Tag Archives: French Comics
ANGOULÊME FESTIVAL – The 47th annual Angoulême International Comics Festival took place January 30 thru February 2, 2020. Arguably, it is the most artful and significant of all comics festivals. It is, without a doubt, on many a serious cartoonist’s bucket list simply to attend. The Grand Prize of the Angoulême International Comic Book Festival (Fibd), which rewards an author each year for all of his work, was awarded to Frenchman Emmanuel Guibert. Other awards presented this year demonstrate the scope and breadth of comics of the highest quality. The Grand Prize of the City of Angoulême, awarded on the eve of the comics festival, is one of the highest distinctions for a comic book author. This prize is awarded following a vote by the community of professional comics authors published in French, regardless of their nationality. Emmanuel Guibert, screenwriter of Ariol and author of Space sardine, succeeds Japanese winner Rumiko Takahashi last year. The Angoulême International Comics Festival is the second largest comics festival in Europe after the Lucca Comics & Games in Italy, and the third biggest in the world after Lucca Comics & Games and the Comiket of Japan. It has occurred every year since 1974 in Angoulême, France, in January.
The following is a beautiful description from the Angoulême festival site of the career of Emmanuel Guibert, the winner of the Grand Prix for 2020:
After the American Richard Corben in 2018 and the mangaka Rumiko Takahashi last year, the Frenchman Emmanuel Guibert is elected Grand Prix of the 47th International Comic Book Festival of Angoulême, after a vote which brought together 1852 authors and comic book authors. With Emmanuel Guibert, it is a masterful author with an exemplary career who is today rewarded. Born in 1964 in Paris, Emmanuel Guibert began his career in comics with Brune , a work on the rise of Nazism in a hyper-realistic style which he quickly abandoned. The album, which it took seven years to produce, appeared in 1992. Frequenting the authors of the very young publishing house L’Association, he began to publish stories in the review Lapin , and joined the atelier des Vosges alongside notably Emile Bravo, Christophe Blain and Joann Sfar. On a script by the latter, he drew The teacher’s daughter , Alph’art coup de coeur and Prix René Goscinny at the Angoulême Festival in 1998. Emmanuel Guibert implemented a sepia drawing, sensitive and flexible, in a graphic style that he continues to shape in The Scarlet Captain with David B. in script (2000). Always with Joann Sfar, he began in 2000 the children’s series Sardine from space, of which he first wrote the screenplay before also ensuring the drawing. He gives free rein to his imagination and develops his formidable talent as a storyteller. From 2001 he drew the series Black Olives (3 volumes) on a little Jewish boy in Judea 2000 years ago, again with Joann Sfar in the script.
At the turn of the 2000s, Emmanuel Guibert began publishing an ambitious and long-term project, a series of albums inspired by the memories of his American friend Alan Ingram Cope, La Guerre d’Alan (three volumes from 2000 to 2008 ), Alan’s childhood (2012), Martha and Alan (2016). With his elegant and restrained line, of great technique, Emmanuel Guibert excels at staging Alan’s life, exposing the intimate with subtle modesty. This magnificent work of memory smuggler continues in The Photographer (three volumes from 2003 to 2006), inspired by memories and photos brought back from trips to Afghanistan with Doctors without Borders by photojournalist Didier Lefèvre. Here, photos and drawings complement and merge, to better fix time and memories. The Photographer will be rewarded around the world with the Prix Essentiel d’Angoulême in 2007, the Eisner Award for the best American edition of an international work and the Micheluzzi Prize for the best foreign series in 2010.
In Alan as in The Photographer , Emmanuel Guibert, by his virtuoso gesture and his technique, sublimates the intimate and the everyday, magnifies the innocent and the passing of time, and above all, unconditionally places the human at the heart of his stories. An interest in the other that can be found both in Alain’s news , a book on Roma communities in Europe produced with Alain Keler, and in the irresistible series for young people Ariol which he created in 2000 with Marc Boutavant at the drawing. There, under the cover of telling the adventures of a small anthropomorphic donkey, he explores modern life and everyday life as a child, appealing to his own memories. Emmanuel Guibert received the René Goscinny Prize in 2017 for all of his work.
The Grand Prix crowns a complete author, innovative designer and unparalleled narrator, whose work for adults and children is imbued with the greatest humanity.
