Tag Archives: Pop Culture

Review: The Invisible Empire: Madge Oberholtzer and the Unmasking of the Ku Klux Klan

The Invisible Empire

Karen Green, curator of comics at Columbia, provides a most effective forward to the new graphic novel, The Invisible Empire: Madge Oberholtzer and the Unmasking of the Ku Klux Klan. Green begins with a quote from the first premier of the People’s Republic of China. In an interview from the early 1970s, Zhou Enlai was asked for his thoughts on the French Revolution. His response: “Too early to tell.” That anecdote will stick with readers as they navigate through a book with an eerie relevance. The Invisible Empire is written by Micky Neilson and Todd Warger, illustrated by Marc Bostel, and published by Insight Comics.

History is a settling down of seemingly disparate, raw and random events. Patterns emerge. Connections and conclusions are made over time. Sometimes, the facts are so undeniable as to smack you across the face. And then the passage of time covers them up, one layer of distraction and denial upon another. And so it is with what happened across the United States in the 1920s with a reinvented Ku Klux Klan. In the big scheme of things, you may have blinked and not noticed but that Robert E. Lee statue at the forefront of the Charlottesville tragedy in 2017 was a statue erected in 1924, at the height of  the white supremacy hysteria. The story in this graphic novel focuses on events from the 1920s Ku Klux Klan in the north, specifically Indiana. A culture of hatred and violence had taken hold until a particular event broke the fever. It wasn’t until a local corrupt official was indicted with murder that citizens woke up and took back their state from the KKK and subsequently knocked it off its pedestal across the country.

Scheming with Stephenson.

That local corrupt official was D.C. Stephenson. It’s remarkable that there is no specific mention anywhere in this graphic novel of Stephenson’s title in Indiana government. But, in fact, he had no specific title beyond, perhaps, wheeler-dealer. In today’s parlance, he’d be thought of as a political operative in the same vein as Karl Rove or Steve Bannon, once known as “Trump’s brain.” Stephenson was similarly well connected, on intimate terms with Pres. Harding and Pres. Coolidge. In this graphic novel, the reader connects the dots, following Stephenson on his way to becoming a KKK Grand Wizard, and finding he was far from alone in his embrace of white supremacy.

A moment of clarity.

The trigger for change is Madge Oberholtzer, the young white woman that Stephenson raped and murdered, an event that would subsequently inspire a backlash against the KKK. The most compelling scenes in this book are devoted to simply providing some room for Madge to go about her life. Left alone to make up her own mind, she befriends a young black man, despite her segregated upbringing. Amid all the machinations depicted between Stephenson and his cronies, it is refreshing to see what a life not cut short might have been like for Madge Oberholtzer. And while it sometimes seems impossible to imagine a world free of hate, it is these upbeat moments of peace that can free the mind and encourage hope. Indeed, this book ends with an appropriate mix of defiant hope and resolve.

The Invisible Empire: Madge Oberholtzer and the Unmasking of the Ku Klux Klan is a 112-page hardcover, available as of September 17, 2019. For more details and how to purchase, visit Insight Comics right here.

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Movie Review: Once Upon a Time In Hollywood

Trying to Hold on to Old Hollywood

There’s a wonderful interview by Dick Cavett with Orson Welles in which Cavett asks Welles to reveal his secrets to filmmaking. Welles delivers an answer spiked with mystery and simple honesty. Welles claimed that everything you need to know about filmmaking can be learned in about an hour. In other words, the basics are accessible. It’s a question of what you do after that! With Welles, you had a masterful storyteller and an artist of great vision. Filmmaking becomes just a means to an end. And so it has for Quentin Tarantino many times over. He’s had a bumpy ride with accusations of lifting from other movies including lifting the entire story for Reservoir Dogs from a Hong Kong action movie from the ’80s. In his latest film, Once Upon a Time in Hollywood, it seems safe to say that Tarantino displays the strengths of a seasoned director.

Pitt and DiCaprio out to defend what matters.

