Category Archives: Graphic Novel Reviews

Comics Review: AFTER HOUDINI

AFTER HOUDINI by Jeremy Holt and John Lucas

Editor’s Note: This book is a Comics Grinder Giveaway. If you would like your own free copy, contact me and I’ll get it out to you.

After Houdini is a graphic novel that truly lives up to its promise: a rollicking adventure that taps into the mystery of grand illusionist Harry Houdini. You have here another riveting original tale with high production value from Insight Comics. The steampunk vibe is natural and spot on. Overall, the work looks and feels like it was fun to create. Written by Jeremy Holt; illustrated by John Lucas; Colors by Adrian Crossa; Lettering by A Larger World Studios.

Teddy Roosevelt runs a tight ship!

You are quickly swept up into a supernatural world with this comic. I think it’s the strange energy that all the characters are feeding off each other that is the true star of the show as opposed to any set of characters carrying the story. And I think that subtle distinction makes this special. By all the rights, the main character is Josef Houdini, son of Harry Houdini. But, as I say, it’s the magic in the air that overshadows everything. No one, not even a Houdini, is going to upstage that. It’s a challenge to convey that but this comic does it with wonderful pacing, gorgeous art, and one quirky tale to tell.

The steampunk vibe is natural and spot on.

All you need to know is that it takes a Houdini to rescue a Houdini. That’s an important point. The rest is, well, a fun and intriguing read. Any story that thoughtfully manages to include Teddy Roosevelt and Sir Arthur Conan Doyle as active and viable players is fine by me. I see that another graphic novel, Before Houdini, is an upcoming follow-up to this book and I look forward to it.

After Houdini is a 112-page full color trade paperback. For more details, and how to purchase, visit Insight Comics right here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions

SPX Comics Review: THE WITCH BOY by Molly Ostertag

THE WITCH BOY by Molly Ostertag

The Witch Boy is such a refreshing and original graphic novel that I could not put it down once I started. Published by Scholastic, this is the first book both drawn and written by Molly Ostertag. You may know Ostertag from her work as the artist behind the long running webcomic, Strong Female Protagonist and the graphic novel Shattered Warrior.

Ostertag’s passion shines through each page. In this tale of the supernatural, there is a strict divide between genders: only women are witches; only men are shapeshifters. But Aster won’t abide by the rules. You too will root for Aster, the boy who dreams of being a witch.

THE WITCH BOY by Molly Ostertag

Aster is naturally drawn to what has been deemed the feminine domain. It is only a matter of time before this conflict erupts and forces his community to respond. That becomes inevitable once a dragon monster threatens everyone.

THE WITCH BOY by Molly Ostertag

A golden rule that does make sense to follow is that an artist will do well to pursue what is compelling. I don’t find a false note anywhere in this book and that all has to do with Ostertag’s authenticity. I look forward to seeing Molly Ostertag proceed upon her merry way and continue to delight her readers.

Molly Ostertag will have a table at Small Press Expo in Bethesda Maryland this upcoming weekend, September 15-16. You can see her at two panels: “Comics with Molly Ostertag,” on Saturday, from 4:15 pm – 5:15 pm, at the Glen Echo Room; and “Building The Jungle Gym,” on Sunday, from 2:30 pm – 3:30 pm, at the White Oak Room.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Molly Ostertag, Small Press Expo, SPX

Comics Review: THE BEATLES YELLOW SUBMARINE

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

An announcement about a graphic novel based on The Beatles Yellow Submarine was one of the most popular posts on Comics Grinder. Well, here is a full-on review (with video) that delves right into the book! This is the official illustrated adaptation, published by Titan Comics.

Celebrating the 50th anniversary of The Beatles Yellow Submarine comes this fully authorized graphic novel adaptation! We all know the story:

When the music-hating Blue Meanies invade the underwater paradise of Pepperland, the Captain of the Yellow Submarine sails away to find help… and stumbles upon The Beatles! Can the Fab Four free Sgt. Pepper’s Lonely Hearts Club Band, return music to Pepperland, and overthrow the evil Blue Meanies through the power of love?

This book beautifully and faithfully adapts all the antics and charm of the original animated feature. It’s genius to create such a work. Who doesn’t love The Beatles? And who can resist a book that transports you to Pepperland and beyond? Here is a perfect gift for any Beatles fan. And it can make for a dazzling bedtime story too!

