Without any prompting, as natural as can be, Der Spiegel has instantly compared Boris Johnson to Alfred E. Neuman! Europe remains supportive and hip to MAD Magazine. But what about the United States, where Alfred was born? The lights will soon go out on the print run of MAD Magazine as we’ve known it since 1952. No more ongoing original work after that. Everything is being shuttered, closed down. The only thing left will be a perpetual showcase of archived items left to fill the void. Presumably, the archived edition will sputter out in print after a while. Although the official line goes like this: DC Comics, which publishes the magazine, told ABC News in a statement: “After issue #10 this fall there will no longer be new content – except for the end of year specials which will always be new. So starting with issue #11, the magazine will feature classic, best of and nostalgic content from the last 67 years.” That’s something but it pales in comparison. In the long run, perhaps the end result will be back issues living on forever on the web gathering virtual dust. Of course, MAD Magazine will live on in the memories of its devoted fans. What a sad, sad, sad state of affairs. Does Warner Bros. have such little regard and respect for such a time-honored satirical publication? Well, it doesn’t quite fit into someone’s bottom line. It’s a shame to think that Alfred E. Neuman will gradually fade away as a pop culture icon. Perhaps there’s a chance for MAD Magazine to be saved. It happened with Newsweek. Anyway, the Boris Johnson cover of Der Spiegel speaks volumes.
Category Archives: Magazines
Top Shelf Productions, founded in 1997, was there early on to contribute to the rise of graphic novels in the United States with such trailblazing titles as Blankets by Craig Thompson and From Hell by Eddie Campbell. When you think of Top Shelf, you think of quality, style, and reliability. Top Shelf was started by Brett Warnock and Chris Staros. When Top Shelf joined IDW as an imprint, Staros stayed on and Warnock retired. Well, Mr. Warnock is back with Kitchen Table Magazine, a food and wellness magazine, that taps into his extensive background as a publisher and art director. To learn more, check out the Kickstarter campaign, active until December 26, 2018, in support of a subscription drive right here.
Here’s a few words from Kitchen Table to best describe this new print and digital magazine:
KITCHEN TABLE MAGAZINE is a new print and digital publication that connects adventurous souls, curious cooks, and enthusiastic eaters with talented writers, artists, cartoonists, and photographers who explore not only the how-to’s of cooking, but the whys of eating. We’re at the trailhead of adventure, and would love to have you along every step of the way.
We all eat. We all have our particular tastes and interests. Follow Kitchen Table to get a crisp, quirky, and unique perspective. Kitchen Table will share with you a lifelong passion, cultivated in the Pacific Northwest, to keep it fresh, sustainable, and just a little bit weird for good measure. Given Warnock’s special connection to comics, you’ll definitely find a good dose of illustrations here along with excellent writing, photography and design. Visit the Kickstarter campaign in support of a most welcome addition in helping you choose items related to food and overall wellness.
You could spend a lifetime finding ways to improve yourself and the lives of your fellow humans. You can do it all by yourself, without the help of workshops or committees. But, when it comes to institutions (government, media, assorted nonprofits and such) it can end up being all the more challenging, and rather clumsy. So, now we have the venerable publication which has presided over countless households and subsequently found in countless yard sales, National Geographic, founded way back in 1888. No surprise here that something going that far back would have some skeletons in its closet–the number one of which is rampant racism.
Today, in some of the what would seem to be the most progressive of neighborhoods, the racism has been dialed down to the most discrete of passive-aggressive levels. Oh, it’s there alright but it’s not talked about unless in some very pretentious public forum where everyone rolls up their sleeves to seriously tackle a subject they would rather not discuss. That said, the latest issue of National Geographic, with its biracial fraternal twins on the cover “daring” you to revisit the issue of race, is the perfect conversation starter for one of these particularly dowdy gatherings which all too often consists of white people who are at a loss as to how to engage with people outside their own race. These sort of gatherings take place all over the country. I’ve end up seeing for myself what they’re like in Seattle. They are well-intentioned, I guess. I came away with an overall feeling that people want to be heard and they want to come across as positive, intelligent, and “progressive.” But they are also prone to rationalizing their behavior as beyond their control, or even blaming The Other, that other group of races that seem beyond reach.
