I love this still from the upcoming animated feature, Arco. I have to hand it to the French as this looks like something very weird and wonderful–and will live up to its promise. All the little details, so delicate and precise, speak to the dedication of a true graphic novelist, which Ugo surely is as he has a fine and consistent track record of actually creating numerous graphic novels. You really can’t call yourself a graphic novelist without actually being one! So, here is a bona fide bande dessinee artist!
Here is the news on Arco which appeared in Variety last month:
No one does the dance with death, and life, on the page as well as French cartoonist Blutch. He has influenced a generation of cartoonists, including such big names as Paul Pope and Craig Thompson. You can see it in how they create in ink, how they attack the page. But neither Pope nor Thompson can really match the master. The way Blutch brings his pages to life is more mysterious, even dangerous, truly like a tightrope walker without a net. It’s not only ink, for Blutch. It’s one’s own life’s blood. Blutch is well known in France in sort of similar fashion to, say, Robert Crumb is known in the United States. By that, I mean that Blutch has a reputation for artful and provocative work. When the reissue of Peplum first came out a while ago, I was deep in the process of a lot of things, including a big move and so I do a revisit of this book now, Blutch’s first book translated into English. It began as a serialized comic in the magazine, A Suivre, and established Blutch as a serious artist back in 1996, at the age of 28. And it is the book that New York Review Books chose as part of their entry into publishing reprints of classic work in graphic novels.
Give me a reason to create art!
This is really the sort of work in comics that appeals to me the most: work created by someone who is masterfully pushing the limits of the art form. Peplum is ambitious in scope and highly inventive and original in execution. Having become bored with conventional comics tropes, Blutch needed to pursue comics more as would a painter, filmmaker or novelist. He chose the ancient Roman fable, The Satyricon, as his jumping off point. As this is a satire of Nero’s court, Blutch essentially wished to associate himself with satire on a grand scale. He marries that refined ambition with a low brow reference. Peplum refers to the peplum film genre, the sword-and-sandal Italian B-movie epics of the ’50s and ’60s. With all that in place, Blutch can work as a painter, having created the wash upon which he can structure his canvas.
PEPLUM by Blutch
A good deal of this comic is wordless, so much the better to study Blutch’s work. Often, what you find is a hungry artist feasting upon creating work. He’s set himself up a glorious excuse to paint, as many a painter will tell you. Blutch proves with this early work that he is fully capable of evoking the mystery and energy found in the best work of comics or any other art form. Our story is set shortly after the assassination of Julius Caesar and the focus ends up on the sole survivor of an expedition en route back to Rome. He is a slave who takes on the identity of a nobleman, Publius Cimber. During their ill-fated journey, Cimber’s group had discovered a beautiful regal-like woman encased in a block of ice. What this supernatural entity might mean or be is beyond anyone’s wildest guess. Cimber only knows he must return to Rome with her–and he might be in love with her. Ah, this is a story only Blutch could tell!
You always need a really good MacGuffin.
Is the lady in ice that Cimber covets nothing more than a MacGuffin, an elaborate plot device? Sure, the reader senses that this is probably the case early on but no matter. It’s the journey that counts for everything. Poor Cimber is well over his head. He isn’t even really Cimber! He has pledged his heart over to the enigmatic frozen maiden but, aside from that, he’s a bit of a loose cannon and a tortured Hamlet. Cimber is a bit of all of us, climbing and grasping for something, not always sure of what he wants. Cimber makes for a perfectly fine present day hero even if his life and struggles take place in ancient Rome. What we find in Peplum are the first significant signs of what was ahead for Blutch as an artist. That same wry energy is found in other work such as the celebrated Mitchum, also from around 1996, and So Long, Silver Screen, from 2011. In Mitchum, among the players is none other than Hollywood legend Robert Mitchum who is there to stand on a young woman’s hair during a pivotal scene. Yet another perfectly surreal Blutch moment! And speaking of Mitchum, New York Review Books will be releasing an English translation of this most dazzling book, set to be released April 7, 2020. It will have an English translation by none other than cartoonist and comics scholar Matt Madden. Below, I present to you the cover to the original French version, published by Cornélius.