THE BEATLES YELLOW SUBMARINE

The layout to this work is quite impressive. The pacing is spot on as it captures the wacky and irreverent humor. An adaptation of this scope and significance requires a master and that is exactly what we get from writer/artist Bill Morrison, co-founder of Bongo Comics, artist on classic Disney posters, and editor of Mad Magazine. Usually, it works the other way around but Mr. Morrison has managed to take a legendary work in animation and find a viable graphic novel counterpart. He has done a wonderful job of sequencing a narrative from something that is both iconic and rather loopy and might seem impossible to properly transfer from one medium to another.

There is plenty to love here. All you need is love, right?

The Beatles Yellow Submarine is a 112-page hardcover, in full color, published by Titan Comics.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Music, pop culture, The Beatles, Titan Comics

Comics Review: A LIFE HALF-FORGOTTEN by James Burns

A LIFE HALF-FORGOTTEN by James Burns

James Burns is a very interesting cartoonist. It was a pleasure last year to review his work. A Life Half-Forgotten is an impressive piece of memoir comics, or “autobio,” as this work is commonly referred to within comics circles. Burns taps into his childhood with a confidence and curiosity that sets the bar high. It challenges and inspires each of us to reach back and take a closer look into the past.

Analyzing one’s childhood can be a daunting task. Where to begin? As an exercise in recovering memory alone, you have quite a job ahead of you. When did life truly begin for you? For Burns, life seems to have begun in preschool as he dutifully accepted a box of crayons at the start of the day. He goes on to write and draw his way to insightful observations. All the forgotten traumas come home to roost. Burns made it his goal to sift through the big and small details and see what mattered most. This is a childhood in a Central Ohio suburbia during the 60s and 70s. With great care, and a good dose of humor, Burns explores the high and low points: freedom and privilege as well as murder and divorce.

A LIFE HALF-FORGOTTEN by James Burns

Burns plays with that special ambiguity inherent in comics as he casts himself in this first-person narrative. We have Burns at the beginning playing host followed by him appearing to walk back into his childhood past. He is now a child but he appears to remain an adult. His face retains the same mature features in many panels but also seems to shift to a softer and younger version in other panels. The results, for my tastes, give the scenes an added edge. These are all memories, after all, with a dream-like tone. The black & white with gray tones also helps to heighten the sense of searching into the past.

As Burns puts it, we are all dealing with fragments when it comes to our personal memory. One person paints a picture based on childhood while a sibling paints another. We are summoning up phantoms. We are asking our phantoms to dance again. Burns points out that his recollections seek a greater truth. He acknowledges that he wasn’t concentrating on capturing anyone’s likeness. Instead, he wanted to try to understand things better like the tragic death of a classmate.

Now, I’ll get back to this wonderful tension between the adult Burns seeking out his childhood self, with Burns depicting himself as a child but with an adult’s face. It makes for some very compelling passages. I think I like best where he looks back at how much he enjoyed wearing a Superman costume for Halloween when he was seven years-old. He loved it so much that he ended up wearing the costume on a regular basis underneath his street clothes, just like Clark Kent! It’s such a sweet and innocent recollection–and there’s a depiction of Burns, as a child in a Superman costume but with an adult’s face. It’s an scene filled with haunting melancholy and one of the more striking images I’ve seen in comics this year.

Actually, there are more scenes I could get into. I’ll also mention here the birthday party for Burns when he turned six. That’s another passage that I find very moving. The conflict between nostalgia and truth can take a rest here. For one moment of pure joy, Burns is having a grand time with friends in his backyard. He’s having cake and ice cream. And he gets to play with the most amazing toy fire engine, his featured birthday gift. You attach a garden hose to its side and it gushes out water through its tiny fire hose! I would have loved one of those toys!

A LIFE HALF-FORGOTTEN by James Burns

The murky world of memory is evoked quite well and Burns manages to snare some of his childhood ghosts. He manages to sit down with them, talk to them, play with them, and reach some sort of closure. This book invites the reader to do the same.

Visit James Burns right here. You can find A Life Half-Forgotten at Amazon right here.

