Category Archives: Satire

Movie Review: ‘Get Out’

When I first saw the trailer for “Get Out,” I was hooked on the idea of a racially explicit horror movie. I had already written a script in my head of what I had expected to see. I took for granted that this would be a wry and revealing look at how African Americans can still be seen as the Other. And that is definitely there. We also have the opposite where it is those who are subjugating who are seen in the same way, as some menacing Other. And I expected some dark comedy mixed in. With all that in mind, I wondered, not if, but how far this movie would cross the line.

What “Get Out” does best is keeping to a true horror movie pace, gradually building up. Instead of a frog that is in a pot of water gradually set to boil, we’re all expecting a black man to be boiled alive, so to speak. No, there are no black men being boiled–just a metaphor. In fact, there are far more gruesome things up ahead. The remarkable thing is that there is a certain level of restraint that allows writer/director Jordan Peele to navigate deeper into our collective racial history than some of us out there are ready to go.

The opening scene alone is loaded with plenty of food for thought. An African American young man is walking through an upscale, and presumably white, neighborhood. He is talking on the phone and joking with his friend that he’s lost in what he calls with a whiny accent, “the suburbs.” As he proceeds down streets with tony- sounding names like “Peacock Street,” a white sports car pulls up blaring an old 1930’s song, “Run, Rabbit, Run,” a sly reference to the classic WASP novel, “Rabbit, Run,” by John Updike. The young man attempts to avoid the car by walking in the other direction. Ultimately, he can’t help walking towards the car whereupon he’s knocked out and thrown in the car’s trunk.

Chris (Daniel Kaluuya)

We next see an interracial couple preparing for a trip. Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), are about to meet Rose’s parents. Chris is hesitant and Rose asks him what’s the matter. Chris asks Rose if she mentioned to her parents that he’s black. Rose laughs it off and reassures him that’s it’s not an issue at all. It’s a tender moment. It shows that Chris is vulnerable while Rose is far more in control of the situation. The acting is quite believable. Rose seems clearly in love with Chris. But the focus leans towards Chris as we see events through his eyes. He’s convinced he’s entering the lion’s den and we easily sympathize.

The focus never leaves Chris and, once they arrive at the family estate nestled in the woods, the attention heaped upon Chris grows. It begins with the first meet-the-parents round. Bradley Whitford and Catherine Keener make for deliciously out-of-touch parents attempting to be hip. If only that was all that lay in store for our hero. Red flags go up one by one. There’s a quick aside by the dad, “Oh, that room leads to the basement. We closed it up due to a buildup of black mold.” Yikes, in the context of a horror movie, that says it all.

Things are gonna keep steadily getting freaky from here on out. And so they do, some artful and some more in line with standard-issue tropes. One horror chestnut, the comedy relief sidekick buddy, is given new life and put to fine use here. Lil Rel Howery as Rod Williams, one of TSA’s finest, adds another dimension to the narrative. While he may rob the movie of some of its more provocative and scary potential, that seems to be the right approach for a project that is unleashing so many racial issues. Overall, we end up with a number of compelling scenes and images without resorting to a heavy hand.

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Filed under Horror, Horror Movies, Movie Reviews, movies, Race, Race Relations, Racism, Satire

Review: ‘Simpsons Comics Knockout’ collected trade paperback

SIMPSONS COMICS KNOCKOUT

SIMPSONS COMICS KNOCKOUT

SIMPSONS COMICS KNOCKOUT, published by HarperCollins, is a fine collection of Simpsons comic book stories originally published by Matt Groening’s Bongo Entertainment. This is a great opportunity to get your Simpsons fix all in one full cover trade paperback that collects five Simpson Comics: #116, 117, 118, 119, and 120. What you will find is consistently pithy, witty, and outright hilarious good fun.

Page excerpt from Simpson Comics #116.

Page excerpt from Simpson Comics #116.

Each comic book collected here covers one story. The titles are as follows: “Mall or Nothing,” “Sandwiches are Forever,” “The Flunky!” “Homer Drops the Ball!” and “The ‘X’ Men.” For example, in Simpson Comics #116, originally released in the U.S. in March of 2006, you have a sly satire on consumerism: the Simpsons find themselves living inside a shopping mall. This predicament is to the delight of Homer Simpson, and to the dismay of his progressive daughter, Lisa.

