I have things I want to tell you and share with you–I’m that sort of guy. I value the time and effort involved in putting together any post that is more than just posting a press release–but sometimes you really can’t help yourself and you want to share a press release, especially one you may have missed. Any nerd worth their weight in gold can easily attest to the fact that Rod Serling was originally picked to write the screenplay for “Planet of the Apes.” But then, Hollywood being Hollywood, an opportunity at something deliciously original was pissed on. Well, they kept his idea of the Statue of Liberty sunk neck-deep on a beach. Fast forward, gulp, fifty frickin’ years and now we can enjoy a graphic novel adaptation of what Rod Serling would have done, had he been given the green light. Thanks to the bright minds at Boom! Studios, we will finally get what we should have gotten well-nigh a lifetime ago! Seek it out this August. Press release, as promised, follows:
Tag Archives: Pop Culture
Emerald City Comicon is and integral part of the fabric of Seattle. It is a tradition that has grown and developed into an impressive and highly anticipated annual event. ECCC is one of the first, if not the first stop, for many creatives as they embark upon their comics convention tours–and a most welcome one. That has a lot to do with ReedPOP‘s leadership. And, of course, it has a lot to do with so many loyal fans of a uniquely Pacific Northwest celebration of pop culture. Maybe folks are more polite and mellow in this region. We won’t dissect it any further and just be grateful. Now is the time to get ready and to keep an eye out for updates on all things ECCC.
Whether it is a chance to see two of the legends from “Back to Future,” Christopher Lloyd (Doc Brown) and Tom Wilson (Biff Tannen) or a favorite talent at Artist Alley, there is something for everyone at ECCC.
As usual, Comics Grinder will venture out and report back from various panels, activity on the showroom floor, and whatever should catch the eye. If you are in Seattle, and love comics and pop culture, then make sure to be part of Emerald City Comicon.
Danilo Del Tufo is an illustrator in Quarto, Italy. I like his new comic, an adaptation of the Hans Christian Andersen classic tale, “The Little Match-Seller.” You can purchase a copy at LuLu.com right here. And you can find more details right here.
“The Little Match-Seller” or “The Little Match Girl” (Danish: Den Lille Pige med Svovlstikkerne, meaning “The little girl with the matchsticks”) is a short story by Danish poet and author Hans Christian Andersen. The story is about a dying child’s hopes and dreams, and was first published in 1845. Del Tufo does a thoughtful job of evoking the great pathos in this story. This is an excellent example of a wonderful calling card in the form of a comic to showcase an artist’s work. And, of course, it is also a fine comic in its own right.
“Shake The Lake” is such an audacious work of comics with such an uninhibited and unflinching depiction of frenzied youth–it is truly a hell of a lot of fun and mesmerizing. These are a bunch of out-of-control kids, the sort you’ve seen in numerous teenploitation horror and summer movies. They all, at first, seem to lack any redeeming character but you get hooked into their little nefarious activities and you just can’t look away. But who ever heard of a graphic novel devoted to wakeboarding (think skateboarding on water)? Am I supposed to know about wakeboarding? That level of specificity is part of the subversive fun. You need to check out this wonderfully oddball badass series right here.
Of course, wakeboarding is important–especially for those in the wakeboarding scene, which all of these kids are totally into. And some people are fully aware of wakeboarding but to the other extreme like Zeke and Dalton, these two highly obnoxious park rangers hot on the trail of all fun-loving youth. Leave it to them and they will spoil everyone’s fun, particularly anything remotely hedonistic. Hey, it’s the summer and a bunch of young rebels are determined to make their mark. Cal is the lead instigator. He’s already 23, but it is still a life of beautiful teen summers for him and his fellow dreamers. If they could just stir things up at the ole marina, put on a wakeboarding festival to be remembered in their collective old age, then all this arrested development will have been worth it!
Brothers Zach and Machi Block’s script rings true. The Block brothers invest in their ragtag characters a level of integrity that lures you into wanting to know more about this subculture. The artwork by brother and sister team Diego and Andrea Lopez Mata are true to the Block vision bringing out all the crude and raw beauty of this motley crew of wakeboarding fanatics. If you go in not knowing a thing about wakeboarding, after reading this work, you’ll be glad to leave it to the experts and just enjoy the ride. Visit the “Shake The Lake” site right here.