There is an essential list of eleven awards at Angouleme that provide a window into the wide and wondrous world of alternative comics. After all these years, many a talking head is still chattering away about the boom in arthouse comics and, sure, that is all well in good insomuch as it helps spread the word. After all these years, the playing field on the pop culture landscape is pretty far flung and spread out. We now have wave after wave of specialized “comics journalists” out there taking the pulse of the comics scene, many of who have never attempted to write or draw a comic of their own, have limited knowledge, and who are more ready than anything to espouse a hasty theory or proclamation about the comics medium. Well, that brings us back to the reality of a platform such as Angouleme where work has gone through a fairly rigorous vetting process. Hey, the process is subjective on many levels but quality work usually manages to rise to the top that is worth discussing and has a chance of holding up to the test of time. That is why a list of Angouleme award winners rates taking notice. Here is my own enhanced presentation that I cobbled together by making liberal use of the live Twitter feed by 20 Minutes:
Fauve d’Or for the best album: “Révolution” tome 1, by Florent Grouazel and Younn Locard
(Prize which rewards the best album of the year, regardless of genre, style or geographic origin)
(Live Tweet) Ceremony of the Fauves – The Fauve d’or for the best album is awarded to Florent Grouazel and Younn Locard for “Revolution – Tome 1 Liberté” by Actes Sud / L’An 2 # FIBD2020 # BD2020 #BD #Angouleme # FIBD @ActesSud pic.twitter.com/NiJSS37IVX
– Festival d’Angoulême (@bdangouleme) February 1, 2020
The first part of this choral story focuses on the year 1789 and blows the wind of the Revolution in the street. This titanic project, expertly documented, was carried out by four hands by two young authors who retrace the revolutionary period in a resplendent graphic bubbling, inspired by the imagery of the time.
20 Minutes’ opinion: Telling the French Revolution of 1789 in just over 1000 pages is a very ambitious project, especially on the part of such young authors (the Breton Florent Grouazel is 32 years old and the Norman Younn Locard is 35 ). The value does not wait for the number of years, the first volume of “Revolution” is a total success, with dynamic and captivating narration (and choir, since we witness events through the eyes of three characters) and striking graphics of realism. Hyper-documented, demanding, their work has made, since its release, a critical and public unanimity. At 20 Minutes, we appreciated it so much that we rarely consider Fauve d’Or for the best album to have been so indisputable.
Révolution tome 1, by F. Grouazel & Y. Locard – Actes Sud / L’An 2 editions – 26 euros
Fauve Special Jury Prize: “Clyde Fans”, by Seth
(Prize given to a work which particularly marked the jury by its narration, its aesthetics and / or the themes addressed)
(Live Tweet) Ceremony of the Fauves – The special Fauve of the jury is awarded to “Clyde Fans” of Seth, published by @DelcourtBD # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/6FajrXrFUV
– Festival d’Angoulême (@bdangouleme) February 1, 2020Fruit of a work started twenty years ago, “Clyde Fans” tells the story of two brothers who inherited their father’s business after he abandoned them. The Canadian Seth, whose elegant graphics are imbued with a touch of nostalgia, is second to none to tell intimate stories that touch on the universal of the human condition.
Clyde Fans , de Seth – Delcourt editions – 49.90 euros
Fawn Revelation: “Skylight”, by Joe Kessler
(Prize awarded to the album of an author or an author at the start of their career who has professionally published a maximum of three books)
(Live Tweet) Ceremony of the Fauves – The Fauve Révélation is awarded to “Lucarne” by Joe Kessler, at @lassociation
# FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/rPehVKGr62
– Festival d’Angoulême (@bdangouleme) February 1, 2020These five short stories impregnated with strong colors translate the most intimate sensations of the characters. A singular graphic and narrative experience, signed by the artistic director of the English publisher Breakdown Press, to express fear, pleasure or smells, supported by a hypnotic narration and an original vision of the world.
