Tag Archives: Horror

Comics Review: BABYTEETH #8

BABYTEETH #8

Donny Cates is a master storyteller. It was a pleasure to interview him last year at Emerald City Comicon. I have been keeping up with BABYTEETH, his co-creation with artist Garry Brown. Issue 8 finds much of the action coming to a head. In the last couple of issues, our main characters have been coping with having been lured into a secret underground hamlet. This secret hamlet was created especially for 16-year-old Sadie’s immaculately conceived baby, Clark, aka the Final Son, the Antichrist. You know, his destiny is to open the gate between the Realm and the Other. Boy howdy, that’s pretty wild and wooly but that’s how Mr. Cates rolls.

I must say, even after getting this deep into the series, I still don’t do so well with any images of little Clark chugging down a bottle of blood. That’s what every growing Antichrist needs if he’s going to bring about the End Times. Formula sure as heck (hell!) just won’t cut it. The little guy goes ballistic when he’s served anything other than Type O Negative, straight from mama. If you even try to pass off, say, Type A Positive, he will shriek so loudly that he could bring down a jetliner.

Clark’s grandmother explains it all to you.

Now, you may be wondering if this comic is more character-driven or more demon-driven. And, rest assured, it is split down the middle. Plenty of demons here including a weird little raccoon-like critter who strayed out of the Red Realm. And there are others like Dancy, a reject in the Antichrist tryouts. But, overall, readers have a lot to invest in with Sadie, her heroic dad, her badass sis, and her estranged mom, who happens to run The Way program overseeing End Times operations. Then there’s this crusty ole rogue agent who blasted his way out of his assignment to work for the Silhouette syndicate. That plot point could prove to be a MacGuffin but it sure is a colorful and action-packed one.

As for this current issue, I am satisfied as the whole shooting match is moved forward with solid new revelations (as in Book of Revelation?) on Sadie’s family history and some new teasing out of End Times machinations. The whole pulpy/classic B-movie horror feel to this comics is addictive. The pacing is pitch perfect. You buckle in for a roller coaster ride and you get it.

I not only look forward to future issues but I know I’ll enjoy taking in the collected trades. This comic earns a rating of 10/10.

Overall, BABYTEETH is a whole lot of fun. You can compare this a bit to the Netflix smash hit, “Stranger Things,” inasmuch as it is a compelling mashup of family themes and some very loopy supernatural elements. You can binge read (and subscribe to) the series at comiXology right here.

BABYTEETH #8 is published by AfterShock Comics and available as of February 14, 2018. I really like what I see coming out of AfterShock. For instance, since we’re on the subject of blood, a new title, BETROTHED, follows a romance between a teenage zombie and a teenage human. Looks quite intriguing. That one kicks off on March 14, 2018–just one month away. For more details, visit AfterShock Comics right here.

Advertisements

Leave a comment

Filed under AfterShock Comics, Comics, Donny Cates, Horror

Comics Review: GARDEN SALAD by Tristan Wright

“Garden Salad” by Tristan Wright

“Garden Salad” is a mini-comic that exceeds expectations and enters the realm of a model of excellence: the story is engaging; the art has a dazzling and quite intoxicating quality; the whole work is delightfully original. Tristan Wright is new to me but I’m so glad that I stumbled upon his work! Honestly, the solid craftsmanship and originality immediately won me over.

Creating something with a real spark and kick to it is never easy. What Wright accomplishes with this work involves a lot of groundwork and revisions. I suspect that he enjoys every bit of it as there is an effortless and joyful vibe throughout these pages.

Nice day for some sveedle!

Our story is a deceptively simple one: an old man is gathering items from his garden for his mid-day feast. Like many stories that have the reader see things from an unconventional vantage point, events focus more on what the old man is foraging: vegetables, for sure, but not good ole veggies exclusively. How about a veggie goblin? In our tale, we see quite a bit of this little critter and then we come to find out that the old man is all too aware of this bewildering force of nature. He even has a name for them. These critters are known as “sveedle.” Sounds like something out of a Stephen King novel! Yum, sveedle, them’s good eatin’ goblins!

Running after the garden goblin!

