Category Archives: graphic novels

Comics Review: H.G. WELLS: THE WAR OF THE WORLDS

Indeed, the martians are coming!

There is an exciting new graphic novel adaptation of the H.G. Wells classic, The War of the Worlds, presented by Insight Comics. This version provides a vivid and immersive “present day” of 1898 that keeps the reader quite engaged. It will sneak up on you with its strange yet familiar qualities. We have seen so many different versions of this material that we cry out for ways to peel back as closely to the original to reveal something about our contemporary selves. That is what I see happening here.

A wonderful sense of pacing.

One thing is for sure, these martian creatures are relentless forces of nature–and that sort of villain never goes out of style. Writer Dobbs and artist Cifuentes do well to follow their hearts and take such an inhibited approach. I think there’s always that risk of losing one’s way in a work set in a different era. In this case, it all feels very natural. The reader accepts this natural setting and gets hooked into the suspense within context.

Part of what makes everything fit correctly in this version is the fine sense of timing. As much as things move quickly in this story, the intrinsic pace to life is relatively methodical. You want to send a message, heck, you might opt for a carrier pigeon. You want to pick up the pace, you best find a good horse. With that in mind, I cherish how that special pacing finds itself on these pages. For example, just consider the above page, our hero is slogging his way down a rough road while, steadily moving forward, the bloodthirsty martians are coming!

H.G. WELLS: THE WAR OF THE WORLDS

Look closely, and this captivating work in comics will set your mind to flashes of past great moments between human and creature. The first look at the giant cylinder immediately made me think of Arrival. And the first look at the actual martians made me think of Alien. That said, it was more a recollection of a great sense of energy and not a lifting of one style onto another. Without a doubt, this book has its own unique sense of energy and it has earned its place among related work.

H.G. Wells: The War of the Worlds is a 116-page full color hardcover and available now. For more details, visit Insight Comics right here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, H.G. Wells, Insight Comics, Insight Editions, Sci-Fi, science fiction

Comics Review: SKINNED from Insight Comics

SKINNED from Insight Comics

If you’ve been to your local comics shop or bookstore, you may have noticed the colorful cover for Skinned, a new graphic novel and part of the Insight Editions imprint, Insight Comics. Taking a look inside, I was immediately impressed with its vivid, daring, and hip approach. Written by Tim Daniel and Jeremy Holt, illustrated by Joshua Gowdy, and lettering by Matthew Meylikhov, this is an eye-popping, sleek and fun comic that will bring to mind such comics as The Wicked + The Divine and American Gods. There is definitely a blending of sci-fi and fantasy elements with a millennial sensibility.

SKINNED from Insight Comics

And, if you love a good twist on sci-fi tropes, I believe you’ll be pleased with this story that gives us a delicious take on how easily humans are overwhelmed by their own technology. This is a wonderful satire that does not get bogged down by its targets: artificial intelligence, virtual reality and human folly. Instead, it jumps right in and brings the story and art up to a high level of excitement and urgency. You’ll get a psychedelic jolt along the lines of The Wizard of Oz and Sgt. Pepper’s Lonely Hearts Club Band and, in that spirit, one you’ll want to come back to it.

SKINNED from Insight Comics

The big thing that captivates everyone in this story is iRIS, enhanced-reality contact lenses that provide users with their own unique take on reality. You no longer have to dread another day with its randomness and challenges. Why not give everything a nice fuzzy fun beach theme or some other calming fantasy? Do it enough, and you’ll never miss reality again, right? Sounds like too much of a good thing and, as we come to see, it is. But thanks to two star-crossed lovers, Aldair and Bouy, humanity may find a way out of its voluntary enslavement. This is quite a fun book with a lot of energy and originality to spare.

Aldair and Bouy might just save the day!

Skinned is a 128-page full color hardcover and is available now. For more details, visit Insight Comics right here.