Skylight , by J. Kessler – Éditions L’Association – 2 0 euros
Fawn from the series: “In the Abyss of Time”, by Gou Tanabe
(Prize which honors a work in four or more volumes, regardless of the number of volumes in total)
(Live Tweet) Ceremony of the Fauves – The Fauve of the series is awarded to “Dans l’Abîme du temps” by Gou Tanabe and HP Lovecraft at @ki_oon_Editions # FIBD2020 # BD2020 #BD #Angouleme #FIBD #Fauve pic.twitter.com / dXJgZDsjF7
– Festival d’Angoulême (@bdangouleme) February 1, 2020After The Hallucinated Mountains, Gou Tanabe continues his adaptation of the novels of the master of horror, HP Lovecraft. Leaving Antarctica for the Australian desert, with a black line of oppressive realism, the mangaka draws the inexpressible and gives body to this nightmarish SF masterpiece that combines a journey through time and a terrifying transfer of personality.
In the Abyss of Time , by Gou Tanabe (after HP Lovecraft) – Ki-Oon editions – 17 euros
Fawn of Audacity: “Act of God”, by Giacomo Nanni
(Prize which rewards experimentation and formal innovation through an album with an inventive and innovative graphic style, using all the possibilities of comics to better push its boundaries)
(Live Tweet) Ceremony of the Beasts – The Beast of Boldness is awarded to Giacomo Nanni for “Act of God” by Here Same editions
# FIBD2020 # BD2020 #BD #Angouleme #FIBD @_icimeme pic.twitter.com/SnaUklWi1V
– Festival d’Angoulême (@bdangouleme) February 1, 2020On August 24, 2016, in Italy, an earthquake killed 298 people and left nearly 400 injured. Giacomo Nanni traps the moment in a choral tale that makes the mountains speak, lingers on a stray deer in front of a supermarket and tracks the unicorn in the viewfinder of two hunters. His pantheistic ode confronts man with nature and creation with chaos, in a pointillist and dazzling graphic magma.
Act of God , by G. Nanni – editions Ici même – 19.50 euros
Fauve Patrimoine: “The green hand and other stories”, by Nicole Claveloux and Édith Zha
(Prize rewarding a work which is part of the world history of the 9th art and whose edition, re-edition or the integral offers a particularly neat editorial work)
Live Tweet) Ceremony of the Fauves – The Fauve du Patrimoine is awarded to “La Main Verte et autres récits” by Nicole Claveloux and Edith Zha at @ed_cornelius
# FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/hVFmYwIy6d
– Festival d’Angoulême (@bdangouleme) February 1, 2020First volume of an anthology dedicated to Nicole Claveloux, painter, youth illustrator and cartoonist, passed by the magazines Métal Hurlant and Ah! Nana .Collection of poetic stories enhanced with flamboyant colors, “The Green Hand” describes an absurd and funny world in which reality plays hide and seek with reason.
Note that Nicole Claveloux received a Fauve d’honneur during the official Fauves award ceremony, Saturday, February 1, 2020.
Standing ovation for Nicole Claveloux who receives a Fauve d’honneur at @bdangouleme #Fauves # FIBD2020 # BD2020 pic.twitter.com/E4HhBMGfJy
– see read (@ see read) February 1, 2020The Green Hand and other stories , by N. Claveloux & E. Zha – Cornelius editions – 23.50 euros
Fauve Audience Award France TV: “Saison des roses”, by Chloé Wary
(Prize awarded by a jury of nine spectators from France Télévision)
(Live Tweet) Ceremony of the Fauves – The Fauve Audience Award France Télévisions is awarded to Chloé Wary for “La Saison des roses” at @editionsFLBLB @Francetele # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/PYdKw1x8Px
– Festival d’Angoulême (@bdangouleme) February 1, 2020Barbara passes the bac. She lives with her mother in the ordinary suburb of Rosigny-sous-Bois and lives only for her football club. But this year, the leaders decided to favor the men’s team, preventing the players from registering for the championship. With her markers, Chloé Wary puts her bright colors at the service of the story, to salute the team’s commitment to the collective field of football and the feminist struggle.
Saison des roses , by Chloé Wary – Flblb editions – 2 3 euros
Fauve Polar SNCF: “No Direction”, by Emmanuel Moynot
(Prize awarded by a jury of personalities)
(Live Tweet) The Fauve Polar #SNCF is awarded to “No Direction” by Emmanuel Moynot at Sarbacane editions @ SNCF # FIBD2020 # BD2020 #BD #Angouleme #FIBD @ESarbacane pic.twitter.com/QrpG938GRx
– Festival d’Angoulême (@bdangouleme) February 1, 2020In this paper road movie in the form of a choral narrative, Moynot follows two serial killers in their mad race across America, like a filmmaker filming on the shoulder. Bloody and hopeless epic, doomed to failure and violence, “No Direction” is a human comedy in twenty chapters that strike the reader in the stomach like so many punches.