Other stories feature a Simpson family globetrotting adventure; a satire on help for the lovelorn; and Homer in a boxing match with everyone’s favorite corporate villain, C. Montgomery Burns! This is great all-ages entertainment from Matt Groening’s legendary creative team.

SIMPSONS COMICS KNOCKOUT is a 128-page full color trade paperback, available as of February 21, 2017. For more details, and how to purchase, visit HarperCollins right here.

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Filed under Bongo Entertainment, Comics, Harper Collins, Humor, Matt Groening, Satire, The Simpsons

Review: THE DREGS, published by Black Mask Studios

Arnold on a metaphysical hunt for clues.

Arnold on a metaphysical hunt for clues.

THE DREGS, published by Black Mask Studios, is one of those ideal experiences in comics: a work that lifts you up with something to say, whispers it as if only to you, and then sets you back down all the better for it. The script by Lonnie Nadler and Zac Thompson crackles with wisdom and originality taking you places you might never see along with places you don’t want to ever see for real. The artwork by Eric Zawadzki is so full of humanity and keeps you turning the page. The colors by Dee Cunniffe pull it all together with shades of melancholy and grit. This is a weird story and so much more.

The concept is an intriguing riff on the legend of Sweeney Todd, the London barber who murdered his clients and then sold meat pies made from their flesh. In this case, gentrification has run so far amok that the homeless are not only being squeezed out of space, they are being dispatched and turned into gourmet delicacies for all the new trendy boutique restaurants. No one is going to eat the rich, as Rousseau once championed. It’s the homeless who are going to be eaten in this story.

THE DREGS, published by Black Mask Studios

THE DREGS, published by Black Mask Studios

There’s no one who can stop these killings except perhaps for one intrepid homeless man. Arnold feels that he’s tapped into the mind of detective Philip Marlowe in Raymond Chandler’s novel, “The Long Goodbye.” One thing is for sure, Arnold knows to be a fact that three of his homeless friends have completely disappeared, most likely murdered. For the rest of what he needs to solve this mystery, he has to rely upon his own special brand of deduction.

This is an exceptional work in its boldness and intelligence. It has its gore and it’s guided by a plot that would make both Raymond Chandler and Dashiell Hammett proud. An interesting side not is the fact that Chandler and Hammett wrote some of their earliest work from the 1930s for the pulp magazine, Black Mask. It just seems quite fitting to have this work in comics published by a publisher undoubtedly aware of that history given the name it chose to publish under, Black Mask.

The first issue of THE DREGS is available as of January 25th. For more details, visit Black Mask Studios right here.

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Filed under Black Mask Studios, Comics, Comics Reviews, Crime Fiction, Gentrification, Homeless, Pulp Fiction, Satire

DVD Review: ‘Anomalisa’

Michael Stone (voice by David Thewlis) and Lisa Hesselman (voice by Jennifer Jason Leigh

Michael Stone (voice by David Thewlis) and Lisa Hesselman (voice by Jennifer Jason Leigh)

You go to Google and look up this disorder and you get, “The Fregoli delusion, or the delusion of doubles, a rare disorder in which a person holds a delusional belief that different people are in fact a single person who changes appearance or is in disguise.” Screenwriter Charlie Kaufman liked that as a concept, became fascinated by it, and it led to his writing 2015’s “Anomalisa,” a stop-motion adult animated comedy-drama film directed and produced by Kaufman and Duke Johnson, based upon Kaufman’s 2005 play of the same name. I had read about it and had seen the trailer. I had rented it and then found myself with a quandary: I had lagged on my video viewing and was looking at a mounting rental fee. So, I sat down then and there and viewed it, a quite random thing to do but time quite well spent.

Everyone else (voices by Tom Noonan)

Everyone else (voices by Tom Noonan)

Similar to the main character, Michael Stone (voice by David Thewlis), I find the human comedy we all live in to often leave one scratching one’s head. Well, we all feel like that to some extent. But it’s when you get into specifics that we could be talking about a full blown existential crisis. This is what Michael Stone is going through. And maybe you’ve already gotten a chance to see the movie but, I must say, getting yours hands on a DVD or Blu-ray is well worth the effort. The extras are engaging: plenty of discussion on acting and production and plenty of Kaufman. That’s where I picked up the connection to the Fregoli delusion. It is at the Hotel Fregoli where our story takes place. And to hear Kaufman talk, as well as the rest of the creative team, this feature came close to never seeing the light of day many a time. The special stop-motion process nearly killed everyone with the expenses and sheer labor. But you wouldn’t have gotten this unique film without this grueling process. Sounds like a dilemma tailor-made for Charlie Kaufman.

