Tag Archives: Music

Review: COADY AND THE CREEPIES #1 (of 4)

COADY AND THE CREEPIES #1

Here is a comic with a twist on Scooby and the gang. Instead of a bunch of ghost-hunting teenagers, what if one of those meddling kids was already a ghost? Writer Liz Prince (Tomboy, Will You Still Love Me If I Wet the Bed?) and artist Amanda Kirk team up for this four-issue comic book series, COADY AND THE CREEPIES, published by BOOM! Box, an imprint of BOOM! Studios.

In this first issue, we are introduced to a triplet sister band, The Creepies, with Criss, Corey, and Coady Castoff. They are all involved in a tragic van accident that scars Corey, leaves Criss in a wheelchair, and kills their tour manager…and, unbeknownst to them, actually kills Coady. She’s now a ghost, you see, although not fully aware of it at the start of our story.

Page excerpt from COADY AND THE CREEPIES

A fun part to this comic is that this is not your typical pop band scene. Instead, Prince went with a punk scene and plays with that harder edge. It’s all about attitude and keeping face. The guys in the band, The Boneheads, are especially competitive–and obnoxious. Check out the energy in Kirk’s drawing, reminiscent of Gary Panter. This comic packs a lot of power!

This is an inventive and engaging supernatural/band on the run mashup. And there’s plenty of local flavor too. Just as Coady is getting a handle on not exactly being alive anymore, everyone must deal with the ghost of La Llorona who haunts the Santa Fe River. That definitely conjures up a Dia de los Muertos vibe. Lots going on for a first issue. In terms of a rating, I give it a full four stars.

Coady and the Creepies #1 is available as of March 15th. For more details, visit BOOM! Studios right here.

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Filed under Amanda Kirk, Boom! Studios, Comics, Comics Reviews, Ghosts, Liz Prince, Supernatural

Kickstarter: On The Off Chance debut album on Vinyl

On the Off Chance

I just reviewed a work by fellow cartoonist Dan Dougherty. And I feel a separate post is in order to let folks know about Dan’s band, On The Off Chance. I have heard their music and this feisty band out of Chicago is a lot of fun! Check out some samples for yourself at the band’s Kickstarter, going on through March 23rd, right here.

I am listening to “Payday” as I write this and its rockabilly vibe has put me in a very good mood. This is a band definitely on the rise. Later this year, with a little help from their friends, they will be releasing some very cool music videos that include the talents of Joel Murray (Mad Men), Jim O’Heir (Parks and Recreation) and David Pasquesi (Veep)!

On The Off Chance

A note from the band:

And as to the album itself? It’s the best thing we’ve ever made in all of our years as musicians. It’s eleven original songs written by either Dan or Steve, with beautiful harmonies, powerful lyrics, and hooks to spare.

The album is already recorded, mixed and mastered at the band’s own expense. The album art is complete and ready to print. The campaign funds go towards printing and shipping this special vinyl edition. As you will see among the reward options, you can choose whatever fits best your musics needs: CD, digital download, or vinyl, plus some other goodies.

As of today, Dan’s Kickstarter for the debut album of his band, On The Off Chance, has surpassed the $2,000 milestone of its $3,500 goal! This campaign ends on March 23rd. You can support the campaign by visiting right here.

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Filed under Comics, Dan Dougherty, Kickstarter, Music

Review: ‘California Dreamin’: Cass Elliot Before The Mamas & the Papas’ by Pénélope Bagieu

CALFORNIA DREAMIN' by Pénélope Bagieu

CALFORNIA DREAMIN’ by Pénélope Bagieu

NOTE: If you are heading out to Emerald City Comicon (March 2-5), be sure to stop by the First Second Books booth #1602 on the exhibit floor. There you can meet such fabulous talent as Pénélope Bagieu, the author of the book I am reviewing here:

What a truly delightful book I have to share with you: “California Dreamin’: Cass Elliot Before The Mamas & the Papas,” written and drawn by Pénélope Bagieu, published by First Second Books. This is quite a smooth read. It sort of feels like a film shot in one continuous take. The story seamlessly moves along at a quick and steady pace. I could not put down reading this unique life journey and read the 272-page graphic novel in one sitting. Cartoonist Pénélope Bagieu has channelled the one-of-a-kind Cass Elliot!