Just consider the above remarks from one of these community outreach gatherings. Feedback, like these typical remarks, was documented onto Post-It notes: “When I see black people walking towards me on the street, I’m not afraid but I also don’t think they like me.” And this one: “I know it’s not right, but every time I see a black person in my neighborhood (Fremont) I ask myself why they’re here.” Everyone earnestly discusses these sort of comments while also discussing an appropriate prop for the evening, in this case, “What Does It Mean to Be White? Developing White Racial Literacy” by Robin DiAngelo, an expert on, get this, Whiteness Studies. You can’t make this stuff up.
National Geographic is world-famous for presenting The Other: decade upon decade of presenting people from other places, from other races, as exotic creatures. The cover of the April 2018 issue of National Geographic attempts to do good but, in fact, is right back to playing with The Other dynamic. Maybe this time any perceived bad is outweighed by any perceived good. In fact, there is a whole issue here devoted to confronting the issue of race and how the magazine has dealt with it over its long history. That is worth a lot of credit. Maybe I’ll check it out at my public library. Yeah, the library is another place I remember National Geographic from. I don’t know that this publication is truly resonating with Millennials or if it even matters. The magazine will know, I presume, when it’s time to just wrap it all up. For now, it is wrestling with its legacy–and that’s nice to see. National Geographic has a few irons in the fire. It’s on cable, right? I guess it’s one step forward and one step back–but they seem to be making an effort.
Visit National Geographic right here.
UNCLE JAM is a magazine showcasing the visual and literary arts. It’s been around since 1973 and can always be relied upon to entertain and inform. Phil Yeh started up this magazine when he was still just a kid with a dream. He’s seen his magazine evolve into a sophisticated publication both in print and on the web. You can view it by visiting the Winged Tiger website here.
I am honored to do whatever I can to lend a hand in broadening UNCLE JAM’s reach in my area and beyond. As its Seattle Bureau Chief, I’ll oversee distribution and content related to the Pacific Northwest. UNCLE JAM, as always, remains a beautiful work-in-progress and I look forward to lending a hand in the years to come. I will see what I can do to give UNCLE JAM, a California-based magazine, a bit of that Seattle, and Portland, cool. It is, after all, already very cool! UNCLE JAM is a jewel among the many good works that Phil Yeh does to support the arts and literacy around the world. Learn more about Phil Yeh, and Cartoonists Across America and The World, here.
The upcoming issue of Famous Monsters will be a tribute to a giant in science
fiction, Richard Matheson. Yes, he’s the guy who wrote that famous episode of The Twilight Zone with William Shatner freaking out at seeing a gremlin on the wing of the plane he’s on, “Nightmare at 20,000 Feet.” He was a prolific writer and wrote one of my favorites, BID TIME RETURN, which became the movie, SOMEWHERE IN TIME, starring Christopher Reeve.
Visit our friends at Famous Monsters here.
More details from FAMOUS MONSTERS follow:
In some respects, the idea of “Amazing Stories” is more engaging than the actual publication. But that would be just looking at things too harshly, wouldn’t it? We are talking about science fiction and that requires a special sort of suspension of disbelief. It can be of the most sophisticated kind, mind you, since quality science fiction can hold its own with any literary form.
“Amazing Stories,” with its strange cover art, was fated to be a strange creature. While the publication had a history of uneven and inconsistent quality, such is human nature. It was a grand experiment and, through the years, it would reach its potential splendidly. Launched in April of 1926 by Hugo Gernsback’s Experimenter Publishing, it sought to combine entertainment with education. Sales fell short of expectations, and within a couple of years, the magazine was set on its checkered path going from one publisher to another. But it would see the greats of science fiction grace its pages, it had the distinction of being the first magazine of its kind, and it helped pave the way for what was to come in the brave new world of sci-fi. As a lasting testament to its pioneer publisher, the prestigous Hugo Awards carry his name and carry on the promise of a unique literary genre.
Comics Grinder salutes the return of “Amazing Stories” after an uncertain future. Steve Davidson has stepped in as the new publisher after the last publisher, Hasbro, allowed the trademarks to lapse. You can keep up with “Amazing Stories” at its blog. You will find there a most beautiful cover for the new issue by Frank Wu. This is his homage to the magazine’s original artist, Frank R. Paul.