Okay, I’m feeling lucky. I think you guys are liking this and so I will post yet another chapter in less than a week! My goal is to entertain you. If you keep reading, I think you’ll get hooked as you learn more about our hero, Fernando, and his misadventures. Consider purchasing a Kindle edition (at the nice price of only $2.99) and leaving a review at Amazon. Just go right here.
Fernando had this recurring dream of floating away in a big beautiful balloon. Just like that famous pop song from the Sixties, “Up Up and Away,” by The 5th Dimension. It came out in 1967, the Summer of Love. “Would you like to ride in my beautiful balloon?” is how it began. What a glorious poppy sound full of bubblegum optimism! It made no sense but it felt so right. “Up Up and Away—for we can fly!” Fernando would have been all of twelve years-old, an innocent little bright-eyed boy ready for Jupiter to align with Mars. This was, as everyone knew, the dawning of the Age of Aquarius.
What stuck with Fernando about the Age of Aquarius was reincarnation. It was believed by many that the Second Coming, the Reincarnation of Jesus Christ, was aligned with the passing of the Age of Pisces giving way to the Age of Aquarius. Each age being over 2,000 years, Pisces represents the great age of travel on water; and Aquarius represents the great emerging age of travel in air, and in space. The Jet Age and the Space Age! What an incredible time to be alive! If there was to be a reincarnation of Jesus Christ, then surely there was to be a reincarnation of Dale Carnegie! Anything was possible. It was both a time of fanciful hot air balloons and the most sophisticated rocket science.
Fernando’s father had built a hot air balloon in the final years leading up to his disappearance. It was meant to promote his musical act. Over the years, relatives mailed that same hot air balloon to Fernando in various parts. The guards never bothered to ask about it. They even helped Fernando find a few missing parts on eBay.
Fernando grew up in an era full of turmoil but also great optimism, one that could sustain groovy dreams for many years, even decades. The image of a miraculous hot air balloon persisted in Fernando’s mind day and night. A most magical balloon would be his means of escape!
Honestly, I don’t see why I shouldn’t spring another chapter on you ahead of schedule if you’re ready. If you like it, you like it. If you don’t, well, I just can’t see why that should be. I am dying to know what you think. And I’m even thinking of knocking the price down on the Kindle edition if I’m talked into it. Anyway, enough of that for now.
Remember, all you really need to know is that our hero, Fernando, is a rogue immigrant from Cuba. He means well and, in fact, he has a pretty darn important purpose in life!
Manuel and Paloma did have a son. However, their good fortune would not last. In 1959, Castro took control. Artists, intellectuals, and activists were all in danger. And, as the years passed, Castro and his regime would pluck out dissenters. One day, in 1967, Manuel was plucked and never seen again. And, when Fernando came of age, in the prime of his life, in 1977, he too was thrown into a prison cell. It was now 2017 and Manuel Rivera’s son, so full of promise and supposedly with a special purpose, had been languishing in a Cuban prison for the better part of his life. This is where our story of Fernando begins.
So many years locked away. Oh, the horror. Fernando, if he ever dared to dream, had lost much of his youthful spark, almost forgetting how to dream. If he had ever known his true calling, it had been buried deep inside him, beyond reach. Perhaps his father had only hinted at what lay ahead in Fernando’s future. But, for now, he was not much better off than a dog. And what could he possibly do now at this point in his life? Was he already too old? Were his best days behind him? Had he ever had better days? Still, like a dog, he had a strong survival instinct fully intact—and he had not completely given up. In fact, he remained a crafty little devil.
Fernando had been plotting his escape for years. Unlike many prisoners, Fernando valiantly did all he could to hold on to his soul. He had seen what had happened to many of his fellow Cubans. Many of them blamed themselves for getting locked away in prison. Somehow, there was a peculiar mindset that believed in Castro and that, no matter what he did, Castro had a very good reason for it! This was the control that an authoritarian had over his people. It exists to this very day and not only in Cuba but around the world, even in the United States of America. Hard to believe—but true. Fernando had enough to worry about just being in prison but he knew that Castro was wrong and that others like him were also just as wrong.
Fernando’s father, before he disappeared forever, had told his son that he was the reincarnation of Dale Carnegie, the world-renown motivational speaker. But what did that really mean? So many years later, was that supposed to be accepted at face value or was it just a metaphor, a symbol of hope? Fernando stirred at night trying to understand what it meant and what was to happen to him. Did he have any hope left? What helped him out a lot was the fact he had become a fixture in the prison system. He had been around for so long that he could pretty much come and go as he pleased—at least that is what he thought.