Guest column by Master Mix Movies
“American Born Chinese” is my favorite non-superhero graphic novel. I’m genuinely surprised that it hasn’t received a movie or TV adaptation yet. I first read it as part of a school assignment in my Freshman Reading class. After reading, we were supposed to make a cereal box based on the book. American Born Chinese is a 2006 graphic novel created by cartoonist Gene Luen Yang. Yang drew from his own past experiences as a Chinese boy living in America as well as Chinese fables he grew up with. In 2007, it won the Michael L. Printz Award. The book is separated into three seemingly unconnected tales.
The first story is about the fabled Monkey King. A character I would later find out is part of a well-known Chinese folklore tale called, “Journey to the West.” This story takes place in Heaven, where Gods, Goddesses, Demons, and Spirits reign supreme. The Monkey King is a powerful, if not stubborn ruler of the Flower Mountain who nobody in Heaven takes seriously, because of his lack of shoes. Despite his mastery of four major heavenly disciplines. In order to prove himself, he orders all his monkey subjects to wear shoes and he meditates. He also learns four major disciplines of invulnerability and bodily form. Of course all this power goes to his head and the creator of the universe has to teach him a valuable lesson. What I like most about this story is how cool it is. Chinese folklore is actually very fascinating. Seeing a monkey flying on a cloud is just as funny as it is awesome.
The second story is about the titular “American Born Chinese” boy, Jin Wang. A Chinese kid who loves Transformers. His experiences include moving to America with his family, trying to fit in, and befriending the only Asian kids in class. This story starts when Jin Wang is a child and ends when he’s a teenager. As any other teenager would, Jin falls for one of the girls in his class. An American girl that Jin becomes desperate to talk to. He even goes so far as to perm his hair to look more American. Eventually his friend convinces him to ask her out and he goes on a date with her. Even when everything seems to be going well, it doesn’t end up lasting very long. Unfortunately, underlying racism keeps Jin from continuing the relationship. What I like most about this story is how relatable it is for anybody who’s ever been a new kid or the only minority in your class. I’m also a big fan of teen drama, so I found Jin’s high school experience to be very interesting.
The third story is about average all American teenager Danny. He’s embarrassed because his Chinese cousin Chin-Kee is coming over for one of his annual visits. Chin-Kee is the ultimate negative Chinese stereotypes. Literally every stereotype is represented here. He has a round face, a queue hairstyle, a servant outfit, literal yellow skin, buck teeth, squinty line eyes, he speaks in thick broken English, he’s academic, he makes funny’s, he eats cats, his travel bags are Chinese take-out boxes, he sings karaoke, he knows Kung Fu, the list goes on. His behavior is so embarrassing that Danny has to change schools every time he visits. What I like most about this story is how absurd it is. It’s done in a sitcom style with a laugh track and everything. The title of this story is actually “Everybody Ruvs Chin-Kee.” This is also the story where everything is revealed and the whole graphic novel is tied together.
Overall, “American Born Chinese” is a cool, relatable, and hilarious graphic novel. The art style is clean and simple in a Chinese art sort of way, with rounded curves and edges. Each story feels like a love letter to Chinese culture. A culture that I’ve come to love ever since I’ve read this story. If nobody adapts “American Born Chinese,” I would be shocked. I’m not Chinese, but I might even try to adapt it myself. The only question is, is whether it more suited for a movie or a TV show. Either way, “American Born Chinese” is a clever graphic novel that anyone will enjoy.
Marvel Comics, and Marvel Studios, has a solid track record for keeping in step with the zeitgeist, sometimes with uncanny relevance. “Black Panther” arrives in theaters not a moment too soon. What gives this movie added significance is clear as day and it wears that role well with wit and grace. You know, the original Black Panther comic book came out at a fractured time such as we experience today. The first appearance of the character was in Fantastic Four #52 (July 1966) in the Silver Age of comic books. Fast forward to the present, and Black Panther is needed more than ever. Just look at this week’s TIME magazine with Chadwick Boseman gracing the cover. Yes, this is a significant movie now projected to take in about $165 million for the opening weekend.