"Anomalisa"

“Anomalisa”

You can say that this film is a perfect companion piece to Kaufman’s celebrated “Being John Malkovich,” from way back in 1999. It is very much a commentary on the absurdity of life up until proven different and, even then, there are still no guarantees on happiness. There’s more likely a guarantee on sadness than happiness, according to Kaufman. What gives our hero, Michael Stone, some hope is a connection he stumbles upon during a sales seminar where he is the featured speaker. He falls in love with Lisa, a call center representative (voiced by Jennifer Jason Leigh). On the surface, Lisa seems basically average but Michael is taken with her quirky personality. For Michael, everyone else he encounters is literally a slight variation on the same theme. And here is where Tom Noonan comes in as the voice of every other conceivable character in the film besides Michael and Lisa. So, there you have it: a love story with that sardonic Kaufman vision.

“Anomalisa” will prove to be a most rewarding experience even if you don’t consider yourself necessarily a fan of stop-motion animation since this film does everything possible to subvert your expectations. You lose yourself in this story, root for the characters, all the time made aware that you are looking at essentially little puppets on a stage. But these are highly sophisticated maquettes with the eerie quality of evoking very human emotion while retaining their puppet quality. There are seams to each of the character’s faceplates that are left visible to drive the point home. And you can enjoy various other details to this animation process when you check out the extras section. It is certainly a film I would see again.

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Filed under Movie Reviews, movies, Satire

Giveaway: DEADPOOL: DRAWING THE MERC WITH A MOUTH, published by Insight Editions

GIVEAWAY ALERT! LIKE us at the Comics Grinder Facebook page and then email Comics Grinder that you’d like to enter. You can find our email by going to CONTACT above on the navigation bar.

DEADPOOL: DRAWING THE MERC WITH A MOUTH

DEADPOOL: DRAWING THE MERC WITH A MOUTH

Did you see “Deadpool,” starring Ryan Reynolds? Well, it’s faithful to the comic book character and quite good. Deadpool’s profile has gotten a lot bigger over the years and that movie has helped to put him over the top. But, no doubt, this subversive anti-hero was quality goods right from the start. We expect raw send-ups of superheroes from the alt-comics community but it’s entertaining to see when the Big Two comic book publishers spoof their own genre. Marvel Comics unleashed Deadpool in 1991. Created by artist/writer Rob Liefeld and writer Fabian Nicieza, the character first appeared in The New Mutants #98 (cover-dated February 1991). He’s grown into a satirical force to reckon with ever since. To celebrate one of comicdom’s most flawed and irreverent characters, Insight Editions recently released a gorgeous full-color hardcover: “DEADPOOL: DRAWING THE MERC WITH A MOUTH: Three Decades of Amazing Marvel Comics Art.”

Pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

Pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

This is truly a must-have coffee table art book for any superhero fan. It clocks in at a whopping 11″ x 14″ and its 184 pages are chock full of amazing art.

More Pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

More Pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

For more details, and how to purchase, visit Insight Editions, publisher of your favorite pop culture icons and much more, right here.

Even more pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

Even more pages from DEADPOOL: DRAWING THE MERC WITH A MOUTH

And, for a chance at our giveaway, do us a solid and LIKE us on Facebook. AND Email us to enter. We’re going to need a name and address. And make us proud by commenting at Facebook and directly at Comics Grinder in the Comments section. Let’s have a great 2017, folks!

EDITOR’S NOTE: Our contest is now closed. Congratulations to our lucky winner…Jim Hayes!

Hope everyone is making the most of this holiday season.

With a big thank you to Insight Editions, your home for pop culture goodness, I hope that Jim enjoys this special coffee table art book devoted to Deadpool Marvel Comics art:
“DEADPOOL: DRAWING THE MERC WITH A MOUTH: Three Decades of Amazing Marvel Comics Art,” which you can find here.

Thanks to all who entered, make sure you stay up to date with this blog and our Facebook page right here.