Page excerpt from CALIFORNIA DREAMIN’

Page excerpt from CALIFORNIA DREAMIN’

Part of what makes this book a page-turner is the highly engaging art. Bagieu has fun with brining Cass Elliot to life, from an insecure but highly precocious little girl to a defiant young woman and, finally, to a confident artist. It all began with a quirky family that adored music. Before there was a Mama Cass, and the legendary band of the Sixties, The Mamas & the Papas, there was little Ellen Cohen being tucked into bed while her dad recited the story of the eccentric singer, Florence Foster Jenkins.

Page excerpt from CALIFORNIA DREAMIN'

Page excerpt from CALIFORNIA DREAMIN’

There is clearly a passion here for the subject that makes the narrative dance on the page. By the time we reach the point where Cass and her bandmates are crafting their first breakout hit, not yet even aware of the band they were destined to be, we feel that we really know everyone involved.

Page excerpt from CALIFORNIA DREAMIN'

Page excerpt from CALIFORNIA DREAMIN’

I’ve often said that the right biography can make the best subject, and is most suitable, for a graphic novel. There is a wonderful opportunity to speak to everything under the sun, guided by a specific purpose, and allowing for at least a hint, maybe more, about the author. This is a book that will appeal to many a music lover and student of the counterculture. It is essentially an all-ages book but just keep in mind there are some discrete drug references more suitable for older readers. This is rock ‘n’ roll, after all. That said, it is highly recommended and will prove an engaging read on many levels: coming-of-age, rock history, and just a plain fun read.

When we think back to the Sixties, we inevitably associate the powerful music that grew from that tumultuous era. Folk music, springing forth from the 1950s and the Beat Generation, would give way to the Sixties and bolder and more audacious pop and rock. It was Cass Elliot, with her sublime singing, and overall exceptional musical talent, who would ride this new wave of music with a style all her own. Pénélope Bagieu’s graphic novel gives us a compelling look at the rise of this singular talent.

“California Dreamin’: Cass Elliot Before The Mamas & the Papas” is a 272-page hardcover, black & white with gray tone graphic novel, available as of March 7, 2017. For more details, and how to purchase, visit MacMillan Publishers right here.

Emerald City Comicon celebrating its 15th year!

Emerald City Comicon celebrating its 15th year!

And, if you are heading out to Emerald City Comicon (March 2-5), be sure to stop by at the First Second Books booth #1602 on the exhibit floor. This will be the place to meet authors, attend free signings and find giveaways of books, advance reader copies, and exclusive print posters.

Some of the authors First Second will be hosting include:

Gene Luen Yang (Reading Without Walls Program)
Penelope Bagieu (California Dreamin’)
Scott Westerfeld (Uglies, Leviathan, Spill Zone)
Nidhi Chanani (Pashmina)
Falynn Koch (Science Comics)
Mike Lawrence (Star Scouts)
Jessixa Bagley (Before I Leave, Boats for Papa, and Laundry Day)

First Second will also be hosting a number of panels, including one offsite at the Seattle Public Library:

Off-site event @ Seattle Public Library on (3/3) featuring Gene Yang, Scott Westerfeld, Box Brown, Penelope Bagieu, and Matt Loux, 7:00–8:30 pm, Microsoft Auditorium

Departing Neverland: In-Conversation with Five Fantastic YA Creators (3/3) featuring Scott Westerfeld, Nidhi Chanani, Natalie Riess, and Ashley Poston, 2:45-3:45 pm, WSCC 603

From the Screen to the Page… and Beyond (3/4) featuring Box Brown, Holly Conrad, Matt Loux, and Ben Blacker, 2:45-3:45 pm, WSCC 603

Mirrors & Windows: Reflecting Diversity (3/5) featuring Nidhi Chanani, Gene Luen Yang, Mike Lawrence, Ngozi Ukazu, and Jessixa Bagley, 12:00-1:00 pm, WSCC 603

Drawn That Way (3/5) featuring Penelope Bagieu, MK Reed, Nidhi Chanani, G. Willow Wilson, and Thi Bui, 3:45-4:45 pm, WSCC 603

If you’re into books and graphic novels, then First Second has something for you!