Here is a graphic novel that many of you, especially in the States, will be intrigued by–or it might make you scratch your head: Les bijoux de la Kardashian, (loose translation, Kardashian’s Jewels) published by Glénat. Of course, this is a book focusing on the ordeal that Kim Kardashian went through in Paris back in 2016. This is a French graphic novel that just screams out for an English translation. Given that Glénat and American comics publisher, IDW, work closely together, it would be easy to see this happen. That said, just enjoying the lively artwork alone is well worth it. Would a U.S. audience not be receptive to an English translation version of this?
Talk about how anything can become content for a graphic novel! The Kim Kardashian hotel heist is actually a complicated story and comics, in fact, prove an ideal tool to sort through the details. Written by journalists François Vignolle and Julien Dumond, this graphic novel is decidedly fact-driven. The artwork is by cartoonist Gregory Mardon who does a marvelous job of bringing what amounts to a classic crime story to life. Mardon’s style is very crisp and clean, as if he were drawing wonderfully concise sketchbook drawings. It is a particular look, very French, exemplified by such legendary French cartoonists like Etienne Davodeau, Jacques de Loustal, and Blutch. So, Mardon’s artwork will evoke for the reader a reporter’s notebook come to life.
The Hôtel de Pourtalès, where Kim Kardashian West was robbed. Celebrities seeking privacy often stay there. From Vanity Fair.
It is quite an undertaking to bring this whole story together. You have two dramatically different worlds colliding: all the aspects of the crime, including the criminals and the police; and all the aspects of the glitzy lifestyle of a true American reality TV icon. The story is based upon police records and investigations into the high-profile crime that took place in an apartment in Paris’ upmarket 8th arrondissement on Oct 3, 2016. François Vignolle, one of the French journalists who co-authored the graphic novel, states: “We explored the routes the thieves and Kardashian took, we went to the places where they were, spoke to sources and took photos of the spots so that the story would be as real as possible.” And it was as if all other news took second place at the time of the media circus. “We no longer were talking about the terrorist attacks in France or Donald Trump in the United States. Everyone wanted to know about the Kim Kardashian theft.” So, all in all, a full portrait of the event and its aftermath.
An unlikely high-profile criminal.
Ultimately, a fabulous story emerges involving a most unlikely band of thieves. The time is right to take a closer look, with the initial story processed in our minds, a story that gratefully did not turn more violent than it might have. And that’s not to diminish at all the very real trauma of being robbed at gunpoint. Only after the passage of time, in hindsight, do we get a full story. The thieves were all past the age of 50, some even past 70. They had no idea who Kim Kardashian was. They initially were just after a ring but managed to stumble upon a collection of jewels worth some $10 million. And their getaway was on bicycles which they had a very hard time with. The whole thing, with respectful hindsight, brings to mind some Pink Panther caper. So, it is no surprise to find a bit of humor. There is no malice here, no ridicule. But you do get a lot of scenes of the queen of reality TV posting on social media.
Kim Kardashian back in her element.
That all brings us back to whether or not it makes sense to have an English version to this graphic novel devoted to the Kim Kardashian jewel heist caper. Is it just too much for audiences outside of France to comprehend? Time will tell. The thieves go on trial in 2020 and there’s talk of a sequel graphic novel. Perhaps the biggest barrier is not language to this story. Perhaps something culturally would get lost in translation. And that’s a shame.
Les bijoux de la Kardashian, (loose translation, Kardashian’s Jewels) is published by Glénat.
“Valerian and the City of a Thousand Planets” will open in U.S. theaters on July 21st. It all began as a French comic book series. First published in Pilote magazine in 1967, the final installment was published in 2010. The science fiction comics series was entitled “Valérian and Laureline,” or just “Valérian,” created by writer Pierre Christin and artist Jean-Claude Mézières. The first volume in a complete collected works was recently published by Cinebook. “Valerian – The Complete Collection Vol 1” is now available from Cinebook. You can also purchase it at Amazon right here.
“Valerian – The Complete Collection Vol 1”
This deluxe edition includes various supplementary material related to the movie. It starts out with an exclusive interview with the film’s director, Luc Besson (The Fifth Element). He shares his childhood adoration for the Valerian comics. He dutifully awaited each new installment in Pilote magazine, just like all the other kids he knew. The Valerian comics, with their mix of classic science fiction and whimsical fantasy, helped to influence Star Wars. And perhaps, only now, has movie technology caught up to do justice to a Valerian movie.
