There is a true art to comics storytelling. Don’t let anyone tell you different. And, if you’ve joined me here, you most likely already know. Heck, you can tell when a story has got that crunchy goodness and when it falls short. Maybe you’ve had the pleasure of reading the comics of Brian Fies. He’s the guy who did that webcomic that went viral and ended up inspiring the creation of a Digital Comics category at the Eisner Awards. It was the webcomic, Mom’s Cancer, which won in that category that first year, back in 2005. Comics scholar Scott McCloud was there to hand Brian Fies his award. Recently, Brian’s book, A Fire Story, was released in an updated and expanded edition. Read my review here.
How do you end up creating a comic about your own mother’s cancer? Well, that’s where the power of storytelling comes in. You can tell any story, of course. And there’s something about the nature of comics, the medium’s built-in tendency to organize thought, that can lead both the creator and the reader down some very unexpected and rewarding paths. And, yes, you can even extract a touch of humor from the most challenging situations. Fies did it with his groundbreaking webcomic and he did it again with his more recent, A Fire Story, which has just been released in an updated and extended edition.
A Fire Story
I hope you enjoy this interview. It was a pleasure to do. I hardly had to refer to my notes as I had a million things I could talk to Brian about. He even knew, right away, about my favorite pop culture hero, George Clayton Johnson. I focused much of our talk on comparing Mom’s Cancer to A Fire Story. Maybe we’ll need to do another talk that compares his book, Whatever Happened to the World of Tomorrow? with his upcoming book, The Last Mechanical Monster, due to be released early next year.
Whatever Happened to the World of Tomorrow?
The Last Mechanical Monster
It is safe to say, in my opinion, that all auteur cartoonists share the same trait of being compelled to also be journalists: to act as caretakers of a big story and be obligated to gather all the facts, process all the facts, and present the best, most detailed yet concise, version of these facts. Some do it better than others. There are numerous variations and ways of doing this. But, at the end of the day, a real cartoonist is every bit as capable and driven as a real reporter.
Panel excerpt from A Fire Story
If you are new to Brian Fies and to A Fire Story, and if you’re looking for a perfect textbook example of how to tell a story through comics, then seek out this book! For more details, go to Abrams ComicArts.
BONUS: We avoided a detour during our conversation and had meant to return to it. So, for all you true believers, this is the bonus content. Brian wanted to share some hard-won process insights. Here is what he later related to me via e-mail:
“My Last Mechanical Monster anecdote is that I’d written the whole story and penciled more than 100 pages when I realized I wasn’t having any fun drawing the story. Every day at the board was a slog. I figured that if I didn’t enjoy writing it, nobody would probably enjoy reading it, either. So I paused, rethought the whole thing, turned those 100-plus pages of penciled drawings over, and started drawing a whole new story on their backs. I thought of it in the context of “wasted time”—in one sense, I wasted many months (maybe a year?) writing and drawing a story that I abandoned. But I had to work through that story to get to a better story I liked.
My lessons from that: you have to trust your process; you can’t be afraid to toss something that isn’t working; and sometimes you have to dig through crap to find gold (or at least less stinky crap.)”
Thank you, Brian! You are a modest and gracious person!
Future State: The Next Batman #1. DC Comics. Written by John Ridley. Art by Nick Derington. Colors by Tamra Bunvillain. January 6, 2021. $7.99
Batman, at his best, is always good as a sign of the times, right? Here is a Batman from the not-too-distant future and pointedly familiar to the immediate present. Gotham, like other big cities, has fallen under, as this comic book states, “a cloud of tyranny and disinformation.” Okay, unpack that for a little while and let me know what you get. There are so many camps people can fall into these days but, no matter the lens seen through, it seems we can all at least agree we are living through some troubled times. Note the fateful date of publication of this comic book: January 6, 2021. Coincidences can be very spooky.
