BANG! published by Dark Horse Comics, writer Matt Kindt (MIND MGMT), artist Wilfredo Torres (JUPITER’S CIRCLE), colorist Nayoung Kim and letterer Nate Piekos. Issue 2 out on March 17, 2020.
Dark Horse is doing very well with its comic book series BANG! John Shaw, its main character, must be America’s favorite barefoot tough guy since Die Hard‘s John McClane. Yeah, there’s a real foot thing going on here so you can file this under “Comics with a Foot Theme.” John Shaw is credited with sensitive feet and described in the book like this: “He’s barefoot. They never hear him coming.” And he even has a pretty good plot to work with: he’s the guy staying one barefoot step ahead of the terrorists in order to stay alive and possibly save the fabric of reality. Matt Kindt has always been a creator who works best with offbeat stories and this looks to have checked all the boxes on weird compelling adventure.
The first printing of BANG! issue 1 sold out ahead of publication, following widespread press attention and endorsements from Keanu Reeves and some of the comic book industry’s most respected writers and artists. Issue 2 of BANG! is on sale from Dark Horse Comics on March 17, 2020.
Diego Guerra is a remarkable talent. It takes a lot to keep my interest and Guerra had me turning pages to The Island, an amazing work in comics that is currently in progress. I champion excellent storytellers and I am compelled to share them with you whenever possible. One Guerra title (with writer Justin Gray) that is available now is Lady Redbeard #1 and you can find it over at comiXology. But, while you’re there, take a closer look at a couple of other Guerra works. You’ll see him team up with writer Caje Brennan Knight for the quirky thriller, Mental Cases, and that’s very promising. But then look over to volume 3 of the comics anthology, Octal, and you’ll find Guerra’s excellent dystopian piece, The Foundling. The more Guerra is left to himself to grow, the better he gets! And that brings me back to The Island, which needs to come out as soon as possible. It is, without a doubt, an excellent example of the adult fantasy genre. I’m talking about comics that are truly intended for mature audiences that involve more complex and offbeat narratives, often mix in sci-fi themes and find that sweet spot of high art in erotica in the spirit of such greats as Alejandro Jodorowsky and Milo Manara. Diego Guerra is well inside that line of witty and sophisticated cartoonists. He is an artist, and writer, riding high, at the top of his game.
Excerpt from Diego Guerra and Justin Gray’s Lady Redbeard #1
Diego Guerra is an award-winning artist, animator, 3D modeler, director, producer, and former editor of Acme Comics. He was the director and producer of the animated feature, Desterrada (official selection in animation festivals from three continents). He has created more than 400 comic book pages for 15 clients in the last 3 years. In other words, Guerra is a seasoned pro and his polished and refined work demonstrates that.
There’s a brash new comic book publisher in town and it’s BAD IDEA, the brainchild of Dinesh Shamdasani. The concept is to provide only one or two high quality titles sold exclusively at comic book shops. It’s a direct to market approach that has got a lot of comics insiders all excited and talking. Seriously, it’s an awesome way to pay tribute to all the amazing comics retailers out there, like POP ROC, in Rochester, New York. Basically, it’s a publisher approaching retailers in the same way as a scrappy independent comics creator does, one store at a time. BAD IDEA’s business model is essentially what indie cartoonists have been doing all along but on a much grander scale and that, in and of itself, is a refreshing concept for a publisher to emulate. BAD IDEA’s flagship title, launching an impressive upcoming roster of talent, is ENIAC #1 – a 40-page “prestige format” debut by New York Times best-selling writer Matt Kindt (Mind MGMT), artist Doug Braithwaite (Justice), colorist Diego Rodriguez (X-O Manowar), and Harvey Award-nominated cover artist Lewis LaRosa (Punisher MAX) – which arrives on comic book retailer shelves on May 6th, 2020.
The story revolves around a nightmare scenario worthy of Stanley Kubrick’s Dr. Strangelove. There’s a doomsday machine out there that has calculated that it’s time to wipe out the human race. Our crack special ops team has one mission and one mission only: Kill ENIAC! Truth is stranger than fiction. It turns out that part of the race to end World War II actually did involve the creation of a supercomputer which was dubbed, ENIAC. Our story has ENIAC gone loco a la HAL from Stanley Kubrick’s 2001: A Space Odyssey. I’m seeing a real Kubrick pattern here, a comic that borrows from two Kubrick all-time classics. Anyway, it sounds pretty wild and right up there with the weird and goofy spy thriller stuff that fascinates writer Matt Kindt. I’m predicting this one to be well worth a look. The business of selling comic books, particularly action themes, comes down to a crisp elevator pitch and compelling artwork and this title appears to have figured that out. If you like quirky comics, and Stanley Kubrick, you’re going to love this one. And how exactly is it that an old supercomputer is on the loose? You’ll have to wait and find out.