Drawing by Jean-Claude Mézières of Star Wars meets Valerian
All you really need to know to enjoy the movie is that it’s like Star Wars but with a distinctively French flare. The main characters are a couple of special operatives, Valérian and Laureline, on a mission to save the world, or should I say, the universe! It is in reading the actual comics that a reader quickly picks up on that refreshing sense of irreverence that is Valerian. Keep in mind that director Luc Besson worked with Valerian artist Jean-Claude Mézières on “The Fifth Element.” Indeed, this is a very special case of a major motion picture and its comics source material working seamlessly together.
Now, consider the significance of the Valerian comics because, make no big mistake, Valerian set the stage for much that was to come. Valerian comics, in their day, were groundbreaking. There was nothing quite like it in its scope and influence. These comics hit France in the Sixties during a major time of transition: a post World War II culture seeking out fresh new entertainment. To get away from the gray and the drab, the two French creators of Valerian went west to the U.S. for a time to get recharged. In fact, their first work together originated in Salt Lake City, Utah!
Panel excerpt from Valerian
In the U.S., Mézières, the artist, and Christin, the writer, were enthralled with wide open spaces, colorful B-movies, and great promise for change, as demonstrated with the Civil Rights movement. They honed their skills. Mézières focused on such artistic talent as Giraud, Jijé, Franquin, and Mad magazine. Christin focused on science fiction writers like Asimov, Van Vogt, Vance, and Wyndham. And, together, they created Valerian.
This first volume of the collection contains books 1 and 2 of the series: The City of Shifting Waters – in its original two parts, 9 pages longer format – and The Empire of a Thousand Planets. It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered.
And to really get a sense of what’s in store with the Valerian movie, check out this particularly informative trailer below that goes into the vital connection to the original comics. Yes, Valerian is a big deal. Consider it as big as Star Wars:
“Valerian – The Complete Collection Vol 1” is a 160-page full color hardcover suitable for all ages. Buy it on Amazon right here.
Baru (Hervé Barulea) is a legendary cartoonist known for such work as 1995’s euro-manga, “L’Autoroute du Soleil,” which won the prestigious Alph’ Art award for the best original French language comic. More recently, he won wide acclaim in 2010 for his 300-page graphic novel, “Villerupt 1966,” published by Les Rêveurs. Baru favors recollections of his adventures as a youth in the ’60s. “The Swimming pool of Micheville,” published by Les Rêveurs in 2015, is an excellent collection of comics that chronicles Baru’s coming of age. It is one of a vast array of comics that you can find at the new home for online comics around the world, izneo.com.
The theme for this collection of Baru comics is a lost generation of kids who, despite a bleak environment and dim prospects for the future, still pursue dreams and hopes. Take “Goofy John,” for instance. He will do anything to impress the girls even build his body to Charles Atlas proportions. But, even with his new bod, the girls are not in the least interested. As the guys are quick to point out, John still has buck teeth and rabbit ears. And, besides, as the little stinkers take pleasure in pointing out, all the girls have moved on to lean mod boys.
One such teddy boy, is Verdini, who manages to frustrate the guys on all counts. Verdini has been sized up as not too bright, along with other shortcomings. And, despite it all, the girls all go for him! You can see that Baru takes great delight in doling out all of his social commentary to the point that you are immersed in it. Baru’s light artwork lifts off the page. His style is wry and light, pleasing to the eye.
Circa 1963: A lost generation
Baru excels in bringing out the pathos in a scene. He roots for the underdog. His beloved characters are all supposedly “losers” in the great game of life. Baru sees the poetry and gentle beauty in his lost generation. These are the kids who are held back, dismissed, forced out of any higher education. The steelworks and the typist pool await these poor youth. But, for at least a few summers, they can all enjoy the local swimming pool in their prime: lost in their libidos and flirting in their swimsuits. So what if everything is covered in a fine mist of rust red from smoke coming from the nearby bessemer converter?
THE SWIMMING POOL OF MICHEVILLE is a wonderful collection featuring stories about cars, rugby, and romance. It runs 81 pages in full color. And you can find it at izneo.com right here.
Here is some more information on izeno:
THE FIRST OFFICIAL AND LEGAL ONLINE COMIC BOOK READING SERVICE
The biggest comic book publishers have partnered to launch izneo, the first digital comic book reading service.