Future State: The Next Batman #1
This comic book has a perfect premise: in the future, it’s legal to shoot to kill anyone wearing a mask. Are we heading towards that level of insanity? This story begs the question, Aren’t we pretty much already there? Once we have the plot in place, hey, this highly provocative Batman story has legs and can basically comment on today’s headlines, albeit in an artful indirect sort of way, thinly-veiled as it is. You don’t need to worry too much about the actual story about the mysterious Magistrate now being in charge after the “A-Day” incident. What we’re mostly after here is a mood and feeling, a certain texture. And this comic definitely has that going on.
Cities riddled with chaos from “hype soldiers.”
The Future State series won’t be around for too long so seek it out now while it’s hot. It’s an opportunity to mix things up and avoid whatever restrictions need to be respected within DC Universe canon and whatnot. There are two more stories, separate from the main story, included in this comic book and, despite the air of creative freedom, these two seem loaded down a bit from keeping track of various superhero identities and protocols. They seem just fine but may put off the more casual reader.
Wear a mask and be somebody!
All in all, it’s clear that writer John Ridley (12 Years a Slave) knows exactly what he’s doing and is having a good time with this alternate Batman feature. It’s a chance for Batman to punch out one of the urban offenders and yell out for him to get a life. It’s a chance to do a little calling out in general and state that our politics has gotten toxic and has resulted in toxic protest and honest rank and file police are all too often caught in the middle of it all. Is that too controversial to say out loud in public on social media? Maybe just enough–or a lot–but certainly reasonable too for a lot of folks. Ridley isn’t out to just push buttons as much as to do some intelligent, and balanced, shouting out from the rooftops in hopes that Batman has any good ideas. And that should work since he usually does.
Gipi is one of the great cartoonists. His approach is to treat the page in a heroic fashion, as both canvas and stage, employing a variety of techniques and styles. In one work, he will typically shift from loose sketchbook line drawings to haunting panoramic watercolor panels. We see this kind of work in the States but we see even more of this in Europe. Gipi is part of that Italian breed of cartoonist who sings for his supper through fierce and daring visual storytelling. I was rifling through a stack of books and papers just the other day and Gipi’s The Innocents nearly hit me on the head. I took that as a sign. It is a story about lost youth and their comeuppance. That title was part of an amazing Ignatz collection published by Fantagraphics. A title that is currently on my radar is One Story, also published by Fantagraphics and one of the most ambitious works by Gipi that I’ve come across.
Gipi commands the page like a canvas or a stage.
Any artist, or magician worth his salt, is a master of illusion. Any given number of strokes of ink or paint on the page may seem marginal or of undetermined worth–and sometimes they don’t seem to quite add up! There are times when no one notices any of these potentially perceived mistakes or accidents that require further reflection. Or the culmination of all these marks does add up without much doubt but it still doesn’t seem to meet some fickle taste. Only a determined, persistent and consistent effort will ultimately win the day and that is what Gipi does. He’s the one who is constantly drawing. He is a cartoonist who unmistakably acts like any other artist, whatever the medium. And, in the process of all that problem-solving, a universe emerges. In the end, he can make it look easy. Ideally, and in general, you want all the elements on the page, even the splotches and rough gestures, to simply read as part of the narrative. Each mark belongs on the page. Gipi has the temperament and the confidence to pull that off.
Gipi, cartoonist as visionary artist.
Going hand in hand with a heroic attitude to mark-making is the actual script to which Gipi runs with as if his very life depends upon it. These sort of stories are the ones that need plenty of room to run, as they are larger-than-life stories about life! The reader can ease up on applying cold logic and allow the tale to cast its spell. For most readers, this will not be a problem at all. We begin in the present. Gipi charms the reader with his overwhelming sense of weltschmerz. Gipi shows us that the older you are, the less you can acknowledge your age when facing the mirror. An aging beauty can only see through a vintage lens. Cut to our main character, a former fiery rebel who is not aging into the perfect Lothario he intended to be.
Just drive off in a Maserati.