Yessir, these here goblins are pretty hideous and intense little beings. With a wedge of leaves upon their heads and bulbous jiggly bodies, they resemble what they eat: veggies, but also worms and other creepy crawlies. The big hint here is that these ghastly little monsters are violent–and potentially dangerous to humans. But the old man seems to be up to the challenge. In fact, the old man is relatively hideous and dangerous in his own right, surely a formidable match for any veggie goblin.

Wright’s intricate and detailed drawing style keep the reader glued to each page. This is a masterfully crafted tale with a philosophical bent; a wonderfully ambiguous tale of veggies and goblins. Let’s go ahead and bring out a nice shiny star and give this one a 10/10.

“Garden Salad” is a 32-page black and white comic book written and drawn by Tristan Wright. For more details, and how to purchase, go right here.

Leave a comment

Filed under Comics, mini-comics, Minicomics, Tristan Wright

Review: DISCOUNT DEMON DEALS by Michael Koehler

DISCOUNT DEMON DEALS by Michael Koehler

“Discount Demon Deals” is a hilarious mini-comic devoted to demons by Michael Koehler. Done is a wacky style that would fit right in on Cartoon Network, Koehler’s demons are at once hideous and whimsical. The idea here is that this is a catalog presenting the latest in appealing demons. All you need is your demon credit card and a reasonable number of souls in stock in order to properly catch up on this season’s demons. For more details, visit Michael Koehler right here. And, if you are in Tacoma, be sure to stop by and see an art show featuring Koehler’s artwork this Saturday, February 3rd, from 6-8pm at Destiny City Comics:

Lore of the Lords – Showcasing the Art of Michael Koehler

Here are some more details from Destiny City Comics:

Lore of the Lords – Showcasing the Art of Michael Koehler
February 3 @ 6:00 pm – 8:00 pm Free

A strange look into the modern folklore and fantastic characters imagined by artist Michael Koehler, Lore of the Lords takes a tour through the tribes residing within the elusive cult realms.

“You enter through a dark whirlpool to find yourself at the mouth of a great trench. As you look around, you find this world is full of strange and mystical creatures. They seem to be some sort of ancient looking, animalistic people. Suddenly a large reptilian scout spots you and bellows out a deafening screech as you try to find your footing along the loose, rocky chasm. You see flying in the cloudy sky above, a bat like figure quickly descending upon you. You scramble out of the way just as it swoops down at your feet. Looking up at you with three crazed eyes and psychedelic features, it lets out several high pitched chirps and begins lurching toward you. A gang of grotesque bat faced creatures surrounds you as you look for an impossible escape. Each wretched bat drips with slimy plasma and is armed with arcane tools and primitive looking weapons. As a tall, fiery red faced man-bat leans into your face and sniffs piggishly, you utter, “What… where am I?” It lets out a wild cackle and replies, “You have entered our world through the black void, and so now, you are ours. Just as everything that enters… Into the Cult Realms.”

Be sure to visit and experience this highly original art firsthand. Facebook Event Page is right here.

2 Comments

Filed under Art, Comics, Destiny City Comics, Michael Koehler, Tacoma

Review: THE BLOODY CARDINAL by Richard Sala

THE BLOODY CARDINAL by Richard Sala

Everything is always perfectly distilled in a work of comics by Richard Sala. Everything from a dramatically constricted pupil to a young woman’s dainty feet. Sala has a way of cutting to the chase: he knows that he wants thrilling motifs and pretty girls–and he does a beautiful job of it. Sala is in fine form with his latest graphic novel, “The Bloody Cardinal,” published by Fantagraphics.

This new Sala villain makes quite an entrance and certainly looks pretty menacing. The Bloody Cardinal is no slouch, either, when it comes to murder. Clara Clarette, a charming young woman who had just purchased a mysterious book, is killed by the bird fiend. Enter Inspector Coronet, and his trusty compatriot, Dr. Sun. The good doctor has a mystical quality about him. He senses a malevolent bird-like creature is responsible for this crime. Sala does not miss a beat and paves the way for the reader to be undeniably hooked.