No Direction , by Emmanuel Moynot – Sarbacane editions – 2 4 euros
Fawn of alternative comics: “ Komikaze “(collective – Croatia)
(Prize rewards the best non-professional publication, chosen from around thirty non-professional productions and coming from any geographic origin)
(Live Tweet) The price for alternative comics is given to Komikaze # 18 # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/ncmmty1HHw
– Festival d’Angoulême (@bdangouleme) February 1, 2020https://komikaze.hr
- Angoulême Festival
- Literary prize
Not included in this Twitter collection but just as worthy are two more titles…
The Youth Awards Adults Prize: Le Tigre de Neiges by Akiko Higashimura.
The Youth Prize: Les Vermeilles by Camille Jourdy.
Writer Wilfrid Lupano and artist Paul Cauuet offer up the intricately plotted Old Geezers graphic novel series. You can easily jump into the latest Book 3, “The One Who Got Away,” and enjoy a tale involving family, mystery, and more than a touch of whimsy. It is also a grand ole tale of comeuppance. Could that be for the Old Geezers themselves? Ah, time will tell since this is very much a story about how time can heal some wounds while allowing others to fester.
If you enjoy quirky humor, especially the sort led by a group of offbeat seniors, then this is the book for you. The Old Geezers are: Antoine, a buttoned-down patrician; Milsey, a old seaman who misses the sea; and Pierrot, a boisterous activist who is lively beyond his years. These guys have chosen different paths but, in the end, each seeks out the other. The one person who helps keep them on track is Sophie, Antoine’s granddaughter. Sophie must look after these guys and, in no small way, look after her little hamlet of Dourdouille. After all, there are sinister forces at play lurking in the shadows.
The most sinister villain in this tale is Garan-Servier Pharmaceuticals. It holds sway over the growth or decline of Dourdouille. And, as Pierrot has found out, Garan-Servier is lobbying the European Union countries to ease up on restrictions on its pesticides. This, in turn, kills millions of bees, wreaking havoc on biodiversity and the environment. The relationship between the pesticide lobby and the EU is an inconvenient truth that, in reality, is all too real. It’s great to see this issue in a graphic novel that both entertains and informs. Readers won’t forget ole Pierrot, in his bee costume, speaking truth to power.
Paul Cauuet’s light and warm style makes all the characters all the more accessible and compliments Wilfred Lupano’s script. This is a very character-driven tale that is masterfully crafted by this remarkable team. The color by Cauuet and GOM has a uplifting quality to it that rounds out and adds to the story’s pacing. There are a number of twists and turns here and Lupano and Cauuet give themselves the time to explore and to develop. Like a favorite TV show, you can delight in this episodic storytelling. You will want to go back to the previous books as well as await more to come.
“The Old Geezers: Book 3: The One Who Got Away,” is presented by Europe Comics and is available in English thru izneo digital comics right here.
Baru (Hervé Barulea) is a legendary cartoonist known for such work as 1995’s euro-manga, “L’Autoroute du Soleil,” which won the prestigious Alph’ Art award for the best original French language comic. More recently, he won wide acclaim in 2010 for his 300-page graphic novel, “Villerupt 1966,” published by Les Rêveurs. Baru favors recollections of his adventures as a youth in the ’60s. “The Swimming pool of Micheville,” published by Les Rêveurs in 2015, is an excellent collection of comics that chronicles Baru’s coming of age. It is one of a vast array of comics that you can find at the new home for online comics around the world, izneo.com.
The theme for this collection of Baru comics is a lost generation of kids who, despite a bleak environment and dim prospects for the future, still pursue dreams and hopes. Take “Goofy John,” for instance. He will do anything to impress the girls even build his body to Charles Atlas proportions. But, even with his new bod, the girls are not in the least interested. As the guys are quick to point out, John still has buck teeth and rabbit ears. And, besides, as the little stinkers take pleasure in pointing out, all the girls have moved on to lean mod boys.
One such teddy boy, is Verdini, who manages to frustrate the guys on all counts. Verdini has been sized up as not too bright, along with other shortcomings. And, despite it all, the girls all go for him! You can see that Baru takes great delight in doling out all of his social commentary to the point that you are immersed in it. Baru’s light artwork lifts off the page. His style is wry and light, pleasing to the eye.