Next, our aging rebel finds a kindred spirit and they drive off in a Masareti. Remember, the plot is going to keep shifting. So, our main character is one Silvano Landi. It turns out that Mr. Landi is under heavy medication in a psych ward. He is drifting in and out of recollections, all very lucid and vibrant as hell. What Silvano sees, we see. A team of professionals are determined to keep Landi nicely sedated with increasing amounts of Bituprozan, in keeping with their standards, in order to address his “Schizophrenia with Monomaniacal Obsessive-Compulsive Behaviors.”
“A bare tree. Why?”
The team is both impressed and bewildered by a series of drawings Landi has done of a service station and a tree. They admit the work is dazzling but it is also so clearly out of the norm, and most disturbing. God help any artist at the mercy of psych bureaucrats! As for Landi’s request to go outside, well, the team won’t tolerate that at all. Silvano Landi is a famous writer, after all. He must get the most careful and strict of treatment.
Navigating a psych ward.
The story now takes a determined turn. We move over to Landi’s great-grandfather, Mauro, and the trenches of World War I. From here on out, we alternate between Landi, Mauro and all points beyond. As you’ve come to appreciate from this writing, this is all pure Gipi! Ah, and this is where the plot thickens as we venture off into geopolitics and so much more. It is absolutely not my intention to go over every plot point but, instead, to give you a good generous taste.
A tree grows at the end of the world.
My goal in a post like this, as always, is to provide you with a guided tour, part of my exploration of the most provocative and challenging works in comics. I happen to relish expressing myself in well-chosen words and this exceptional work inspires that effort. Keep in mind, Gipi is not exactly alone but he’s also definitely among the very best auteur cartoonists. If you had only one cartoonist to read, Gipi will win you over on many levels. None the least is, again, that deliciously melancholic sense of raw and jaded sophistication–and exhausted experience.
Spring is in the air and we’re getting more sunshine. While 2020 gives us plenty for pause, there is a need for optimism and comfort. For me, once I’m wearing a nice pair of sunglasses, it puts me in a good mood. It’s a bit of a ritual as I look for the last pair I wore or go ahead and buy glasses online. I do a similar thing when I buy flip flops online. Someone stylish wearing a cool pair of sunglasses symbolizes good times. Its a state of mind that I enjoy being in and you probably do too. I must say, if I’m healthy and have no business wearing a mask, I’ll find all the contentment and comfort that I need in a really snazzy pair of sunglasses. That beautiful pair of sunglasses will block away the ugliness and my worries, at least for a short while, long enough to take a stroll and know that all will feel a little more right in my world someday soon. Yes, we’ll be on vacation or some adventure before too long. A really snazzy pair of sunglasses can not only symbolize leisure; it can help give us a healthy dose of hope.
I love this video that features comic-drawing rebel professor Lynda Barry doing her own thing. Around the six minute mark, Lynda confides in the audience that she knows that most folks abandon drawing when they try to draw a nose! She proceeds to draw a bunch of fun noses. First, she begins by drawing what her cousin advised to be the proper way to draw a nose, circa 1962. Then, she riffs on the wonderful world of noses. Starting with the shape of a head, Lynda Barry, one of our all-time great cartoonists, guides the viewer into visual anarchy. If there is only one rule to follow, it is this: the drawing still needs to “read” as whatever it is you’re drawing.
Lynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher and found that they are very much alike. She is the inimitable creator behind the seminal comic strip Ernie Pook’s Comeek as well as numerous comic books and graphic novels, and is the recipient of both the Eisner Award and the R. R. Donnelly Award. She lives in Wisconsin, where she is an associate professor of art and a Discovery Fellow at the University of Wisconsin–Madison. Her most book is Making Comics, published in 2019 by Drawn & Quarterly.
Prof. Jonathan Turley says that there might indeed be a case to be made for impeachment but that the process is moving too quickly. That’s definitely a big takeaway and speaks to the highly partisan nature of the house hearings. Turley also pointed out that it takes time for the public to catch up. If that is the best argument against pursuing impeachment, it certainly begs the question, How can abuses of power really be ignored?
Prof. Noah Feldman
Today’s hearings offer a great amount of historical information and insights. The four constitutional scholars who testified today: Noah Feldman, Pamela S. Karlan, Michael Gerhardt, and Jonathan Turley.