If you’re new to Sala, you are definitely in for a treat, especially if you enjoy a devilishly good mystery. At its heart, this is a good tightly-wound mystery. The narrative keeps popping along at a brisk pace. Each panel is a wonderfully rendered watercolor. Some cartoonists, like Sala, also happen to be painters at an accomplished level. You can’t help but appreciate how Sala distills scenes and characters to their essence.

The evil eye.

“The Bloody Cardinal” is an online serial, which follows in the tradition of his early classics, “The Chuckling Whatsit” and “Mad Night.” Perhaps it was one of these previous titles that was your introduction to his work. Sala has enjoyed a career spanning over thirty years with no signs of letting up. He has perfected a vision that, inspired by Gahan Wilson, Edward Gorey, and Charles Addams, he can safely call his own.

There is an undeniably sexy aspect to Sala’s work, as evidenced by all the compelling and voluptuous female characters in this book. The key distinction is that these are sexy, but not sexist, depictions in the service of a bigger picture. You get a worldly sense of the world from Sala: a world of books, mystery, the supernatural, and compelling young women to keep one on one’s toes. It is sophisticated fare accessible to general readers much in the same way that Hitchcock provided that special kind of entertainment in film. You could indeed say that Richard Sala is to comics what Alfred Hitchcock is to film. All those little details add up: apprehensive rats, a demonic puppet hung from a string, obsessive note-taking. The journey we take with Hitchcock as well as with Sala, with its Mcguffins and moody atmosphere, is as important as the destination, even more so.

A harbinger of doom.

In an interview last year with Tim Hodler, for The Comics Journal, Sala provides a window into the motivation behind his work: “What has always appealed to me over everything else, beyond horror or comedy or whatever, is a sense of the absurd. I think I got that from reading Kafka in high school and feeling a shock of recognition. I felt a kinship with absurd humor and black humor. Having an appreciation of the absurd – along with my childhood love of monsters – helped me survive in what was a dysfunctional (that is, crazy) household. I was drawn to the surreal and the expressionistic and the unreal, which is where I felt at home.”

“The Bloody Cardinal” is a 96-page full color trade paperback. This is a book that will appeal to a wide range of readers: anyone, say, 13 and up. For more details, visit Fantagraphics right here.

Leave a comment

Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Horror, mystery, Richard Sala, Supernatural

Kickstarter: VIRGIN WOLF Collection: The Hunt is Underway!

The Collected VIRGIN WOLF

Alverne Bell is a rising talent in comics, graphic novels, and prose fiction. He has proven himself many times over with such work as ONE NATION and VIRGIN WOLF. Now is a great opportunity to dive into the highly creative mind of Alverne Bell and experience a collection of his werewolf series, VIRGIN WOLF. A Kickstarter campaign is going on now, by July 15th, in support of collecting the first eight issues into trade paperback, hardcover, and PDF. To learn more, and join the campaign, go right here.

Don’t mess with Virgin!

***

A young woman and her Native American mentor are hunting the father of all werewolves in 1605 France!

Virgin Wolf is the tale of a woman struggling to put an end to her nightmares. With the help of Hania, her Native American guide. She has tracked her prey to France. Though little does she know the extent they have gone to or will go to see the world dominated by the Wolfen.

This book is the collection of the first 8 issues, plus a rarely seen in print prologue. The book totals 208 pages in full-color. Printed on a sturdy glossy paper it is available in both soft and hard bound.

***

Page from VIRGIN WOLF

This is a werewolf tale like you’ve never read before. Among the wide array of comics that I look over on a daily basis, this one definitely has gotten my attention. The title, VIRGIN WOLF, sticks in my mind, and it does not matter whether or not there is any tangible connection in this comic to Virginia Woolf. Alverne Ball is an award-winning writer who has built an impressive career. He knows how to tell stories. He holds an MFA in Fiction Writing from Columbia College in Chicago, which includes a Semester in Los Angeles, an intensive program focusing on adaptation of material to the screen. His writing runs the gamut from television and film to graphic novels and prose fiction. For VIRGIN WOLF, he has teamed up with Douglas Felix and Adriana de los Santos who both provide the artwork that makes this project a pleasure to read.

Cover from VIRGIN WOLF series

The collected VIRGIN WOLF will be published by Phoenix Dreams Publishing. Founded by Noel Burns, Phoenix Dreams Publishing is an indie comic publisher based out of Iowa. As an indie comic publisher, Phoenix Dreams Publishing hopes to help indie artists make a living through their creations and dreams.