With izneo, publishers like Bamboo, Casterman, Circonflexe, Dargaud, Dupuis, Fei, Fluide Glacial, Grand Angle, Jungle, Kana, Le Lombard, and Lucky Comics will offer the largest catalog of e-comics.
Open to all comic book genres, the izneo catalog expands every month with even more new albums.
The izneo service is simple: rent an album from €1.99, or buy from €4.99 (online reading)! What’s more, for €9.99 a month, subscription allows comic book lovers to read as many albums as they like from all over the world.The comic book is a form of graphic and literary art, which is particularly suited to on-screen reading, especially on a tablet. With the izneo app, you can read your comic books while on the move.You can also access izneo via e-bookstores such as iBookstore, Immatériel, Amazon.fr, Fnac.com or even Starzik.com… izneo also has a special subscription plan for libraries.
Yet another opportunity for new readers to discover the joy of comic albums…
Illustrator and cartoonist Pénélope Bagieu is like any gifted artist: curious, industrious, and someone who welcomes a good obsession. I say that in the best sense of having an obsession since artists need them to spur on their work. Bagieu followed her muse to the music legend Cass Elliot. You can read my review of her graphic novel, “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” published by First Second Books, right here. I had an opportunity to chat with Bagieu. We discuss her book, her thoughts on music, and what lies ahead.
We begin this video interview with my sharing with Pénélope my encountering the hit song and title of her book while I was having lunch. It seemed a bit uncanny to me. Pénélope did not exactly shrug off the observation but quickly acknowledged how ubiquitous that song is. And how powerful. It is every bit a work from the Sixties and yet totally co-exists in a timeless Neverland. Certain songs from that era aimed for such a vibe but precious few attained that quality. And so it was to be with Cass Elliot, one of the few to reach an ethereal and graceful immortality.
CALFORNIA DREAMIN’ by Pénélope Bagieu
Before we started rolling video, Pénélope was telling me about her visiting MoPOP here in Seattle. She said, if she could, she would live in that museum. That sort of sentiment won me over all the more. You can catch more of that thread in the interview when Pénélope responds to my asking her about the power of music.
What I would like to suggest to you is that, if you are going to Emerald City Comicon (and I’d love to hear from you about ECCC either on or off this blog) make sure to visit the First Second Books booth #1602 on the exhibit floor and get yourself an advance copy of “California Dreamin’: Cass Elliot Before The Mamas & the Papas.” For those of you not fortunate enough to visit, I highly recommend that you get a copy at your local comics shop, bookstore, or online.
Pénélope Bagieu is an illustrator and cartoonist worthy of as big a reading audience as possible. CALIFORNIA DREAMIN’ is her second book to come out in an English language edition with First Second Books. Her first book was EXQUISITE CORPSE. Both of these titles, and others, originally were published in France by Gallimard. You can easily find EXQUISITE CORPSE online and I highly recommend that you do so. This is a 128-page full color hardcover. It is a sophisticated comedy about a young woman who becomes involved with an older man who happens to be a famous author. The question is whether she is in over her head or perhaps it is the other way around. There are a number of twists as the story builds. Bagieu has a keen sense of humor and wonderful timing. The main character of 22-year-old Zoe is full of life and quite memorable.
For more details on CALIFORNIA DREAMIN’, visit MacMillan Publishers right here.
Meursault and Raymond Sintes entered into an ill-fated friendship.
It has been a number of years since I read the 1942 classic, “The Stranger,” by Albert Camus. Reading Jacques Ferrandez’s graphic novel adaptation, I was struck by all the details I had forgotten. It also helped me to appreciate the parts to this story that can be considered existential and the rest that falls more into philosophy of the absurd. The main character in “The Stranger” is a young and indifferent man, Meursault. He is in the tradition of such characters as Kafka’s meek Gregor Samsa or Melville’s nebbish Bartleby. For Meursault, there are no rules to follow and nothing really matters. That’s not to say one can’t make their way in the world and be decent about it. But there’s nothing in Meursault’s mode of living to motivate him to make any great effort. And then a calamitous chain of events deliver him his comeuppance. Ferrandez brings all this to life in a way that adds to the reading of the original novel.
A young man with plenty on his mind.