As BAD IDEA states in its PR copy, its whole “raison d’être is to make the best monthly comics possible and sell them exclusively in comic book stores.” So, be sure to ask for BAD IDEA comics at your local comic book shop and be sure to seek out ENIAC #1, which debuts on May 6, 2020.
If you thought creating a graphic novel, fully realizing it into the world, was easy, think again. But, dear true believers, George is coming! I’m in the process of adding color and I plan to show it off this year. He’s on his way. The plan is to have GEORGE’S RUN debut at Small Press Expo this year. And, fingers crossed, it will happen. For now, enjoy the first in a series of videos to document the process of bringing a graphic novel into the world. I talk a bit about hand-drawing comics, using an iPad Pro with Procreate and using the new comic book template at Lulu xPress:
GEORGE’S RUN is a graphic novel on its way to finding a place in your heart. Stay tuned.
Policemen in Seattle wearing masks made by the Red Cross, during the influenza epidemic. December 1918. (Photo: U.S. National Archives)
ECCC 2020 and Coronavirus
UPDATE: Emerald City Comic Con has rescheduled for August 21-23, 2020.
At this time of year, I would be preparing for the annual Emerald City Comic Con. Due to health concerns over the Coronavirus/COVID-19 and the relatively high profile Seattle currently has in this crisis, Emerald City Comic Con has postponed its event in Seattle which had been scheduled to be held at the Washington State Convention Center, March 12-15, 2020. The plan is now to see about holding this event sometime this summer. Time will tell. More information will tell. And, ultimately, the Coronavirus itself will speak for itself, thank you very much. If history of the Spanish Flu ((January 1918 – December 1920) is any indication, perhaps COVID-19 will take a dip in the summer only to come back even stronger by the fall. This, of course, strongly begs the question if all comics conventions and festivals, along with any mass gatherings, should just take a break for 2020. Perhaps a balance can be achieved. The main problem is that these sort of events take time and require precise planning so that makes a stronger case for firm cancellations instead of postponements. It will be interesting to see how this resolves itself since ReedPOP, the organizers of Emerald City Comic Con, are entering uncharted waters. The good news is that people are genuinely concerned and options are being considered. And speaking of good news, The Bill and Melinda Gates Foundation has announced it will begin offering home-testing kits for people in the Seattle area for COVID-19 in the coming weeks.
Dan Dougherty and Friends
Emerald City Comic Con is, by all measures, the preeminent pop culture event in the Pacific Northwest. So many hardworking talented professionals depend upon ECCC as part of their livelihood. With that in mind, enterprising cartoonist Dan Dougherty has gotten creative with interacting with his fans and is holding his own online comic con. For the month of March, Dougherty has this offer: “A lot of people in the comic community are trying to make up for lost sales, and I’m no different. I’m offering a 10% discount on all purchases in my online store from now until the end of the month! This can be used as many times as you like and for your ENTIRE order! Just use the coupon code WASHYOURHANDS at checkout to apply the discount.” Find Dan Dougherty’s Beardo Comics and take advantage of the discount here. Every little bit can help displaced talent like Dougherty. Meanwhile, all we can really do is monitor the crisis and act appropriately.
The following is a statement from ReedPOP, organizers of Emerald City Comic Con:
An Embarrassment of Witches. Sophie Goldstein and Jenn Jordan. Top Shelf Productions, $19.99 (208p)
Sabrina the Teenage Witch and Buffy the Vampire Slayer, make room for our main character, Rory Rosenberg, who could be called, Rory the Millennial Slacker. Cartoonist Sophie Goldstein’s new graphic novel, co-authored with Jenn Jordan, revels in the drama and the humor found within a community of young people who just happen to be supernatural. An Embarrassment of Witches has just been released by Top Shelf Productions.
