Tag Archives: Paris

Review: ‘Ville avoisinant la Terre’ by Jorj A. Mhaya

Our hero

Taking a global view, there’s isn’t a hotter book right now than “Ville avoisinant la Terre,” by Jorj A. Mhaya. It was originally published in Arabic in 2011 by Dar Onboz. And it has been recently translated into French by Éditions Denoël. This is a gorgeous book and it is only a matter of time before there is an English translation. In the meantime, I would encourage you to seek it out now and get ahead of the pack. If you enjoy the convenience of Amazon, you can find it right here. Let’s take a closer look.

The setting: Beirut, Lebanon

Over years, I’ve enjoyed a number of comics in languages I don’t know well or at all. For example, you don’t have to know French to enjoy the artwork of Blutch or Tardi. And so it is with the artwork of Mhaya. He has a wonderfully sensitive and expressive line punctuated by his use of China black ink wash.

A map for some context.

You will get much of the gist of the narrative by simply following along our main character, Farid Tawill, a typical office worker from Beirut. It may be evident from what you see but, just in case, this man’s world has been turned upside down. On his way home from the office, he finds that the apartment building where he lives with his family has disappeared. Further along his search, he finds his whole city as become alien to him. Like a character out of Kafka, or from an episode of “The Twilight Zone,” our hero appears to be in an alternate reality.

Front cover of “Ville avoisinant la Terre” by Jorj A. Mhaya

Alienation is a favorite subject in art. Edvard Munch’s “Scream” series, first begun in 1893, is the most famous example. And it comes as no surprise that, over a hundred years later, we find Munch quite relevant–feel compelled to add more to the discourse on disconnection–and see how the world has forged some pretty heavy links. It’s not lost on Mhaya from his vantage point in Beirut.

Back cover of “Ville avoisinant la Terre” by Jorj A. Mhaya

Mhaya wants you to feel the surreal quality to his homeland. He has stated that he gained a lot of insight from the photojournalism he grew up with: the urgent black & white news photos during the Beirut civil war in the ’70s and ’80s help to inform his moody ink wash artwork.

Page excerpt from VLAT

How much more absurd can life seem to be than to live in a perpetual war zone? No wonder Mhaya has an obese Batman character chasing our hero down the streets.

Page excerpt from VLAT

What Mhaya has done with this book is set up a vehicle upon which to comment upon the absurdity of life, weaving back and forth from the specifics (his own experiences, views, and concepts) and the general human condition. This is what any great novelist, filmmaker, painter, etc. does on some level: set the stage and then perform. It is certainly a process well suited for a graphic novelist.

Page excerpt from VLAT

So, you can see that you can do very well from just reading the images. Yes, you do want the text. In fact, you do need the text. But we can live with just the images. We see the little hooks that motivate the artist: everything from a close-up of a mangy dog to a close-up of a woman’s pretty feet. This or that panel do not just appear out of nowhere. The dog is a symbol of isolation. The feet are a symbol of release.

Page excerpt from VLAT

It appears that our hero is forced to confront his life in every which way possible: philosophical, emotional, sexual, intellectual. He is not just in an alternate reality. He is in a place that forces him to experience a heightened sense of reality. His choices, what he learns, what he survives, will determine his fate.

“Ville avoisinant la Terre” by Jorj A. Mhaya

And here I am commenting up a storm and I’m only relying upon the pictures! Well, it makes total sense that this book went first with a French translation in order to make the natural progression to being part of the prestigious Angoulême Comics Festival. And now English readers can’t wait to join in. The loose translation in English to this book is “City Neighboring the Earth.” I look forward to that title in the near future.

“Ville avoisinant la Terre,” by Jorj A. Mhaya, is an 88-page hardcover, black & white with tones, translated into French by Éditions Denoël. Find it at Amazon right here.

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Filed under Angoulême, Angoulême Comics Festival, Éditions Denoël, Beirut, Comics, France, Franz Kafka, Graphic Novel Reviews, graphic novels, Jorj A. Mhaya, Lebanon, Middle East

Review: ‘Guardians of the Louvre’

Jiro Taniguchi Louvre comics

I would love to know the details on the Louvre series published by NBM. This latest installment, “Guardians of the Louvre,” by acclaimed manga artist Jirô Taniguchi just goes to show once again how unique this subject is and the endless possibilities for it. What a great cartoonist wants in a project, especially one who both writes and draws and has done so for many years, is a task worthy of the enormous effort. And, to sweeten the deal, make it something heroic. A cartoonist loves it when he or she can make a grand gesture.