Tarantino the king of retro, has been around long enough to see his own career turn retro. A lot of Millennials were either too young or not even born when Pulp Fiction first came out in 1994, chock full of vintage pop culture references. In Once Upon a Time in Hollywood, Tarantino can bring to bear his retro obsession with mature grace. Tarantino is now, like Welles, a director with well-honed themes and obsessions, everything fitting him like a perfectly well-worn leather jacket. And that’s a huge part of what is going on in this movie: a love letter to a bygone era. Just consider the first scene set in Hollywood’s legendary Musso & Frank Grill. If there is one place that represents Old Hollywood, when actors could still be glamorous stars, that is the place. But change is in the air. It is 1969 and a number of factors have cleared the landscape, including television. The fatal break with the glorious past would arrive on the night of August 8, 1969 with the mass murders by the Manson Family. It is that turning point to which all concerned are converging upon. The two main innocent bystanders are a couple of Hollywood fixtures: aging leading man Rick Dalton (Leonardo DiCaprio) and his stuntman/handyman Cliff Booth (Brad Pitt). The obsession with retro is fully satisfied here.

Margaret Qualley and her bare feet.

Another hallmark of any Tarantino movie is his love for a salty, dark and raw sensuality. It is in every one of his films. In Tarantino’s case, he seems to best evoke that vibe whenever he manages to share with the viewer his fascination with feet. He is not the first director to make that relatively offbeat choice. You can go back to such film legends as Luis Bunuel for that. To his credit, Tarantino is simply being true to his own quirky passion as well as mining for something original and provocative. It’s all interconnected: his foot fancy and his love for B-movies and throwaway culture. He seems to be challenging the viewer to find art in unexpected places. And, with age one hopes comes some wisdom. Compared to his overindulgent examination of Uma Thurman’s feet in Pulp Fiction and Kill Bill, Tarantino appears to have restrained himself enough to use his obsession like a painter to a canvas. A scene that manages to display the soles of Sharon Tate’s (Margot Robbie) feet while she’s in a movie theater must have been challenging and seems perhaps only a bit contrived. Another scene that has one of the Manson Family members (Margaret Qualley) with her bare feet resting on the dashboard and firmly pressed on the windshield comes across as more natural and provides that spot on Tarantino touch. The unique appeal of feet and B-movies may not seem to add up to much and yet perhaps a mystery remains, a nearly indescribable appeal. That’s the stuff that dreams, and movies, are made of.

Once Upon a Time in Hollywood

And no Tarantino movie would be complete without his ultimate obsession: righteous fury! Remember, this is a love letter to everything that Tarantino holds dear to a once wondrous Tinseltown. If there is a dark force that needs to be dealt with in order for truth and beauty to survive, then you know Tarantino is going to unleash the remedy. In this case, the hippie culture with all its navel-gazing sense of entitlement and self-righteous angst is anathema to a more refined and disciplined era. To see a new generation that is not only not up to the old standards but doesn’t care is pretty heartbreaking for Tarantino. But for that movement to be weaponized is the last straw and that brings us to the fight that Tarantino is more than willing to engage in.

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Review: Basquiat: A Graphic Novel by Paolo Parisi

Basquiat: A Graphic Novel by Paolo Parisi

The artist Jean-Michel Basquiat is a monumental figure in contemporary art for a number of reasons. To say that Basquiat was at the right place at the right time is a great understatement. In his case, he seems to have been born to conquer the art world despite the drawbacks of starting out with zero connections and zero money. Personally, for me, I had filed away Basquiat in my mind many years ago  and hadn’t looked back. I look back fondly, and return regularly, to a number of artists ranging from Edward Manet to R.B. Kitaj but not Basquiat…not until recently. I happen to have been in New York and got to see a spectacular Basquiat show. It then dawned on me that, the further away one is from New York, the less is known or understood about Basquiat. Like it or not, Basquiat is an obscure household name! Some people love him and some hate him and probably for all the wrong reasons. I wasn’t sure if one graphic novel could help shed sufficient light on the subject but I decided to find out by reading Basquiat: A Graphic Novel by Paolo Parisi, published by Laurence King Publishing. This new English translation by Edward Fortes will be a welcome addition to anyone interested in better understanding one of the most celebrated and enigmatic of artists.