Sometimes, Fernando was locked into his cell with great ceremony. Other times, it seemed that, if he wanted to, he could walk right out of the prison. It was a big game with the guards, he was sure. It went unspoken with little rhyme or reason. No one seemed to care much what Fernando did. The guards were an odd mix of utter incompetence and light thinkers with glimmers of philosophical insight. “Let him walk right out of here,” Fernando overheard one of them say, “and he will run right back to what he knows best, his dull but familiar prison routine!”
Finally, the day would come when Fernando would have the last laugh. Before it really became too late, he would escape and never return.
Welcome to my novella, “Dale Carnegie Lives!” We will be reading this together each week! This is the first installment and a new chapter will be rolled out each week all the way to the very end. I hope you enjoy the offbeat humor. I hope you get a kick out of this misadventure. If you would like a handy dandy complete version that you can read anywhere, then you can find the whole book at Amazon right here.
Set in the summer of 2017, this is the story of a Cuban illegal alien who slips across the United States border. Can you say, “Donald Trump” and “Build The Wall” three times fast? There is that aspect to this tale. But there’s much more.
This is the story of a man who stumbles upon his purpose in life, later in life, after most people would have called it quits. This is the story of a man, completely out of his element, who confronts numerous clues to discover his true destiny. Fernando is a man unjustly imprisoned for forty years who, in a great leap of faith, escapes Cuba in a hot air balloon.
Fernando believes in the promise and hope embodied in what is best in the United States of America. He is not fully aware of the Donald Trump phenomena but it doesn’t really matter. Fernando believes in something transcendent: the power of the individual to have the courage to chase after any dream.
Empowered with a belief in his own abilities and guided by a supernatural connection to legendary motivational speaker Dale Carnegie, Fernando has the power to move mountains and there is no wall that can hold him back!
We all, deep down inside, desire to improve ourselves. There’s that feeling to do better, be better. We all get that feeling, right? Some of us choose to act on it– but we often fall short. Sometimes we fall flat on our face. You get the picture. This is a story of a very unlikely hero who has always been determined to improve himself. Fernando Rivera knows a lot about falling down. He is a little man with little hands and little feet but with a way big heart. He has a very unusual tale to tell that should entertain and probably inspire. We shall see.
Over time, our optimistic little hero’s ideals had been crushed to near extinction. He had turned into a shell of his former self. He had regressed back, back, back, to something primal, a simple animal. This is the sad and sordid tale of such a pathetic beast who never stopped believing. He never stopped dreaming, despite all the nightmares.
Despite himself, buried under resentment, fear, and confusion, Fernando had a good side. For everyone is capable of redemption—or at least a cup of coffee and a good honest slap on the back (or face) for good luck. Fernando knew he deserved more, much more. Fernando, even after all those years of torment, had a purpose to fulfill. It seemed unlikely, so unlikely. But he had dreams to realize, dreams he hadn’t even dreamt of yet.
It is the story of Fernando’s entry into the world–so dramatic, unusual, and perhaps supernatural– that holds the key to his destiny. The chain of events goes back to New York City, Halloween night, 1955. It was on this very night in an alley overlooking a stage door exit, filled with expectant onlookers, that a mysterious-looking man in a fedora waited. Along with the masses, he waited for a glimpse at one of the most celebrated figures of the era, the world-famous motivational speaker, Dale Carnegie. But he hoped for more than just a mere glimpse. He aimed to talk to Mr. Carnegie. In fact, he was compelled to connect with Mr. Carnegie. Too much was at stake.
The man in the fedora was Manuel Rivera, a talented singer and musician. Back home in Cuba, he was a rising star. But on the streets of this massive metropolis, he barely registered any recognition. In the span of a few months, Manuel had tried to make his mark but, aside from a few club dates, he was as far away from fame and fortune as a lotto ticket is from winning. It was Dale Carnegie’s book, “How To Win Friends and Influence People,” that had helped him out so much during this struggle. He remained uncertain about his own future but he felt ever more confident that he and Paloma would soon have a family of their own back in Cuba. Perhaps a son. Instinct told him that it was essential that he try to make his mark that night with Dale Carnegie as his prized audience. There would only be a few minutes available to him. He would be on a plane back to Cuba that very same night.