Reading Guardians of the Louvre

Reading Guardians of the Louvre

What I’m saying about the grand gesture is so very true. Look at how Taniguchi responds to the task: his main character/alter ego is reduced to a little heap in comparison to the Louvre and its many treasures, opportunities, and mysteries. He arrives in Paris completely spent from a bad case of the flu. He is completely overwhelmed, out of his element, his observations through a fever dream. Like Little Nemo on his magic flying bed, we set off on a most unusual journey.

The Louvre, outside of any known realm.

The Louvre, outside of any known realm.

Our hero, due to a bad rabbit stew or some such mishap, is now in tune with the supernatural elements of the Louvre. When you consider that we are talking about a museum that is over 200 years old, as large as ten football fields, holding 70,000 pieces of art going back to antiquity, well, it would not be surprising to find that it has many tales to tell and that it is at least a bit haunted, right? Taniguchi asks that you run with that idea.

And so one grand gesture leads to another. We see poltergeist in all their gloopy glory floating about. We meet a beautiful ghost, presumably the Winged Victory. And, it just goes on from there as we go in and out of time, meet various artists long gone expect very much alive in this moment. The Louvre is a House of Leaves. It is a place that insists you shed your normal skin and walk amongst it. You inhabit a place such as the Louvre and you can’t help but let it inhabit you.

“Guardians of the Louvre” is the latest in the NBM Louvre series. It is a full color hardcover, right to left reading manga-style, 8 x 11, 136 pages. For more details, go right here.

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Filed under Art, Art books, Art History, Comics, France, Graphic Novel Reviews, graphic novels, NBM Publishing, Paris, The Louvre

Review: Girl Over Paris #1 (of 4) (The Cirque American Series)

Jules Maroni out to prove them wrong.

Jules Maroni out to prove them wrong.

Jules Maroni is a celebrity tightrope walker connected to the supernatural in the latest comic from Amazon’s Jet City Comics. I love a good story with complications. Part of the fun of reading a comic that is hinting at something spooky around the corner is how it creates its trail of breadcrumbs. “Girl Over Paris” sets the tone for a spooky adventure with style and joie de vivre.

Part of Gwenda Bond’s CIRQUE AMERICAN universe, this story, written by Kate Leth (Patsy Walker, A.K.A. Hellcat!, Adventure Time: Seeing Red), follows Jules and the gang as they fly from the U.S. to France in order to perform at a big event and allow Jules to regain her stature after a long hiatus. Artwork by Ming Doyle (The Kitchen, Constantine: The Hellblazer) and colors by Andrew Dalhouse enhance the pixie-romantic quality to this tale.

Reading "Girl Over Paris #1"

Reading “Girl Over Paris #1”

There’s a lot of luscious detail to this comic that sets it apart. I like the gentle pace too. Ms. Leth does a wonderful job of allowing us into the innermost thoughts of Jules: she is making a comeback, opening up to her new boyfriend, and confronting a supernatural entity. That’s quite a lot for a first issue.

Girl Over Paris #1 (The Cirque American Series) is available as of July 6, 2016. You can find it at Amazon right here.

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Filed under Adventure, Amazon, Amazon Publishing, Comics, Comics Reviews, France, Gwenda Bond, Jet City Comics, Paris, Young Adult

Review: ‘Cruising Through the Louvre’ by David Prudhomme

CRUISING THROUGH THE LOUVRE

CRUISING THROUGH THE LOUVRE

Paris, and the Louvre, are beacons to artists and art lovers and will always be. What we know is that such things matter dearly, are a deeply essential part of life. Now, in the aftershock of the horror of the terrorist attack in Brussels, we choose to remain alert and vigilant but we also choose to remain steadfast in our celebration of humanity at its best. There is no other way. So, with that in mind, it gives me added resolve and passion, as I share with you this latest item. Oh, yes, this is such a relevant book with that heightened sense of timelessness. Look at this book and you’ve met a good friend, David Prudhomme’s new graphic novel, “Cruising Through the Louvre,” published by NBM Publishing.

