Tag Archives: Pop Culture

SOMEBODY FEED PHIL THE BOOK Review — The Must-Have Travel/CookBook

It’s the series come to life!

Somebody Feed Phil the Book. by Phil Rosenthal and Jenn Garbee. Simon & Schuster. New York. 2022. 352 pp. $32.50

What is not to like about Somebody Feed Phil the Book? It’s the series come to life! If you are a fan of the food and travel show, created and hosted by Phil Rosenthal, well, this is the essential companion piece. Maybe you’re like me and you’ve viewed all the episodes on Netflix and occasionally still go back to some of your favorites. Totally fine. I’m not judging. I’ll go you one better and confess that I was an early adopter to the series and got my better half hooked on it. After that, we went back and picked clean the original PBS series, also created by Phil. Finally, we went back to other stuff related to Phil, chiefly the comedy classic sitcom, Everybody Loves Raymond, the show that Phil Rosenthal created and wrote for and firmly established him in the first place. I wonder, does this not ring any bells for anyone? I sense there was a time when Phil was more under the radar and now it really seems that, dare I say, Everybody Loves Phil!

The wonders of Bangkok.

The first thing I did was go through the table of contents and see which cities made the cut. I was surprised not to see Paris or Florence. But I was happy to see that New York and London, among others, did make the cut. Here’s the thing, for fans of the show, this is really special and that sense of the special should carry over quite well to just about anyone. What you get is a genuinely delightful host, who cherishes and features his loved ones on the show, provides numerous heart-felt and useful bits of insights on travel and, last but not least, pays tribute to a favorite subject of mine, food. It’s like the whole show in your pocket, or your kitchen table. And you get all these recipes! I keep rediscovering my love for good cookbooks when I am presented with a book such as this that is following a theme (in this case, it is predominantly a theme of adventure and appreciation). Thanks to this book, I can honestly say, I’m seriously looking at traveling to Thailand. The first city featured in the series, and the book, is Bangkok and it’s Phil’s unbridled love for the food and culture that has completely won me over.

Yes, the recipes are solid. You could live off the recipes in this book.

And so I dove in and went for it. No, not the travel part yet. I dove in and followed the recipe for Khao Soi, which Phil admitted to being his favorite dish, or pretty darn close to it. So, yeah, I fired up the test kitchen and we had ourselves quite a feast. I learned so much from that experience. I think it comes down to always being mindful of how much you get back when you make that extra effort. Now, this dish did seem to require some patience but, overall, it’s so much fun to make, relatively easy and lends itself to so many variations. Basically, you need meat, noodles, some chili paste, coconut milk and the rest of the ingredients just fall into place. Yes, the recipes are solid. You could live off the recipes in this book.

A fantastic tribute to New York City.

Again, the ability to enjoy the series in a different format is priceless. Of course, it was inevitable that I’d go to my favorite episode, the one devoted to New York City. Hands down, this is a city made up of restaurant customers of one kind or another, whether nondescript or celebrated, from the most humble to the most fancy. Pizza, of course, gets a lot of attention. And then there is one quintessential delight in particular, the noble Egg Cream, an utterly simple drink made up of chocolate syrup, seltzer and milk. But there are essential details. Aim for about equal parts to each ingredient and serve in a chilled glass. The syrup needs to be Fox’s U-Bet. And the way the drink is mixed can cause great debate. It’s Phil’s intense interest in culture and food that inspired me to create my own tribute to the egg cream. Perhaps I digress a bit but it’s all worth noting and, from what I’ve seen, this is definitely Phil’s favorite treat.

A taste of New Orleans. It’s all about the food and the culture.

The whole point of the show is to celebrate your favorite foods but then go beyond your comfort zone. Travel! See the world. That’s what life is all about: mixing and mingling with folks from different cultures. Phil has proven time and time again to be an excellent host, an all-time great evangelist on adventurous eating and traveling. In many ways, this book is his life’s work. He’d laugh–but he’d also nod and give you one of his goofy, and worldly-wise, smiles.

Somebody Feed Phil the Book is available as of October 18, 2022. Find it at Simon & Schuster. For information on the book tour, go here.