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Filed under Alt-Comics, Alternative Comics, Childhood, Comics, Family, Graphic Novel Reviews, graphic novels, Independent Comics, Indie, James Burns, Memoir, Memory, Not My Small Diary

Book Review: ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Our hero: Alpha, an Everyman for Today’s Immigrant.

The plight of the immigrant has never been easy and, currently, their fate could not be more dangerous. Many, fighting to leave threatening circumstances, stand no chance of finding the freedom they seek. This brings me to another unique work in comics that defies our expectations of the more traditional graphic novel format. The artwork here is not exactly in panels and there are no word balloons for the characters to speak from. Alpha: Abidjan to Paris is published by Bellevue Literary Press and written by Bessora, illustrated by Barroux, and translated from the French by Sarah Abizzone. Alpha, our main character, while symbolic of all immigrants struggling against the odds, readily engages the reader with his own set of specifics. In this way, the creative team truly gives a face to a problem demanding our attention.

Page excerpt from ALPHA

It was never an easy dream to fulfill but our hero, Alpha, finds he has no choice. Like so many others before him, Alpha is compelled to flee his homeland in search of a better life. In his particular case, he is leaving his home in Côte d’Ivoire to reunite with his wife and son who fled ahead of him and are supposed to be living in Paris with his sister-in-law. Alpha joins a vast number of Africans from varied regions united in plans to outwit ever-tighter border security, and find the right port of exit along the northern coast.

There are a number of detours that Alpha must take on his journey. Each side trip suggests the end of the road. But Alpha is quite persistent and his hopes never dampen even when he ends up in the role of the much despised human smuggler. At least, he fully appreciates that he is part of an necessary evil. That said, whenever he confronts a dilemma in his work, he can’t help but side with the migrant. He simply lacks that killer instinct to make that maximum or, in some cases, only profit. Many of his clients have been accepted on credit that he is unlikely to ever collect on.

ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Thanks to Barroux’s highly emotive artwork, the reader is quickly hooked in to what reads as a series of diary entries. The frenetic quality of the art is matched by the conversational tone in Bessora’s writing. Adding another layer is Sarah Ardizzone’s translation from the French which further unites the sensibilities of illustrator and writer. All in all, the results, with their raw sense of urgency, are quite captivating. Alpha has gone on to become an international award–winning graphic novel supported by Amnesty International and Le Korsa, a nonprofit organization devoted to improving human lives in Senegal.

A migrant once stood a much better chance of crossing a border to safer ground but not now. Once, a migrant could have a reasonable chance at mercy but not now. The fate of the immigrant is in crisis across the globe, including in the United States of America. Books like Alpha help to educate the public and help to build toward a safer and more merciful world.

Alpha: Abidjan to Paris is a 128-page, full color, hardcover now available. For more details, and how to purchase, visit Bellevue Literary Press.

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Filed under Africa, Amnesty International, Bellevue Literary Press, Comics, Graphic Novel Reviews, graphic novels, Human Rights, Human trafficking, Immigration

Book Review: THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

There are more slaves today, well over 40 million, than at any time in human history. A new book, a graphic memoir, by Vannak Anan Prum provides a most vivid and compelling testimony, through luscious watercolors and the author’s honest oral account, transcribed and composed to meld with Prum’s artwork. The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press.

First and foremost, this is a unique and remarkable book that readers will quickly find themselves immersed in. Human trafficking is not an obvious subject matter for the casual reader but Mr. Prum handles the subject with great dignity, never delivering a false note, and even maintaining a sense of hope throughout.

Teamwork equals survival.

This is not a conventional graphic novel/memoir. But, in the process of reading it, I found myself open to seeing this book as functioning as comics–even if it forgoes many of the building blocks of the comics medium. Was Prum ever really intending to create a work in comics, per se? I think Prum is working on a pure level, one that takes the tools required to get a job done. So, given his background and his harrowing experience, I’m sure that he wasn’t mulling over whether he might end up creating a book that would be deemed one of the hippest graphic novels of the year by the A.V. Club, The Comics Journal, etc. No, this man was in dire straits, as serious as a heart attack, and he was most interested in documenting his experience. Surely, he was thinking of working as an artist in some general sense but, even more so, Prum required his work to align with the accuracy of a top notch courtroom sketch artist. Get the facts out, first. Then take care of the artistry and poetry.