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Filed under Comics, Deadpool, Giveaway, Insight Editions, Marvel Comics, Satire

Review: COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

COSPLAYERS by Dash Shaw

Dash Shaw‘s work keeps moving the ball forward regarding comics as an art form. With his new graphic novel, “Cosplayers,” Shaw provides us with a delightful look at the clash between the real and the unreal. The book promises to give you a behind-the-scenes look at the world of cosplay. Ostensibly, this is a collection of stories that add up to a tableaux of geek life. All that can be taken with a grain of salt. A hallmark of Shaw’s work is that he keeps you on your toes wondering about everything: the characters, the plot, the theme, the comics medium.

Meet Verti and Annie. They are taking a year off between graduating high school and going off to college. During that year, they just want to do what they want to do which involves cosplay and making videos. Annie is white. Verti is black. Both girls see themselves as unconventional in every way: looks, goals, and attitude. Shaw wants you to know that these two are a couple of misfits. But you are not supposed to know too much about Annie and Verti beyond the basic fact that they’re callow and bratty. Shaw’s aim is to provide you with two main characters that are disconnected from everything, including the reader.

Annie and Verti ask that you keep your distance.

Annie and Verti ask that you keep your distance.

Shaw is one of our more intellectual cartoonists, always looking for a tripwire to the narrative flow. So, don’t expect him to provide a straightforward guide to the world of fandom and cosplay. He is mostly interested in playing with characters from one scene to the next and more evoking a way of life than following a story’s arc or presenting specific information. When he does focus on a character’s feelings it can fall a little flat, as when Verti is remorseful for the way she and Annie have been pranking people. That said, for the sake of balance, that is a pivotal moment since Annie has a high tolerance for being hateful.

Channeling Osamu Tezuka

Channeling Osamu Tezuka

But you’re not supposed to get too close to Annie or Verti–or any of these characters, right? Just when you think you might have found a sympathetic character who you can trust, Shaw will yank you awake. You’re getting soft on Baxter, the expert on Osamu Tezuka? Well, think again, he’s a fool! Now, hold on, you think the kind and gentle comic book store owner is someone to put on a pedestal? Nope, you can knock that pedestal to the ground. After this comic book nerd gives Annie some of his most prized comics, she goes home and cuts them up to shreds. Ouch, how’s that for a wake-up call?

In the spirit of French new wave cinema, led by the work of Jean-Luc Godard, you can see this comic as a ship of fools out to sea. Each character has their own agenda, their own axe to grind, but no one really seems to know what they’re doing. With these lost souls engaging in the make-believe world of cosplay, Shaw has set up a perfect vehicle to explore issues of identity and self-empowerment. By initially coming across as presenting a random set of acts (Annie and Verti engaged in endless video pranks) Shaw lures us into a deeper exploration. It all adds up to something quite fascinating, with a French vibe.

“Cosplayers” is a 116-page full color hardcover, published by Fantagraphics Books. You can also find it at Amazon right here.

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Filed under Comic-Con, Comics, Cosplay, Dash Shaw, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Humor, Osamu Tezuka, Satire

Movie Review: ‘Yoga Hosers’

"Yoga Hosers" by Kevin Smith

“Yoga Hosers” by Kevin Smith

On his deathbed, Kevin Smith will say, “Clerks,” and die with a smile on his face. For now, he is content with giving us his latest movie treat, “Yoga Hosers,” both written and directed by him. This will please any diehard Kevin Smith fan and may puzzle quite a few critics pondering the director’s vision and legacy. Quite the prankster, I am quite happy to chalk this up as Mr. Smith just having some fun. If I try to read into it, perhaps I can see him saying something about the state of Hollywood. There’s a scene where the villain (hilarious performance by Ralph Garman) asks if he might be taken more seriously if he were to speak in the melodious tones of Al Pacino. He then goes on to do a spot on impersonation as he describes his diabolical plans to kill off all the critics who have savaged his art. This could be interpreted as Smith saying that if only he were to play the game, then he would be taken more seriously.

I got to thinking that maybe Kevin Smith is right about how he’s been unfairly treated by critics. I’m just thinking here but consider the fact that Kevin Smith’s breakout hit, “Clerks” and Quentin Tarantino’s breakout hit, “Pulp Fiction,” both came out in 1994. This is nothing against Mr. Tarantino but I would argue that he and Mr. Smith are more alike than not. One director got the adulation of critics as his career progressed; while the other got a very hard time by the critics as his career progressed. The end result is that Tarantino finds himself in a very good place. And Smith finds himself the underdog. It’s worth considering this and might add to the enjoyment of this rather bizarre yet compelling film. It’s that special blend of Kevin Smith weird. And maybe he needs to keep doing what he’s doing.