Prof. Pamela S. Karlan
Three professors came out in full agreement that President Trump has abused power and that it reaches the level of impeachment. Prof. Turley disagreed only to the extent that the process of impeachment is running too quickly.
Prof. Michael Gerhardt
If you were looking for something that might hit you in the gut with a common sense approach, Prof. Karlan offered this analogy: “Let’s say there’s a state dealing with a disaster like Hurricane Katrina and the governor is on the phone with the president. What would you think if the president tells that governor that he will get federal aid but, first, he has to do him a favor and dig up dirt on his political rival?”
Prof. Jonathan Turley
It’s not easy keeping up with the news. And the impeachment hearings are incredibly worthy of the public attention. Prof. Turley is saying that the public needs time to finally pay attention. It’s an argument that Republicans are willing to accept. Only time, precious time, will tell if that argument is enough.
Okay, I’m feeling lucky. I think you guys are liking this and so I will post yet another chapter in less than a week! My goal is to entertain you. If you keep reading, I think you’ll get hooked as you learn more about our hero, Fernando, and his misadventures. Consider purchasing a Kindle edition (at the nice price of only $2.99) and leaving a review at Amazon. Just go right here.
Fernando had this recurring dream of floating away in a big beautiful balloon. Just like that famous pop song from the Sixties, “Up Up and Away,” by The 5th Dimension. It came out in 1967, the Summer of Love. “Would you like to ride in my beautiful balloon?” is how it began. What a glorious poppy sound full of bubblegum optimism! It made no sense but it felt so right. “Up Up and Away—for we can fly!” Fernando would have been all of twelve years-old, an innocent little bright-eyed boy ready for Jupiter to align with Mars. This was, as everyone knew, the dawning of the Age of Aquarius.
What stuck with Fernando about the Age of Aquarius was reincarnation. It was believed by many that the Second Coming, the Reincarnation of Jesus Christ, was aligned with the passing of the Age of Pisces giving way to the Age of Aquarius. Each age being over 2,000 years, Pisces represents the great age of travel on water; and Aquarius represents the great emerging age of travel in air, and in space. The Jet Age and the Space Age! What an incredible time to be alive! If there was to be a reincarnation of Jesus Christ, then surely there was to be a reincarnation of Dale Carnegie! Anything was possible. It was both a time of fanciful hot air balloons and the most sophisticated rocket science.
Fernando’s father had built a hot air balloon in the final years leading up to his disappearance. It was meant to promote his musical act. Over the years, relatives mailed that same hot air balloon to Fernando in various parts. The guards never bothered to ask about it. They even helped Fernando find a few missing parts on eBay.
Fernando grew up in an era full of turmoil but also great optimism, one that could sustain groovy dreams for many years, even decades. The image of a miraculous hot air balloon persisted in Fernando’s mind day and night. A most magical balloon would be his means of escape!
Honestly, I don’t see why I shouldn’t spring another chapter on you ahead of schedule if you’re ready. If you like it, you like it. If you don’t, well, I just can’t see why that should be. I am dying to know what you think. And I’m even thinking of knocking the price down on the Kindle edition if I’m talked into it. Anyway, enough of that for now.
Remember, all you really need to know is that our hero, Fernando, is a rogue immigrant from Cuba. He means well and, in fact, he has a pretty darn important purpose in life!
Manuel and Paloma did have a son. However, their good fortune would not last. In 1959, Castro took control. Artists, intellectuals, and activists were all in danger. And, as the years passed, Castro and his regime would pluck out dissenters. One day, in 1967, Manuel was plucked and never seen again. And, when Fernando came of age, in the prime of his life, in 1977, he too was thrown into a prison cell. It was now 2017 and Manuel Rivera’s son, so full of promise and supposedly with a special purpose, had been languishing in a Cuban prison for the better part of his life. This is where our story of Fernando begins.
