Comics, and Tokyopop. Her creator-owned properties include the graphic novel BURN and SKY PIRATES OF NEO TERRA. TANPOPO, d’Errico’s passion project, has been embraced by fans and independent comics collectors for its highly original combination of classic poetry and literature blended with her unique “West Meets East” drawing style. She has collaborated with Neil Gaiman, Sanrio, Disney and Mattel. d’Errico has distinguished herself through her ability to seamlessly weave manga and western comic art, creating a unique style that bridges cultural and geographical boundaries, while remaining totally relevant to today’s varied audience.

Visit Camilla d’Errico right here.

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Filed under Camilla d'Errico, Comics, ECCC, Emerald City Comic Con, Pop Surrealism

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

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Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Review: DISCOUNT DEMON DEALS by Michael Koehler

DISCOUNT DEMON DEALS by Michael Koehler

“Discount Demon Deals” is a hilarious mini-comic devoted to demons by Michael Koehler. Done is a wacky style that would fit right in on Cartoon Network, Koehler’s demons are at once hideous and whimsical. The idea here is that this is a catalog presenting the latest in appealing demons. All you need is your demon credit card and a reasonable number of souls in stock in order to properly catch up on this season’s demons. For more details, visit Michael Koehler right here. And, if you are in Tacoma, be sure to stop by and see an art show featuring Koehler’s artwork this Saturday, February 3rd, from 6-8pm at Destiny City Comics:

Lore of the Lords – Showcasing the Art of Michael Koehler

Here are some more details from Destiny City Comics:

Lore of the Lords – Showcasing the Art of Michael Koehler
February 3 @ 6:00 pm – 8:00 pm Free

A strange look into the modern folklore and fantastic characters imagined by artist Michael Koehler, Lore of the Lords takes a tour through the tribes residing within the elusive cult realms.

“You enter through a dark whirlpool to find yourself at the mouth of a great trench. As you look around, you find this world is full of strange and mystical creatures. They seem to be some sort of ancient looking, animalistic people. Suddenly a large reptilian scout spots you and bellows out a deafening screech as you try to find your footing along the loose, rocky chasm. You see flying in the cloudy sky above, a bat like figure quickly descending upon you. You scramble out of the way just as it swoops down at your feet. Looking up at you with three crazed eyes and psychedelic features, it lets out several high pitched chirps and begins lurching toward you. A gang of grotesque bat faced creatures surrounds you as you look for an impossible escape. Each wretched bat drips with slimy plasma and is armed with arcane tools and primitive looking weapons. As a tall, fiery red faced man-bat leans into your face and sniffs piggishly, you utter, “What… where am I?” It lets out a wild cackle and replies, “You have entered our world through the black void, and so now, you are ours. Just as everything that enters… Into the Cult Realms.”

Be sure to visit and experience this highly original art firsthand. Facebook Event Page is right here.

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Filed under Art, Comics, Destiny City Comics, Michael Koehler, Tacoma

Review: MUNCH by Steffen Kverneland

MUNCH by Steffen Kverneland

MUNCH by Steffen Kverneland

When an artist draws or paints expressive work, he or she owes something to Edvard Munch. Whether that work is still compelling in the 21st century, is totally up to that artist. In 1893, when Munch created the first version of what is famously known as “The Scream,” he was 30 years-old and there was no question he had unleashed something new. Steffen Kverneland taps into that sense of urgency and excitement in his graphic novel, MUNCH, the latest in the Art Masters series published by SelfMadeHero.

August Strindberg and Edvard Munch

August Strindberg and Edvard Munch

If Edvard Munch was a free spirit, then he met his match when he befriended the flamboyant playwright and artist August Strindberg. Between the two of them, they boldly embodied everything you’d ever want to know about Expressionism. These guys lived it at a raging pace with wine, women, and song. The party was supposed to never end — and then each ending was capable of tearing these fierce bohemians to shreds as they quarreled, mostly over women. That crazy energy is mirrored throughout this book by cartoonist Steffen Kverneland masterfully inserting his own highly spirited debates on Munch with his friend and collaborator, Lars Fiske.

MUNCH by Steffen Kverneland, part of the Art Masters series from SelfMadeHero

MUNCH by Steffen Kverneland, part of the Art Masters series from SelfMadeHero

What such men as Munch and Strindberg, so full of talent and lust, really wanted is explored in Kverneland’s book with great gusto. At times, you feel like you’re there with the model/lover/destroyer of the moment. In the same spirit as Munch’s vow to paint what he saw (what he felt) as opposed to what he literally could see before him, so too Kverneland engages with his subject. Munch is depicted here as any other man, full of flaws, and open to some cartoonish interpretation like anyone else. But this is Edvard Munch, after all! Due respect is made too. Kverneland’s strict use of only actual writing from Munch, rounds out the authentic effect.

Munch and his model

Munch and his model

Kverneland including himself in his work follows a long tradition. I can tell you, as a cartoonist, I find it often unavoidable and an essential element. Kverneland even finds a genuine link between Munch and the comics medium. In the 1880s, Munch had been following a plan that would have led him to auto-bio comics nearly a century before R. Crumb! Words and pictures. There’s always been that link. Munch maintained that his visual art always began as text. And, for a time, he was pursuing illustrated journals. For someone so in tune with sharing his life experience, a life intertwined with words and pictures is inevitable.

Steffen Kverneland discusses the creation of MUNCH with a friend

Steffen Kverneland discusses the creation of MUNCH with a friend

MUNCH is a 280-page trade paperback, available as of May 10th. For more details, visit SelfMadeHero right here.