Ferrandez favors a more painterly and economical approach to creating graphic novels. Throughout the book, he has paintings floating behind the panels. Elements of the watercolor artwork are mirrored back in the panels. The drawings are quick and simplified, kept light, while also providing substance. I see a lot of interesting play with character development. Marie Cardona, Meursault’s girlfriend is depicted as lovely and ethereal but also warm and concerned about Meursault. Then there’s Raymond Sintes, the unsavory fellow who leads Meursault astray. And, finally, there’s Meursault who Ferrandez is careful to depict with just the right mix of arrogance, vacancy, and idealism. Originally published in French by Gallimard in 2013, this new 2016 edition is published by Pegasus Books. The English translation by Sandra Smith is completely in sync and offers a smooth connection to the artwork.
Jacques Ferrandez’s “The Stranger,” published by Pegasus Books
After a good long while of playing with words and pictures, a cartoonist knows how to conjure up what matters most. It is remarkable to see how Jacques Ferrandez has made this landmark novel his own, confronting its ambiguity. There’s an added sense of effortless spontaneity running throughout which is, certainly, a result of a great deal of planning and foresight. I have to hand it to him for consistently finding ways to combine his desire for pure painting, and uninterrupted imagery, within the comics narrative framework of panels. You really do need panels and/or some way to keep the story coherent. Ferrandez makes the process look easy and natural. And, again I must stress, he provides a refreshing take on our lost soul, Meursault. It is a pleasure to behold.
“The Stranger” is a 144-page full color hardcover, published by Pegasus Books.
Imagine that you are in Paris and you stroll into a local comics shop in search of comics, or “bande dessinée.” There are plenty of BD shops to choose from and, moreover, plenty of comics. Now, imagine that a massive selection of French comics is available to you right from wherever you happen to be. ComiXology presents to you what they like to call their own “French Invasion.” This week, comiXology unveiled its first line of titles from Delcourt Group, the leading independent comic book publisher in France.
We begin with five lead monthly titles and one lead graphic novel. Among the monthlies is “The Curse of The Wendigo” by Walking Dead artist Charlie Adlard and writer Mathieu Missoffe. The lead graphic novel is “Come Prima” by Alfred, the Winner of the Prix du Meilleur Album at the 2014 Angoulême International Comics Festival. You can find them all by visiting our friends at comiXology right here.
Below you’ll find my reviews for all six of these titles. There are more than 150 Delcourt Group titles to be released exclusively by comiXology. This is truly a French comics invasion!
The Curse of the Wendigo written by Mathieu Missoffe and illustrated by Charlie Adlard.
To be published in two monthly installments, beginning July 6.
What creature is dangerous enough to unite the French and German troops in July of 1917? Only one man knows: Wohati, one of the 12,000 Native Americans in the U.S. Army. Wohati must lead two warring sides to solve the mystery of the Wendigo, for he alone understands the horror of what’s out there waiting for them.
This is what comics are all about: a story that takes you to some very trippy and scary places with a masterful sense of horror mixed with biting satire. You get great character studies here as we go back and forth between French and German trench warfare. But there’s a common enemy that will compel both sides to lay down their arms against each other. And, emerging from the background, as he’s not much of a talker, is the Native American warrior, Wohati. With his help, these two mighty forces can find the bogey man they seek and then resume blowing each other’s heads off.
Iron Squad co-created and written by Jean-Luc Sala and illustrated by Ronan Toulhoat.
comiXology exclusive cover for issue 1 by Matteo Scalera (Secret Avengers)
To be published in ongoing monthly installments, beginning July 6.
What if new technology in 1944 turned the course of World War II and led the Germans to victory?
What would a batch of BD be without a good World War II tale? Ah, and this one takes the cake. It will be sure to please many a reader of many levels. Having just read Philip K. Dick’s “The Man in the High Castle,” I was in just the right mood to check out “Iron Squad,” an alternate history story with quite a kick. Filled with all the details that make for a good war story and sci-fi story, you will lose yourself in the spectacle of it all.
Josephine created, written and illustrated by Pénélope Bagieu
To be published in ongoing monthly installments, beginning July 6.
Cartoonist and blogger Pénélope Bagieu tells the story of Josephine, featuring professional relationships gone awry, a series of faux pas, and many a failed romance.
