I love this still from the upcoming animated feature, Arco. I have to hand it to the French as this looks like something very weird and wonderful–and will live up to its promise. All the little details, so delicate and precise, speak to the dedication of a true graphic novelist, which Ugo surely is as he has a fine and consistent track record of actually creating numerous graphic novels. You really can’t call yourself a graphic novelist without actually being one! So, here is a bona fide bande dessinee artist!
Here is the news on Arco which appeared in Variety last month:
ANGOULÊME FESTIVAL – The 47th annual Angoulême International Comics Festival took place January 30 thru February 2, 2020. Arguably, it is the most artful and significant of all comics festivals. It is, without a doubt, on many a serious cartoonist’s bucket list simply to attend. The Grand Prize of the Angoulême International Comic Book Festival (Fibd), which rewards an author each year for all of his work, was awarded to Frenchman Emmanuel Guibert. Other awards presented this year demonstrate the scope and breadth of comics of the highest quality. The Grand Prize of the City of Angoulême, awarded on the eve of the comics festival, is one of the highest distinctions for a comic book author. This prize is awarded following a vote by the community of professional comics authors published in French, regardless of their nationality. Emmanuel Guibert, screenwriter of Ariol and author of Space sardine, succeeds Japanese winner Rumiko Takahashi last year. The Angoulême International Comics Festival is the second largest comics festival in Europe after the Lucca Comics & Games in Italy, and the third biggest in the world after Lucca Comics & Games and the Comiket of Japan. It has occurred every year since 1974 in Angoulême, France, in January.
Emmanuel Guibert wins Grand Prix 2020
The following is a beautiful description from the Angoulême festival site of the career of Emmanuel Guibert, the winner of the Grand Prix for 2020:
After the American Richard Corben in 2018 and the mangaka Rumiko Takahashi last year, the Frenchman Emmanuel Guibert is elected Grand Prix of the 47th International Comic Book Festival of Angoulême, after a vote which brought together 1852 authors and comic book authors.With Emmanuel Guibert, it is a masterful author with an exemplary career who is today rewarded.Born in 1964 in Paris, Emmanuel Guibert began his career in comics with Brune , a work on the rise of Nazism in a hyper-realistic style which he quickly abandoned.The album, which it took seven years to produce, appeared in 1992. Frequenting the authors of the very young publishing house L’Association, he began to publish stories in the review Lapin , and joined the atelier des Vosges alongside notably Emile Bravo, Christophe Blain and Joann Sfar.On a script by the latter, he drew The teacher’s daughter , Alph’art coup de coeur and Prix René Goscinny at the Angoulême Festival in 1998. Emmanuel Guibert implemented a sepia drawing, sensitive and flexible, in a graphic style that he continues to shape in The Scarlet Captain with David B. in script (2000).Always with Joann Sfar, he began in 2000 the children’s series Sardine from space, of which he first wrote the screenplay before also ensuring the drawing.He gives free rein to his imagination and develops his formidable talent as a storyteller.From 2001 he drew the series Black Olives (3 volumes) on a little Jewish boy in Judea 2000 years ago, again with Joann Sfar in the script.
At the turn of the 2000s, Emmanuel Guibert began publishing an ambitious and long-term project, a series of albums inspired by the memories of his American friend Alan Ingram Cope, La Guerre d’Alan (three volumes from 2000 to 2008 ), Alan’s childhood (2012), Martha and Alan (2016).With his elegant and restrained line, of great technique, Emmanuel Guibert excels at staging Alan’s life, exposing the intimate with subtle modesty.This magnificent work of memory smuggler continues in The Photographer (three volumes from 2003 to 2006), inspired by memories and photos brought back from trips to Afghanistan with Doctors without Borders by photojournalist Didier Lefèvre.Here, photos and drawings complement and merge, to better fix time and memories.The Photographer will be rewarded around the world with the Prix Essentiel d’Angoulême in 2007, the Eisner Award for the best American edition of an international work and the Micheluzzi Prize for the best foreign series in 2010.
In Alan as in The Photographer , Emmanuel Guibert, by his virtuoso gesture and his technique, sublimates the intimate and the everyday, magnifies the innocent and the passing of time, and above all, unconditionally places the human at the heart of his stories.An interest in the other that can be found both in Alain’s news , a book on Roma communities in Europe produced with Alain Keler, and in the irresistible series for young people Ariol which he created in 2000 with Marc Boutavant at the drawing.There, under the cover of telling the adventures of a small anthropomorphic donkey, he explores modern life and everyday life as a child, appealing to his own memories.Emmanuel Guibert received the René Goscinny Prize in 2017 for all of his work.