An Embarrassment of Witches
Goldstein draws in a highly-composed and spare style which concentrates the action and evenly loads the page. Follow along the path led by a series of short lines forming simple shapes, all the better to focus the viewer’s attention onto one spot. A deftly-drawn hand becomes a container which acts like a picture frame, bouncing the viewer’s attention back if it starts to drift off. Like a neon light, well-executed drawings keep your attention steadily connecting from one spot to the next. Goldstein keenly understands the power of comics. Her work catapults the reader into the story. We quickly get it that Rory has just been abandoned by her boyfriend and that she does not do well with change nor with plans for the future. And then, just as we’re processing that, we quickly accept that she’s a witch in a supernatural world of witches, dragons, and hobgoblins. It’s up to Rory to figure out her next move, especially after she has to backtrack on a much anticipated vacation which was supposed to allow her more time to relax and not think about her future.
An Embarrassment of Witches
Goldstein is a 2013 graduate of the prestigious Center for Cartoon Studies. The very next year, she won the much coveted Ignatz Award for her mini-comic, House of Women, Part I. In 2017, House of Women was collected and published by Fantagraphics. In 2015, Goldstein released The Oven, published by AdHouse Books. House of Women and The Oven are quite different but share the same off kilter sensibility. Goldstein clearly has a magic way with a touch of strange. Both stories are set on other worlds and, while the characters deal with universal struggles, everything is spiked with a deliciously unsettling quality. It’s as if Goldstein figured out the look and feel to her universe of comics ahead of time and then moved forward with a very distinctive and purposeful vision.
An Embarrassment of Witches
As if often the case with comics of the highest caliber, much of the fun is simply going along the journey. It matters little if Rory becomes a veterinarian or a talk show host. The reader is hooked and is rooting for Rory, in the same spirit as we all root for Sabrina and for Buffy.
What Mickey Mouse is to Americans, Asterix is to the French. The news of Papercutz Publishing bringing out new English translations of every volume of Asterix has been stirring excitement since late last year. The wait is just about over. On May 19, 2020, Papercutz launchs the new Asterix editions with two omnibus volumes of three stories each, starting at the beginning of the series, plus a stand-alone edition of the newest book, #38: THE CHIEFTAIN’S DAUGHTER, which was released internationally in October 2019 and promptly sold 5 million copies worldwide. And, by the way, Asterix is not only in good company with Mickey Mouse. Also making the case for Asterix in America is the massive success of Jeff Smith’s Bone series, another quirky comics series that is an all-ages favorite.
Papercutz Brings Asterix to America
Since Asterix first appeared as a French comic in 1959, the ancient Gaul warrior has been featured in 38 books which have sold close to 380 million copies worldwide. It’s the best-selling comic of all time. The series, written by René Goscinny and illustrated by Albert Uderzo, has been translated into 111 languages and dialects, adapted into ten animated and four (soon-to-be five) live-action films, and even inspired a full theme park outside of Paris. While the international phenomenon has yet to take hold on this side of the Atlantic, the future looks bright for Asterix at Papercutz.
Asterix Comes to America
Fun facts and the whole story about Asterix follows:
I love this video that features comic-drawing rebel professor Lynda Barry doing her own thing. Around the six minute mark, Lynda confides in the audience that she knows that most folks abandon drawing when they try to draw a nose! She proceeds to draw a bunch of fun noses. First, she begins by drawing what her cousin advised to be the proper way to draw a nose, circa 1962. Then, she riffs on the wonderful world of noses. Starting with the shape of a head, Lynda Barry, one of our all-time great cartoonists, guides the viewer into visual anarchy. If there is only one rule to follow, it is this: the drawing still needs to “read” as whatever it is you’re drawing.
Lynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher and found that they are very much alike. She is the inimitable creator behind the seminal comic strip Ernie Pook’s Comeek as well as numerous comic books and graphic novels, and is the recipient of both the Eisner Award and the R. R. Donnelly Award. She lives in Wisconsin, where she is an associate professor of art and a Discovery Fellow at the University of Wisconsin–Madison. Her most book is Making Comics, published in 2019 by Drawn & Quarterly.
Editor’s Note: On January 22, 2019, the Seattle downtown core was rocked by a mass shooting. Part of the heart of downtown Seattle is Third Avenue and Pine Street, one of the most congested downtown areas in any American city and long known as a hub for crime. This incident underscores the dysfunction at City Hall and how Seattle city leaders have long struggled to understand and address crime. Seattle cartoonist and writer Jennifer Daydreamer speaks out on the challenging situation Seattle citizens must face.
Seattle mass shooting crime scene. The Seattle Times.
SEATTLE: THIS IS HOW TO PROTEST THE CRIME
We have a real crime problem in Seattle. Who are the superheroes that have emerged to champion public safety? The business community. The Downtown Business Association commissioned the 2019 System Failure Report, held an impromptu 1.24.20 downtown safety rally, and, most recently, signed a petition letter to Seattle and King County leadership, pleading for safety reform. This should give one pause. Can you feel the topsy-turvy of a non government entity – businesses – doing our government’s job of protecting the people? Something is terribly wrong.