With old pal, Rembrandt

With old pal, Rembrandt

David Prudhomme is a man to watch, indeed. He is a fellow cartoonist who I would love to meet sometime. I’m sure we’d have plenty to talk about. I see his work as full of a zest for life in all its lusty and gritty splendor. Now, take a cartoonist such as this and set him loose in the Louvre. Well, Mr. Prudhomme certainly lives up to the challenge. I know that, if I was set loose in the Louvre, I would have my own idiosyncratic view, and so it certainly is with this masterful artist. It may seem easy but to throw down the scenario of an offbeat observer wandering through some of the greatest art of all time is quite a mind-bending proposition. This requires a steady hand, brain, and hours of editing as all these impressions that come to mind must finally adhere to some coherent narrative.

Reading "Cruising Through the Louvre," by David Prudhomme

Reading “Cruising Through the Louvre,” by David Prudhomme

Prudhomme has a beautifully loose style that evokes a stream of consciousness outlook. Prudhomme is in the Louvre ostensibly to find his girlfriend, Jeanne. This may or may never happen. That does not really matter. The guy is wearing a baggy coat, a huge Russian fur cap with ear flaps, and he’s got his cell phone at the ready. He gets to spend some time with his good pal, Rembrandt, and then he’s on the move, looking for Jeanne, marveling over art, and endlessly people-watching. The sensory overload is intoxicating. Soon he is recombining people with art: one tourist’s foot aligns with the foot from a sculpture; or one sleepy heap of museum patrons seamlessly fit as an extension of Théodore Géricault’s “The Raft of the Medusa.”

A zest for life

A zest for life

We enter into a whole other world when we inhabit such a place as the Louvre. It really isn’t something you want to leave for just a couple of hours. I would easily go each day for weeks, months, if not years. It would not take too much in the way of convincing for me to return to my old museum guard days. Roaming through such vast expression of sensual delight, it would also not take too much convincing for me to return to my days as a life drawing model. Ah, such is the power of the Louvre. But, most of all, it is a place that inspires me both as writer and artist. Everyone finds something to lose themselves in. Prudhomme is wonderfully uninhibited with his observations. He is keenly aware that, once out of one’s element, people can get in touch with content they would normally zone out. For instance, consider Prudhomme’s drawing of a tourist snapping a photo of an old warrior’s genitals. Well, within context, it makes total sense. Snap away!

What Mona Lisa saw

What Mona Lisa saw

The Louvre has always been a place for the people. Give people a chance to enjoy art, and they will rise to it. Give them the Louvre, and you have provided heaven on earth. Prudhomme does not shun or ridicule the public’s hearty appetite for snapping photos and video. In fact, instead of shaking his head over what some might dismiss as the spectacle over viewing the Mona Lisa, he wonders what people do after they’ve gotten their good look. He also wonders what Mona Lisa would see if she bothered to look back at all her admirers. There’s no easy answer. There’s just too many people to consider. All that humanity enjoying their time in the Louvre for a multitude of reasons, no one reason being better or worse than the other! All this, Prudhomme manages to speak to in this quite remarkable book. Bravo! This is a keepsake that you will enjoy many times over.

"Cruising Through the Louvre," by David Prudhomme

“Cruising Through the Louvre,” by David Prudhomme

“Cruising Through the Louvre” is an 80-page full color hardcover. For more details, visit NBM Publishing right here.

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Filed under Comics, David Prudhomme, France, Graphic Novel Reviews, graphic novels, NBM, NBM Publishing, Paris, The Louvre, Travel

Review: ‘The Arab of the Future: A Graphic Memoir’ by Riad Sattouf

Arab of the Future Riad Sattouf

“The Arab of the Future: A Childhood in the Middle East, 1978-1984: A Graphic Memoir,” by Riad Sattouf, is a must-read for anyone interested in a story that helps to illuminate the ongoing conflict in the Middle East. As I was preparing this review this weekend, Saudi Arabia cut diplomatic ties with Iran over events that heated the tension between the Sunni majority and the Shitte minority. Brought down to an intimate level, in the spirit of Marjane Satrapi’s “Persepolis,” Sattouf’s graphic novel takes us into a part of the world many of us would like to understand better.