So many years locked away. Oh, the horror. Fernando, if he ever dared to dream, had lost much of his youthful spark, almost forgetting how to dream. If he had ever known his true calling, it had been buried deep inside him, beyond reach. Perhaps his father had only hinted at what lay ahead in Fernando’s future. But, for now, he was not much better off than a dog. And what could he possibly do now at this point in his life? Was he already too old? Were his best days behind him? Had he ever had better days? Still, like a dog, he had a strong survival instinct fully intact—and he had not completely given up. In fact, he remained a crafty little devil.
Fernando had been plotting his escape for years. Unlike many prisoners, Fernando valiantly did all he could to hold on to his soul. He had seen what had happened to many of his fellow Cubans. Many of them blamed themselves for getting locked away in prison. Somehow, there was a peculiar mindset that believed in Castro and that, no matter what he did, Castro had a very good reason for it! This was the control that an authoritarian had over his people. It exists to this very day and not only in Cuba but around the world, even in the United States of America. Hard to believe—but true. Fernando had enough to worry about just being in prison but he knew that Castro was wrong and that others like him were also just as wrong.
Fernando’s father, before he disappeared forever, had told his son that he was the reincarnation of Dale Carnegie, the world-renown motivational speaker. But what did that really mean? So many years later, was that supposed to be accepted at face value or was it just a metaphor, a symbol of hope? Fernando stirred at night trying to understand what it meant and what was to happen to him. Did he have any hope left? What helped him out a lot was the fact he had become a fixture in the prison system. He had been around for so long that he could pretty much come and go as he pleased—at least that is what he thought.
Sometimes, Fernando was locked into his cell with great ceremony. Other times, it seemed that, if he wanted to, he could walk right out of the prison. It was a big game with the guards, he was sure. It went unspoken with little rhyme or reason. No one seemed to care much what Fernando did. The guards were an odd mix of utter incompetence and light thinkers with glimmers of philosophical insight. “Let him walk right out of here,” Fernando overheard one of them say, “and he will run right back to what he knows best, his dull but familiar prison routine!”
Finally, the day would come when Fernando would have the last laugh. Before it really became too late, he would escape and never return.
Welcome to my novella, “Dale Carnegie Lives!” We will be reading this together each week! This is the first installment and a new chapter will be rolled out each week all the way to the very end. I hope you enjoy the offbeat humor. I hope you get a kick out of this misadventure. If you would like a handy dandy complete version that you can read anywhere, then you can find the whole book at Amazon right here.
Set in the summer of 2017, this is the story of a Cuban illegal alien who slips across the United States border. Can you say, “Donald Trump” and “Build The Wall” three times fast? There is that aspect to this tale. But there’s much more.
This is the story of a man who stumbles upon his purpose in life, later in life, after most people would have called it quits. This is the story of a man, completely out of his element, who confronts numerous clues to discover his true destiny. Fernando is a man unjustly imprisoned for forty years who, in a great leap of faith, escapes Cuba in a hot air balloon.
Fernando believes in the promise and hope embodied in what is best in the United States of America. He is not fully aware of the Donald Trump phenomena but it doesn’t really matter. Fernando believes in something transcendent: the power of the individual to have the courage to chase after any dream.
Empowered with a belief in his own abilities and guided by a supernatural connection to legendary motivational speaker Dale Carnegie, Fernando has the power to move mountains and there is no wall that can hold him back!
We all, deep down inside, desire to improve ourselves. There’s that feeling to do better, be better. We all get that feeling, right? Some of us choose to act on it– but we often fall short. Sometimes we fall flat on our face. You get the picture. This is a story of a very unlikely hero who has always been determined to improve himself. Fernando Rivera knows a lot about falling down. He is a little man with little hands and little feet but with a way big heart. He has a very unusual tale to tell that should entertain and probably inspire. We shall see.
Over time, our optimistic little hero’s ideals had been crushed to near extinction. He had turned into a shell of his former self. He had regressed back, back, back, to something primal, a simple animal. This is the sad and sordid tale of such a pathetic beast who never stopped believing. He never stopped dreaming, despite all the nightmares.