Basquiat: A Graphic Novel by Paolo Parisi

Paolo Parisi is in many ways an ideal artist to create a graphic novel about Basquiat. Parisi has proven himself to have the right temperament for the job. His previous graphic novels include a book on John Coltrane and one on Billie Holiday. As he puts it, his graphic novels all follow a common thread that includes “jazz, art, painting and process, rhythm, rigor, improvisation, and spontaneity.” Well, you can find all of that with Basquiat, an artist that jumped feet first into his art at an early age and never looked back, as if guided mostly by instinct and sheer will. His was an original and singular vision.

Basquiat: A Graphic Novel by Paolo Parisi

Within this biography, the reader will come away with a good sense of the trajectory of Basquiat’s art career, from his early forays into street art to his mugging for the camera on cable access to his navigating the highest levels of the New York art world. Parisi does a great service to Basquiat by generously quoting directly from him and from the people who knew him best. Much of this book is made up of quotes, transcriptions from letters, and just the right amount of carefully composed dramatization. The bold use of color in this graphic novel is supposed to evoke the same bold use of color that Basquiat used in his own paintings. Alas, we somehow don’t explore any of Basquiat’s actual paintings! Diego Cortez, the curator of the famous Times Square Show that helped to launch Basquiat is quoted: “Jean had something different. He reminded me of Cy Twombly and Franz Kline. He didn’t even know who Kline and Twombly were, but he had instinct, charm, and energy on his side.” There is plenty of instinct, charm, and energy on display in this book. And you can take it any way you like: for beginners, it’s a wonderful first step; for those familiar with Basquiat, it’s a great New York fable.

Basquiat: A Graphic Novel is a 128-page hardcover, in full color, published by Laurence King Publishing, English translation edition (May 14, 2019).

 

 

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Interview: Abby London and 50 Ways to Boot the Seattle City Council

In Seattle, if you’re concerned about public safety, you shouldn’t also have to worry about being labeled a NIMBY but that’s a problem with Seattle politics. It’s become such a problem that frustrated citizens are more than ready for a change in their so-called progressive city government. Well, I put on my reporter’s hat again and interviewed singer/songwriter Abby London who debuted a music video that speaks to many of us in Seattle who are simply looking for a fresh new approach and some common sense when it comes to issues of housing, homelessness, and public safety.

Sergio for city council. A campaign with style and substance that has struck a chord.

In my interview, Abby speaks with great conviction about how she can’t recommend Seattle right now to out-of-state friends. This concern rings true with so many people here in Seattle and beyond. It’s not very difficult for folks outside Seattle to relate with. We close our interview with a call for all Seattle voters to get out and vote in the August 6th primary election. Don’t be left out!

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Filed under Commentary, Homeless, Interviews, Music, NIMBY, Seattle

Seattle Focus: Speaking Out Against the “Progressive” Status Quo

The overall crime rate in Seattle is 115% higher than the national average. For every 100,000 people, there are 16.14 daily crimes that occur in Seattle. Seattle is only safer than 7% of the cities in the United States. The lack of good judgement from the City of Seattle has left Seattle in a chaotic state to put it mildly. To quote from a recent piece by The Seattle Times editorial board: “Seattle is in a crisis of its own making, with soaring crime in parts of the city enabled by lax enforcement and prosecution.”

“Public officials have abdicated their duty to deal with this criminal cohort. Their failure is creating a citizen backlash that could erode support for all homeless programs. Homelessness should not be criminalized. But crime cannot be excused or ignored.” –David Horsey, The Seattle Times

That said, we here in Seattle who are left scratching our heads must also contend with so-called progressives who believe that if you have a problem with crime then you are part of the problem. Which brings us to the above video by local singer/songwriter Abby London which should help stir up interest in voting in Seattle’s primary election on August 6th. London has just released this video to help shape a new Seattle City Council. One incumbent has already stepped down and others are not seeking reelection to the Seattle City Council, opening a crowded field of 55 candidates. They are offering a diverse range of solutions to problems such as homelessness, housing affordability and transportation.