Baru excels in bringing out the pathos in a scene. He roots for the underdog. His beloved characters are all supposedly “losers” in the great game of life. Baru sees the poetry and gentle beauty in his lost generation. These are the kids who are held back, dismissed, forced out of any higher education. The steelworks and the typist pool await these poor youth. But, for at least a few summers, they can all enjoy the local swimming pool in their prime: lost in their libidos and flirting in their swimsuits. So what if everything is covered in a fine mist of rust red from smoke coming from the nearby bessemer converter?
THE SWIMMING POOL OF MICHEVILLE is a wonderful collection featuring stories about cars, rugby, and romance. It runs 81 pages in full color. And you can find it at izneo.com right here.
Here is some more information on izeno:
THE FIRST OFFICIAL AND LEGAL ONLINE COMIC BOOK READING SERVICE
The biggest comic book publishers have partnered to launch izneo, the first digital comic book reading service.
With izneo, publishers like Bamboo, Casterman, Circonflexe, Dargaud, Dupuis, Fei, Fluide Glacial, Grand Angle, Jungle, Kana, Le Lombard, and Lucky Comics will offer the largest catalog of e-comics.
Open to all comic book genres, the izneo catalog expands every month with even more new albums.
The izneo service is simple: rent an album from €1.99, or buy from €4.99 (online reading)! What’s more, for €9.99 a month, subscription allows comic book lovers to read as many albums as they like from all over the world.The comic book is a form of graphic and literary art, which is particularly suited to on-screen reading, especially on a tablet. With the izneo app, you can read your comic books while on the move.You can also access izneo via e-bookstores such as iBookstore, Immatériel, Amazon.fr, Fnac.com or even Starzik.com… izneo also has a special subscription plan for libraries.
Yet another opportunity for new readers to discover the joy of comic albums…
The izneo team
Illustrator and cartoonist Pénélope Bagieu is like any gifted artist: curious, industrious, and someone who welcomes a good obsession. I say that in the best sense of having an obsession since artists need them to spur on their work. Bagieu followed her muse to the music legend Cass Elliot. You can read my review of her graphic novel, “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” published by First Second Books, right here. I had an opportunity to chat with Bagieu. We discuss her book, her thoughts on music, and what lies ahead.
We begin this video interview with my sharing with Pénélope my encountering the hit song and title of her book while I was having lunch. It seemed a bit uncanny to me. Pénélope did not exactly shrug off the observation but quickly acknowledged how ubiquitous that song is. And how powerful. It is every bit a work from the Sixties and yet totally co-exists in a timeless Neverland. Certain songs from that era aimed for such a vibe but precious few attained that quality. And so it was to be with Cass Elliot, one of the few to reach an ethereal and graceful immortality.
Before we started rolling video, Pénélope was telling me about her visiting MoPOP here in Seattle. She said, if she could, she would live in that museum. That sort of sentiment won me over all the more. You can catch more of that thread in the interview when Pénélope responds to my asking her about the power of music.
What I would like to suggest to you is that, if you are going to Emerald City Comicon (and I’d love to hear from you about ECCC either on or off this blog) make sure to visit the First Second Books booth #1602 on the exhibit floor and get yourself an advance copy of “California Dreamin’: Cass Elliot Before The Mamas & the Papas.” For those of you not fortunate enough to visit, I highly recommend that you get a copy at your local comics shop, bookstore, or online.
Pénélope Bagieu is an illustrator and cartoonist worthy of as big a reading audience as possible. CALIFORNIA DREAMIN’ is her second book to come out in an English language edition with First Second Books. Her first book was EXQUISITE CORPSE. Both of these titles, and others, originally were published in France by Gallimard. You can easily find EXQUISITE CORPSE online and I highly recommend that you do so. This is a 128-page full color hardcover. It is a sophisticated comedy about a young woman who becomes involved with an older man who happens to be a famous author. The question is whether she is in over her head or perhaps it is the other way around. There are a number of twists as the story builds. Bagieu has a keen sense of humor and wonderful timing. The main character of 22-year-old Zoe is full of life and quite memorable.
For more details on CALIFORNIA DREAMIN’, visit MacMillan Publishers right here.