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Filed under Art, Art books, Bohemians, Comics, Edvard Munch, SelfMadeHero

Review: POP PAINTING by Camilla d’Errico

Pop Painting Watson-Guptill

“Pop Painting,” published by Watson-Guptill, is an essential guide for artists and anyone interested in contemporary art. The art world can seem like a murky and mysterious place depending upon where you look. However, some things about art are pretty straightforward: successful art requires a focus on theme coupled with a dedication to craft. I know this as an artist and art lover. As a working artist, I juggle a number of tasks. And, at those times when I could use some inspiration, I’m always pleased to find great art books from Watson-Guptill that demystify and enlighten.

Pop Painting Watson-Guptill 2016

Camilla d’Errico is a professional artist who follows a certain routine and way of seeing the world. She presents a highly engaging collection of work that falls within the category of Pop Surrealism. This is an art movement that, in a nutshell, takes various elements in pop culture and places them in a dream-like environment. The results can be quite stunning. In her new 248-page full color book, “Pop Painting,” d’Errico shares with the reader her views and her methods. She takes an honest step-by-step approach providing real examples with real solutions.

Pop Painting Camilla dErrico

In the world of art and art-making, there are many things that remain constant and always will be: art training still involves life drawing, perspective, and actual hands-on work. As we bring in other disciplines, we still respect, and need, traditional methods. In the last twenty years, right alongside digital art, we have seen an explosion in interest in art-making stemming from the basic sources of drawing and painting. This had led to the comics medium being acknowledged as an art form in its own right. And this is something that Watson-Guptill has whole-heartedly embraced with books specifically on all aspects of comics from drawing to writing. So, it is no surprise to see this latest book, “Pop Painting,” with its unique focus on Pop Surrealism. It will be of interest to anyone, from the generalist to the specific fan. For more details, visit our friends at Watson-Guptill right here.

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Filed under Art, Art books, Camilla d'Errico, Drawing, Painting, Pop Surrealism, Watson-Guptill Publications

Review: ‘The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism’

Mark-Crilley-Realism-2015

You may know Mark Crilley from his manga series, “Miki Falls,” or his series with Dark Horse Comics, “Brody’s Ghost.” Or you may know him as the internet viral sensation. Crilley’s drawing demonstration videos have received well over two hundred million views on YouTube. You’ve probably seen them. The challenge is to create hyperrealistic versions of common objects that look just like the real thing—something humans have been trying to do for thousands of years. The French call it “trompe l’oeil.” And now the secrets behind creating this art have been collected in one book so you can see for yourself what it takes to do your own hyperreal drawings.

The Realism Challenge is easy in a lot of ways. Just follow the step-by-step instruction, and you’ll be amazed at the results you can achieve. Even if you don’t fancy yourself an artist, getting to see the process is fascinating. But chances are that, once you become familiar, you’ll want to try your hand at it too.

Toast--from The Realism Challenge by Mark Crilley--2015

We hear a lot about the hyperreal world we live in. The realistic work of Mark Crilley is perfectly in step with a zeitgeist that revels in intense, vivid, and urgent reality. That said, realistic art is as timeless as the pursuit of realism.

Mark-Crilley-Hyperrealism

“The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism” is published by Watson-Guptill, an imprint of Penguin Random House. It is a 160-page trade paperback, with 200 illustrations, priced at $19.99 (Can $23.99). You can find it at Amazon right here.

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Filed under Amazon, Art, Art books, Comics, Hyperrealism, Illustration, Mark Crilley, Penguin Random House

Art: SPRING LIFT

OLYMPUS DIGITAL CAMERA

Here’s a new painting I did entitled, “Spring Lift.” First day of spring is this Friday, March 20! This painting incorporates thoughts of Seattle in the spring and the Macefield Home, a symbol of resistance.

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Filed under Art, Ballard, Edith Macefield, Henry Chamberlain, Illustration, Painting, Seattle

Jeremy Eaton Holiday Art Show in Seattle, Saturday, December 13, Noon to 6pm

Holiday-Art-Show-Jeremy-Eaton-Studios

For our Seattle readers, be sure to stop by and check out the boldly ironic paintings of one of Seattle’s favorite sons, Jeremy Eaton. He regularly graces the pages of our favorite alternative weekly, The Stranger. Jeremy Eaton is a published cartoonist, illustrator and painter living in Seattle. For his paintings he utilizes discarded plywood he finds in the shipyards of the city, applying acrylic paint in bold splashes of color and overlapping strokes of black in order to replicate the pulp printing of the comic books and magazines of his youth, often sublimating this with wider cultural themes and commentary. Be sure to visit Jeremy right here.

More details follow from Jeremy Eaton:

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Filed under Art, Comics, Illustration, Jeremy Eaton, Painting, Seattle, The Stranger

Review: ‘Glacial Period’ (Louvre Collection)

Glacial-Period-Nicolas-De-Crecy-NBM

This week we will consider NBM ComicsLit’s collection of comics with a Louvre-inspired theme. We begin with the book that kicked it all off back in 2007, Nicolas De Crécy’s refreshingly cool look at art, “Glacial Period.” It was such a wonderfully odd duck of a book that the paperback promptly sold out and had been hard to find until now. Just released, “Glacial Period” finds a new home in a bigger hardcover edition. This little gem spurred The Louvre museum to become involved in a co-edition of a series of graphic novels, each a vision by a different artist of the great museum.

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Filed under Bande Dessinée, Comics, ComicsLit, France, Graphic Novel Reviews, graphic novels, NBM