Be sure to visit the VIRGIN WOLF Kickstarter campaign, on thru June 15th, right here.

2 Comments

Filed under Alverne Bell, Comics, graphic novels, Horror, Kickstarter, Phoenix Dreams Publishing, Werewolves

Movie Review: ‘Alien: Covenant’

“Alien: Covenant”

“Alien: Covenant” is a strong stand-alone film. If you knew nothing about the Alien franchise, we have here a set of characters worth getting to know and a plot that holds it own. This time around, it seems that the space inhabited by the crew has opened up a little more and there’s more light. It’s not by any means as perky as Star Trek but the crew feels a bit closer to each other. Everyone seems to trust each other with one exception: Walter, the ship’s android. He’s sort of like Spock but not quite enough.

Michael Fassbender

Michael Fassbender knocks out a devilishly good performance. Or, should I say, two performances. He is Walter, the ship’s android. And, later on, we see David, the “synthetic” crew member from “Prometheus” also played by Michael Fassbender. David, the lone survivor of the Prometheus, has what you can call some major AI problems: too smart for his own good, too idiosyncratic. And when was it ever a good idea for a robot to have too much independence?

Katherine Waterston

As for the newer version, Walter, he can think for himself but knows how to hold back. Bots are spooky to begin with so it’s no surprise that humans don’t warm up to him. However, there is one crew member who genuinely finds Walter to be good company. Daniels (played by Katherine Waterston) is a young woman who just lost her husband in a serious accident on board. Captain Oram (played by Billy Crudup) blames Walter with no real basis to do so. Then there’s Daniels who tries to comfort Walter, and herself, by confiding in him about the plans she had for building a real log cabin on the next space station they settle.

The dynamic of Fassbender, Waterston, and Crudup serve as our foundation. Let the Alien critters descend from wherever they please! You can expect Alien embryos to burst forth from all the bloody spots they usually like to emerge from. Katherine Waterston does a fine job of channeling her best Sigourney Weaver. Billy Crudup is a lot of fun as the captain without all the answers. But it’s Michael Fassbender who is this movie’s undisputed quarterback. If ever Ridley Scott’s more esoteric ruminations on existential matters had a more apt orator, it is, without a doubt, Michael Fassbender.

For more details on “Alien: Covenant,” visit Fox Movies right here and check out the Alien Universe right here.

6 Comments

Filed under Movie Reviews, movies, Ridley Scott, Sci-Fi, science fiction

Review: WINNEBAGO GRAVEYARD #1 (of 4)

WINNEBAGO GRAVEYARD #1 (of 4)

It’s that touch of strange that the best writers and artists tap into that makes all the difference. Writer Steve Niles says that his already odd story took some more twists and turns after he viewed what artist Alison Sampson had done with the first issue of their new limited-run comic book series, WINNEBAGO GRAVEYARD. Soon, you’ll be able to see the results for yourself. This is an advance review so a word to the wise (comic book retailers stock up!) and mark your calendar for this Image Comics release on June 14th.

Isn’t it spooky when you thought you saw something out of the corner of your eye? That particularly creepy feeling, the mixing of the banal with the terrifying, keeps building in this first issue in a most satisfying way. We begin in the small American Southwestern town of Acton, one minute after midnight. There’s an orgy of violence with a Satanic ceremony that climaxes with the emergence of a portly and banal naked man declaring his return from the dead. Who is this portly banal man? All we know is that he stepped right out of the body of one of that night’s victims to sacrifice.

This disturbing uneven feeling of disconnection and terror is quite pleasing, and the credit all goes to the team of writer Steve Niles and artist Alison Sampson. With dynamic and moody colors by Stéphane Paitreau. And lyrically placed lettering by Aditya Bidikar. Our story seamlessly rolls along a nightmarish landscape with characters nearly oblivious to what’s going on. It’s more of that delicious disconnection at play.

Winnebago Graveyard!