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Comics Review: M.F.K. by Nilah Magruder

M.F.K. by Nilah Magruder

This week we will look at the new line of original comics coming from the Insight Editions imprint, Insight Comics. I have been meaning to get to some of these titles and I’ve hesitated since I really wanted to process them and have something worthwhile to say! Well, enough waiting. In fact, I interviewed Nilah Magruder a few months back at Emerald City Comic Con and so I’m overdue. The first comic to kick off this new line of comics is “M.F.K.” by Nilah Magruder. Now, you may wonder what M.F.K. stands for but that will remain a mystery. It’s quite fitting considering this is one of the most unusual and mysterious comics I’ve ever read.

A small in humble village is the jumping off point for an epic adventure.

I swear, more and more of us are collectively going to look at comics as this most stimulating alternative form of entertainment. I know that sounds stupid to say that, especially if you already appreciate comics at a higher level. I guess I mean that it seems that the vast majority are still okay with comics serving a more basic service, simply acting as a simple vehicle for action and entertainment. When people like myself lecture about how it can be so much more than that we are referring to quite a colossal amount of comics that somehow manage to keep a relatively low profile. Does that make sense? There are a lot of, say, niche comics out there but, with each passing year, the audience grows, is more accepting, and remembers specific titles and creators. Just look at how long it has taken for names like Jack Kirby and Steve Ditko to pretty much enter the mainstream. Okay, I know, I am digressing down a deep rabbit hole here. I just say this because I’m excited to see such a quirky and remarkable comic as M.F.K. getting a lot of love and respect.

It all begins with a sandstorm!

People often compare comics to movies. And prose novels. Sometimes paintings. And I would definitely have to add music. I think I found myself processing M.F.K. best as a stimulating and unpredictable piece of music. Sure, there is a narrative to follow but, as is the case with a lot of more eccentric work, the narrative is almost besides the point. Not totally but to some extent. There are a lot of atmospherics going on in this comic, okay? Amazing sandstorms and we begin with some strange scene involving a struggle to collect and process the sand. I really do not understand what the characters are doing with all this sand–but that’s okay. So, you see, in that respect, it’s like music. I am experiencing beautiful and intriguing interludes. But, again, that’s not to say there isn’t a compelling story going on because there is.

Abbie, the outsider.

Abbie is a tough kid. We don’t get her story right away but, basically, she’s this young woman with a Wookie-like bird. Abbie is carrying a urn with her mother’s remains. Her goal is to find a proper place for the ashes. But then things happen. Abbie is worn down. Her bird, or moa, is worn down. And there’s all this sand swirling around. Next thing you know, Jaime, a young man, becomes entangled in a fight with Abbie that leads to Abbie and the moa both being stabbed by Jaime. This leads to Abbie being taken in by Jaime’s family who tend to her wounds although reluctantly since she’s an outsider. A lot more stuff goes on, including a much better understanding of who or what Abbie really is, and we come full circle in this first installment with Abbie back on the road with her urn. But she no longer has a moa. Now she has Jaime as a sidekick.

You can imagine all the music coming from this comic, can’t you? I’m sure you can. Nilah Magruder has written and drawn some sort of epic opera in the form of a quirky, funny, and most engaging work of comics. The first book in the M.F.K. saga is now out. For more details, visit Insight Comics right here.

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Comics Review: MURDER #1

MURDER #1

MURDER is an intriguing new graphic novel series that will have you thinking twice about animals. It is written by the team of husband and wife, Matthew & Brittany Loisel. Art by Emiliano Correa. Lettering by Micah Myers. In all respects, this is quite a compelling work in comics. I have to admit that when I first took a look at it, my mind quickly went to the classic song, “Meat is Murder,” by The Smiths. I’m sure that the Loisels knew they would need to bring their A-game to a subject vulnerable to earnest polemics. So, yeah, the animals rebel and the meat industry is put on notice but it is all done with quirky style.

Meat industry put on notice!

One issue in and I am left curious for more. The narrative has a nice natural pace. We don’t know too much about our emerging cast of characters–just enough to be lured in. I’m intrigued by the one standout human in the bunch. We see him in a two-year flash forward going by the name of The Butcher of Butchers. He makes for a colorful vigilante. We start off by seeing him befriend a little baby chick.

Chicks and humans don’t mix so well.