Call it a leap of faith, a crazy fever dream, or simply following gut instinct. Manuel had to be exactly where he was, doing exactly what he was doing. Beads of sweat pored down his scrawny face as he grew anxious. He was over-thinking again. When Dale Carnegie emerged, he had to lunge forward and act. It was all in the timing. To any passersby, it would look perfectly natural, this highly unnatural act of forcing one’s self onto another: in those few innocent seconds, it would be him, his miserable sweaty and improvised little life, connecting with what seemed like this ray of pure beaming light.
Carnegie had chosen a little theater in Spanish Harlem to lead a workshop on self-improvement. Everyone in attendance had suffered some setback. Many had trouble finding work because of the color of their skin or their accent. They were vulnerable to blaming themselves but strong enough to know otherwise. There were whole families in attendance and, as it was that time of year, kids were dressed up in costumes celebrating both Halloween and Dia de los Muertos. Carnegie could see many little figures dressed as goblins, witches, and skeletons, each of them looking up and waving or dancing. When it was over, Carnegie bowed to great applause and made his way out the exit.
And then, it happened: there was Dale Carnegie at the stage door! He seemed uneasy as he surveyed the crowd outside but he offered up a smile and a warm wave of his hand. That was Manuel’s cue. He lunged forward for the sake of his own destiny and something more that pounded in his heart. If only Mr. Carnegie could understand how important all of this was.
He sang a few notes. He actually began with a song. It was so crazy—but it instantly set Manuel apart from all the others. That’s all it took. He sang a few bars from one of his own original compositions. “I was lost and desolate, and it made me cry. But then I discovered Dale Carnegie, and my heart flies so high!” In that moment, Manuel had Dale Carnegie’s full and undivided attention. “What a lovely song—or is it a poem? I appreciate the sentiment, sir!”
“And I appreciate you, Mr. Carnegie!” yelled out Manuel.
“Who are you?”
“I am Manuel Rivera. And it is my destiny to meet you!”
“Well, sir! I am very flattered. I understand too. You seek guidance, meaning, and purpose. You have it all within yourself.”
“Of that I am sure, Mr. Carnegie! What I am speaking about is a legacy. Not just mine—but yours too! With me, you can count on your legacy. I will do everything in my power to have your name, and your good works, live on!”
“I see,” Carnegie looked up and beyond the spectacle of well-wishers. “I am tired and tiring out, I must say.” Carnegie could not help but linger and studied Manuel’s face intently before giving out a sigh. “Sir, I may very well take you up on your offer!”
Carnegie seemed to nod to Manuel. And then the connection was abruptly broken. Carnegie proceeded down the steps, into the throng of people, and was temporarily swallowed up by the chaotic mass of excitement, followed by a quick escort into a waiting car that promptly sped away.
As if he’d been riding a magic carpet, Manuel Rivera had found his way home. It was almost as if he’d never left, back in the arms of Paloma. He had barely unpacked before he was more than just in his wife’s arms. It was all a matter of timing. They rolled around in bed, lost in each other, and he could feel it happening. He had mounted her. He was inside her, both their bodies throbbing. Suddenly, he felt an overwhelming release, sweat dripping down his back, and he shuddered. He knew this was the right time for great things.
Later that bright new day, one foot out of bed, he casually turned on the radio. They had been asleep for hours. He craved some music but the news on the radio jolted him back to life. Dale Carnegie had died. He could instantly sense what was going on. There was no other possibility. He knew that Paloma was pregnant! And that, he gulped just at that mere thought: Dale Carnegie knew he would be safe to reincarnate with the Riveras! It had begun: the reincarnation of Dale Carnegie!
Has a major American city ever commissioned a graphic novel as a public art piece before? Seattle is on board! Cartoonist David Lasky and writer Mairead Case have been selected (from 71 applicants) by the City of Seattle to create a fictional graphic novel centered around the historic Georgetown Steam Plant. The goal is to increase awareness of this unique landmark with a graphic novel geared toward young adults.
Panel from “The Carter Family: Don’t Forget This Song”
David Lasky is the co-author (with Frank Young) of the Eisner-Award-winning graphic novel biography, “The Carter Family: Don’t Forget This Song.” Chicago writer Mairead Case is the author of the acclaimed prose novel, “See You in the Morning.” A story by Lasky and Case, “Soixante Neuf,” was featured in Best American Comics 2011.