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BIG RED by Jerome Charyn book review — Rita and Orsie and Old Hollywood

BIG RED. Book cover art by Edward Sorel.

Big Red. Jerome Charyn. Liveright. New York. 2022. 304pp. Hardcover. $28

Orson Welles was a magician in the truest sense of the word. He loved to dazzle an audience. And he was utterly fascinated with the process in which to dazzle. Many an entertainer and creative loves magic. To excel in this conjuring art form requires skill, passion, and no small amount of ego. And so it makes sense that such an inquistive novelist as Jerome Charyn, one who loves magic and is intrigued by magicians, not to mention movies, should pick Orson upon which to build a novel. Add to that the fact that Welles was married to one of the most beautiful and enigmatic of movie stars, Rita Hayworth, and you have the perfect framework for a tale about Old Hollywood.

The Boy Wonder

Orson Welles portrait by Irving Penn, for Vogue 1945

Throughout the novel, Orson Welles is called, “The Boy Wonder,” as much in honor of his genius as a dig at his excess. Welles was, in many respects, one of a kind, an outsized force of nature, untamed and undisciplined, and therefore an imperfect maestro. He was a masterful filmmaker, creating unique imagery, capturing compelling performances from his fellow actors, but prone to missteps in his lavish storytelling. He was also sloppy in his personal relationships, as Rita Hayworth, aka “Big Red,” could attest. However, as Charyn comes back to again and again, there was no director quite like him. This is a novel about art colliding with life and vice versa. Orson Welles seemed to be able to better tolerate the burden of celebrity than his spouse, Rita Hayworth. But even The Boy Wonder had his limits. Charyn plays with these dynamics, these contradictions, repeatedly bringing home the fact that a big, flat footed and insecure man, no matter how talented, was perpetually bending to the pressures of being a Boy Wonder. And if the pressure should prove too much for someone as flamboyant as Welles, then how must it have been for someone so shy and demure as Rita Hayworth?

The true nature of one Rita Hayworth, with her own nickname, both a tribute and a put down, gets to the crux of the matter. Charyn brings out the fact that the real person behind the name wears the name of Big Red like an albatross around her neck. In a moment of passion, the nickname can praise just as quickly as it can cut. Who can live up to all the larger-than-life expectations? Not Rita, or Margarita, the girl who lost her childhood to a father who exploited and abused her, making her his dancing partner by age twelve, the two of them working as a duo in casinos, treating her as if she were his lover. The abuse had left her with little of a voice, a life of depression and despair, even though she had honed the skills, from an early age, of a great entertainer. Charyn provides the reader with a portrait of a formidable beauty with the soul of a frightened child.

Rita Hayworth in 1946’s Gilda.

Orson Welles and Rita Hayworth were married from 1943 to 1947. Much of the novel focuses on the dynamics of this mismatched couple. It was in star power that Hayworth held her own, and even eclipsed Welles for a time. But her shyness seemed to cancel out her extraordinary beauty. Charyn places a unique character, Rusty Redburn, right in the middle of the action, someone who manages to navigate her way between the two and provide special insight on them. Rusty is a young aspiring writer who stumbles into work on the Columbia lot and, by a set of circumstances, ends up working as a private secretary to Rita Hayworth while also serving as spy for studio boss Harry Cohn. Rusty learns it’s important to keep a close eye on Big Red, as well as Welles, but she does as she wants and maintains her loyalty to Rita and Orsie. Over the course of the novel, with Rusty’s vantage point, a rollicking story unfolds tracing the trajectory of two of the strangest and most magnificent of Hollywood icons.

Rita Hayworth and Orson Welles

Mise-en-Scène or Depth of Field technique in CITIZEN KANE

As true to form as ever, Jerome Charyn tackles the man behind the celebrated cinematic masterpiece, Citizen Kane, and his power to fascinate an audience as well as hurt those he was supposed to love. Charyn, a great fan and scholar of cinema, with a journalist’s instinct for a great story, has made the most of his subject for his latest novel, filled with his signature use of imagery and metaphor. Charyn, the magician with words, delivers various breathtaking moments once all the chess pieces to his tale are in play. One of the greatest is when Orson Welles, at loose ends and in need of an adrenaline rush, mounts a full-scale circus in the middle of Hollywood. It is one of the most surreal and entertaining tributes to Hollywood and unfettered creativity you will ever read. It may seem a pity that Welles, the man, was unable to live up to the myth. It was a legend he himself helped to perpetuate and which choked him at every turn. Of course, no one, not even a magician, would ever have survived unscathed from all the bright lights, noise, and hype. Charyn brings home the point that it is this grand illusion that will forever fascinate and captivate, prone to ensnare an audience and actor alike.