The little baby chick, by the way, can talk–and the do-gooder human buddy of his understands and casually chats with the chick. Who knew. Humans and animals, just like Doctor Dolittle, can talk to the animals! Well, in this story, it’s only this one human who can parlay with the pachyderms, if he were so inclined. For this guy, chatting with a chick is plenty for starters.

Start to think about it, and there are all sorts of critters talking to each other, and the occasional human, in books, movies, and comics. “Animal Farm” and “Watership Down” are a couple of my favorites. This comic gets a thumbs, paws and hooves up for willing to go out on a limb with a story involving a dog and a cat plotting their overthrow of humans while playing chess.

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Kickstarter: LEMONADE SUMMER, LGBTQ Comics (Ends April 7)

LEMONADE SUMMER by Gabi Mendez

“THERE ARE STORIES ABOUT KIDS AND GROWING UP, AND THERE ARE STORIES ABOUT THE LGBT EXPERIENCE; BUT THE TWO DON’T OFTEN INTERSECT IN A POSITIVE WAY. LGBT ISSUES AREN’T JUST ADULT ISSUES! MY STORIES ARE FOR ALL AGES: POSITIVE STORIES OF KIDS AND YOUNG ADULTS NAVIGATING LIFE AND HELPING EACH OTHER WHILE NOT IGNORING THEIR IDENTITIES AS TRANSGENDER, BISEXUAL, NON-BINARY, LESBIAN, AND MORE.” – GABI MENDEZ, AUTHOR

A Kickstarter campaign is running now and ending on April 7th in support of Lemonade Summer by Gabi Mendez. This is an all-ages graphic novel about queer children, adolescents, teens and young adults coming of age in positive environments and finding supportive communities. The book is 136 pages with full color covers and chapter covers. Each story is a monochromatic color scheme mirroring the sun from noon to dusk, reflecting the characters’ growth in the book. The stories feature young, queer characters who grapple with the conflicts of their own worlds.

Page From “Strays”

“In the summer of our dreams, young pirate runaways learn to accept each other regardless of gender presentation. The new girl in town finds solidarity in female friendship. A roller derby unexpectedly lights the spark of a first-time crush. Friends find confidence in their own voice, and teens face the uncertainty of growing up.”
— Gabi Mendez

Kickstarter Goal: $15,000 currently funded at 40%
Kickstarter Ends: April 7
Support this Kickstarter campaign right HERE.

“We chose to crowd-fund this project to allow us to donate copies to schools, libraries, youth centers and other organizations that would not normally be able to access this book. Currently, our backers will allow us to donate 65 copies.”
— Gabi Mendez

This book is part of Cow House Press. Visit them right here.

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Filed under Comics, Crowdfunding, Gay, graphic novels, Kickstarter, LGBT, LGBTQ, Queer, Young Adult, Youth

Comics Review: TWISTED DARK by Neil Gibson

TWISTED DARK, Cover art by Caspar Wijngaard

TWISTED DARK, published by TPub Comics, has the face of a battered woman as its brand and permanent logo. The story of a woman who wants to be beaten by a man is the flagship story to its TWISTED DARK universe. What to say on this? Where to begin? This logo has been around for many years now. I suspect that a lot of people who have actually bought the comic have not actually read the comic. That would partly explain how this has remained under the radar.

How about #NoAbuseToWomenInComics as a response? I know, some comics fans would cry foul and bring up the old Comics Code Authority. I am not advocating censorship. Hey, I am willing to see what this series attempted to accomplish. The least that I can do is to bring it up here to your attention. The least that TPub Comics can do, moving forward, is place a sticker on such books that states, FOR MATURE READERS. Now, let’s see, I’d say that CREEPY magazine is pretty much the closest work I can compare this to in attempts at offbeat horror–but CREEPY never beat up on women. If you like gritty and grim, that is the audience that Neil Gibson, the creator, writer, and publisher, seeks to attract.