West elevation exterior of engine room. The Georgetown Steam Turbine Station, built in 1906 is now a National Historic Landmark. The plant is owned by Seattle City Light and has been working to restore the plant. It is open for tours the second Saturday of each month and is occasionally used as a teaching facility for steam power engineers and hobbyists.
Here is a brief email interview I did with Mairead Case today:
What went through your head when you got the news about being chosen for this special graphic novel project?
Well I was, am, sincerely grateful: to be from a city that celebrates public monuments with comics, and to have visibility and support for the creative relationship David and I have pretty much always had, even when nobody else was looking. Grateful to have work that includes time for oral histories and site-specific research (no screens!). And aware of the responsibility to accurately represent Georgetown’s diverse history—we want to use this platform to amplify and illuminate the stories that are already here, not co-opt them. For real. (Also, I was really happy to have news that would make my mom proud.)
Are you already envisioning what your routine will be like with the project?
David and I are both pretty focused, detailed nightowls so I expect we’ll have a focused, detailed, nightowl routine. That said, it’s amazing to have financial support for this project so it’s really exciting to think about how we might work in new ways with that gift. (We might even work in the daytime, ha!) But no matter what we’ll be collaborating closely. And we will probably listen to Bowie at some point.
Did you ever think you’d be creating a graphic novel about a steam plant?
I feel like I’m supposed to say no here, but why not? When I was a kid I wanted to be a tightrope walker so maybe this is not that far off.
What do you think this project might say about the role of graphic novels in America?
Ah, I think our role is to make the book and then other people can tell us! But it is terrific terrific terrific that Seattle is supporting a project like this—it’s really wonderful that an American city in 2017 is using art to build community, as defined and remembered by that community. I’m used to telling (maybe yelling a little too) at the government about that, and am still gobsmacked that this time the government was all “we know. Go.” I hope that other cities say “Go” too. The talent is here! American cities, if you want me to send you lists about the talented storytellers I know in your neighborhoods, just send a flare.
You can keep up with this intriguing project right here.
And, if you’re in Seattle this weekend, be sure to stop by and see David Lasky at the annual comic arts festival, Short Run.
The Giant Jackalope illustration by Henry Chamberlain
It is always a pleasure to review anything that falls within the category of attire or accessory in the geek lifestyle. So, Comics Grinder is very happy to share with you Dive Bar Shirt Club. As the name implies, this is a club devoted to shirts. Each month you get a quality shirt honoring a dive bar chosen for its distinction and originality. A new dive bar design is featured every month and, once that month is up, that shirt is retired forever.
We all seek distinction and originality. It’s another way of simply saying that we are attracted to things that are cool. I was on the road, during a carefree summer in my youth, when I spotted what had to be the best roadside attraction I’d ever seen. It was an homage to the jackalope, that staple of Americana, the cross between a jackrabbit and an antelope. This sucker was huge and it was perched atop a glorious dive bar. It was a warm summer night that seemed to promise adventure. I had to walk in.
Inside the bar, I did a double-take. The place was immaculate. I was expecting it to be a well-worn, musty, and gaudy place. But, no, this place was classy. And there was no carryover of the jackalope theme. Instead, the red leather booths were nicely kept and all the brass piping was polished. There were a couple of gents in suits looking very retro. Again, I was expecting a far more casual vibe. The waitress was a beauty all done up in a vintage dress. All this seemed too formal for a place in the middle of nowhere. I was outside a little town in Texas, not a Vegas casino in the ’50s.
Her name was Sadie. “What will you have, stranger?” she asked with the longest lashes I’d ever had the pleasure to admire.
I’d had a good look at the list of mixed drinks. When I read it on the menu, I had to have it. “I’ll take The Jackalope.”
Sadie just stared at me. Her eyes grew wide. With a tremble in her voice, she asked, “You mean, The Jackalope, right?”
“Yes,” I said firmly, “I’m here for The Jackalope!”
I must have raised my voice because the two fugitives from “Mad Men” turned to have a good look at me. They proceeded to get up from their booth and walk over to me.
“You’re really here for The Jackalope?”
I think I lost it at that point. “I don’t know what you people mean!” I yelled and ran out the front door.