Riad Sattouf Arab of the Future

Riad Sattouf provides us with a amazing tale spanning his earliest years, from birth up to age six, in this first part to his memoirs. Told from a child’s point of view, it is eye-opening and honest. But it’s also told from a no-holds-barred adult’s point of view. Sattouf was a contributor to the controversial satirical publication, Charlie Hebdo. What this extended narrative helps to do is give some insight into a certain way of seeing and a certain sense of humor that may challenge readers the further away they are from the scene. Sattouf is in a unique position to undertake such a work having been born into a family with a Syrian father and a French mother.

No doubt, this is not a sentimental journey. And, while it is educational, this is not suitable for children. I’d say late teens on up. Above all, this is a fascinating story with a whimsical and surprising energy. We follow little Riad literally from his earliest days as a cute towhead frolicking in innocence. And, little by little, we see that innocence chipped away.

Sattouf depicts his father as both bookish/academic and crude/uncouth. His mother he depicts as refined but ultimately subservient to her husband. And Sattouf cannot help but dwell on the backwardness and the darkness he believes he may have witnessed in the Middle East at such a young age. He regularly describes the Arabs he comes in contact with in terms of the sweat he smells from them. While that is more of the child’s-eye at play, it speaks to a special tension the author is dealing with. Sattouf sees himself, like Marjane Satrapi, as an ultimate outsider. As the book’s title ironically states, it is little Riad who is in conflict with the idea of being the Arab of the future.

Aside from the portrait of young Riad, the portraits of Libya under Gaddafi and Syria under Assad are quite interesting. We get a firsthand look at Gaddafi’s attempt at creating a utopia with free housing for everyone. There’s only one catch: you can’t lock your home. So, if someone else comes by in need of a home, and you’re not around, they can take it over. Assad’s Syria, during a relatively peaceful time, looks like a war zone.

Sattouf’s father, full of idealism and for his own selfish reasons, brings his family to live in very challenging conditions in Libya and Syria. To make it worse, Sattouf would be moved back and forth so he had life in Paris to factor in as well. It was to be a life layered in conflict on many levels. Which brings us back to Sattouf’s connection with Charlie Hebdo and its controversy and tragedy. The biggest problem that a provocative one panel gag cartoon has is that it is a provocative one panel gag cartoon. However, with a graphic novel, you have a much better chance to deal with a myriad of thoughts and emotions running a lifetime, running generations. So, yes, this book will provoke. You should know that. But it is definitely worth reading.

“The Arab of the Future: A Graphic Memoir” is a 160-page trade paperback published by Metropolitan Books, an imprint of Henry Holt. For more details, visit the book’s site right here.

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Filed under Charlie Hebdo, Comics, Graphic Novel Reviews, graphic novels, Middle East

Interview: Chris Hunt and CARVER

CARVER: A PARIS STORY by Chris Hunt

CARVER: A PARIS STORY by Chris Hunt

This is a really fun interview. I feel that I do a very good job of keeping things in play but it ultimately comes down to my subject. Well, Chris Hunt is an excellent subject. With a wonderfully self-effacing sense of humor, Hunt provides a behind-the-scenes look at a young man making it in New York City. He’s tried his hand at acting. He’s gotten to learn at the side of master cartoonist Paul Pope. He’s living the dream. That NYC energy has made its way into his new crime noir adventure, the comic book series, CARVER: A PARIS STORY. Check out my review right here.

So, the main character is Carver, a guy who looks like he just stepped out of a Ernest Hemingway novel. And Carver is up to his eyeballs in trouble and adventure in the same spirit as the comics of masters like Milton Caniff, Hugo Pratt, and Paul Pope. Now, check this out, our cartoonist friend here, Chris Hunt, looks like he just stepped out of a Ernest Hemingway novel too!

Just click below for my interview with Chris Hunt:

“Carver: A Paris Story #1” is published by Z2 Comics and available as of November 11, 2015. For more details, visit our friends at Z2 Comics right here.

And be sure to visit Chris Hunt right here.