Death on a slave owner’s whim.

Even after the experience and with time for contemplation, Prum is driven to document, much in the artist tradition of, say, Albert Bierstadt, Winslow Homer, or Charles Fritz. And, I believe, the initial collection of Prum watercolors gave way, somewhere in the process (through the translating and transcribing of his oral testimony) to having this all adhere more to a graphic novel/memoir framework. And, as you progress from page to page, alternating between artwork and text, you can’t help but totally empathize with Prum, from his stumbling into danger to his dogged perseverance. So, yes, ultimately it does feel and read like a work of comics.

Prum begins his journey as a newlywed with a child on the way living in a tiny poverty-stricken village in Cambodia. Without any prospects, no education, no employment opportunities to speak of, Prum is one very desperate and vulnerable young man. Like so many others like him in similar situations, Prum is lured into a too-good-to-be-true offer of a good job with good money. It is just a matter of one footstep into a truck, and overwhelming desperation, that leads Prum and a band of other victims onto a fishing vessel–followed by years of toil and torture, at the mercy of his overseers.

“I want everyone to know about this. Through my pictures, I want to warn all cross-border migrant workers to be careful. Even if they do not keep my own story in mind, they will at least have an idea of what life is like for people trafficked onto boats for forced labor.” Vannak Anan Prum is an artist who was held captive as a slave for four years on a Thai fishing boat before being sold into slavery on a Malaysian plantation for another year. He has since escaped and now lives with his family in Cambodia. Read his story here: http://tiny.cc/deadeye Vannak’s store is run by a handful of English speaking friends. 100% of the royalties earned from this store go directly to Vannak. Feel free to email us if you have any questions or would like to commission a work directly from Vannak.

–from Vannak Anan Prum’s Twitter

It is to the credit of Prum’s own natural artistic and poetic inclinations that his story never turns maudlin. It is also to Prum’s credit that, despite the grim circumstances, his narrative never grows too dark, as if the reader can rely upon Prum to find a way, to rise above, while also not suggesting he was some sort of hero. What Prum turned out to be is an authentic artist/journalist. While I’ve stressed that Prum’s main goal is accuracy, there is no denying that he also managed to remain faithful to artistry. He has a keen sense for pacing, composition, and for color. Life is back to the normal for him now, back with his wife and little daughter. While he continues to heal from his past, Prum can take solace that his voice has been heard and that his contributions are greatly appreciated. No doubt, this book will have readers wondering about where their last seafood meal came from.

A tattoo artist emerges.

As I say, this is a tough subject to deal with, but it is essential that we educate ourselves on human trafficking and this book is invaluable in that process. Personally, I am very inspired by Prum’s story, made up of so many nuanced moments. I wondered, as I read, how he would make a life for himself after having been forced into slavery. What will freedom look like for him? I think this book will make a difference, not only to educate others but, hopefully, to help Prum and his family rise up to where they belong. I can see him developing further as a fine artist. And, as the book demonstrates, I can also see him doing quite well as a renowned tattoo artist. I look forward to whatever he does next.

Prum’s artwork saves his family.

The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press. To learn more about Vannak Anan Prum, and purchase his art, visit him here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Human trafficking, Seven Stories Press, Vannak Anan Prum

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

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Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Comics Review: THE FURNACE by Prentis Rollins

THE FURNACE by Prentis Rollins

It is an honor and a pleasure to share with you, The Furnace, the new book by Prentis Rollins, a veteran in the comics industry (Marvel and DC), published by Tor Books. I will jump in with a quick way to hook into this book and say outright that this work does indeed compare favorably with the best of the original Twilight Zone. That’s a tall order but this is an exceptionally unique work. I don’t take such comparisons lightly and I have no problem striking down false claims that occur quite often. So, yes, this is the real deal with its finely modulated pace and attention to detail. It delivers that ethereal sensation that leaves you in a deliciously questioning mood. And, with its sophisticated flair, it will have strong appeal to adult readers while still appropriate for any age.

Much like an excellent episode of The Twilight Zone, every detail is accounted for right down to the title, The Furnace. What sort of furnace could this be? Well, as in any existential tale such as this, there’s a good deal of nihilism. This furnace first comes into view as a parent tries to explain to a child a highly complex (and compromised) adult endeavor. The explanation takes on grand metaphysical proportions while also clearly playing the role of an augury of sinister things to come. Just what is this parent trying to tell this child? A machine that keeps cookies locked away?