I was heading for my car when it dawned on me. I slowly turned around and looked up. There it was. It hissed and glared at me. Then, with a mighty leap, that monster flew up into the air like the most lucid nightmare. This was followed by a massive thud which was quickly followed by the lightening speed of a creature from hell. And, hell yes, it was distinctive and original!
If you’re like me, you desire that added spice, that distinction and originality. You too can find it in a unique t-shirt from Dive Bar Shirt Club. In the video below, I’m sporting just the ticket. This Dive Bar Shirt Club t-shirt celebrates Goat Hill Tavern in Costa Mesa, California. This is one awesome combination of style and comfort.
“God sleeps in stone, Breathes in plants, Dreams in animals, And awakens in man.”
~ Ancient Hindu Proverb
I quoted back to the director one of his favorite proverbs. I was wondering about how it connected with his latest work, “The Shaman.” Marco Kalantari said he was looking for a way to create a synergy between today’s science fiction and ancient legends. And, on that intriguing note, we began our interview. “The Shaman” is definitely something unusual with shades of “Star Wars” and “Lord of the Rings” mixed with a distinctive vision. It is one story with great potential for being expanded into a feature length film. What you’ll come away with the feeling you’ve just seen something unusual. And, if you’re in the New York metro area, you will get a first look at it during the Tribeca Film Festival, April 15-26. Details here.
Marco Kalantari is a talented filmmaker devoted to telling a good story with a quirky twist. His short film, “The Shaman,” (review here) is one of the gems you’ll find at this year’s Tribeca Film Festival. His commercial work in the Asian market has led to some of the most remarkable sci-fi inspired mini-movies for such global brands as Nokia, Pepsi, Chevrolet, BMW, HSBC, and Panasonic.
The eccentric Austrian filmmaker started his international career with a Silver Lion in Cannes 2003 for his television commercial for “Medecins Sans Frontiers.” Within a year he became one of the most demanded directors on the Indian TVC market, and soon shot all over Asia, including China, South-East Asia, Hongkong, and Japan. Since 2010 Marco is managed by Savage/Prague in Europe and the US, and by AOI promotions in Japan, being the first foreigner to start such a relationship with a major Japanese production company.
As Kalantari states, he’s been working his way from the East to the West. And it is this Eastern tradition of focusing on stories with vivid characters and intricate worlds which informs his work. He considers himself a “professional dreamer.” In 2006, Buena Vista International released his first movie “Ainoa,” which also travelled to festivals around the world. And it is with “The Shaman” that he further demonstrates his powerful storytelling.
It is a pleasure to share with you my interview with the director. You can listen to it by clicking the link below:
Visit Marco Kalantari and keep up with “The Shaman” right here.
Marco Kalantari’s “The Shaman” will be on view at the Tribeca Film Festival. The first showing will be on Saturday, April 18. For details on The Shaman schedule during the Tribeca Film Festival, go right here.
The Girl in the Cafe and an Ionized Environment
Art and fiction by Henry Chamberlain
She sat at her regular table on the second floor of her favorite cafe. It was the same old crowd. It was a steamy summer day. She had the whole world before her. There was the Space Needle right out the window to keep her company. She made herself comfortable. She wiggled her toes. Someone was overheard saying, “An ionized environment really helps.”
“How I Made the World,” is an intriguing title, don’t you think? It happens to be the title for a series of comics about Liz, a college student and writer who expresses herself in true epic glory, like any young person should. Now, this is most assuredly a SERIES, not a ONE-SHOT. There may have been a bit of confusion regarding this since the Diamond Previews catalog, the monthly bible for all comics retailers and regular comics buyers, has given the “one-shot” label to this series. Okay, now that we have that cleared up, here is an interview with the creators. It was a pleasure to get to chat for a bit with Liz and Randy.
“Lumberjanes,” published by Boom! Box, is a comic with repeated allusions to the third eye and offbeat pop culture references. I can understand Joan Jett. But Bessie Coleman? As one of the precocious characters here would ask, “Just what in the junk is going on here, anyway?”
How do we change the world? It can be as simple as how we see the world. There are numerous influences we need to consider. One is as simple as how we tell stories. In the West, for example, there is a rigidly ingrained method for storytelling, and for communication in general. It has conflict built in that must be confronted and resolved. While it may sound like an overstatement, this method embraces aggression, and violence. Why not try another method and see what results?