Jerome Charyn is one of our great American writers. I had the pleasure to review, “The Magician’s Wife,” a graphic novel illustrated by François Boucq and written by Jerome Charyn. Thanks to Dover Graphic Novels, a number of lost gems are finding their way back into print. For this review, we look at “The Boys of Sheriff Street,” illustrated by Jacques de Loustal and written by Jerome Charyn. This is a beautifully tragic love story–at an exquisitely high level of artistry.
Graphic novels are not always what some people may expect, not even aspiring cartoonists. One misconception is that they need to be unruly massive things which, outside of manga, is more the exception than the norm. While there are no set rules to this, a book that clocks in at roughly 100 pages is very likely to make for a satisfying experience. And so it is with this book which is 80 pages. That’s perhaps more of a European standard–but it works so well. Consider this work quite the treat with its theatrical and painterly flourish.
Our story revolves around twin brothers Max and Morris. This is New York City’s underworld during the 1930s, on the Lower East Side. And Max and Morris belong to the Sheriff Street gang. Morris is tall and jovial. Max is the brains and the head of the operation. He is shorter and has a hunchback. The dynamic between the two brothers, and the whole gang for that matter, is severely tested when Morris introduces everyone to Ida, his new love and fiancé. This proves to be a fascinating study in character. Is Ida really a femme fatale or is she simply trying to assert her position as best she can?
The size and scope of Charyn’s story leaves me thinking of what a great movie it could make. That said, everything adds up to a perfect graphic novel. Loustal has created a fully realized world that the characters smoothly move through. This all works flawlessly as classic tragedy with a noir bite. At any point, Max, Morris, and even Ida, could prevent the inevitable. But sometimes blood must spill no matter how careful the players.
French Comics Invasion: Reviews for Latest Titles from Delcourt Group Debuts In English on ComiXology
Imagine that you are in Paris and you stroll into a local comics shop in search of comics, or “bande dessinée.” There are plenty of BD shops to choose from and, moreover, plenty of comics. Now, imagine that a massive selection of French comics is available to you right from wherever you happen to be. ComiXology presents to you what they like to call their own “French Invasion.” This week, comiXology unveiled its first line of titles from Delcourt Group, the leading independent comic book publisher in France.
We begin with five lead monthly titles and one lead graphic novel. Among the monthlies is “The Curse of The Wendigo” by Walking Dead artist Charlie Adlard and writer Mathieu Missoffe. The lead graphic novel is “Come Prima” by Alfred, the Winner of the Prix du Meilleur Album at the 2014 Angoulême International Comics Festival. You can find them all by visiting our friends at comiXology right here.
Below you’ll find my reviews for all six of these titles. There are more than 150 Delcourt Group titles to be released exclusively by comiXology. This is truly a French comics invasion!
The Curse of the Wendigo written by Mathieu Missoffe and illustrated by Charlie Adlard.
To be published in two monthly installments, beginning July 6.
What creature is dangerous enough to unite the French and German troops in July of 1917? Only one man knows: Wohati, one of the 12,000 Native Americans in the U.S. Army. Wohati must lead two warring sides to solve the mystery of the Wendigo, for he alone understands the horror of what’s out there waiting for them.
This is what comics are all about: a story that takes you to some very trippy and scary places with a masterful sense of horror mixed with biting satire. You get great character studies here as we go back and forth between French and German trench warfare. But there’s a common enemy that will compel both sides to lay down their arms against each other. And, emerging from the background, as he’s not much of a talker, is the Native American warrior, Wohati. With his help, these two mighty forces can find the bogey man they seek and then resume blowing each other’s heads off.
Iron Squad co-created and written by Jean-Luc Sala and illustrated by Ronan Toulhoat.
comiXology exclusive cover for issue 1 by Matteo Scalera (Secret Avengers)
To be published in ongoing monthly installments, beginning July 6.
What if new technology in 1944 turned the course of World War II and led the Germans to victory?
What would a batch of BD be without a good World War II tale? Ah, and this one takes the cake. It will be sure to please many a reader of many levels. Having just read Philip K. Dick’s “The Man in the High Castle,” I was in just the right mood to check out “Iron Squad,” an alternate history story with quite a kick. Filled with all the details that make for a good war story and sci-fi story, you will lose yourself in the spectacle of it all.
Josephine created, written and illustrated by Pénélope Bagieu
To be published in ongoing monthly installments, beginning July 6.