“Josephine” is a perfect example of quirky light humor. Just as you may expect, we follow our heroine on a series of misadventures. She’s the cute girl who marches to the beat of a different drummer. This is a collection of webcomics that grows on you as you take it all in. I would be surprised to find this collection on the laptop of one of the characters from “Girls” but it would fit right in.
Prométhée created, written and illustrated by Chrisopher Bec
To be published in ongoing monthly installments, beginning July 6.
Preface by bestselling writer Mark Waid (Insufferable)
comiXology exclusive cover for issue 2 by Andrea Sorentino (Old Man Logan)
What happened on September 21, 2019 at 1:13 PM can never be explained. And then, for 13 consecutive days, another unexplainable phenomenon occurs&hellip every day at exactly 1:13 PM. Prométhée is a mind-bending science fiction story written and drawn by Chrisopher Bec that recalls Lost and the very best science fiction.
This sort of heroic over-the-top story is a prime example of solid adventure BD. Full of larger-than-life characters tasked to save planet Earth, you better fasten your seat belt before you blast off. This is quite a treat as we follow a story full of mystery involving alien technology and a fateful Space Shuttle mission set in the not so distant future.
Spin Angels co-created and written by Jean-Luc Sala and illustrated by Pierre-Mony Chan
To be published in ongoing monthly installments, beginning July 6.
The bestselling, action-filled Spin Angels series features a Catholic Church Cardinal who runs a black-ops group of spies, and the mafia godfather who puts his very best hitman in service of the Vatican in order to settle a debt.
You’ve got to have at least one adrenaline-fueled adventure involving the Knights Templar! Turns out there’s a strong lead indicating holy relics, long since thought part of Templar myth, are to be found in present day Nova Scotia. Of course, it will take nothing less than an A-team commando squad to fight off all the interested parties. If you’re looking for a fantasy-laden madcap BD adventure, then this is for you.
Come Prima created, written and drawn by Alfred
To be published on July 6.
With his award winning graphic novel Come Prima, Alfred (Why I Killed Peter) has created a poignant homage to Italian cinema and a surprising story about two brothers who hit the road following their father’s death.
The master cartoonist Alfred brings to life a most vivid world with a crisp and economical style. More cartoonists would do well to learn from him. We begin with a yell, “Fabio!” This leads us to bold and muscular scenery: a French cityscape, a boxing match, a boxing poster. It is circa 1958. Giovanni has come for his brother, Fabio, who seems to always find a way to escape responsibility.
It appears that Giovanni offers a path to redemption. Fabio, we can tell early on, is distant and yet vulnerable. He resists the call back home to Italy up until he sees that his brother is holding an urn with his father’s ashes. That is too much, and so begins a journey.
Alfred offers up a poignant story with plenty of twists and turns. We find that Giovanni is not so much the saintly son. And Fabio is not entirely the brute. But they can dig their heels in too and conflict is always around the corner.
Ultimately, we cheer them on and wish them as safe a journey as is possible. Quite a realistic story of two stubborn men coming to terms with life, mortality, and something greater than themselves.
And so there’s reviews for the first round of titles from Delcourt. You can find all these titles by visiting our friends at comiXology right here.
Bilal’s Marpada (Wonder Woman?) from “Phantoms of the Louvre”
Bilal is a legendary sci-fi and fantasy artist. He has an uncanny ability to evoke a vast world of suspense and mystery. His villains are utterly macabre. His women are utlra-cool sexy. For his contribution to the NBM ComicsLit Louvre collection, Bilal provides us with twenty-two ghost stories in his graphic novel, “Phantoms of the Louvre.” He focuses on a particular work in the Louvre, photographs it, and then works his magic with acrylic, pastel, and prose. For example, we have the story of Marpada who, it would not be a stretch to say brings to mind Wonder Woman. If you ever wondered what a Bilal Wonder Woman would be like, this has got to be it. Note to DC Comics: Entice Bilal to do a Wonder Woman story!
Christian Durieux states that he sought to create comic book poetry with his graphic novel, “An Enchantment.” He definitely succeeds in doing just that. The collaboration between the Louvre and NBM ComicsLit to co-edit books inspired by the Louvre results in such wonderful works of comics. This one is pure magic. It’s like watching a dance sequence with Fred Astaire and Ginger Rogers. The comic flows so well that it glides. It could easily have been wordless but the dialogue is so charming.