Despite himself, buried under resentment, fear, and confusion, Fernando had a good side. For everyone is capable of redemption—or at least a cup of coffee and a good honest slap on the back (or face) for good luck. Fernando knew he deserved more, much more. Fernando, even after all those years of torment, had a purpose to fulfill. It seemed unlikely, so unlikely. But he had dreams to realize, dreams he hadn’t even dreamt of yet.
It is the story of Fernando’s entry into the world–so dramatic, unusual, and perhaps supernatural– that holds the key to his destiny. The chain of events goes back to New York City, Halloween night, 1955. It was on this very night in an alley overlooking a stage door exit, filled with expectant onlookers, that a mysterious-looking man in a fedora waited. Along with the masses, he waited for a glimpse at one of the most celebrated figures of the era, the world-famous motivational speaker, Dale Carnegie. But he hoped for more than just a mere glimpse. He aimed to talk to Mr. Carnegie. In fact, he was compelled to connect with Mr. Carnegie. Too much was at stake.
The man in the fedora was Manuel Rivera, a talented singer and musician. Back home in Cuba, he was a rising star. But on the streets of this massive metropolis, he barely registered any recognition. In the span of a few months, Manuel had tried to make his mark but, aside from a few club dates, he was as far away from fame and fortune as a lotto ticket is from winning. It was Dale Carnegie’s book, “How To Win Friends and Influence People,” that had helped him out so much during this struggle. He remained uncertain about his own future but he felt ever more confident that he and Paloma would soon have a family of their own back in Cuba. Perhaps a son. Instinct told him that it was essential that he try to make his mark that night with Dale Carnegie as his prized audience. There would only be a few minutes available to him. He would be on a plane back to Cuba that very same night.
Call it a leap of faith, a crazy fever dream, or simply following gut instinct. Manuel had to be exactly where he was, doing exactly what he was doing. Beads of sweat pored down his scrawny face as he grew anxious. He was over-thinking again. When Dale Carnegie emerged, he had to lunge forward and act. It was all in the timing. To any passersby, it would look perfectly natural, this highly unnatural act of forcing one’s self onto another: in those few innocent seconds, it would be him, his miserable sweaty and improvised little life, connecting with what seemed like this ray of pure beaming light.
Carnegie had chosen a little theater in Spanish Harlem to lead a workshop on self-improvement. Everyone in attendance had suffered some setback. Many had trouble finding work because of the color of their skin or their accent. They were vulnerable to blaming themselves but strong enough to know otherwise. There were whole families in attendance and, as it was that time of year, kids were dressed up in costumes celebrating both Halloween and Dia de los Muertos. Carnegie could see many little figures dressed as goblins, witches, and skeletons, each of them looking up and waving or dancing. When it was over, Carnegie bowed to great applause and made his way out the exit.
And then, it happened: there was Dale Carnegie at the stage door! He seemed uneasy as he surveyed the crowd outside but he offered up a smile and a warm wave of his hand. That was Manuel’s cue. He lunged forward for the sake of his own destiny and something more that pounded in his heart. If only Mr. Carnegie could understand how important all of this was.
He sang a few notes. He actually began with a song. It was so crazy—but it instantly set Manuel apart from all the others. That’s all it took. He sang a few bars from one of his own original compositions. “I was lost and desolate, and it made me cry. But then I discovered Dale Carnegie, and my heart flies so high!” In that moment, Manuel had Dale Carnegie’s full and undivided attention. “What a lovely song—or is it a poem? I appreciate the sentiment, sir!”
“And I appreciate you, Mr. Carnegie!” yelled out Manuel.
“Who are you?”
“I am Manuel Rivera. And it is my destiny to meet you!”
“Well, sir! I am very flattered. I understand too. You seek guidance, meaning, and purpose. You have it all within yourself.”
“Of that I am sure, Mr. Carnegie! What I am speaking about is a legacy. Not just mine—but yours too! With me, you can count on your legacy. I will do everything in my power to have your name, and your good works, live on!”
“I see,” Carnegie looked up and beyond the spectacle of well-wishers. “I am tired and tiring out, I must say.” Carnegie could not help but linger and studied Manuel’s face intently before giving out a sigh. “Sir, I may very well take you up on your offer!”
