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This season has seen the appearance of a prestigious anthology, DrawingPower: Women’s Stories of Sexual Violence, Harassment and Survival, edited by the veteran artist Diane Nooman (Abrams). It has also seen, more recently, a scrappier creation from the “World War 3 Illustrated” crowd: Shameless Feminists. Although this also marks WW3 #50, it is best seen as a thing-in-itself, a 192pp anthology edited by a special crew, Isabella Bannerman, Sandy Jimenez, Sabrina Jones and Rebecca Migdal. Unique among them is the Bronx-born cartoonist and erstwhile schoolteacher Jimenez, unique by his gender.
At any rate, it’s a whopper, and not only by virtue of something beyond the dreadful experiences described in the other anthology, but also by a certain sense of history and a very particular experience. One of the editors (spoiler alert, it is Sabrina Jones) was “invited to create her first comics for issue #3,” that is, about 1980 in WW3. The collaboration is, properly seen, historic and marked by three earlier feminist anthologies as WW3 issues, in 1992, 1999 and 2000 (it’s been a long pause this time).
It’s global, it’s interracial, it’s sometimes pretty dreadful—rapes and near-rapes, humiliation and frustration. But it’s got a pretty persistent note of…persistence. And the occasional victory, not something very likely to be noticed beyond a circle or friends or even perhaps among them, but a personal triumph and sometimes a collective one.
Sabrina Jones offers several high notes along these lines, as well as the main figure of a dreamy, collective front cover. In one of her two strips she reveals her self-daring, a teenager wandering into dangerous places, a young woman choosing to live in sketchy neighborhoods, engaging in multiple affairs for the sheer joy of it, later on pressing herself to stay limber. Later on in the anthology, she makes up her mind to ride a mountain bike over part of the Pyrenees mountains from France to Spain, inevitably meeting dangerous men, and by this time, in her fifties. All of this adds up to the life story: I will not be intimidated. Indeed.
She stands for others in that sense. Lou Allen and Teresa Cherubini separately relate how their “body image” was just never good enough for herself or her boyfriends until…each one broke from the socially-created trance. Jennifer Camper offers a menstruation metaphor through her protagonist’s life. Artist Regina Silvers is the solid leftwing grandmother who joins an antiwar Granny Brigade. And so on.
There is no summarizing the artistic approaches except to say that they are starkly different and also remarkable. This is a book that draws upon great creativity and honesty, and should inspire the same.
Paul Buhle‘s next comic, drawn by Sharon Rudahl, is a life of Paul Robeson (Rutgers University Press, October, 2020.
It was one year ago that comics professional Janelle Asselin was in the middle of a raging storm regarding the comics industry’s ongoing problem with the distortion of women. Catch up and/or refresh your memory on that right here. So, to find Ms. Asselin undertaking a whole new way of addressing this issue is quite inspiring. Sometimes, you just gotta go out and show them all how it’s done, right? Enter FRESH ROMANCE.
FRESH ROMANCE is a new generation’s answer to romance comics. This is part of a new imprint, Rosy Press, brought to you by Janelle Asselin, Senior Editor of ComicsAlliance.com and former DC Comics editor. If funded through the now-live Kickstarter campaign, Asselin’s new imprint Rosy Press will debut FRESH ROMANCE in May 2015. This Kickstarter campaign ends April 22. Visit it right here.
The first issue of this monthly digital comic magazine features sundry stories ranging from a clandestine, queer high school love affair to an impeccably researched and illustrated Regency-era romance. In addition to three forward-looking romances, each issue of FRESH ROMANCE delivers a relationship advice column by a quartet of divorced writers, behind-the-scenes art coverage, and a fashion report.
If Wonder Woman did not exist, surely she would have to be created, right? As comic book historian Tim Hanley makes clear in his new book, “Wonder Woman Unbound,” there never was just one Wonder Woman and, lucky for us, she has emerged as the symbol we are all familiar with. But just how familiar? Yeah, what is Wonder Woman all about? That my friend is worthy of a book and here is that book.