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Filed under Chris Hunt, Comics, Interviews, Z2 Comics

Advance Review: CARVER: A PARIS STORY #1

Z2-Comics-Carver-Paris-Story

CARVER: A PARIS STORY is a thrilling noir adventure written and drawn by Chris Hunt. I want you guys to keep an eye out for Chris Hunt since he brings a lot to the table. With his new Carver series, he offers up a world fueled by bold artwork and storytelling. It’s a gritty world you’ll want to come back to.

Chris-Hunt-Hugo-Pratt

Francis Carver is a tough adventurer in 1920s Paris. He has come to the aid of Catherine, the only woman he’s ever loved. Her daughter is being held captive by a most devilish creature, Stacker Lee. In this first issue, we begin with Chapter One, “Who Are You?” Stacker Lee is a gentleman dandy hiding behind a hooded mask. Stacker faces the reader, speaks to someone beyond the frame, makes some threats, and introduces himself byway of introducing his prey to us, Carver.

Carver-Z2-Comics-2015

We’re all just getting to know each other, right? Hunt does a great job with these introductions. His expressive linework is nicely controlled allowing for precision amid an energetic sensibility. Hunt studied under master cartoonist Paul Pope and he’s come away with his own fun and vivid style. I like what he’s doing here with his Hemingwayesque main character. Carver is hard as nails and yet quite vulnerable. Hunt offers up to the reader a whole world of possibilities in the spirit of Milton Caniff and Hugo Pratt.

“Carver: A Paris Story #1” is published by Z2 Comics and available as of November 11, 2015. For more details, visit our friends at Z2 Comics right here.

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Filed under Chris Hunt, Comics, Comics Reviews, Noir, Z2 Comics

French Comics Invasion: Reviews for Latest Titles from Delcourt Group Debuts In English on ComiXology

Delcourt-comiXology

Imagine that you are in Paris and you stroll into a local comics shop in search of comics, or “bande dessinée.” There are plenty of BD shops to choose from and, moreover, plenty of comics. Now, imagine that a massive selection of French comics is available to you right from wherever you happen to be. ComiXology presents to you what they like to call their own “French Invasion.” This week, comiXology unveiled its first line of titles from Delcourt Group, the leading independent comic book publisher in France.

We begin with five lead monthly titles and one lead graphic novel. Among the monthlies is “The Curse of The Wendigo” by Walking Dead artist Charlie Adlard and writer Mathieu Missoffe. The lead graphic novel is “Come Prima” by Alfred, the Winner of the Prix du Meilleur Album at the 2014 Angoulême International Comics Festival. You can find them all by visiting our friends at comiXology right here.

Below you’ll find my reviews for all six of these titles. There are more than 150 Delcourt Group titles to be released exclusively by comiXology. This is truly a French comics invasion!

The-Curse-of-the-Wendigo

The Curse of the Wendigo written by Mathieu Missoffe and illustrated by Charlie Adlard.
To be published in two monthly installments, beginning July 6.
What creature is dangerous enough to unite the French and German troops in July of 1917? Only one man knows: Wohati, one of the 12,000 Native Americans in the U.S. Army. Wohati must lead two warring sides to solve the mystery of the Wendigo, for he alone understands the horror of what’s out there waiting for them.

This is what comics are all about: a story that takes you to some very trippy and scary places with a masterful sense of horror mixed with biting satire. You get great character studies here as we go back and forth between French and German trench warfare. But there’s a common enemy that will compel both sides to lay down their arms against each other. And, emerging from the background, as he’s not much of a talker, is the Native American warrior, Wohati. With his help, these two mighty forces can find the bogey man they seek and then resume blowing each other’s heads off.

Iron-Squad

Iron Squad co-created and written by Jean-Luc Sala and illustrated by Ronan Toulhoat.
comiXology exclusive cover for issue 1 by Matteo Scalera (Secret Avengers)
To be published in ongoing monthly installments, beginning July 6.
What if new technology in 1944 turned the course of World War II and led the Germans to victory?

What would a batch of BD be without a good World War II tale? Ah, and this one takes the cake. It will be sure to please many a reader of many levels. Having just read Philip K. Dick’s “The Man in the High Castle,” I was in just the right mood to check out “Iron Squad,” an alternate history story with quite a kick. Filled with all the details that make for a good war story and sci-fi story, you will lose yourself in the spectacle of it all.