The Grand Prix crowns a complete author, innovative designer and unparalleled narrator, whose work for adults and children is imbued with the greatest humanity.
Angouleme Palmares 2020
There is an essential list of eleven awards at Angouleme that provide a window into the wide and wondrous world of alternative comics. After all these years, many a talking head is still chattering away about the boom in arthouse comics and, sure, that is all well in good insomuch as it helps spread the word. After all these years, the playing field on the pop culture landscape is pretty far flung and spread out. We now have wave after wave of specialized “comics journalists” out there taking the pulse of the comics scene, many of who have never attempted to write or draw a comic of their own, have limited knowledge, and who are more ready than anything to espouse a hasty theory or proclamation about the comics medium. Well, that brings us back to the reality of a platform such as Angouleme where work has gone through a fairly rigorous vetting process. Hey, the process is subjective on many levels but quality work usually manages to rise to the top that is worth discussing and has a chance of holding up to the test of time. That is why a list of Angouleme award winners rates taking notice. Here is my own enhanced presentation that I cobbled together by making liberal use of the live Twitter feed by 20 Minutes:
Fauve d’Or for the best album: “Révolution” tome 1, by Florent Grouazel and Younn Locard
(Prize which rewards the best album of the year, regardless of genre, style or geographic origin)
(Live Tweet) Ceremony of the Fauves – The Fauve d’or for the best album is awarded to Florent Grouazel and Younn Locard for “Revolution – Tome 1 Liberté” by Actes Sud / L’An 2 # FIBD2020 # BD2020 #BD #Angouleme # FIBD @ActesSud pic.twitter.com/NiJSS37IVX
– Festival d’Angoulême (@bdangouleme) February 1, 2020 The first part of this choral story focuses on the year 1789 and blows the wind of the Revolution in the street.This titanic project, expertly documented, was carried out by four hands by two young authors who retrace the revolutionary period in a resplendent graphic bubbling, inspired by the imagery of the time.
20 Minutes’ opinion: Telling the French Revolution of 1789 in just over 1000 pages is a very ambitious project, especially on the part of such young authors (the Breton Florent Grouazel is 32 years old and the Norman Younn Locard is 35 ).The value does not wait for the number of years, the first volume of “Revolution” is a total success, with dynamic and captivating narration (and choir, since we witness events through the eyes of three characters) and striking graphics of realism.Hyper-documented, demanding, their work has made, since its release, a critical and public unanimity.At 20 Minutes, we appreciated it so much that we rarely consider Fauve d’Or for the best album to have been so indisputable.
Révolution tome 1, by F. Grouazel & Y. Locard – Actes Sud / L’An 2 editions – 26 euros
Fauve Special Jury Prize: “Clyde Fans”, by Seth
(Prize given to a work which particularly marked the jury by its narration, its aesthetics and / or the themes addressed)
(Live Tweet) Ceremony of the Fauves – The special Fauve of the jury is awarded to “Clyde Fans” of Seth, published by @DelcourtBD # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/6FajrXrFUV
– Festival d’Angoulême (@bdangouleme) February 1, 2020Fruit of a work started twenty years ago, “Clyde Fans” tells the story of two brothers who inherited their father’s business after he abandoned them.The Canadian Seth, whose elegant graphics are imbued with a touch of nostalgia, is second to none to tell intimate stories that touch on the universal of the human condition.
Clyde Fans, de Seth – Delcourt editions – 49.90 euros
Fawn Revelation: “Skylight”, by Joe Kessler
(Prize awarded to the album of an author or an author at the start of their career who has professionally published a maximum of three books)
(Live Tweet) Ceremony of the Fauves – The Fauve Révélation is awarded to “Lucarne” by Joe Kessler, at @lassociation
– Festival d’Angoulême (@bdangouleme) February 1, 2020These five short stories impregnated with strong colors translate the most intimate sensations of the characters.A singular graphic and narrative experience, signed by the artistic director of the English publisher Breakdown Press, to express fear, pleasure or smells, supported by a hypnotic narration and an original vision of the world.