The Seattle Times editorial  quoted above can be read in its entirety below:

Continue reading

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Review: THE CARTOON GUIDE TO BIOLOGY, by Larry Gonick and Dave Wessner

THE CARTOON GUIDE TO BIOLOGY, by Larry Gonick and Dave Wessner

Many a high school and college student will be amazed at how easy and truly fun it can be to learn about biology in a comics format. And in a significant way. Seriously, all you students out there at whatever level, you can have an enjoyable immersive experience and LEARN, not just cram facts. Behold, THE CARTOON GUIDE TO BIOLOGY, by Larry Gonick and Dave Wessner, published by William Morrow, an imprint of HarperCollins.

A riot of life!

Let me jump right in and get to an important point. If you are somehow new to comics, well, this may blow your mind. If you are familiar with comics, then this will still blow your mind. Here’s the deal, comics are uniquely capable of explaining all sorts of things. And cartoonists are uniquely compelled to explain things! I should know. I am a cartoonist. What Larry Gonick excels at is really utilizing the impressive tools offered by the comics medium. One of the most magical things about comics is its ability to make the most impact by being as concise as possible. There is truly an art to taking something complex and boiling it down to its essentials. Gonick has figured out how to do that. Anyone who has lugged a biology textbook can appreciate this, if there was a way to make the subject more relatable and accessible, then that would be a most awesome thing. Gonick has done that! And he’s teamed up with Dave Wessner, a Professor of Biology and chair of the Department of Health and Human Values at Davidson College. Between the two of them, they deliver the goods.

The pulmonary arteries.

Gonick has tapped into the art of being economical with text as well as with artwork. And it’s all for the sake of clarity. We don’t want any clutter, especially when learning about as heavy a subject as biology. But, oddly enough, Gonick finds a way to keep things consistently light, or light-hearted. There are little jokes to keep the pace moving along. And, there are just so many wonderful moments of sheer energy and involvement that it can’t help but rub off on the reader. It’s as if Gonick has timed it just right to give you a little joke here, plus a light illustration there, then a fun detailed illustration, and so on.

The cell membrane.

We all learn in different ways and it’s usually not as straightforward as you might think. It’s not just a case of some people learning best by doing and other people learning best by reading and so on. It’s a mix of a lot things and it involves whatever will engage the student. It’s pretty hard to resist the comics medium, especially when you have such a master as Larry Gonick leading the way. He takes numerous bits of information and manages to give the reader the sort of hooks they will need to not only remember but to thoroughly process such things as how a plant creates glucose from carbon dioxide and water. This can be pretty dry material for any student to slough through so having such an engaging book as this becomes a most valuable resource.

Glucose!

THE CARTOON GUIDE TO BIOLOGY is a 313-page trade paperback, full illustrated, available as of July 30, 2019. Be sure to visit HarperCollins for more details on this book as well as others like THE CARTOON GUIDE TO ALGEBRA and THE CARTOON GUIDE TO CALCULUS.

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Are We Ready to Say Goodbye to MAD Magazine?

Boris Johnson as Alfred E. Neuman.

Without any prompting, as natural as can be, Der Spiegel has instantly compared Boris Johnson to Alfred E. Neuman! Europe remains supportive and hip to MAD Magazine. But what about the United States, where Alfred was born? The lights will soon go out on the print run of MAD Magazine as we’ve known it since 1952. No more ongoing original work after that. Everything is being shuttered, closed down. The only thing left will be a perpetual showcase of archived items left to fill the void. Presumably, the archived edition will sputter out in print after a while. Although the official line goes like this: DC Comics, which publishes the magazine, told ABC News in a statement: “After issue #10 this fall there will no longer be new content – except for the end of year specials which will always be new. So starting with issue #11, the magazine will feature classic, best of and nostalgic content from the last 67 years.” That’s something but it pales in comparison. In the long run, perhaps the end result will be back issues living on forever on the web gathering virtual dust. Of course, MAD Magazine will live on in the memories of its devoted fans. What a sad, sad, sad state of affairs. Does Warner Bros. have such little regard and respect for such a time-honored satirical publication? Well, it doesn’t quite fit into someone’s bottom line. It’s a shame to think that Alfred E. Neuman will gradually fade away as a pop culture icon. Perhaps there’s a chance for MAD Magazine to be saved. It happened with Newsweek. Anyway, the Boris Johnson cover of Der Spiegel speaks volumes.