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Matthew Richter: A Funny Thing Happened on the Way to Creating Art Space

Matthew Richter is one of the great champions of the arts in Seattle. When I first moved to Seattle, back in 1993, I quickly went about getting a foothold, any kind of foothold, into the art scene. Over time, I ran a gallery space in the coveted arts district of Capitol Hill. It was, in fact, nothing more than a diner–but it had walls to showcase art upon. I did this for a number of years. Some of the artists, who I provided with their very first art show, went on to bigger and better things. I did a number of other things too, including my ongoing freelance journalism and getting picked up by a publisher. I have a book out next year which you’ll hear more about soon enough. There were plenty of ups and downs over the years. I never ever stopped creating art of one kind or another. I never expected anyone to step in and advance my efforts. In fact, I preferred to develop on my own, as I saw fit. But I did crave community. And I did value walls upon which to present one’s work.

Consolidated Works ( 500 Boren Avenue North location, 2002 – 2006)

I kept up with various art people and Matthew was one of them. I’d read his work in our local alt-weekly, The Stranger. Later, I’d attend shows at his outrageously wonderful multi-disciplinary art center, Consolidated Works, where it seemed that anything could happen. Con Works was a veritable convention space/circus arena collecting various spaces that focused on one art form or another. It began as a brash semi-temporary entity, one of the original pop-ups but on a grand scale; established itself in the South Lake Union area, home to a bubbling stew of creative activity; and then, one day, it was gone, it was no more. Fast forward to the present, Matthew has been developing this concept of art spaces into “cultural spaces,” a means of supporting emerging artists, particularly BIPOC individuals who may not find an opportunity to gather and show art in a real estate market that has priced out the traditional art spaces of yesteryear.

Cultural Space Agency

The Cultural Space Agency is born. Matthew Richter developed his concept of cultural spaces during his time working for the City of Seattle’s arts department. This activity led to the city chartering Cultural Space Agency as a real estate development company, its goal being to seek out, purchase, and establish “cultural spaces.” Will cultural spaces help Seattle to flourish and withstand the headwinds of out-of-control growth? Ah, now all this seemed to me to add up to an interesting conversation. That is my goal with this interview: to explore the urban landscape. That requires looking at things from as many angles as possible, the good and the bad; asking tough questions, and allowing room for fumbling about for answers.

The main thing here is to support the goodwill out there to make any community a better place. That is what Cultural Space Agency is all about and it appears to be off to a good start with Matthew Richter having laid out the foundation. As he has made clear, he is only interim Executive Director for a little bit longer and then he will pass on the baton. There are also other positions to fill and numerous opportunities within this new organization. If you would like to help in any way or get involved, be sure to visit them.

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Help Fund KITCHEN TABLE: Ends 25 Sept. 2022!

Kitchen Table #5. Cover art by Dorothy Siemens.

AFTER FOUR ISSUES, KITCHEN TABLE MAGAZINE is leveling up—more pages, more stories, and more gorgeous art and photography—with #5: THE ROOTS ISSUE. And dig this groovy cover by the super talented artist and illustrator, Dorothy Siemens!

KITCHEN TABLE MAGAZINE: THE ROOTS ISSUE!

“Root Hog or Die!” Farmers down on their luck would yell that, along with a hope and prayer, confident that their pigs would find a way to survive. That’s the indie spirit! And so it is with this one tenacious publication, Kitchen Table magazine. Now, right now, is the time to lend a hand and keep this unique voice alive and well. Go to the campaign on Crowdfundr, ending on September 25th, and pitch in whatever you can.