Harley Quinn Smith and Lily-Rose Depp

Harley Quinn Smith and Lily-Rose Depp

“Yoga Hosers” is connected to Smith’s previous film, “Tusk” so he’s on a roll with his experiments in comedy/horror mashup. And there will be at least one more, “Moose Jaws,” rounding out Smith’s True North trilogy. For those of you who missed 2014’s “Tusk,” that proved to be quite unusual and not without some fairly gruesome moments in the spirit of Tarantino. That film had quite an edge to it. This time around, the gore has been rolled back but there’s an interesting sense of tension that Smith plays with especially early in this story that centers on two teenage friends, both with the first name of Colleen, thus they are known as The Two Colleens. The two work at the Eh-2-Zed, a convenience store owned by the father of Colleen Collette (played by Lily-Rose Depp). The other Colleen is Colleen McKenzie (played by Harley Quinn Smith). It’s pretty miserable for them being clerks. And the fact that the dad who owns the Eh-2-Zed is dating the store’s manager does not sit well at all with his daughter. Lots of domestic despair depicted with good comedic timing. It’s as if Smith knew he could have continued along that route but then decided to give his critics the finger and unleash his theater of the absurd.

You can give Smith credit for his abrupt shifts in tone. I fondly remember that moment in “Tusk” when Justin Long pleads not to die a horrible death. And then there’s a pause. And he ends his sentence with “…in Canada.” That was a genuinely masterful example of the comedy/horror mashup that Smith was going for. In “Yoga Hosers,” he not only doubles down but ratchets up the silliness with a bunch of menacing little sausage Nazis. The plot involves the untold story of Canada’s Nazi past–and this involves sausages. If critics want to give Smith a hard time, then he’s going to make them sit through a free screening involving little sausage Nazis. The fans will love it. The trilogy will one day be complete. The rarefied pompous hypocritical critics get the finger. Everyone wins.

That said, if you view the trailer, you’ll get a sense of how this film is actually more substantial than it may seem at first. Again, I go back to the idea of shifting tones, or shifting viewpoints. Part of the film is simply a heartfelt satire of high school life. The Two Colleens are sweet absent-minded girls who happen to love yoga. Thus the title to this film.

If you enjoyed “Tusk” or were curious about it but want to avoid some disturbing content, then go see “Yoga Hosers.” Justin Long is in it and he provides some impressive extended comedic bits as a yoga guru. Johnny Depp reprises his role as inspector Guy Lapointe to great effect. Both Lily-Rose Depp and Harley Quinn Smith are quite charming and show promise. Both have the sensibility and grace to pursue acting careers. And then you have Kevin Smith who portrays all the itty bitty Bratzis. Oh, and a cameo by Stan Lee as a police dispatcher! Overall, Smith turns the teenage horror flick up on its head and provides some good laughs. Amid so many Hollywood, and indie, cookie-cutter films, I want to see Mr. Smith continue making movies. He’s going out on a limb with his wacky Canadian horror/comedy trilogy but that’s fine by me.

Find out more and where to see the film by going to Kevin Smith’s Smodcast right here.

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Filed under Comedy, Hollywood, Horror, Horror Movies, Kevin Smith, Movie Reviews, movies, Satire

Interview: Jennifer Daydreamer: Comics and Beyond

Jennifer Daydreamer

Jennifer Daydreamer

Jennifer Daydreamer has been published by Top Shelf Productions and regularly contributed illustrations to the Seattle alt-weekly, The Stranger, in the late ’90s. In the course of a creative life, Daydreamer has seen her path take an interesting trajectory. I share with you now a conversation with artist and writer Jennifer Daydreamer on her new project, “Mack Stuckey’s Guide to the Center of the Universe.” A Kickstarter campaign in support of a print run to the book is going on now thru August 28th. You can find it right here. She is the author. Full disclosure, I’m the illustrator for the book, and I contributed to the story. And she’s my partner.

HENRY CHAMBERLAIN: Let’s begin, Jen. We can jump in to the very beginning of the Mack Stuckey project.