Josephine

Josephine created, written and illustrated by Pénélope Bagieu
To be published in ongoing monthly installments, beginning July 6.
Cartoonist and blogger Pénélope Bagieu tells the story of Josephine, featuring professional relationships gone awry, a series of faux pas, and many a failed romance.

“Josephine” is a perfect example of quirky light humor. Just as you may expect, we follow our heroine on a series of misadventures. She’s the cute girl who marches to the beat of a different drummer. This is a collection of webcomics that grows on you as you take it all in. I would be surprised to find this collection on the laptop of one of the characters from “Girls” but it would fit right in.

Prométhée

Prométhée created, written and illustrated by Chrisopher Bec
To be published in ongoing monthly installments, beginning July 6.
Preface by bestselling writer Mark Waid (Insufferable)
comiXology exclusive cover for issue 2 by Andrea Sorentino (Old Man Logan)
What happened on September 21, 2019 at 1:13 PM can never be explained. And then, for 13 consecutive days, another unexplainable phenomenon occurs&hellip every day at exactly 1:13 PM. Prométhée is a mind-bending science fiction story written and drawn by Chrisopher Bec that recalls Lost and the very best science fiction.

This sort of heroic over-the-top story is a prime example of solid adventure BD. Full of larger-than-life characters tasked to save planet Earth, you better fasten your seat belt before you blast off. This is quite a treat as we follow a story full of mystery involving alien technology and a fateful Space Shuttle mission set in the not so distant future.

Spin-Angels

Spin Angels co-created and written by Jean-Luc Sala and illustrated by Pierre-Mony Chan
To be published in ongoing monthly installments, beginning July 6.
The bestselling, action-filled Spin Angels series features a Catholic Church Cardinal who runs a black-ops group of spies, and the mafia godfather who puts his very best hitman in service of the Vatican in order to settle a debt.

You’ve got to have at least one adrenaline-fueled adventure involving the Knights Templar! Turns out there’s a strong lead indicating holy relics, long since thought part of Templar myth, are to be found in present day Nova Scotia. Of course, it will take nothing less than an A-team commando squad to fight off all the interested parties. If you’re looking for a fantasy-laden madcap BD adventure, then this is for you.

Come-Prima

Come Prima created, written and drawn by Alfred
To be published on July 6.
With his award winning graphic novel Come Prima, Alfred (Why I Killed Peter) has created a poignant homage to Italian cinema and a surprising story about two brothers who hit the road following their father’s death.

The master cartoonist Alfred brings to life a most vivid world with a crisp and economical style. More cartoonists would do well to learn from him. We begin with a yell, “Fabio!” This leads us to bold and muscular scenery: a French cityscape, a boxing match, a boxing poster. It is circa 1958. Giovanni has come for his brother, Fabio, who seems to always find a way to escape responsibility.

It appears that Giovanni offers a path to redemption. Fabio, we can tell early on, is distant and yet vulnerable. He resists the call back home to Italy up until he sees that his brother is holding an urn with his father’s ashes. That is too much, and so begins a journey.

Alfred offers up a poignant story with plenty of twists and turns. We find that Giovanni is not so much the saintly son. And Fabio is not entirely the brute. But they can dig their heels in too and conflict is always around the corner.

Ultimately, we cheer them on and wish them as safe a journey as is possible. Quite a realistic story of two stubborn men coming to terms with life, mortality, and something greater than themselves.

And so there’s reviews for the first round of titles from Delcourt. You can find all these titles by visiting our friends at comiXology right here.

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Filed under Bande Dessinée, BD, Comics, Comixology, Delcourt, European Comics, France, French Comics

Review: THIS IS CEZANNE, published by Laurence King Publishing

This-is-Cezanne-Laurence-King

Like Van Gogh, Cezanne (1839–1906) stood out from his contemporaries. He was the original bad boy, or “enfant terrible.” He was brash, experimental, and ahead of his time. Unlike Van Gogh, his life and work is not nearly as familiar to the general public. “This is Cezanne,” part of the This is Art series from Laurence King Publishing, provides an inviting and illuminating look at a most intriguing and influential artist. You will delight in this work, monograph by Jorella Andrews and illustrations by Patrick Vale.