From the campaign:

INSIDE THE ROOTS ISSUE

INSIDE THESE PAGES you’ll find stories, art, and ideas that explore the beautiful, flawed, and interconnected web of our food system, including:

  • A Black-owned BBQ enterprise that binds multiple generations
  • Reflections on the bittersweet nostalgia of Jell-O salads
  • Kitschy vintage cookies and red velvet skull cupcakes
  • A Mother’s Day gone awkwardly wrong
  • Sauce-makers answer Life’s mysterious questions
  • A Navajo food podcaster
  • Agriculture’s modern wave of intrepid and creative female farmers.

WHY WE NEED YOU

PRINT PUBLISHING HAS NEVER BEEN CHEAP. With the paradigm-shifting chaos that the covid has brought down upon us all—the disrupted supply chains; and everything from printing to shipping to bank fees costing more, plus 40 more pages [from 80 pages to 120 pages] for you to nosh on—we’ve had to raise the price of the magazine. We see no way to continue without doing so.

WHEN YOU BACK THE ROOTS ISSUE, you are joining the larger food community and helping us pay world-class creators, without whom KITCHEN TABLE doesn’t exist. And you’re also helping us shine a luminous light on the small farmers and independent producers, and the movers and shakers and doers and makers who make the food world turn—real people doing righteous things, in a time when we need more real people doing righteous things. People like Josh Winegarner, who produced our bitchin’ campaign video, and Kendl Winter who provided the music. (Thanks, Josh and Kendl.)

THE DETAILS

  • 120 full-color pages, 7.5″ x 9.5″
  • Perfect bound
  • Printed on luxurious matte paper stock
  • A coffee table keepsake

REWARDS: ALL YOU CAN EAT

WE HAVE SOME SERIOUSLY TASTY REWARDS. Read more on each Reward page.

  • KITCHEN TABLE #5: THE ROOTS ISSUE. The most coolest food magazine in the world. (Bold, right?!)
  • THE DIGITAL EDITION. For those who prefer to dine digitally.
  • FINE ART PRINTS. We have three of our favorite pieces of art from the issue available.
  • THE FULL MEAL DEAL. The first four issues, two of which are almost out of print.
  • THE SAUCE CLUB. Gift-packs of Portland’s tastiest sauces, in six Collections.
  • FOOD & LIBATIONS. Two stellar Portland-based spots offering an exceptional dining experience.
  • RETAILERS MATTER TOO. We’re offering a sweet package for our retail friends.

A CELEBRATION OF FOOD AND COMMUNITY

KITCHEN TABLE CONNECTS INQUISITIVE COOKS, enthusiastic eaters, and imaginative creators in a fresh and tasty publication that investigates not only the how-tos but the whys of eating. Through a mix of personal storytelling and delectable illustration and photography, our magazine endeavors to be an inclusive celebration of food and community.

WE ARE A VOICE FOR INCLUSIVE FOOD CULTURE, sustainability, our relationship with place, and our ability to be present in a world of digital distraction. Our contributors, our feature subjects, and our readers represent a wide range of age, race, nationality, and genders. Our contributors are overwhelmingly female, by a two-to-one margin, and we actively work with and fully support our BIPOC and LGBTQ+ communities.

THANK YOU! Your generosity is most appreciated. Visit it us!

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Small Press Expo 2022: Ignatz Award Winners

Outstanding Artist Reimena Yee

2022 Ignatz Awards Nominees & Winners

Follow the link and you can see all the nominees for this year’s Small Press Expo, along with links to purchase. I believe this is the first time that links have been provided for direct purchase! Scroll below for a list of this year’s winners.

2022 Ignatz Awards Nominees

SPX Ignatz Award Winners for 2022:

I See a Knight

Outstanding Comic:I See A Knight” by Xulia Vicente (Shortbox). Since childhood, Olivia has been able to see a headless knight invisible to everyone else- is it an omen, a ghost, or something much more real?

Good Boy! magazine

Outstanding Anthology:Good Boy Magazine” #1, edited by Michael Sweater and Benji Nate (Silver Sprocket). This 112-page collection features the tagline “Read comics or go to hell.” That says it all!

Outstanding Artist: Reimena Yee for “Alexander, The Servant, & The Water of Life,” a retelling of the life/legend of Alexander the Great. Yee is also the creator of numerous other comics, including the Eisner & McDuffie-nominated “The Carpet Merchant of Konstantiniyya,” “Séance Tea Party,” and the upcoming “My Aunt is a Monster.”