JENNIFER DAYDREAMER: You certainly did contribute to the prose. There are details in Mack, plot points, character names and so forth, that you came up with. We are both illustrators but you were the instant choice of illustrator. Although I can draw fast, I don’t normally paint in quick thick brush strokes, the kind you do, and so I was excited about a real artistic collaboration with you. Probably our first. I think after you’ve been blogging for ten years, this has been the first time you have interviewed me. So, thanks!

What was the impetus to writing Mack Stuckey?

Well, before 2008, I could score a job pretty easily. I’m a creative type but I have a detailed part of my brain that does well with accounting. I actually enjoy accounting because I find it meditative and so for most of my career I have been able to do accounting work for my jobs. I was in a series of job layoffs. One, the company went out of business, the next, the company transferred my position out of state, another one I was a new hire and when they do layoffs, the new hires usually get cut first. In a nutshell, the book is about the economy and expressing my frustration about it, in a creative way. I just don’t want to spend my time venting at this point. I have expressed my employment dilemmas to my friends over the years. At this point, I’d rather be joking.

Illustration for "Mack Stuckey" by Henry Chamberlain

Illustration for “Mack Stuckey” by Henry Chamberlain

Jennifer Daydreamer quote

Where does it take place?

It takes place in Seattle. Poor Seattle. The inspiration to write the book is my need to express myself in regards to the economy and state of housing and living in our city with a disappearing middle class. The story takes place in 2014, by the way, and so, any uptick of the economy happening today, I hope is really happening. I digress. Seattle happens to be the fall guy, the theatrical back drop of the story and so, we make fun of Seattle. Specifically, Fremont. We venture into Ballard, Downtown, and the U District.

How so?

For one thing, I create a feud between Ballard and Fremont, either real or imagined. I examine the tension that I think exists between the two locales because when you want to buy something practical in Fremont, like pens and a pad of paper there is only one or two small places to go. There are no standard drug stores allowed in Fremont (I think from building codes) so you have to take your car or the bus or your bike and dip into Ballard for practical needs.

What else is the book about?

Well, we describe the book succinctly on our Kickstarter page! Basically, I created a love triangle between a woman and two men, representing the upper, middle, and lower classes. I don’t come right out and say that in the book, because that would be too explicit, but that is one of the themes. I think there is something for everyone in the book, if you like humor, a sexy romance, or interest in the local icons. I try my hand at what I call comedic erotica.

Tell us about what you’ve been up to in the last few years.

After drawing comics, I was inspired to write a screenplay because that imprint, what was it called?

Minx.

Yes, Minx, from DC Comics, asked me for some ideas. They cancelled the imprint. One of my ideas was for a dystopian novel about the separation between a guy and a girl and killing in the army, that someday I should write. They really did not like it, too macabre, and then Hunger Games comes out later. I remember believing them at the time that the story pitch is not good, so its a reminder to believe in myself. I wrote the screenplay for the humor submission that they did like. Then Minx was cancelled. I never had a contract, just a “that’s funny, I like that one.” So, I spent about a year studying how to write a screenplay and it took me about 1.8 to finish it, because it was my first screenplay.

Where did that leave you?

With one foot halfway in the door! It left me with one manager who switched companies and his job position and so he could not represent it. Then I found an agent who read it, she is known in the industry and so I felt lucky. She was encouraging. She said I needed edits and she gave me her manager contact and said to try and do edits with him and then resubmit it to her. But her manager nixed it. By the way, I respected how he communicated with me, as he got to it, read the script promptly and let me know his opinion. Everyone I submitted it to over a year’s time or so, was very nice, frankly. I know there is crap that happens in Hollywood, but, somehow, I felt encouraged by people in the business I was in contact with. Most did not have room or time to read it and some commented that my pitch was great and so to keep at it. So, I got my foot in the Hollywood door about an eigth of the way. A toe.

Interesting visual, one toe clinging to a door. But, seriously, it put you in an interesting situation. You were in the thick of transitioning from comics, moving beyond comics.

It was fun to try. I felt a cartoonist could get a foot in the door because comic book movies were taking off. I had an agent/lawyer to make some pathway, also, when I submitted, so I was not completely unprofessional and just cold called everyone. I think the writing contributed to writing Mack – the more you create the better you get. Mack has taken 2.5 years to write and I still have some details I want to round it out with. Its basically done. Besides those projects, I have spent a lot of time writing and sketching out a four book Young Adult Fantasy Series which I am eager to launch on social media. For this YA series, I really think a book agent, editor or editors and publishing company is necessary. You need help to keep detail accurate when you are world building.