Fawn from the series: “In the Abyss of Time”, by Gou Tanabe
(Prize which honors a work in four or more volumes, regardless of the number of volumes in total)
(Live Tweet) Ceremony of the Fauves – The Fauve of the series is awarded to “Dans l’Abîme du temps” by Gou Tanabe and HP Lovecraft at @ki_oon_Editions # FIBD2020 # BD2020 #BD #Angouleme #FIBD #Fauve pic.twitter.com / dXJgZDsjF7
– Festival d’Angoulême (@bdangouleme) February 1, 2020After The Hallucinated Mountains, Gou Tanabe continues his adaptation of the novels of the master of horror, HP Lovecraft.Leaving Antarctica for the Australian desert, with a black line of oppressive realism, the mangaka draws the inexpressible and gives body to this nightmarish SF masterpiece that combines a journey through time and a terrifying transfer of personality.
In the Abyss of Time, by Gou Tanabe (after HP Lovecraft) – Ki-Oon editions – 17 euros
Act of God
Fawn of Audacity: “Act of God”, by Giacomo Nanni
(Prize which rewards experimentation and formal innovation through an album with an inventive and innovative graphic style, using all the possibilities of comics to better push its boundaries)
(Live Tweet) Ceremony of the Beasts – The Beast of Boldness is awarded to Giacomo Nanni for “Act of God” by Here Same editions
– Festival d’Angoulême (@bdangouleme) February 1, 2020On August 24, 2016, in Italy, an earthquake killed 298 people and left nearly 400 injured.Giacomo Nanni traps the moment in a choral tale that makes the mountains speak, lingers on a stray deer in front of a supermarket and tracks the unicorn in the viewfinder of two hunters.His pantheistic ode confronts man with nature and creation with chaos, in a pointillist and dazzling graphic magma.
Act of God, by G. Nanni – editions Ici même – 19.50 euros
The Green Hand and Other Stories
Fauve Patrimoine: “The green hand and other stories”, by Nicole Claveloux and Édith Zha
(Prize rewarding a work which is part of the world history of the 9th art and whose edition, re-edition or the integral offers a particularly neat editorial work)
Live Tweet) Ceremony of the Fauves – The Fauve du Patrimoine is awarded to “La Main Verte et autres récits” by Nicole Claveloux and Edith Zha at @ed_cornelius # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/hVFmYwIy6d
– Festival d’Angoulême (@bdangouleme) February 1, 2020First volume of an anthology dedicated to Nicole Claveloux, painter, youth illustrator and cartoonist, passed by the magazines Métal Hurlant and Ah!Nana .Collection of poetic stories enhanced with flamboyant colors, “The Green Hand” describes an absurd and funny world in which reality plays hide and seek with reason.
Note that Nicole Claveloux received a Fauve d’honneur during the official Fauves award ceremony, Saturday, February 1, 2020.
Standing ovation for Nicole Claveloux who receives a Fauve d’honneur at @bdangouleme #Fauves # FIBD2020 # BD2020 pic.twitter.com/E4HhBMGfJy
– see read (@ see read) February 1, 2020The Green Hand and other stories, byN. Claveloux & E. Zha–Corneliuseditions –23.50euros
La Saison des Roses
Fauve Audience Award France TV: “Saison des roses”, by Chloé Wary
(Prize awarded by a jury of nine spectators from France Télévision)
(Live Tweet) Ceremony of the Fauves – The Fauve Audience Award France Télévisions is awarded to Chloé Wary for “La Saison des roses” at @editionsFLBLB @Francetele # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/PYdKw1x8Px
– Festival d’Angoulême (@bdangouleme) February 1, 2020Barbara passes the bac.She lives with her mother in the ordinary suburb of Rosigny-sous-Bois and lives only for her football club.But this year, the leaders decided to favor the men’s team, preventing the players from registering for the championship.With her markers, Chloé Wary puts her bright colors at the service of the story, to salute the team’s commitment to the collective field of football and the feminist struggle.