Mr. Boop

Outstanding Collection:Mr. Boop” by Alec Robbins (Silver Sprocket). This is the complete collection of the absurdist and romantic tale of author Alec Robbins being in love with his wife Betty Boop, the 1930s cartoon superstar, presented in a beautiful, deluxe package.

No One Else

Outstanding Graphic Novel:No One Else” by R. Kikuo Johnson (Fantagraphics). Johnson’s long-awaited second graphic novel follows Charlene, Brandon, and Robbie as they learn to navigate life day to day with their plans, fears, and desires after a death throws their life into turmoil.

Pee Pee Poo Poo #69

Outstanding Minicomic: “Pee Pee Poo Poo” #69 by Caroline Cash (self-published). A throwback to ’60s underground comics with a zesty title to boot.

Ride or Die

Outstanding Online Comic:Ride or Die” by Mars Heyward features demon cars, street racing, fumbling romance and revenge, and is described as “Christine meets Ghost Rider meets Fast and Furious but gayer!”

The Many Deaths of Laila Starr

Outstanding Series: “The Many Deaths of Laila Starr” by Ram V & Filipe Andrade with Inês Amaro and AndWorld Design (BOOM! Studios), a five-issue mini-series exploring the fine line between living and dying through the lens of magical realism.

The Lover of Everyone in the World

Outstanding Story: ‘The Lover of Everyone in the World’ by Beatrix Urkowitz (Parsifal Press). Originally drawn for Popula, ‘The Lover’ joins three other stories about being loved by everyone, and no one, in Urkowitz’s first graphic novella of the same name. The collection was possible thanks to a generous grant from Koyama Provides.

Djeliya by Juni Ba

Promising New Talent: Juni Ba. A cartoonist from Senegal and France, Ba’s recent work includes the anthology series “Monkey Meat” (Image Comics) and “Djeliya” (TKO Studios), which tells the tale of Prince Mansour and his royal storyteller Awa, as they journey to reach the mysterious Wizard Soumaoro, who guards a fearsome power that he once used to destroy the world.

Krazy Kat’s Ignatz, namesake for the SPX Ignatz Award

Small Press Expo returns next year during the weekend of September 9 and 10, 2023.

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Comic Art: ANGELS by Hurricane Nancy

ANGELS by Hurricane Nancy. Color by Henry Chamberlain.

Hurricane Nancy offers us a meditation on the angels in our lives. I asked Nancy what she meant and she said: “There are wonderful people in life who help and encourage, when one is down. They love to see one creating and expanding their ideas and viewpoints. I call these dear people ANGELS.”

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☀️ NOAH VAN SCIVER | Cartoonist Interview 💬

Noah Van Sciver is one of our great cartoonists. He’s been at his drawing table for as long as he can remember–and that has resulted in some very impressive work. It takes a lot to gain any traction in the world of comics and illustration. Van Sciver is one of the brave and persistent souls.

It is my pleasure to share this interview with Noah Van Sciver. We chat about his two new books, Joseph Smith and the Mormons (see Comics Grinder review here) and As a Cartoonist (see Comics Grinder review here). I think some applause and cheers are in order every chance we can get. Along the way, we end up talking about a great deal of Van Sciver’s career as a cartoonist. A lot of dots get connected. So, I hope you’ll tune in and feel free to leave a comment or like over at ye ole YouTubes.

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☀️ NOAH VAN SCIVER | As a Cartoonist review 💬