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Interview: Anya Ulinich and The Nation’s Open Letter Regarding the US/Mexico Border Detention Centers

Children observe the movements of the US Border Patrol agents from the Mexican side where the border meets the Pacific Ocean, Tijuana, Mexico, on Friday, November. 16, 2018. (AP Photo/Rodrigo Abd)

Yesterday, The Nation magazine released an open letter to the US Congress speaking out against inhumane conditions at the US/Mexico border. You can read that post right here. I decided to put on my reporter’s hat and address this news story promptly. I was looking over the list of the over 40 prominent authors who cosigned and I noticed the one graphic novelist on the list, Anya Ulinich. Of course, my eyes rested on each and every participant given such an impressive list. But I concluded that I was unable to resist getting a few words from Anya Ulinich. As I said to her beforehand, I wasn’t expecting too many words, just whatever might come to her mind. When I asked her what it meant to her to be an immigrant, she said it simply meant that she went from living in one place to living in another place. And, yes, it should be as simple as that.

Ulinich went on to say that, “as a parent of two children, I know that every day that a child is put through fear and discomfort is traumatic. I can’t understand a person who would think that these conditions are acceptable for whatever bureaucratic reason.” As for hopes for the future, Ulinich hopes that The Nation’s Open Letter reaches Congress and that Donald Trump is not re-elected in 2020.

To hear the interview, just click the audio link below:

Related links: The Nation Open Letter. Anya Ulinich.

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Seattle Focus: The Celebrated Return of RON and DON

Seattle’s Ron and Don – The Protectors of the People

Guest column by Jennifer Daydreamer

Any study of pop culture would not be complete without a look at talk show culture. Let’s take a look at Seattle’s Ron and Don. Followers of the former Ron and Don Show on KIRO would attest to the program’s integrity. They now have their own DIY podcast! These two cool dudes take up causes with honest discussion. In fact, I am knighting them,  “The Protectors of the People.”  Now, why such a lofty title? Because they have a knack for seeing an injustice before any of the local news media does. I am not kidding. Even if the media reports a story, Ron and Don are the ones who know how to put all the moving parts together.

Case in point: the homeless crisis in Seattle.  About ten years ago, long before the TV news reported that there are illegal encampments and any ramifications of crime, Don and Ron talked about these issues. They walked around their neighborhoods, scoping things out. They decided to just go to the RVs camped out and talk to the people there.  They said, quite emphatically, that many of the tenants are good people and being homeless is crushing. And yes, of course, that homelessness is not a crime. They talked quite a lot about volunteering at homeless shelters and how the listener can help. They also talked to policemen and firemen and they were really concerned, warning Seattle had a real problem it was not addressing. They said that there is a subset of the homeless population, not the majority by any means, but that there is this subset that is doing drugs and selling and stealing and they had weapons and they don’t care about you, nor your family and your kids. They said “We are really worried about this. We talked to the mayor and we talked to the council and no one is doing anything about it.”

I remember their warnings so clearly. I told myself that the mayor would step in if things got this unsafe for citizens, in the very least, the governor would step in. Cut to today. Based on my own crime experiences, and my friends and strangers I have spoken to, we are now all living their warnings.

Crime in Seattle has steadily risen in recent years. Regarding crime, it’s not the same Seattle from even just ten years ago. The discussion now is not about crime by the unhoused or by drug addicts or by the housed, it’s just about crime, man. That’s the bottom line.  Here are some recent basic facts: The overall crime rate in Seattle is 115% higher than the national average. For every 100,000 people, there are 16.14 daily crimes that occur in Seattle. Seattle is safer than 7% of the cities in the United States.

In case you don’t know, California arrests for .3 grams of any hardcore drug while Seattle does not. Hardcore drugs are illegal here but police have stopped arresting as attorneys are not prosecuting the way they do in a lot of states, including California.  Experts say that when you don’t arrest for hard drugs, it creates a lot of chaos in a society. Seattle police feel their hands are tied with red tape. Another way to put it, California is a liberal state and Seattle proper at least, is very far left by comparison on how it enacts its law and order.