After Mack, I have one very odd book, I have to get off my chest, then I will launch my YA series. I have spent a year on it. Its not complicated like writing a story but I am scared of publishing it, and so, I have to publish it. I’m scared as I have to dip into some religious and societal explanations. I had an out of body experience or an altered state from drawing my mini comics long ago and it was not until recently when I studied Jung in detail and some Jungian psychologists that I realized there is a biological explanation or a science explanation for it.

Lots of room to dig deeper.

Usually the explanation in our society, is something spiritual or “occult” and so I am eager to lay out my idea to disprove the occult notions, that there may be a more reasonable or logic based explanation. I have not completely ruled out a spiritual component. I think there is a spiritual component, I understand the shamanic explanation for something like that, but I think there is a middle ground, because the explanations from psychologists are so clear and sound. There’s compelling commentary by Oliver Sacks on YouTube (13.45). Maybe you can link the video for our cartoonist friends because it’s interesting if you draw comics.

Yes, consider it done. It will run right below these comments.

Great!

What Oliver Sacks has to say I am relating to my experience in the book. I think the brain is activated because of the archetypal nature of comics. What archetypal nature is, should be explained more but there is not room in this intervew to go into that kind of detail.

“There is another part of the brain which is especially activated when one sees cartoons. It’s activated when one recognizes cartoons when one draws cartoons and when one hallucinates them. It’s very interesting that that should be (so) specific.”

–Oliver Sacks

Are you still drawing comics? Where would you say you are today in relation to comics?

I love comics. I am following my heart and my heart wants my YA series to be prose – just words – and my illustrations. And so, no, its not comics. I would like to draw comics and be in anthologies, but there is no time at the moment. I am really focused on the projects listed above. I have the door open on comics, the door is not closed. Same with, you know, doing another humor book like Mack. When I was in high school I was the kid that made fun of all the teachers and drew riffs on them and passed them to my friends in class. I have a humor side and I have the side that loves to create long fantasy.

Anything else you’d like to add?

One last word. We make fun of some drug usage in Mack but I don’t do drugs. I am a very very square cat when it comes to things like that. It’s important for me to be clear on this because I don’t like my out of body experiences nor my illustrations to be accused of being “drug influenced.” Because I think fantasy story and art is related to healing and I want to contribute to that. I want to explore more in the future on the connection to drawing comics and naturally based hallucinations.

Thanks, Jennifer!

Thank you, Henry!

Be sure to visit Mack Stuckey right here. To go directly to the Kickstarter campaign on thru 8/28, go right here.

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Filed under Comics, Humor, Interviews, Jennifer Daydreamer, Kickstarter, Satire, Seattle, writers, writing, Young Adult

Cannabis and Comics: ‘The Circus of Reefer Madness’ Creator Interview; Kickstarter on thru 8/31

Circus of Reefer Madness

I bring to your attention a funny and thoughtful comic with a cannabis theme that I’m excited about. You can support the Kickstarter campaign running thru August 31st right here. The project’s creator, Jeremy Myers, has found a sweet spot for comics and cannabis fans alike with this mashup of humor, horror, and political commentary. Cannabis and comics do indeed mix, going at least as far back as the Sixties underground. Here is a new generation’s turn.

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Filed under Cannabis, Comics, Horror, Kickstarter, Marijuana, Satire

Seattle Focus: Kickstarter campaign for satire, ‘Mack Stuckey’s Guide to the Center of the Universe’

This is NOT "Sleepless in Seattle"

This is NOT “Sleepless in Seattle”

Mack Stuckey’s Guide to the Center of the Universe

A Kickstarter campaign has been launched (ends 8/28) for the illustrated novel, “Mack Stuckey’s Guide to the Center of the Universe,” a dark satire set in Seattle. This isn’t your “Sleepless in Seattle” or “Singles.” Join the campaign right here.

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Filed under Crowdfunding, Games, Geek Culture, Henry Chamberlain, Humor, Jennifer Daydreamer, Kickstarter, Microsoft, pop culture, Satire, Seattle, Sex, Social Commentary