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Filed under 1960s, Comics, Counterculture, Emerald City Comicon, First Second, Graphic Novel Reviews, graphic novels, Seattle, The Sixties

Movie Review: ‘La La Land’

In love with the magic of Old Hollywood.

In love with the magic of Old Hollywood.

“La La Land” is as much a movie about movies as it is an exploration of a relationship, at least within the unique confines of a musical. That’s a tall order but back in the heyday of movie musicals, the best ones managed to strike a chord that rang true. Even today, if you’re in Hollywood working toward your big break, part of you has to believe in make believe. We all do. The best of the musicals of yesteryear intertwined a believable depiction of the everyday with the large-than-life. “La La Land” rises to that level.

Going in, I wasn’t sure if this was going to be a revamping of 1964’s “The Umbrellas of Cherbourg,” this time set in Los Angeles. By that, I mean that I was ready to hear every word of dialogue in song. That is not the case and I’m grateful. Maybe it would have worked but I cherish the moments the two leads have together. If two crazy kids aiming for the stars were ever meant for each other, it is Sebastian (Ryan Gosling) and Mia (Emma Stone). I keep coming back to how the movie evokes a believable day-to-day reality. The fact is that this has more references to past musicals than any casual observer, including myself, would likely spot.

Sebastian (Ryan Gosling) and Mia (Emma Stone)

Sebastian (Ryan Gosling) and Mia (Emma Stone)

Hollywood movie musicals used to be quite common, with a glorious run from 1929 to 1969, and occasional success ever since. With their unique capacity to fill the screen, a successful movie musical was easily a favorite pick for Best Picture come Oscar time. There have been some all-time greats that have done just that: 1951’s “An American in Paris,” 1965’s “The Sound of Music,” all the way to the most recent and last, 2002’s “Chicago.” Which brings us to “La La Land,” with its beautiful homage to that old Hollywood magic.

"La La Land," written and directed by Damien Chazelle

“La La Land,” written and directed by Damien Chazelle

“La La Land” wears its self-awareness well. Written and directed by Damien Chazelle, this musical provides that giddy feeling of uplift, a touch of irony, and a compelling contemporary narrative. These two star-crossed lovers don’t see stars for each other, at first. Aspiring actress Mia is too busy recovering from the latest humiliating audition. Aspiring jazz artist Sebastian is too busy trying to carve a place for himself with his idealism. It looks like boy will never meet girl and then they do meet and things get complicated as their relationship and dreams come into conflict. Interlaced within this story are songs to knock your songs off (music by Justin Hurwitz; lyrics by Damien Chazelle).

A special kind of fairy tale magic used to come more easily to Hollywood. The conflict between new and old is very much a theme here. Both Sebastian and Mia represent a standard of excellence that makes huge demands. The results are likely to be bittersweet. But when it looks like your dream will come true, then any hardship seems worth enduring. It’s a dream that may seem corny and unreal, but there are plenty of people in Hollywood right now that will attest to just how real it really is. Mia and Sebastian are wondrous, yet decidedly grounded, examples of contemporary, yet utterly timeless, star chasers. Sure, these characters were created from a runaway imagination filtered through some of the greatest musicals of the past. Ah, the stuff that dreams are made of!

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Filed under Academy Awards, Hollywood, Movie Reviews, movies, Musicals, Oscars

Seattle Focus: Rock Is Not Dead – October 22nd

oct22rockposter

For those of you in Seattle this Saturday, October 22nd, come out to the Fantagraphics Bookstore And Gallery for a launch party for “Rock Is Not Dead,” an international anthology of comics and prose based on rock songs with an accompanying covers CD. Seattle cartoonist Noel Franklin pulled together an artist team to contribute. Fellow cartoonist Mark Campos and Franklin created a comic based on the Throwing Muses song, “Not Too Soon,” and Amy Denio recorded the cover for the CD.

Noel Franklin is a Seattle cartoonist who, like many of us in this region, is quite active. We locals know her for such beautiful work as her tribute to the OK Hotel. Franklin recently received grants from 4Culture and the Mayors Office in support of her first graphic novel.