For, you see, the Winnebago from this comic’s title symbolizes a slice of normal that gets caught in this big fat wedge of crazy. It’s your all-American family, full of equal amounts of wanderlust and dysfunction, that find themselves way off course, all too close to Satan’s country. But are they aware of what’s going on? Sampson depicts them as utterly disconnected in such a masterful way. After spending a whole day in what amounts to an abandoned amusement park, they seem to be getting a clue that they’re very much out of their element. For now, it all seems like a sleepy nightmare.

I was mesmerized by Sampson’s artwork in GENESIS, a one-shot with Image Comics, and wrote a review of that you can read here. This latest comic lives up to what I expected to see next in her work. This is a smashing first issue. You will also want to check out the two essays at the end of this comic. One is on horror movies set in the American Southwest by Sarah Horrocks and it focuses on the 1987 horror classic, “Near Dark.” The other essay is about Satanism in the real world by Casey Gilly and it focuses on Anton LaVey’s Church of Satan and the potential motivations of its followers.

Both essays are part of a series that will run throughout all four issues. I am so glad to see these essays, which compliment the comic and, in fact, become part of the comic. As I like to point out to my readers, we do not live by comics alone. I make a point of writing about all sorts of things and they usually have a relationship to comics, even a quite meaningful connection, like my in-depth interview with novelist Jerome Charyn. Maybe I do things a little differently here but I’m not changing and I believe my readers appreciate that.

And let’s hold on just a bit. Yes, I would take issue with anyone who thinks a discussion about comics takes place in a vacuum. I don’t think anyone really believes that since, even the most so-called comics purist will veer off being strictly on topic. Life, the culture-at-large, bigger and brighter things, exist out there in the world. So, again, I say that the isolated prose, the two essays, in this comic becomes part of the comic. Gilly, in her essay, even directly refers back to the comic and asks the reader to question what the character Chrissie was really seeing. And Horrocks, in her essay, riffs so smoothly on the desert motif running throughout the comic. What a literate and artful comic! Buy it!

WINNEBAGO GRAVEYARD #1 (Of 4) is published by Image Comics and is available as of June 14, 2017. For more details, visit Image Comics right here.

Leave a comment

Filed under Alison Sampson, Comics, Comics Reviews, Horror, Image Comics, Jerome Charyn, Satan, Steve Niles, Supernatural

Review: REVENGER & THE FOG by Charles Forsman

REVENGER & THE FOG by Charles Forsman

A vast and desolate wasteland, suitable for any action or exploitation movie, serves as the magnificent backdrop for REVENGER & THE FOG, the second collected volume of the ongoing Revenger comic book series by Charles Forsman. What I readily come away with is this: a horror schlock genre opens up a wide field for comics but it’s not so easy to get it right. You need a strong narrative backbone to keep all the flesh and blood moving along. Forsman jiggles it all into place with a masterful touch.

An instant taxicab ride.

Quentin Tarantino easily comes to mind as a practitioner of the type of movie terror that Forsman is channeling. Everything and everyone is cast in a pale yellow light of sheer desperation. We know from the get-go that the characters that dwell within mostly, or exclusively, eat raw meat…perhaps drink blood too. It is nothing to them to humiliate, mutilate,…well, you get the picture. A little goes a long way. Not my preferred cup of tea but, then again, it all depends upon the writing. Forsman is sensitive to those proper modulations of gore.

No one messes with Revenger!

As I understand it, Reggie, aka Revenger, is a one-woman force of nature, easily the lone wolf but open to companionship from time to time. For this collection, we follow Revenger when she belonged to a vigilante gang known as The Fog in Los Angeles in the late ’70s. This is a most unlikely assembling of brute force and cunning not seen since the A-Team. Revenger has fallen head over heels for Jenny, aka Dynarat. It is a love affair fraught with danger and ill-fated beyond words. Billy, aka Slim, offers some crude technical skill. Tara, aka Scalpel, is a martial arts guru.

The basic story here is a goofy nihilist joy ride. Dynarat is kidnapped by her abusive movie mogul father. Revenger must find a way to rescue her. The story dares you to take it seriously. Within context, it works its magic, much in the same way as other forms of parody and good obsessive autobio can sway the reader. The intriguing thing about this comic is that Forsman, like Tarantino, is intimately involved with his subject matter, both playfully satirizing it as well as paying it respect. There is irony but it’s not all irony. It’s a joke but it’s not all a joke. Essentially, Forsman works from a platform that provides exhilarating freedom for a cartoonist to take big risks: the arena of pure artifice, pure entertainment.