Seattle media is very disjointed and it makes it difficult to find the truth. There are a lot of hard-working journalists out there but a lot of stories that should be common knowledge fall through the cracks. Many people know we have a homeless crisis but have no idea the crisis is cloaking “crime in general” activity. In other words, concerns about theft, break-ins and assault are looked upon as “complaints against the homeless” when people just want basic safety. That’s really what people want, including safety for the unhoused or homeless (choose your adjective) but all the moving parts of this BIGGER PICTURE are getting mixed up. There is in-fighting and sidetracks and name-calling and it’s really about grounding Seattle. Get the basic safety in place and then everyone can continue with improvements. Part of the problem is the fact that we are basically a one paper town. The Seattle Times does a good job, sometimes a great job, at reporting. But, it’s not enough. We need commentators like Ron and Don more than ever to keep us all informed with their natural point/counterpoint type of coverage. I am rooting for their continued success.

Be sure to listen and support the new Ron and Don Show.

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A Call to Put an End to Inhumane Conditions at the Border

Children observe the movements of the US Border Patrol agents from the Mexican side where the border meets the Pacific Ocean, Tijuana, Mexico, on Friday, November. 16, 2018. (AP Photo/Rodrigo Abd)

The Nation, a magazine known as America’s leading source of progressive politics and culture, has published a rare open letter cosigned by over 40 prominent authors, who are also immigrants and/or refugees, decrying the abhorrent and inhumane conditions reported in detention centers at the border.

A Call to Put an End to Inhumane Conditions at the Border

An open letter by Ariel Dorfman, Gabriel Byrne, Gary Shteyngart, Neil Gaiman, Khaled Hosseini, Viet Thanh Nguyen, Wayétu Moore, Ilya Kaminsky, Reza Aslan, and more.

The signers—which include Gabriel Byrne, Neil Gaiman, Khaled Hosseini, Gary Shteyngart, Viet Thanh Nguyen, Wayétu Moore, Ilya Kaminsky, Ariel Dorfman, Colum McCann, Reza Aslan, and countless more—implore public officials “to take immediate steps to rectify the atrocious conditions for asylum seekers being detained today.” They urge Congress to use its appropriation power to pursue four concrete actions to mitigate the crisis.

Open Letter: A Call to Address Inhumane Conditions at the Border

Dozens of immigrant/refugee authors—novelists, narrators, poets, memoirists, Pulitzer Prize winners, Oprah’s Book Club selections, and bestsellers from five continents—urge Congress to address the atrocities happening on America’s southern border.

 

Dear Members of the United States Congress:

 

We, like many of our fellow Americans, are appalled by the inhumane conditions in detention centers for asylum seekers at our southern border. The reports of death, abuse, overcrowding, untreated illness, malnutrition, and lack of basic hygiene are abhorrent, especially since many of those affected are children.

 

We appeal to you as published authors who are also immigrants and/or refugees. Many of us came to the U.S. as children and shudder to think how this country would treat us now. As such, we urge you to take immediate steps to rectify the atrocious conditions for asylum seekers being detained today.

 

The past three years have compelled millions of Americans, and many of our civic institutions, to reaffirm that this country remains the land of immigrants. People across the U.S. stood up to protest the White House’s refugee bans; faith leaders opened their communities to aid asylum seekers; local, municipal and state governments and the judicial branch exercised their powers to uphold and defend immigrant rights. Congress must act as well.

 

Many of you have defended immigrants and refugees with righteous eloquence, invoking our nation’s past and cherished symbols such as the Statue of Liberty. As writers, we appreciate the sublime power of words. But as immigrants, we also remember the brutal reality: when you’re walking in a strange land, herded by strange men who speak in strange tongues, when you’re stripped of basic human needs, when you’re hungry, cold and helpless, words aren’t enough.