I’m getting quite a late start with this series, which recently ended with Volume 6. I can clearly see from the first volume that this is a collection of depictions of misery. This is not, by any stretch of the imagination, similar to The Twilight Zone or Black Mirror, as Mr. Gibson would hope for. That’s unfortunate. I can imagine how he would like to be associated with that but his work falls considerably short. Before I was even aware of the battered woman cover (as it is an extreme close-up) I went into reading this as I would any comic. As I progressed from one story to the next, I kept giving the book the benefit of the doubt. By the end, I found this to be not only dark and twisted–but misguided. Overall, I would say it is very misconceived. It may have been a case of persistence getting the better of good writing and judgement. I don’t enjoy saying this but that’s what I get from this. The solution is to phase out the false start and do a rebrand. There is potential there if corrections are made.

“A Lighter Note” Art by Heru Prasetyo Djalal

Here, you can see for yourself what is in this first volume. Each story involves a tale of dread and despair. There’s the story of a man who regularly asks his dead son for forgiveness for the way he abused him. Not exactly cheery, right? And it goes on from there getting more and more disturbing. There’s one story that begins with the compelling fact that we presently have more people living in slavery around the world than in any other time. I applaud bringing out that fact. The actual story is intriguing, if not depressing. It follows a man in utter poverty who rises to become an Islamic terrorist.

“The Pushman” Art by Jan Wijngaard

Another story about a failed life depicts a young Japanese man with crushed dreams of becoming an architect. Instead, he is a subway “pushman.” His job is to literally push crowds into subway cars to insure efficiency. However, this man, due to his troubled and frustrated existence, abuses the passengers by pushing and punching whoever he can.

“Munchausen’s Little Poxy” Art by Jan Wijngaard

The book rounds out with its final big story, “Munchausen’s Little Poxy.” All stories are written by Neil Gibson. Many of the stories, including this one, are illustrated by Jan Wijngaard. This is the story of Ulara, a troubled young woman facing issues of self-abuse. Ulara comes from a very wealthy family. It would stand to reason that Ulara would have, at some point, gotten the help she needed–with or without vast sums of money. Gibson paints a picture of a poor little rich girl who gets what’s coming to her since all her troubles are schemes to get attention. Her cutting is just a scheme. Her eating disorder is just a scheme. And so on down to her getting beat up by men. No one should feel sorry for Ulara since she deserves her pain. End of story. This is most assuredly not something that Rod Serling would ever have written. But it is a point of pride for Neil Gibson.

Neil Gibson’s overall motivation with his stories, to be generous, is to push limits. But simply pushing limits does not guarantee sound storytelling. His stories lack the perspective required for good horror. I think he has skill and I hope he learns from his mistakes. One of the challenging things about comics is that they take a considerably long time to create, especially at the scrappy indie level. So, it is possible for a misfit concept to power through to completion simply because too much effort has been put into it to abandon it. That certainly happens with the big publishers too but they can afford to cover one misstep after another, year after year. Indie publishers, all publishers, need to think twice about any project they undertake.

TPub Comics describes Twisted Dark as “a series of interconnected psychological thrillers, perfect for fans of twist endings and comics that reveal more on the second reading. Each story stands alone, but the more you read, the more connections you see between the characters.” I’m not here to burst anyone’s bubble. But, fair is fair, a closer look does not favor this work. Some high profile reviewers, and even a celebrity or two, have supported this series–but I seriously doubt they gave it a close reading, if any. Clearly, TPub Comics is persistent and maintains a presence at comic book conventions. If you view the video below, you see Richard Johnston mostly praising TPub and TWISTED DARK for its tenacity. “They challenge you to ignore them!” How about this: Now is the time to look inward. Mr. Gibson, please place stickers on your remaining stock that read FOR MATURE READERS.

So, maybe you should visit TPub Comics and let them know what you think.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Horror, Neil Gibson, TPub Comics

China the New Hollywood? And with Superhero Movies?!

THE ELECTRIC STATE, a graphic novel by Simon Stålenhag, soon to be a major motion picture.

China is the new Hollywood. Who knew? Big studio director Renny Harlin (Die Hard 2 and Cliffhanger) left Hollywood in favor of China years ago. Indeed, China is the world’s fastest-growing movie market. That said, China is poised to deliver its own blockbuster. As reported by The Wall Street Journal, much depends upon the Russo Brothers. Never heard of them? Well, you’ve definitely heard of the movies they’ve directed for Marvel. You know, some of the ones starring Captain America and the whole merry crew of Avengers. They are currently completing the next installment, “Avengers: Infinity War,” due for release on April 27, 2018.