What has our council, mayor and governor been doing in response to crime? They give speeches! It’s always the same one, too. Their speeches consist of feel good solutions that appeal to their voter base. They never have the courage to say that the law is not being enforced and if it were, it would reduce the crime on the streets dramatically. Now, why would their voter base not want safety? The short answer is that the hard Left is keen on bridging the economic divide. An example of this is the focus on free bus rides, library fees waived and free winter rent (to be paid back, if the landlord can collect it). Do you hear our leaders talk with the same passion on the need to stop people from getting stabbed, gunned, punched, pushed and robbed? No.
In case you have been asleep like Sleeping Beauty the last decade, the speech our leaders give is this: “We have to build more housing, have alternatives to incarceration, offer drug rehabilitation programs and mental health assistance.” All of that is very good. Well planned, thoughtful alternatives are important. The problem is, given the track record of our government’s inability to create such entities, I don’t think these ambitions will become reality for another twenty years, if ever. When politicians offer up nonsensical solutions to the immediate need of public safety, it’s a way of denying the crime.
I recognize the Emperor’s New Clothes when I see it. Make no mistake, the crime is real. The majority of you in Seattle know this; you’re experiencing crime and reading and watching the news. At its core level, law and order is gold; it’s been melted down and is slipping through your civic fingers. I recommend KOMO television’s 1.27.2020 Town Hall, Downtown Seattle Violence: Enough is Enough. Attorney Scott Lindsay describes the City’s approach to public safety as “The appearance of gross negligence.”
When you hold a large protest, it tells our politicians that this is a voting public. Allow me to describe to you my dream rally. Have a simple rally, centrally located in downtown. Chants can be yelled for ten minutes such as ‘Enough Is Enough!’ and ‘We Want Safety and We Want It Now!’ The twist is, in any part of downtown, business owners only have to step outside their building to the sidewalk, to join in the chanting. Isn’t it cool that business is strategically located to have a protest that stretches to both ends of downtown? Anyone can join in, employees, passersbys, all people. I really believe there are enough people affected by crime that many will join in. Yet, this can be peaceful. There’s no need to spill onto the streets and block traffic. Police can join in for a change instead of having to keep the peace. Businesses won’t break their own windows. Everyone yells during his or her break and then back to work. Efficient!
Maybe I’m dreaming too big, to say this, but the protest can be spectacular and stretch “across the land” from business to business, residence to residence, person to person; to Belltown to Beacon Hill to Capitol Hill, all the way to Alki Beach to Ballard to Fremont to the U District…you get the picture.
We are in a kingdom, a fiefdom! It’s time to awaken! Although I use fairy tales as metaphors, I am not naïve. I know I am preaching to the choir out there in the Emerald City. Seattle, you know the crime is real.
Panel excerpt from John Constantine: Hellblazer #1
File under Diehard Offbeat Comics: the latest run from the Sandman Universe under DC Comics Black Label, John Constantine: Hellblazer. Sometimes, you just want something nice and weird…and yet familiar. Look no further than the murky and spooky world of John Constantine. You may, at times, find the narrative a bit loopy and hard to follow but a good yarn with some meat on its bones, and plenty of authenticity, makes up for it. Let’s consider a choice panel from the first issue right above. You are in good hands with writer Simon Spurrier. We can jump over to a sneak preview (Issue 4 out Feb 26) via Spurrier’s Twitter right below:
Cannot wwwwWAIT for you guys to meet Tommy Willowtree in #HELLBLAZER 4 next week. He is quite literally everything John isn’t.
John Constantine is back in London, back to his old tricks—and just in time, as things have become very dark indeed in his old stomping grounds. A small-time gang lord has found himself dealing with a big-time outbreak of supernatural weirdness…and without any allies to call on and nothing left to call his own, John doesn’t have much choice about taking a paycheck from one of London’s worst, or accepting the help of one of the gang lord’s would-be foot soldiers. But what should be an open-and-shut exorcism turns out to be anything but…and the author of this madness may just be getting started on their terrible masterpiece!
The original Constantine is back in this series from Si Spurrier (The Dreaming) and Aaron Campbell (Infidel), with nothing to his name but decades of bad memories and an unearned second chance. How, exactly, will he squander it? There’s only one way to find out…