Revenger tells it like it is.

Forsman has an admirable control over some pretty weird proceedings and keeps to a steady pace, mindful of the distinct journey each character is on. It is one thing to create a scene with some impressive slicing and dicing of body parts. But your story will never truly succeed if no one cares. We care about all the characters in this story, even the most repulsive ones. We don’t wish the villains well but we do get caught up in them.

Well, you get caught up in everyone’s business as much as you please. This is a deliciously artificial world we are navigating through. No wonder this gritty pumped up terrain, this hyperreal wasteland, attracts some of the most creative minds. You can mix and match an endless sea of possibilities: the inane headbutts the profound.

Forsman, much like his contemporary Michel Fiffe (COPRA), has the admirable distinction of tackling all aspects of his work: the writing, the drawing, and even the coloring. While pretty common in indie circles, this kind of involvement is nearly unheard of within corporate comic book publishers. In the case of Forsman, he does quite well in serving his cryptic vision alone. His wiry characters get bathed in just the right quirky color schemes. Tongues can stick out and be painted a bright fire engine red! It all makes sense: perfectly oddball and compelling story, art, and colors.

The world of action B-movies, it turns out, is just another world, with as much to offer as any wonderland or netherworld. And, as I suggested early, it is a satisfying and quite apt playground for comics. There is a thread from Herriman’s Krazy Kat to Kaz’s Underworld to Forsman’s Revenger comics. A final thought: After you complete the main story, you have an extra feature which is Revenger lost, appropriately enough, in a hell hole. It is a fitting end to a most intriguing collection of work.

REVENGER & THE FOG, the second volume of Revenger comics, is a 160-page full color trade paperback, published by Bergen Street Press. For more details, and how to purchase the work of both Charles Forsman and Michel Fiffe, visit Bergen Street Press right here. Visit Charles Forsman right here. And be sure to stop by and consider becoming a patron of Charles Forsman at his Patreon right here.

Leave a comment

Filed under Bergen Street Press, Charles Forsman, Comics, Comics Reviews, Dash Shaw, Graphic Novel Reviews, graphic novels, Horror, Michel Fiffe, Satire

Interview and Review: Donny Cates and REDNECK

Donny Cates

Donny Cates (GOD COUNTRY) is a writer to watch. His new comic book series, REDNECK, comes out this Wednesday, April 19th, and it is a highly imaginative mashup of vampires and good ole boy Texan tall tale storytelling. There’s a lot going on here that raises this comic to the level of exceptional work. And that certainly includes the masterful inks by Lisandro Estherren and colors by Dee Cunniffe. You can find it at Skybound, an imprint of Image Comics.

Cates comes across as a natural born storyteller. He’s got a passion for bringing the reader into his world. In this case, it’s a motley crew of vampires holed up in a little patch of Texas hill country. These are good folk. Don’t mean no harm. Just want to live out their endless lives in peace, you see what I’m saying here, pardner?

It ain’t easy bein’ a vampire.

First off, you need to know that this is a real tasty twist on vampires. Cates suggests that this is a reverse image of The Walking Dead where it’s humans surrounded by monsters. In the case of Redneck, it’s monsters surrounded by humans–which can be a lot more dangerous as humans can get organized about their violence. The Bowman vampire clan would much rather be left alone to run the local barbecue joint while surviving all these years on just plain old cow’s blood.

Inks by Lisandro Estherren; Colors by Dee Cunniffe

Our main character is Bartlett. He’s a lanky old fella who is constantly being spooked by Perry, his young niece who reads his thoughts. We begin with Uncle Bartlett reminiscing over his time in the Civil War. Perry insists on knowing which side he was on. Bartlett gives a gruff but worldly response: Live long enough, and you learn not to take sides. But that level of tolerance is lost on the boys in the family who are restless and want to stir up a little trouble. Mind you, “the boys” are in their sixties. But it’s all relative when you’re talking vampire years.