As a Cartoonist. Noah Van Sciver. Fantagraphics. 2022. 104 pp. $19.99

One thing you need to get straight is that a bona fide cartoonist, in the truest sense of the word, is someone with a certain way of moving about in the world. I’m a cartoonist, so I should know. Just about every word I write is somehow connected to the fact that I’m one of those people. Word choice is everything. Well, maybe it’s more like every line of thought but it can get right down to the granular level. It’s absolutely a way of life, and that’s not necessarily a good thing or a bad thing. It is what it is–and those among us who are part of this tribe, made up of so many groups and subgroups, understand that this unique ability to write and draw comes at a price. No one is born with this ability, although some people are definitely more predisposed to creating  comics than others. Sorry, but it’s a skill that demands a number of factors to fall into place if you intend to reach a certain level of excellence. You don’t see a short person agonizing over the fact that they will never be an all-star basketball player. And, yes, I know about Spud Webb, but he’s the exception to the rule. Anyway, most people don’t give a hoot about whether or not they will ever create comics of any form, let alone win awards and accolades for their effort. This is the story about someone who really cares about all those things having to do with becoming a masterful cartoonist. We’re talking about Noah Van Sciver. And he’d be the first to tell you that being a cartoonist is no walk in the park–and yet, there isn’t anything he’d rather be more.

This book is about all the peculiar things about being a cartoonist. That’s really what it all boils down to. Being a cartoonist is peculiar. That, in and of itself, is a burden and yet it is also alluring. Essentially, it’s something special that envelopes the person seeking to master it. Just like any other creative endeavor, like starting up a band. Noah Van Sciver’s story is one of struggle, persistence, and ultimate accomplishment. This book, a collection of short works in comics, adds up to a portrait of the artist, perhaps his best set of portrait pieces to date. This is, you could say, an anthology all by one creator. In the world of indie comics, cartoonists are always scrambling to jump on board and join the latest collective effort, a way to promote each other and get one’s work out into the world. It’s all about getting people to read your work. A lot of Van Sciver’s auto-bio comics are about this ongoing pursuit of readers: courting them, wanting them, wondering where they are. For all the anti-social behavior that a cartoonist may engage in, at the end of the day, it’s all about the readers. Maybe the cartoonist isn’t exactly looking to spend too much time with any particular reader, but it’s nice to know that they’re still around.

Van Sciver wins over his readers without playing up to them. Far from it. In fact, he’s more than happy to speak the unvarnished truth byway of his social satire. He has a way of evoking authenticity. A real cartoonist, especially someone like Van Sciver who uses his own life for material, is always striving to be real and avoid any false notes. So, Van Sciver’s best work comes across as totally unfiltered. Of course, it’s a balance of artifice and reality. But a reader still ends up getting caught up in the moment as when Van Sciver is juggling an interview with a prominent reporter and his uncouth brother who has just crashed upon the scene. In this specific moment, a big event at an art museum featuring Van Sciver’s work, the hierarchy is easily hijacked. No sooner has Van Sciver begun to talk to the reporter than he’s put off by her obvious remarks. He even sympathizes with his train wreck of a sibling, if only for a moment.

In another more complex scene, Van Sciver is a visiting artist on campus and must find a way to tolerate those less fortunate but still quite annoying. A relatively young man, actually thirty and not so young, who loves to wear a top hat and read teen girl manga, is prime fodder for Van Sciver’s wrath. The guy in the top hat, it turns out, is easily triggered by what he sees as Van Sciver’s micro-agressions. Nevermind that Top Hat has a lot of arrested development to deal with. Now, Top Hat’s focus is to get Van Sciver into trouble by reporting him to a school administrator. There’s no winning for Van Sciver when he’s called in to explain himself. Later, he tries to turn the other cheek and be positive. But, ultimately, Van Sciver is right back to being underwhelmed by life on campus.

A wonderful companion piece to this collection is the 2018 graphic memoir, One Dirty Tree, looking  back on a childhood with eight other siblings in a less than ideal situation. This is a closer look at a ramshackle upbringing: living in squalor, an abusive and irresponsible father who is a Mormon zealot, and a young man with a very uncertain future–a young life miraculously held together by dreams of some day becoming a famous cartoonist! By force of will and determination, Noah Van Sciver turned his dreams into a reality beginning with his series of collected comics, Blammo. That would lead to his early masterpiece, his first graphic novel, 2012’s The Hypo. And, most recently, 2022’s Joseph Smith and the Mormons. This new book, As a Cartoonist, comes full circle with a collection of short works that feature comics from Blammo, among other sources.