Saison des roses, byChloé Wary–Flblbeditions– 23euros
Fauve Polar SNCF: “No Direction”, by Emmanuel Moynot
(Prize awarded by a jury of personalities)
(Live Tweet) The Fauve Polar #SNCF is awarded to “No Direction” by Emmanuel Moynot at Sarbacane editions @ SNCF # FIBD2020 # BD2020 #BD #Angouleme #FIBD @ESarbacane pic.twitter.com/QrpG938GRx
– Festival d’Angoulême (@bdangouleme) February 1, 2020In this paper road movie in the form of a choral narrative, Moynot follows two serial killers in their mad race across America, like a filmmaker filming on the shoulder.Bloody and hopeless epic, doomed to failure and violence, “No Direction” is a human comedy in twenty chapters that strike the reader in the stomach like so many punches.
No Direction, byEmmanuel Moynot–Sarbacaneeditions– 24euros
Fawnof alternative comics: “Komikaze“(collective – Croatia)
(Prize rewards the best non-professional publication, chosen from around thirty non-professional productions and coming from any geographic origin)
(Live Tweet) The price for alternative comics is given to Komikaze # 18 # FIBD2020 # BD2020 #BD #Angouleme #FIBD pic.twitter.com/ncmmty1HHw
Rutu Modan and Alison Bechdel at the 2014 Angoulême Comics Festival
Here is a look at what you can expect to see at this year’s Angoulême Comics Festival, which runs from January 30 thru February 2. Just grab a croissant and kick back and watch some of the proceedings.
The festival has since cut off its live feed. For a long stretch, try this link here.
From press material for the Angoulême Comics Festival 2014:
ComiXology is making a big splash at this year’s Festival de la Bande Dessinée d’Angoulême. In connection with being a part of the Angoulême Comics Festival, which runs from January 30 thru February 2, ComiXology presents some top picks in French comics selected by Joe Keatinge (writer on such titles as TECH JACKET DIGITAL, BATMAN INC. SPECIAL, AMAZING SPIDER-MAN). ComiXology is proud to present a fine selection of French comics. You can read Keatinge’s thoughts about some of his favorite titles (all available at ComiXology) here.
The 2014 Angoulême Comics Festival, being held in Angoulême, France, is just around the corner: January 30th through February 2nd. As one of Europe’s most premiere comic book events, the Angoulême Festival helps set the tone for the rest of the year in comics. One of the selections featured this year is “L’enfance d’Alan,” published by L’Association. It is by Emmanuel Guibert and chronicles the life of his friend growing up in California in the years prior to World War II. It seems quite appropriate to provide this advance review of the first American edition, entitled, “How The World Was: A California Childhood,” translated by Kathryn Pulver, published by First Second Books.
It is a wonderful little miracle each time a life’s story is so vividly brought to life in comics. Cartoonist Emmanuel Guibert created “Alan’s War,” a graphic novel about his friend’s time as a soldier in World War II. For this new graphic novel, he turns the focus over to Alan’s childhood in California. And he does a most interesting thing. He lets Alan’s voice be heard with a deft balance of word and picture. Guibert lets the words breathe by providing them with all the room they need. These are, after all, delicate and quiet reflections and they require a certain tone.
Much of the story is told directly by Alan. His narration is predominant. We only need a smattering of word balloons on some pages. Guibert manages the tempo by alternating layouts: cinematic storyboard, grid sequence, tableau, scrapbook vignette. On one page, he has Alan recalling his grandfather’s habit of spreading out his magazines during his routine lounging. As part of that, he depicts the old man as a magazine cover portrait. This is all in the service of spinning a good yarn.
Ultimately, this book lives up to its title. Guibert, with a gentle and consistent vision, provides us with a sense of how the world was. This is Alan’s childhood and we’ve been provided a portal back in time to view it. Like anyone’s life it has its struggles, drama, and pain. But we never get pushed out of the story by melodrama. This is an honest depiction, almost as if a camera were left rolling while Alan recollects as well as rolling directly upon key moments in his life. It is left to Guibert to give it shape, and therefore bring out its meaning, and that he does.
“How The World Was” is a 160-page book, priced at $19.99, and will be released by First Second on August 12, 2014. Visit First Second here.
The Angoulême Comic Festival celebrates its 41st year, having first debuted in 1974. It is now the second largest comic book convention in the world, with more than 200,000 visitors attending each year. Numerous prestigious awards are granted during the four-day festival, known as the Le Palmares Officiel du Festival, covering a wide range of categories, including “Best Album,” “Angoulême Essentials,” and the “Grand Prix de la ville d’Angoulême,” which is awarded to a living creator in honor of their lifetime achievement.
For more information about the Angouleme Comics Festival, visit here.