Abra, Odessa Young, Hari Nef and Suki Waterhouse appear in Assassination Nation by Sam Levinson, an official selection of the Midnight program at the 2018 Sundance Film festival. Courtesy of Sundance Institute.

The Russo brothers have recently joined with Agbo, a production company backed by China’s largest private film company, Huayi Brothers Media Corp. The goal is for Agbo to make its own superhero movies and/or related blockbuster movies. However, just because you could bankroll a successful superhero movie doesn’t mean you have the golden touch. There’s a whole graveyard of clunker superhero movies backed by buckets of money. But Agbo has cherry picked from the best. They also have the writers from the next Avengers movie working on projects. And there have been some very interesting developments.

Directors Joe Russo, left, and brother Anthony Russo at a press event last year at Durham Cathedral in England, a location for their forthcoming ‘Avengers: Infinity War,’ slated for release in April. PHOTO: MIRRORPIX/COURTESY EVERETT COLLECTION

The most exciting project is an adaptation of “The Electric State,” a science-fiction graphic novel the brothers see as having franchise potential, directed by Andy Muschietti, best known for last year’s “It.”

Another exciting prospect, in conjunction with the new independent distributor Neon, is a $10 million buy for distribution rights to “Assassination Nation,” a teen-girl revenge thriller that premiered at the Sundance Film Festival earlier this year.

So, China is the New Hollywood? Well, not exactly but definitely on the right track.

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George’s Run Update: We Keep Moving Forward

Pencils with some ink.

GEORGE’S RUN, my graphic novel work-in-progress, is humming along. These sort of hand-made-with-care items take time, especially since I’m doing everything. People who know and understand, they understand. What I dearly wish is, in fact, to get this work not only completed but uploaded, printed, and hard-wired onto as many minds as possible.

Hand-drawn lettering completed on this page.

I can do a number of things. I can start showing this to the world as a webcomic, either here and/or at a separate venue. A show of hands for everyone who supports that move. Okay. I can also self-publish, which is certainly an attractive option. And I can also make just the right love match with that certain publisher I might click with.

Always studying pages as they progress.

Anyway, folks have asked, and I just wanted to provide an update. I hope you like this small batch of teaser images. I also just got a pedicure and it seemed like a perfect opportunity to show that off too. Why not, right?

Always looking at work from different vantage points.

I’ve learned quite a lot from this and I don’t regret one moment. Next year will be the 60th anniversary of the very first episode to be broadcast of “The Twilight Zone,” on October 2, 1959. That was “Where Is Everybody?” That is a very good question to ask as I seek to stoke interest in what should be a very worthwhile project.

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Filed under Comics, George Clayton Johnson, graphic novels, Henry Chamberlain, Webcomics

Comics Review: SHAKE THE LAKE

Trouble in Paradise

“Shake The Lake” is such an audacious work of comics with such an uninhibited and unflinching depiction of frenzied youth–it is truly a hell of a lot of fun and mesmerizing. These are a bunch of out-of-control kids, the sort you’ve seen in numerous teenploitation horror and summer movies. They all, at first, seem to lack any redeeming character but you get hooked into their little nefarious activities and you just can’t look away. But who ever heard of a graphic novel devoted to wakeboarding (think skateboarding on water)? Am I supposed to know about wakeboarding? That level of specificity is part of the subversive fun. You need to check out this wonderfully oddball badass series right here.

Cal in his element. It’s an endless summer, dude!

Of course, wakeboarding is important–especially for those in the wakeboarding scene, which all of these kids are totally into. And some people are fully aware of wakeboarding but to the other extreme like Zeke and Dalton, these two highly obnoxious park rangers hot on the trail of all fun-loving youth. Leave it to them and they will spoil everyone’s fun, particularly anything remotely hedonistic. Hey, it’s the summer and a bunch of young rebels are determined to make their mark. Cal is the lead instigator. He’s already 23, but it is still a life of beautiful teen summers for him and his fellow dreamers. If they could just stir things up at the ole marina, put on a wakeboarding festival to be remembered in their collective old age, then all this arrested development will have been worth it!