 

We urge Congress to use its appropriation power to direct the following actions:

 

(1) Immediately direct all resources necessary to shelter migrants with decency and dignity by providing them access to medical care, nutrition and hygiene;

 

(2) Reverse the massive backlogs in the immigration justice system by allocating resources for judges to hear cases efficiently, with due process, as well as strengthening legal orientation to ensure every person understands every step of their proceedings;

 

(3) Forbid tax dollars from being spent on forcing asylum seekers to wait in Mexico or other unsafe third countries where they face danger;

 

(4) Reestablish safe and legal channels for migrants by tying immigration enforcement spending to the reopening of legal channels for migrants fleeing persecution and reversing the White House’s evisceration of the refugee resettlement program.

 

Polls show that the vast majority of Americans are horrified by the suffering unfolding in the camps. We call on you to leverage that public support to meet our moral obligations by ensuring those held by our own government receive elementary necessities like sanitation supplies and access to medical and legal personnel.

 

We remember well the experience of utter paralysis that’s part of nearly every immigrant’s journey: of standing before the US immigration system, praying to not be found wanting.

 

Today, those enduring unspeakable conditions at our border are praying, just as we once prayed, when it was our turn. They may be praying to a different god, or different gods or different entities, but it doesn’t matter; what matters is that the power to address their prayers lies with you, the United States Congress.

 

Please, do not let them go unheeded.

 

Respectfully yours,

 

Alex Abramovich, author, writer, and professor, Columbia University School of the Arts
Mohammed AL Samawi, author and interfaith activist
Reza Aslan, author, commentator, professor, and producer
Ishmael Beah, author and human rights advocate
Livia Blackburne, author
Gabriel Byrne, actor, director, producer, and cultural ambassador
Lan Cao, author and professor, Chapman University
René Colato Laínez, children’s book author and bilingual educator
Ariel Dorfman, author, playwright, essayist, and professor, Duke University
Boris Fishman, author, journalist, and professor, Princeton University
Neil Gaiman, author, screenwriter, director, producer, and activist
Lev Golinkin, author and journalist
Reyna Grande, author and inspirational speaker
Roy Guzmán, poet
Roya Hakakian, author, poet, and journalist
Khaled Hosseini, author, physician and UNHCR Goodwill Ambassador
Abdi Nor Iftin, author and interpreter
Ilya Kaminsky, poet, critic, translator, and professor, Ivan Allen College of Liberal Arts
Angie Kim, author and essayist
Imbolo Mbue, author
Colum McCann, author; member, American Academy of Arts; and professor, Hunter College
Yamile Saied Méndez, author
Maaza Mengiste, author and professor, Hunter College and Princeton University
Wayétu Moore, author; memoirist; journalist; founder, One Moore Book; and lecturer, City University of New York’s John Jay College
Paul Muldoon, poet and professor, Princeton University
Azar Nafisi, author, essayist, scholar, and fellow, Johns Hopkins University School of Advanced International Studies
Viet Thanh Nguyen, novelist and professor, University of Southern California
Bao Phi, poet, essayist, spoken word artist, and community activist
Garry Pierre-Pierre, photographer; founder and publisher, The Haitian Times; and professor, Brooklyn College
Carolina Rivera Escamilla, author, director, theater actor, and producer
Fariha Róisín , author, editor, poet, podcaster, and writer-at-large/culture editor, The Juggernaut
Nikesh Shukla, author, editor and podcaster
Gary Shteyngart, author
Jim St. Germain, author, social entrepreneur, presidential appointee, and co-founder, Preparing Leaders of Tomorrow, Inc.
Chimene Suleyman, poet, writer, editor, and spoken word performer
Monique Truong, author, lyricist/librettist, and essayist
Anya Ulinich, novelist, graphic novelist, and short story writer
Ocean Vuong, poet, author, essayist and professor, University of Massachusetts at Amherst
Sholeh Wolpé , poet, writer, literary translator, and inaugural author in residence, UCLA
Rafia Zakaria, author, columnist, book critic, and resident scholar, The City College of New York

Signers have endorsed this Open Letter as individuals and not on behalf of any organization. 

About THE NATION: Founded by abolitionists in 1865, The Nation has chronicled the breadth and depth of political and cultural life, from the debut of the telegraph to the rise of Twitter, serving as a critical, independent, and progressive voice in American journalism.

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