You certainly don’t have to be a loyal geek follower of all things to do with Wakanda. You don’t need to already know about the origin story involving a magical meteor composed of the miracle element vibranium (more powerful than uranium) that collided thousands of years ago with the remote settlement of Wakanda and energized it into a super civilization. But now you know this. And it gets cooler. The story of Wakanda is a story of isolationism in reverse. As far as the outside world is concerned, Wakanda is one of the poorest countries in the world but, in fact, it is hiding the most sophisticated technology in the world. A monumental struggle plays out as rival forces fight for Wakanda’s destiny: will it guard or share its resources with the rest of humanity?
Chadwick Boseman plays the role of the noble new king, the legendary Black Panther, easing his way beyond the borders of Wakanda. There are outsiders who have made off with chunks of vibranium and that threatens not only Wakanda but the whole planet. Then you add to the mix a ferocious challenger to the Black Panther’s crown and you have all the action you could hope to enjoy in one of these Marvel Comics epics.
Right up there with the action is a whole lot of heart. If you’re looking for an uplifting story, with compelling character-driven twists and turns, this is it. When you stop and think about it, Black Panther is reaching out to audiences on a similar genuine level as last year’s Wonder Woman. Both of these origin stories are wonderful comic book fantasy but also grounded with a hefty helping of food for thought, addressing heartbreaking struggle in the real world. That struggle continues, no doubt, and the burden is lifted just a bit, even if only for the length of a movie, if only for one child. The fact is that this movie will do quite a lot of people some good.
I will throw in a tiny tad of a spoiler. This isn’t really taking anything away but I just wanted to report back to you that the whole audience I was part of dutifully waited through the credits since we’ve all grown to rely upon some Marvel extras after the main show. And there are two so don’t leave too soon. Let’s just say there is a little more right at the end and then there’s the quick teaser at the very, very end. And I’ll just say here that it involves another nerdy fact: one of the materials used to construct Captain America’s shield is vibranium. It’s important to know that moving forward. Enough said.
Donny Cates is a master storyteller. It was a pleasure to interview him last year at Emerald City Comicon. I have been keeping up with BABYTEETH, his co-creation with artist Garry Brown. Issue 8 finds much of the action coming to a head. In the last couple of issues, our main characters have been coping with having been lured into a secret underground hamlet. This secret hamlet was created especially for 16-year-old Sadie’s immaculately conceived baby, Clark, aka the Final Son, the Antichrist. You know, his destiny is to open the gate between the Realm and the Other. Boy howdy, that’s pretty wild and wooly but that’s how Mr. Cates rolls.
I must say, even after getting this deep into the series, I still don’t do so well with any images of little Clark chugging down a bottle of blood. That’s what every growing Antichrist needs if he’s going to bring about the End Times. Formula sure as heck (hell!) just won’t cut it. The little guy goes ballistic when he’s served anything other than Type O Negative, straight from mama. If you even try to pass off, say, Type A Positive, he will shriek so loudly that he could bring down a jetliner.
Now, you may be wondering if this comic is more character-driven or more demon-driven. And, rest assured, it is split down the middle. Plenty of demons here including a weird little raccoon-like critter who strayed out of the Red Realm. And there are others like Dancy, a reject in the Antichrist tryouts. But, overall, readers have a lot to invest in with Sadie, her heroic dad, her badass sis, and her estranged mom, who happens to run The Way program overseeing End Times operations. Then there’s this crusty ole rogue agent who blasted his way out of his assignment to work for the Silhouette syndicate. That plot point could prove to be a MacGuffin but it sure is a colorful and action-packed one.
As for this current issue, I am satisfied as the whole shooting match is moved forward with solid new revelations (as in Book of Revelation?) on Sadie’s family history and some new teasing out of End Times machinations. The whole pulpy/classic B-movie horror feel to this comics is addictive. The pacing is pitch perfect. You buckle in for a roller coaster ride and you get it.
I not only look forward to future issues but I know I’ll enjoy taking in the collected trades. This comic earns a rating of 10/10.
Overall, BABYTEETH is a whole lot of fun. You can compare this a bit to the Netflix smash hit, “Stranger Things,” inasmuch as it is a compelling mashup of family themes and some very loopy supernatural elements. You can binge read (and subscribe to) the series at comiXology right here.