Cartoonist and blogger Pénélope Bagieu tells the story of Josephine, featuring professional relationships gone awry, a series of faux pas, and many a failed romance.
“Josephine” is a perfect example of quirky light humor. Just as you may expect, we follow our heroine on a series of misadventures. She’s the cute girl who marches to the beat of a different drummer. This is a collection of webcomics that grows on you as you take it all in. I would be surprised to find this collection on the laptop of one of the characters from “Girls” but it would fit right in.
Prométhée created, written and illustrated by Chrisopher Bec
To be published in ongoing monthly installments, beginning July 6.
Preface by bestselling writer Mark Waid (Insufferable)
comiXology exclusive cover for issue 2 by Andrea Sorentino (Old Man Logan)
What happened on September 21, 2019 at 1:13 PM can never be explained. And then, for 13 consecutive days, another unexplainable phenomenon occurs&hellip every day at exactly 1:13 PM. Prométhée is a mind-bending science fiction story written and drawn by Chrisopher Bec that recalls Lost and the very best science fiction.
This sort of heroic over-the-top story is a prime example of solid adventure BD. Full of larger-than-life characters tasked to save planet Earth, you better fasten your seat belt before you blast off. This is quite a treat as we follow a story full of mystery involving alien technology and a fateful Space Shuttle mission set in the not so distant future.
Spin Angels co-created and written by Jean-Luc Sala and illustrated by Pierre-Mony Chan
To be published in ongoing monthly installments, beginning July 6.
The bestselling, action-filled Spin Angels series features a Catholic Church Cardinal who runs a black-ops group of spies, and the mafia godfather who puts his very best hitman in service of the Vatican in order to settle a debt.
You’ve got to have at least one adrenaline-fueled adventure involving the Knights Templar! Turns out there’s a strong lead indicating holy relics, long since thought part of Templar myth, are to be found in present day Nova Scotia. Of course, it will take nothing less than an A-team commando squad to fight off all the interested parties. If you’re looking for a fantasy-laden madcap BD adventure, then this is for you.
Come Prima created, written and drawn by Alfred
To be published on July 6.
With his award winning graphic novel Come Prima, Alfred (Why I Killed Peter) has created a poignant homage to Italian cinema and a surprising story about two brothers who hit the road following their father’s death.
The master cartoonist Alfred brings to life a most vivid world with a crisp and economical style. More cartoonists would do well to learn from him. We begin with a yell, “Fabio!” This leads us to bold and muscular scenery: a French cityscape, a boxing match, a boxing poster. It is circa 1958. Giovanni has come for his brother, Fabio, who seems to always find a way to escape responsibility.
It appears that Giovanni offers a path to redemption. Fabio, we can tell early on, is distant and yet vulnerable. He resists the call back home to Italy up until he sees that his brother is holding an urn with his father’s ashes. That is too much, and so begins a journey.
Alfred offers up a poignant story with plenty of twists and turns. We find that Giovanni is not so much the saintly son. And Fabio is not entirely the brute. But they can dig their heels in too and conflict is always around the corner.
Ultimately, we cheer them on and wish them as safe a journey as is possible. Quite a realistic story of two stubborn men coming to terms with life, mortality, and something greater than themselves.
And so there’s reviews for the first round of titles from Delcourt. You can find all these titles by visiting our friends at comiXology right here.
Annie Goetzinger has quite a light touch to her drawings that manage to speak volumes. It is one thing to draw pretty women in chic settings and quite another to convey the humanity and complexity behind the story. Goetzinger’s graphic novel, “Girl in Dior,” does just that with her behind-the-scenes look at the life and work of legendary fashion designer Christian Dior.
The House of Dior, at 30 Avenue Montaigne, was meant to evoke a cross between Louis XVI and the dawn of the 20th Century. It was to be made up of white paneling, pearl gray satin, taffeta lampshades, and discretely placed bouquets and kentia palms. It was not based upon anyone’s reality but upon Dior’s own childhood daydreams. It was to be the perfect place, the epicenter for high fashion, beginning with the first Dior fashion show for the Spring-Summer collection for 1947.
Amid the refined mayhem that ensues, we meet our main character, Clara Nohant, a budding fashion columnist. It is through the fictional Clara that we can savor certain key moments and get a sense of the world of Dior. As only a graphic novel can offer, we can get very specific upon what you view and linger upon. In the right hands, this results in such a masterpiece as this. Goetzinger is a master cartoonist. She well knows that she cannot show you every last detail. Instead, she must pick and choose.