In 1980, Woody Allen made Stardust Memories. He had already made two of his masterworks, Annie Hall and Manhattan, and he seemed to be at a crossroads: keep making funny movies or make more serious films. Perhaps there was a bit of a struggle. Just see Interiors. Anyway, a certain Woody Allen universe had been created and he was pretty much set and would go on to create a wonderful body of work. Van Sciver pays homage to that creative turning point in a moment in the book where he recreates Allen asking space aliens for advice. It’s a perfect opportunity for Van Sciver to insert himself and provide another take on the absurdity of it all.

Van Sciver is now at a point where he can look back and see significant milestones, including Fante Bukowski, which alone would thrill any cartoonist to call their own, and which Van Sciver can say confidently he brought into this world. Having recently become a father, Van Sciver honors his son, Remy, with a dedication and the final comic in the book. I think it’s safe to say that Noah Van Sciver is on the right path.

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Infographic: FedTalks: Digital Transformation

FedTalks, 24 August 2022, Digital Transformation. Infographic by Henry Chamberlain.

FedTalks is a conference series, presented by FedScoop, a gathering of leaders in government and the tech industry. Last week’s FedTalks, on Digital Transformation, sparked a number of lively discussions centered around the focus of the citizen experience. A recent executive order issued by the Biden administration presents a bold vision of streamlining government service to the public. This order is a comprehensive plan to meet the challenges of the 21st century, especially when, left without leadership, government actions are slow and often counterproductive. But that is no longer something that can be ignored or put off for the future, not when our national security hangs in the balance. With that in mind, this conference took on the challenge of presenting twenty-three talks, one after the other, each lasting around ten minutes each, discussing as many facets as possible of the work ahead as the federal government faces a major shift in how it operates: a full-scale digital transformation.

But, you may ask, hasn’t the country already gone through a digital transformation? Well, has it? Business has. Many individuals have. But government, not so much. Government, left to itself, will take the path of least resistance, the path that is most familiar, and definitely not the path that is most visionary. There’s a reason that the very mention of government conjures up thoughts of red tape and bureaucracy. Think about it. Anything that involves government usually, if not always, involves some painfully slow process of unnecessary complexity. And maybe we’ve heard promises of change before. What makes things different this time is that our sluggish ways have left us completely vulnerable to attack from other countries and various other malicious agents.

The Executive Order on Transforming Federal Customer Experience and Service Delivery to Rebuild Trust in Government is the catalyst for change that has arrived not a moment too soon. Here is a link from The White House on that order.

Will an executive order truly make a difference? This one is certainly one of the most articulate, ambitious and credible of such orders. The big takeaway from this FedTalks conference is that people want to rally around a certain set of goals that make sense and can actually lead to a lot of good. So, in that regard, this order is a football in play. The game has begun. And no one appears to want to let the hard-fought momentum slip away. The overall consensus is that experts in tech and government already know that we have a broken system and any push toward fixing it is more than welcome.

FedTalks is a series of discussions and presentations that brings together some of the greatest minds in the tech, government and academic communities. Now in its 13th year, FedTalks is the premier federal IT event, showcasing the most important conversations on topics like modernization, the evolution of zero trust security, the adoption of emerging technologies like AI and 5G, and the importance of culture, talent and innovative thinking in making the government a more digital institution.

Here at Comics Grinder, we remain a steadfast observer and commentator on the cultural landscape, and various related themes. For a look at my specific visual storytelling services, I invite you to refer to WordtoPicture.com.

Henry Chamberlain at work during FedTalks.

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Thaddeus Stevens: An Infographic of an American Hero

Civil Rights Leader Thaddeus Stevens

It was my pleasure to connect with the Thaddeus Stevens Society and its president, Ross Hetrick. As a freelance writer and illustrator, I end up meeting a number of interesting people and learning a lot about so many subjects. In a visual thinker role, I can facilitate in clearing away the clutter, help organize thoughts, and make sure goals connect with results. That brings us to today’s infographic, a concise look at one of America’s lesser known heroes. Thaddeus Stevens was arguably the most important member of Congress during the American Civil War. His passionate and unrelenting work in support of civil rights helped lead the way to the Emancipation Proclamation, and the 14th, 15th and 16th Amendments to the American Constitution, all working to ensure the rights of Black Americans after the war.

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Filed under Education, Graphic Recording, History, Infographics, Sketchnotes