Fantagraphics Bookstore And Gallery is located at 1201 S Vale Street. For more details, visit them right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Fantagraphics Bookstore And Gallery, Noel Franklin, Seattle

Comix Scene: Bumbershoot No More

Bumbershoot Only in Brand Name

Bumbershoot Only in Brand Name

A lot of great things have happened in Seattle. Grunge. Coffee. Software. Amazon. And Bumbershoot, our Labor Day weekend music and arts festival. In fact, the site of the 1962 World’s Fair, now known as Seattle Center, is the site of Bumbershoot. Through it all, Seattle had managed to somehow keep a relatively low profile. It used to be known as a place you could drift away to and that appealed to countless artists and dreamers. But, in the span of a generation, it has gone from being called “the nicest place to live in America” to being called “the fastest growing city in America.” That is quite a leap and it does not come without a steep price to pay.

The Anschutz Corporation’s AEG LIVE division bought out Seattle’s beloved Bumbershoot Music & Arts Festival from local nonprofit, One Reel. Bumbershoot was an emblem of that quirky egalitarian spirit that Seattle has been known for. Last year, was the first year under the control of AEG LIVE. The price hike on tickets raised eyebrows. People noticed. Locals noticed, for sure. Here is my recap from last year.

Here’s the thing, Bumbershoot has been in need of better organization for some time. Crowds keep growing while overall entertainment, including the arts, keeps decreasing. Like it or not, the Bumbershoot that all of us grew up with is no more. It’s not a lot of quirky, authentic, indie fun anymore. There is still a glimmer of the old ghost but it’s now mostly a corporate brand. Can we turn that around? I wish we could. There is a price to pay for being the biggest–and it’s too high a price! Burning Man was once just an authentic feel good thing but no more. So too for good ole Bumbershoot. Bumbershoot no more.

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Filed under AEG LIVE, Bumbershoot, Comics, Comix Scene, Corporations, Music, pop culture, Seattle

Seattle Focus: The Crocodile’s 25th Year

What we can always use is more love. Here is something special put together by cartoonist Noel Franklin that touches the heart of all us Seattle locals. This is Noel’s tribute to one of our great landmarks, one of the best music venues in town, The Crocodile nightclub. Here is a link back to where it appears at Seattle Weekly.

Noel Franklin's tribute to The Crocodile in Seattle Weekly

Noel Franklin’s tribute to The Crocodile in Seattle Weekly

And be sure to keep up with Noel Franklin right here.

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Filed under Comics, Music, Noel Franklin, Seattle, The Crocodile

Review: METROLAND #3 by Ricky Miller & Julia Scheele

David Bowie chats with Ziggy Stardust

David Bowie chats with Ziggy Stardust

“Metroland #3,” published by Avery Hill, is the best yet of this quirky series. Of course, you want to read it all as it builds! The hints have been made from the start that there is something unusual, perhaps other-worldly, about rock stars Jessica Hill and Ricky Stardust. They keep abandoning their band, Electric Dreams, leaving them cooped up in a small castle in Greenwich just outside London. Not the worst thing in the world, mind you. Although not until you take into account that the mysterious activities of Jessica Hill and Ricky Stardust could bring about the Apocalypse!

Alright, so the world’s fate may hang in the balance. But this comic’s main appeal is its style and humor. Let me tell you, it’s a particularly British club scene thing going on here but it’s also quite applicable to any scene. The recurring theme is looking and acting cool. Go to a club. See a show. Pose. Make pithy comments. The humor and the style are priceless, way before snark was ever born–and much better. It’s a world-view honed over generations. Funny I should say that, given the nature of this narrative.

Jessica and Ricky are compromising the space-time continuum!

Jessica and Ricky are compromising the space-time continuum!

Ah, yes, this is a story spanning generations–or should I say it goes much deeper than that. This is unnatural. This is cross-polinating generations! Let me come clean: Jessica and Ricky are compromising the space-time continuum in a huge way. Ever hear of President Elvis? No, that wasn’t supposed to happen. So, yeah, we’ve got a mad helping of Doctor Who with just the right hipster vibe.

Where is Ricky Stardust and Jessica Hill?