What Cates envisions for this comic book series is an exploration of Southern culture through an entertaining story. You get to know these vampires on a deep generational level. There’s the boys, and Uncle Bartlett and his niece, Perry. Then there’s the patriarch, J.V., leading the pack. And there’s also Granpa who is God only knows how old. Best to keep him locked up in the attic. He makes a brief and cryptic appearance in this first issue.

I asked Cates about a moment in the story when J.V. complains about these “pincheways” the young people use. What the heck is that? Cates did not miss a beat and provides a window into the authentic flavor to this story. Pincheways are a name an old Texan friend of Cates’s uses for cell phones. Seeing a new generation and their rapid-fire texting sort of disgusts him. That’s one of the many quirky cultural gaps you’ll find in this first issue. The combination of quirky script and art definitely makes this a welcome twist to the vampire genre.

REDNECK #1 is available as of April 19, 2017. For more details, visit Image Comics right here.

1 Comment

Filed under Comics, Comics Reviews, Horror, Image Comics, Interviews, Skybound Entertainment, Texas, Vampires

Movie Review: ‘Get Out’

When I first saw the trailer for “Get Out,” I was hooked on the idea of a racially explicit horror movie. I had already written a script in my head of what I had expected to see. I took for granted that this would be a wry and revealing look at how African Americans can still be seen as the Other. And that is definitely there. We also have the opposite where it is those who are subjugating who are seen in the same way, as some menacing Other. And I expected some dark comedy mixed in. With all that in mind, I wondered, not if, but how far this movie would cross the line.

What “Get Out” does best is keeping to a true horror movie pace, gradually building up. Instead of a frog that is in a pot of water gradually set to boil, we’re all expecting a black man to be boiled alive, so to speak. No, there are no black men being boiled–just a metaphor. In fact, there are far more gruesome things up ahead. The remarkable thing is that there is a certain level of restraint that allows writer/director Jordan Peele to navigate deeper into our collective racial history than some of us out there are ready to go.

The opening scene alone is loaded with plenty of food for thought. An African American young man is walking through an upscale, and presumably white, neighborhood. He is talking on the phone and joking with his friend that he’s lost in what he calls with a whiny accent, “the suburbs.” As he proceeds down streets with tony- sounding names like “Peacock Street,” a white sports car pulls up blaring an old 1930’s song, “Run, Rabbit, Run,” a sly reference to the classic WASP novel, “Rabbit, Run,” by John Updike. The young man attempts to avoid the car by walking in the other direction. Ultimately, he can’t help walking towards the car whereupon he’s knocked out and thrown in the car’s trunk.

Chris (Daniel Kaluuya)

We next see an interracial couple preparing for a trip. Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), are about to meet Rose’s parents. Chris is hesitant and Rose asks him what’s the matter. Chris asks Rose if she mentioned to her parents that he’s black. Rose laughs it off and reassures him that’s it’s not an issue at all. It’s a tender moment. It shows that Chris is vulnerable while Rose is far more in control of the situation. The acting is quite believable. Rose seems clearly in love with Chris. But the focus leans towards Chris as we see events through his eyes. He’s convinced he’s entering the lion’s den and we easily sympathize.

The focus never leaves Chris and, once they arrive at the family estate nestled in the woods, the attention heaped upon Chris grows. It begins with the first meet-the-parents round. Bradley Whitford and Catherine Keener make for deliciously out-of-touch parents attempting to be hip. If only that was all that lay in store for our hero. Red flags go up one by one. There’s a quick aside by the dad, “Oh, that room leads to the basement. We closed it up due to a buildup of black mold.” Yikes, in the context of a horror movie, that says it all.

Things are gonna keep steadily getting freaky from here on out. And so they do, some artful and some more in line with standard-issue tropes. One horror chestnut, the comedy relief sidekick buddy, is given new life and put to fine use here. Lil Rel Howery as Rod Williams, one of TSA’s finest, adds another dimension to the narrative. While he may rob the movie of some of its more provocative and scary potential, that seems to be the right approach for a project that is unleashing so many racial issues. Overall, we end up with a number of compelling scenes and images without resorting to a heavy hand.

4 Comments

Filed under Horror, Horror Movies, Movie Reviews, movies, Race, Race Relations, Racism, Satire