Party!

Brothers Zach and Machi Block’s script rings true. The Block brothers invest in their ragtag characters a level of integrity that lures you into wanting to know more about this subculture. The artwork by brother and sister team Diego and Andrea Lopez Mata are true to the Block vision bringing out all the crude and raw beauty of this motley crew of wakeboarding fanatics. If you go in not knowing a thing about wakeboarding, after reading this work, you’ll be glad to leave it to the experts and just enjoy the ride. Visit the “Shake The Lake” site right here.

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Comics Review: American Born Chinese

“American Born Chinese” by Gene Luen Yang

Guest column by Master Mix Movies

“American Born Chinese” is my favorite non-superhero graphic novel. I’m genuinely surprised that it hasn’t received a movie or TV adaptation yet. I first read it as part of a school assignment in my Freshman Reading class. After reading, we were supposed to make a cereal box based on the book. American Born Chinese is a 2006 graphic novel created by cartoonist Gene Luen Yang. Yang drew from his own past experiences as a Chinese boy living in America as well as Chinese fables he grew up with. In 2007, it won the Michael L. Printz Award. The book is separated into three seemingly unconnected tales.

The first story is about the fabled Monkey King. A character I would later find out is part of a well-known Chinese folklore tale called, “Journey to the West.” This story takes place in Heaven, where Gods, Goddesses, Demons, and Spirits reign supreme. The Monkey King is a powerful, if not stubborn ruler of the Flower Mountain who nobody in Heaven takes seriously, because of his lack of shoes. Despite his mastery of four major heavenly disciplines. In order to prove himself, he orders all his monkey subjects to wear shoes and he meditates. He also learns four major disciplines of invulnerability and bodily form. Of course all this power goes to his head and the creator of the universe has to teach him a valuable lesson. What I like most about this story is how cool it is. Chinese folklore is actually very fascinating. Seeing a monkey flying on a cloud is just as funny as it is awesome.

The second story is about the titular “American Born Chinese” boy, Jin Wang. A Chinese kid who loves Transformers. His experiences include moving to America with his family, trying to fit in, and befriending the only Asian kids in class. This story starts when Jin Wang is a child and ends when he’s a teenager. As any other teenager would, Jin falls for one of the girls in his class. An American girl that Jin becomes desperate to talk to. He even goes so far as to perm his hair to look more American. Eventually his friend convinces him to ask her out and he goes on a date with her. Even when everything seems to be going well, it doesn’t end up lasting very long. Unfortunately, underlying racism keeps Jin from continuing the relationship. What I like most about this story is how relatable it is for anybody who’s ever been a new kid or the only minority in your class. I’m also a big fan of teen drama, so I found Jin’s high school experience to be very interesting.

The third story is about average all American teenager Danny. He’s embarrassed because his Chinese cousin Chin-Kee is coming over for one of his annual visits. Chin-Kee is the ultimate negative Chinese stereotypes. Literally every stereotype is represented here. He has a round face, a queue hairstyle, a servant outfit, literal yellow skin, buck teeth, squinty line eyes, he speaks in thick broken English, he’s academic, he makes funny’s, he eats cats, his travel bags are Chinese take-out boxes, he sings karaoke, he knows Kung Fu, the list goes on. His behavior is so embarrassing that Danny has to change schools every time he visits. What I like most about this story is how absurd it is. It’s done in a sitcom style with a laugh track and everything. The title of this story is actually “Everybody Ruvs Chin-Kee.” This is also the story where everything is revealed and the whole graphic novel is tied together.

Overall, “American Born Chinese” is a cool, relatable, and hilarious graphic novel. The art style is clean and simple in a Chinese art sort of way, with rounded curves and edges. Each story feels like a love letter to Chinese culture. A culture that I’ve come to love ever since I’ve read this story. If nobody adapts “American Born Chinese,” I would be shocked. I’m not Chinese, but I might even try to adapt it myself. The only question is, is whether it more suited for a movie or a TV show. Either way, “American Born Chinese” is a clever graphic novel that anyone will enjoy.

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Filed under China, Comics, Gene Yang, Graphic Novel Reviews, graphic novels, Guest Column