She spends a good portion of time simply reveling in that special moment that was the launch of the House of Dior. After all, it sent shockwaves throughout the fashion world and led women, around the world, to consider lowering their hemlines. Having given the reader a solid grounding on that event, she quickens the pace. Clara goes from one major blunder to landing herself the role as the latest model to join the Dior inner circle.
This book is a delight to read through and through. Some books you keep, and this one is a keeper. The art is stunning in how it works within the confines of elegant refinement. Goetzinger’s background in fashion illustration serves her well as she effortlessly captures the flow of fabric and the carriage and grace of the models. And her stylish line is complimented by her gorgeous use of watercolor. In her hands, the fashion world, while always cool and detached, never goes cold. In the end, there’s a warm human touch to this tale of high fashion.
“Girl in Dior” is a 128-page full color hardcover, priced at $27.99, published by NBM Publishing. For more details, visit our friends at NBM right here.
And, if you are in the New York metro area this weekend, be sure to visit the MoCCA Arts Festival and see Annie Goetzinger in person. You’ll be able to see her as part of a panel on writing about the lives of artists:
MoCCA 2015 Programming Spotlight
“Biography: The Lives of Artists”
Sunday, April 12 at the High Line Hotel
12:30 pm in the Rusack Room
Memoir, non-fiction and biography have emerged as significant categories in comics. Comics about artists represent a special challenge: the cartoonist must represent the work of an artist through his or her own visual approach, revealing points of disjunction and harmony. Hyperallergic Senior Editor Jillian Steinhauer will discuss these issues with French comics legend Annie Goetzinger, whose Girl in Dior chronicles the first season of the storied fashion house; James Romberger and Marguerite Van Cook, whose 7 Miles a Second was both a biography of and a collaboration with David Wojnarowicz; and Dutch cartoonist Barbara Stok, whose Vincent makes Van Gogh approachable through a style completely unlike his own.
For more details on the MoCCA Arts Festival, go here.
Is it a brave new world since the attack on Charlie Hebdo? The short answer is Yes and No. As the Jan. 11 Paris anti-terrorism rallies made clear, people choose not to live in fear. No, we will not live in fear. That is the universal gut reaction and what inspired such a massive outpouring of expression.
Then you add world leaders getting involved, taking a prominent spot at the rallies, and things get very calculated. Still, it was what it was: a moment. The deadly Jan. 7 terrorist attack on the satirical French newspaper Charlie Hebdo inspired the biggest march in France’s history with at least 3.7 million people participating.
Then you add a multitude of talking heads and assorted pundits and you sift through that for a while. Some comments were fueled by unchecked outrage. Some comments were motivated by an ax to grind. Some comments were made by perhaps the unheroic wishing to be part of something that seemed heroic. And so on down the line. Pretty tiresome but also human.
But have we entered into something new? Yes, in the sense that Charlie Hebdo is now part of the hive mind. For now, for a very long time to come, we will consider and discuss what happened at Charlie Hebdo and its fallout.
There can be no universal consensus, no universal support, for the content in Charlie Hebdo. That is part of its appeal. It’s regular print run of 60,000 has risen to, at last count, 7 million. It is freedom of expression that inspires many of its supporters, many who are totally new readers to the paper. Jump in, feet first, when it comes to freedom of expression, they say. The fact remains that Charlie Hebdo is more than willing to cross a line into questionable and volatile terrain. It is out of any significant frame of reference for many of these new readers. It is only fair, and decent, to stop and think, no matter what the paper’s intentions, who is ultimately being hurt, offended, marginalized, targeted, turned into an Other, for the sake of some alignment with freedom of expression. Things, even seemingly innocent jokes, have ways of taking on lives of their own.
Ultimately, freedom of expression must win out. South Park must exist. Charlie Hebdo must exist. Any paper, any website, any street corner prophet, has a right to expression. But it doesn’t mean that everyone needs to feel obligated to join in and legitimize any and all content. In the spirit of attempting to make sense of events, there is a new site focused on dissecting Charlie Hebdo which may prove helpful. You can find it here. Learning more about Charlie Hebdo is good, in and of itself, whether or not you agree with its content.