Carnegie seemed to nod to Manuel. And then the connection was abruptly broken. Carnegie proceeded down the steps, into the throng of people, and was temporarily swallowed up by the chaotic mass of excitement, followed by a quick escort into a waiting car that promptly sped away.
As if he’d been riding a magic carpet, Manuel Rivera had found his way home. It was almost as if he’d never left, back in the arms of Paloma. He had barely unpacked before he was more than just in his wife’s arms. It was all a matter of timing. They rolled around in bed, lost in each other, and he could feel it happening. He had mounted her. He was inside her, both their bodies throbbing. Suddenly, he felt an overwhelming release, sweat dripping down his back, and he shuddered. He knew this was the right time for great things.
Later that bright new day, one foot out of bed, he casually turned on the radio. They had been asleep for hours. He craved some music but the news on the radio jolted him back to life. Dale Carnegie had died. He could instantly sense what was going on. There was no other possibility. He knew that Paloma was pregnant! And that, he gulped just at that mere thought: Dale Carnegie knew he would be safe to reincarnate with the Riveras! It had begun: the reincarnation of Dale Carnegie!
Has a major American city ever commissioned a graphic novel as a public art piece before? Seattle is on board! Cartoonist David Lasky and writer Mairead Case have been selected (from 71 applicants) by the City of Seattle to create a fictional graphic novel centered around the historic Georgetown Steam Plant. The goal is to increase awareness of this unique landmark with a graphic novel geared toward young adults.
Panel from “The Carter Family: Don’t Forget This Song”
David Lasky is the co-author (with Frank Young) of the Eisner-Award-winning graphic novel biography, “The Carter Family: Don’t Forget This Song.” Chicago writer Mairead Case is the author of the acclaimed prose novel, “See You in the Morning.” A story by Lasky and Case, “Soixante Neuf,” was featured in Best American Comics 2011.
West elevation exterior of engine room. The Georgetown Steam Turbine Station, built in 1906 is now a National Historic Landmark. The plant is owned by Seattle City Light and has been working to restore the plant. It is open for tours the second Saturday of each month and is occasionally used as a teaching facility for steam power engineers and hobbyists.
Here is a brief email interview I did with Mairead Case today:
What went through your head when you got the news about being chosen for this special graphic novel project?
Well I was, am, sincerely grateful: to be from a city that celebrates public monuments with comics, and to have visibility and support for the creative relationship David and I have pretty much always had, even when nobody else was looking. Grateful to have work that includes time for oral histories and site-specific research (no screens!). And aware of the responsibility to accurately represent Georgetown’s diverse history—we want to use this platform to amplify and illuminate the stories that are already here, not co-opt them. For real. (Also, I was really happy to have news that would make my mom proud.)
Are you already envisioning what your routine will be like with the project?
David and I are both pretty focused, detailed nightowls so I expect we’ll have a focused, detailed, nightowl routine. That said, it’s amazing to have financial support for this project so it’s really exciting to think about how we might work in new ways with that gift. (We might even work in the daytime, ha!) But no matter what we’ll be collaborating closely. And we will probably listen to Bowie at some point.
Did you ever think you’d be creating a graphic novel about a steam plant?
I feel like I’m supposed to say no here, but why not? When I was a kid I wanted to be a tightrope walker so maybe this is not that far off.
What do you think this project might say about the role of graphic novels in America?
Ah, I think our role is to make the book and then other people can tell us! But it is terrific terrific terrific that Seattle is supporting a project like this—it’s really wonderful that an American city in 2017 is using art to build community, as defined and remembered by that community. I’m used to telling (maybe yelling a little too) at the government about that, and am still gobsmacked that this time the government was all “we know. Go.” I hope that other cities say “Go” too. The talent is here! American cities, if you want me to send you lists about the talented storytellers I know in your neighborhoods, just send a flare.
You can keep up with this intriguing project right here.
And, if you’re in Seattle this weekend, be sure to stop by and see David Lasky at the annual comic arts festival, Short Run.