Where is Ricky Stardust and Jessica Hill?

You see, Ricky Stardust has been leapfrogging all through rock ‘n’ roll history making adjustments as he pleases. Rumor has it that he’s Ziggy Stardust and that he’s set into motion some cataclysmic jinx. Not the sort of thing the David Bowie we all know and love would ever do. Ricky Miller’s script has such droll humor and Julia Scheele’s artwork has such devilish wit.

Henry the Blogger!

Henry the Blogger!

As for comics about gloriously misspent youth, this is one I highly recommend. Come for the repartee and stay for the characters. There is even a middle-aged pop culture blogger who proves to be a pivotal character. Ah, there’s hope for me yet. Well, I must admit the character is pretty spot on in a lot of ways. Eerie, his name is Henry and my name is Henry. Okay, that alone gets my attention! Did someone travel back in time just to spook me? Ha, ha, I do like this Henry the blogger character!

Kevin refuses to meet with Henry!

Kevin refuses to meet with Henry!

“Metroland #3,” by Ricky Miller & Julia Scheele, is a 36-page full-color perfect bound comic. For more details, visit Avery Hill Publishing right here. You can also venture over to Retrofit Comics and find Metroland right here.

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Filed under Avery Hill Publishing, British Comics, Comics, Comics Reviews, David Bowie, European Comics, Graphic Novel Reviews, graphic novels, London, Music, science fiction, Time Travel

Book Review: ‘H8 Society – How An Atomic Fart Saved the World’

2Dans-H8-Society-How-an-Atomic-Fart

Transmedia, content that includes more than traditional text and illustrations, is still so new. Basically, it is storytelling on multiple platforms: there’s not only a book but there is video, music, games, social media, and so on. I feel it’s going to take a number of years before the novelty wears off and things integrate more naturally, if they ever do. Take this latest hybrid of book, music, and social media: “H8 Society – How An Atomic Fart Saved the World.” It does not take on the whole transmedia spectrum but it is in the same ballpark. The intent is to bring in young readers and it is designed to be ideally read on a smartphone.

This is a young adult book which has an overall upbeat and dynamic vibe to it so there’s some real potential there to attract new readers. This is a sci-fi adventure of sorts that is meant to appeal to teens. That is absolutely the demographic that is being targeted. It is clearly stated in the title, and not just the idea of farts. The idea of haters is pretty obvious. A lot of buttons are pushed, including all the usual suspects of sex, drugs, and race. The story begins with a satire on a jihadist which is odd at best. There are also scenes you can call sexist at best.

The press release describes this book as “a first-of-its-kind ‘extreme reading experience’ that marries music, graphics, and literature to tell an unforgettable story about an apocalyptic American dream.” Much more to the point, this is light entertainment or contemporary pulp fiction. It is not literature. It’s just light stuff featuring popular music. This book is sort of a contemporary version of Annette Funicello and Frankie Avalon singing in “Beach Blanket Bingo.”

An illustration by Bill Sienkiewicz in "H8 Society"

An illustration by Bill Sienkiewicz in “H8 Society”

Something that is strongly in its favor is that the book is punctuated with vivid artwork by master illustrator Bill Sienkiewicz of DC and Marvel Comics fame. And the music peppered throughout this story is an impressive collection of twenty-six indie songs (curated from over 4,000 ReverbNation submissions). You’ll be reading along for a while and then have the option to play a song that sort of goes with the narrative. For instance, Boomer and the gang are right in the middle of an exciting scene. To add to that reading, you may want to listen to Valora’s “Extreme.”

While you read "H8 Society" on your smartphone, you can listen to songs like Valora's "Extreme."

While you read “H8 Society” on your smartphone, you can listen to songs like Valora’s “Extreme.”

The story is a caper involving two rival teen gangs who must confront a global network bent on taking over the world through mind control. It’s not the most cutting-edge scenario but it gets the job done and proves to be as entertaining as any light sitcom you might stumble upon. The choice of music is fun and that’s probably the most intriguing thing about this project. From time to time, a reader, immersed in his or her own reader’s world, is open to supplemental material. If you get that right choice of song, it can have a very moving and lasting effect upon a reader and actually enhance the reading experience.