Cezanne

Cezanne first gained notoriety, or infamy, from his paintings that parodied some of the leading figures from the older generation of artists. It shocked. It offended. It was a sensation. And that common thread of sensation ran through his later work concerned with the tactile and immersive. A rebel to the end, Cezanne did enjoy working with conventional compositions (still life, plein air, domestic scene), often with a sardonic twist and, just as often, with a gentle quality.

Patrick-Vale-Cezanne-2015

Bad boy antics aside, Cezanne was deeply interested in art tradition at its roots, going back to basics of line and color. This was also of great interest to a fellow artist provocateur, Edouard Manet. The two of them lampooned mindless art traditionalists. However, they could both be found in the Louvre studying the masters…on their own terms, gleaning what they needed.

This-is-Cezanne-Patrick-Vale-2015

“This is Cezanne” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.

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Filed under Art, Art books, Art History, Cezanne, Laurence King Publishing, Modern Art

Review: Pablo: Art Masters Series

Pablo-Self-Made-Hero-Birmant

To explore the life of Pablo Picasso (1881–1973) is to explore the life of a man who left a huge mark on art, so huge a mark that to take him out of the picture would be, well, unthinkable. To better understand the man, we have this new graphic novel, published by SelfMadeHero, simply entitled, “Pablo.”

How better to get a grip on the man behind the legend than to explore his early years. And who better to guide us than the woman in his young life, Fernande Olivier. This is no simple story of love, or friendship, or an artist’s development. This is the great Picasso, after all. However, with Fernande’s help, we get a down to earth look at him. The creators of this graphic novel have placed Fernande in the role she had always aspired to, that of storyteller. Through the script by Julie Birmant and the artwork by Clément Oubrerie, we get one of the most lucid depictions of the life of Picasso, one of the most celebrated and enigmatic of public figures.

Pablo-Picasso-Fernande-Oubrerie

Fernande. Who was this person? Fernande Olivier (born Amélie Lang; 1881–1966) would become a well-known artist’s model and, ultimately, a writer. She was involved with Picasso from 1904 to 1911. She was one of the models for Picasso’s landmark work, “Les Demoiselles d’Avignon.” Picasso would paint her over one hundred times. Fernande’s memoir entitled, “Picasso and his Friends,” was published in 1930. It outraged Picasso and led to her agreeing not to publish any more details about their time together until after their deaths. Without a doubt, Picasso would not be pleased with this new graphic novel. Fernande is not a woman easily impressed with Picasso’s antics. As we see here, she is a veteran of Parisian art circles. And she proves quite a match for him.

Pablo-Picasso-SelfMadeHero-2015

Picasso. The world would know his name. But, as for Fernande, there came a point when she no longer had a place in his life. As his star ascended, she only reminded him of the hard times. Julie Birmant and Clément Oubrerie depict a career that began in poverty and reached its climax with the advent of cubism and modern art. We see Picasso’s art develop through friendships with poets Max Jacob and Guillaume Apollinaire, the painter Georges Braque, and his great rival Henri Matisse. And all through, arguably, the most fruitful and significant time in his career, there was Fernande.

This is a book that provides a fresh new look at Paris, the capital of the art world at the turn of the 20th century. Julie Birmant gives a nod to younger readers by including such terms and phrases as “awesome” and “kill me now” in the dialogue. It’s not overdone and adds a contemporary feel to the action. For the most part, the narrative is straightforward and peppered with intriguing bits of insight. Here, for instance, is a description of the first time that Fernande saw Picasso’s studio: “I still remember the smell: a mixture of wet dog, oil, dust and tobacco…the smell of work.”

This is a very honest and beautiful work. It will appeal to all ages from teen on up. It’s a frank look at the artist’s life and just goes to show that even the great Picasso had to start somewhere and he did not do it alone. In many ways, it’s the very same path that any young artist takes today, including the revelations from reading Rimbaud. Picasso lived that life long before Millennials and this book does a wonderful job of bridging that gap. The young Picasso is made quite relatable and would fit right in any coffee shop today.

“Pablo” is a 344-page trade paperback, published by SelfMadeHero. It is available as of May 5, 2015. For more details, visit our friends at SelfMadeHero right here. You can also find it at Amazon right here.

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Filed under Art, Art books, Comics, France, Graphic Novel Reviews, graphic novels, Modern Art, Pablo Picasso, Paris, SelfMadeHero