BABYTEETH #8 is published by AfterShock Comics and available as of February 14, 2018. I really like what I see coming out of AfterShock. For instance, since we’re on the subject of blood, a new title, BETROTHED, follows a romance between a teenage zombie and a teenage human. Looks quite intriguing. That one kicks off on March 14, 2018–just one month away. For more details, visit AfterShock Comics right here.
“Garden Salad” is a mini-comic that exceeds expectations and enters the realm of a model of excellence: the story is engaging; the art has a dazzling and quite intoxicating quality; the whole work is delightfully original. Tristan Wright is new to me but I’m so glad that I stumbled upon his work! Honestly, the solid craftsmanship and originality immediately won me over.
Creating something with a real spark and kick to it is never easy. What Wright accomplishes with this work involves a lot of groundwork and revisions. I suspect that he enjoys every bit of it as there is an effortless and joyful vibe throughout these pages.
Our story is a deceptively simple one: an old man is gathering items from his garden for his mid-day feast. Like many stories that have the reader see things from an unconventional vantage point, events focus more on what the old man is foraging: vegetables, for sure, but not good ole veggies exclusively. How about a veggie goblin? In our tale, we see quite a bit of this little critter and then we come to find out that the old man is all too aware of this bewildering force of nature. He even has a name for them. These critters are known as “sveedle.” Sounds like something out of a Stephen King novel! Yum, sveedle, them’s good eatin’ goblins!
Yessir, these here goblins are pretty hideous and intense little beings. With a wedge of leaves upon their heads and bulbous jiggly bodies, they resemble what they eat: veggies, but also worms and other creepy crawlies. The big hint here is that these ghastly little monsters are violent–and potentially dangerous to humans. But the old man seems to be up to the challenge. In fact, the old man is relatively hideous and dangerous in his own right, surely a formidable match for any veggie goblin.
Wright’s intricate and detailed drawing style keep the reader glued to each page. This is a masterfully crafted tale with a philosophical bent; a wonderfully ambiguous tale of veggies and goblins. Let’s go ahead and bring out a nice shiny star and give this one a 10/10.
“Garden Salad” is a 32-page black and white comic book written and drawn by Tristan Wright. For more details, and how to purchase, go right here.
Writer Wilfrid Lupano and artist Paul Cauuet offer up the intricately plotted Old Geezers graphic novel series. You can easily jump into the latest Book 3, “The One Who Got Away,” and enjoy a tale involving family, mystery, and more than a touch of whimsy. It is also a grand ole tale of comeuppance. Could that be for the Old Geezers themselves? Ah, time will tell since this is very much a story about how time can heal some wounds while allowing others to fester.
If you enjoy quirky humor, especially the sort led by a group of offbeat seniors, then this is the book for you. The Old Geezers are: Antoine, a buttoned-down patrician; Milsey, a old seaman who misses the sea; and Pierrot, a boisterous activist who is lively beyond his years. These guys have chosen different paths but, in the end, each seeks out the other. The one person who helps keep them on track is Sophie, Antoine’s granddaughter. Sophie must look after these guys and, in no small way, look after her little hamlet of Dourdouille. After all, there are sinister forces at play lurking in the shadows.
The most sinister villain in this tale is Garan-Servier Pharmaceuticals. It holds sway over the growth or decline of Dourdouille. And, as Pierrot has found out, Garan-Servier is lobbying the European Union countries to ease up on restrictions on its pesticides. This, in turn, kills millions of bees, wreaking havoc on biodiversity and the environment. The relationship between the pesticide lobby and the EU is an inconvenient truth that, in reality, is all too real. It’s great to see this issue in a graphic novel that both entertains and informs. Readers won’t forget ole Pierrot, in his bee costume, speaking truth to power.
Paul Cauuet’s light and warm style makes all the characters all the more accessible and compliments Wilfred Lupano’s script. This is a very character-driven tale that is masterfully crafted by this remarkable team. The color by Cauuet and GOM has a uplifting quality to it that rounds out and adds to the story’s pacing. There are a number of twists and turns here and Lupano and Cauuet give themselves the time to explore and to develop. Like a favorite TV show, you can delight in this episodic storytelling. You will want to go back to the previous books as well as await more to come.
“The Old Geezers: Book 3: The One Who Got Away,” is presented by Europe Comics and is available in English thru izneo digital comics right here.