First, you need a worthwhile reading experience before you can enhance it. In the case of this book, it is what it is: a simple caper story. And maybe that’s just what some readers will want during a commute. One caveat, the creators of this book go by the name of 2Dans. They are two former MTV executives which adds to the sense of this being more of a packaged deal and less of something to take too seriously. But then, atomic farts were never meant to be taken seriously, right? Find out how you can access this book for free by visiting the official book site here.

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Filed under 2Dans, Bill Sienkiewicz, Book Reviews, Books, Mark Z. Danielewski, Marketing, MTV, Music, Transmedia

DVD Review: LOVE & MERCY

Paul Dano becomes Brian Wilson in "Love & Mercy"

Paul Dano becomes Brian Wilson in “Love & Mercy”

The two cello players had been rapidly playing to the direction of Brian Wilson (played by Paul Dano). He had wanted them to evoke the sound of propellers. Each time, they got closer. But, after three hours, Brian’s brother Dennis (played by Kenny Wormald) had had enough. What was Brian trying to prove anyway? Moments later, we hear that iconic perfectly rendered propeller sound. There it is, for all eternity, an essential part of one of the greatest songs of the ’60s and of all time, “Good Vibrations,” and it was worth it! Not to confuse you, this is not a documentary, but, just for fun, here’s a studio session that is beautifully evoked in this film:

How could Brian Wilson have known it was going to be worth it? He had been getting resistance from all sides by his own family. It wasn’t just his backward-thinking brother, Dennis. It was also coming from his own father. The chasm between father and son had grown so large that Brian was forced to fire his dad (played by Bill Camp) from his role as manager. Murry Wilson wasn’t fazed by it and simply managed another band. It was all just business to him. But rigid adherence to the bottom line is anathema to creativity. What it requires is continuous leaps of faith. This is what Brian Wilson is all about and what this film is all about. Ah, here’s our trailer right below:

Paul Dano, as Brian Wilson, is profoundly good. I can only imagine how inspiring it was for him to be, in a sense, taking direction from Brian Wilson. The script is based on Wilson’s 1996 autobiography, “Wouldn’t it be Nice: My Own Story.” Well, Dano was certainly in good hands with the film’s director, Bill Pohlad (12 Years a Slave and The Tree of Life). As we come to find, Wilson was truly up against it and yet remained open to experimentation. Imagine those two cello players, pretty much out of their element and yet they were open to experimentation. And it would lead them to greatness: zuba-da-da-buda, zuba-da-da-buda, zuba-da-da-buda, zuba-da-da-buda, zuba-da-da-buda…faster and faster…until they got it just right.

But there’s so much more. John Cusack is equally miraculous as Brian Wilson in later years. We see hints of a downward spiral as the young Wilson courts disaster but we can’t help but think the eccentricity is too important. By the time we fast forward to the ’80s, we see Cusack portray only a shell of a man. On one particularly good day, he manages to muster up enough strength to flirt with a Cadillac salesperson, Melinda Ledbetter (played by Elizabeth Banks). It is in her eyes, that Brian Wilson sees a possible way back to a meaningful life.

Love and Mercy-Brian Wilson.jpg

And so begins a romance, a way back, and a way out. No sooner has Brian made contact with the outside world, than Dr. Eugene Landy (played by Paul Giamatti) has swooped down to control the situation. Giamatti does have a tendency to chew up the scenery but, in this case, his overacting seems to be spot on. It would take a larger-than-life character like Landy to try to hold back the likes of Brian Wilson. Cusack, who is usually quite good at striking a balance, gives us a portrayal of a man who genuinely, and quite humbly, feels in touch with great artistic ability.

There’s a wonderful scene during his courtship of Melinda where he plays a little tune for her. She says it’s beautiful. He responds that he wrote it for her. “And what happens to it now?” Melinda asks. Brian responds without even a hint of irony, “Nothing. It was just meant to be for that moment.” It is a scene like that one that just adds to the belief in a man who would have cello players repeat the same passage of music for over three hours.

Visit the official “Love & Mercy” website right here.

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Filed under DVD Blu-ray Reviews, Movie Reviews, movies, Music, pop culture