Witness the worry in the mesmerizing patterns in the sky.

We take so much for granted when it comes to comics. I digest quite a lot of comics, coming from a myriad of genres, publishers, and niches. A work like this is the Holy Grail of comics, to try to put it as plainly as possible. With a work like this, you are experiencing comics, both in art and in writing, at an extraordinary level. I’m sorry but work at this level is not for hobbyists. And I strongly believe that work at this level needs to be acknowledged as often as possible. It’s not only that Mr. Rollins can draw at an exquisite level. That alone will get you only so far. And the same can be said for nicely-paced prose. What stands out is a level of dedication and professionalism that results in astonishingly honest work. You view an episode of Twilight Zone running on all four cylinders and you see exactly what I mean. No one who just happens to love comics is going to crank this out overnight. No, sir. It doesn’t work that way. Here is someone who wrote and drew and colored a significant and highly-polished graphic novel all by himself. It happens–but not quite as often as you might think. And not nearly as good as this book!

What I really enjoy about The Furnace is that Mr. Rollins seems to not give a fig about all the time and effort required to tell his tale. He just does it–and he makes it look so easy. As a cartoonist who both writes and draws, I can tell you that this is quite labor-intensive stuff, especially if you do it all by hand, the old-fashioned way. Based upon the endnotes, where Mr. Rollins shares his process, he did indeed do it all by hand. And here’s the irony. While it is devilishly hard work, if you stop and think about it too much, it can be a very satisfactory activity. You reach a point, towards the end of such a project, when your skills are at a well-oiled level, that you simply don’t want to stop. You actually want to do more and so, if you’re fortunate, you simply jump on to the next project.

“I’m having a ball!”

Each character in this book is quite palpable, a true living and breathing entity. The key bone of contention is between two ambitious young men who find themselves at the precipice of a watershed moment with staggering consequences. Marc holds the key to what comes next and also has the power to stop it, if he were so inclined. Walton, while very capable in his own right, is stuck with being in Marc’s shadow. Walton is the guy that a genius goes to for some assistance, not for collaboration. Our story is told in various pieces looking back from the perspective of a middle-aged, and bitter, Walton. He tells this tale to himself and, oddly enough, in a sanitized form, to Clara, his six-year-old daughter. To add to the tension, Clara’s face and demeanor often resemble a much older girl or woman. It doesn’t help that Clara keeps pushing the envelope for her age. For example, she insists upon calling her father by his first name. Walton’s wife sees no problem with this as she declares, matter-of-factly, that Clara simply doesn’t see Walton as her father.

You reach a point in a work when you either ease up a bit or you dive deeper. Mr. Rollins takes each dive and goes deeper. Thankfully, he is a writer who relishes in well-placed, finely-articulated dialogue and action. And, as happens deep in the process of making a work of comics such as this, the level of writing somehow blends and interlaces with the artwork. Your characters might be pensive or caught in the throes of a crisis and, akin to the background in a painting, character and environment meld together. The skies take on an eerie neurotic energy which is accomplished with crosshatching and patterning above and beyond what would satisfy a typical panel or page. And, thus, a remarkable moment is experienced…followed by another and another.

The best rendered ears in the business!

I sort of want to skirt around the issue of the actual plot because I don’t want to give too much away. In some respects, this is as much a character-driven narrative as anything else. It has a lot to do with the great distance we can create between our fellow humans, a recurring theme on The Twilight Zone. And the storytelling has a lot to do with evoking a certain state of mind, an ongoing concern, for sure, on The Twilight Zone. The Rollins touch is there in every way possible, right down to arguably the best rendered ears in the business! Yep, that little sample above of a finely-rendered Rollins ear speaks volumes. I honestly believe that the complexity and beauty of this work ranks up there with such landmark work as Watchmen, albeit on a smaller scale.

A utopian scene

It was indeed a pleasure for me to review another work by Prentis Rollins a while back. This was his magnificent guide to drawing comics, How to Draw Sci-Fi Utopias and Dystopias: Create the Futuristic Humans, Aliens, Robots, Vehicles, and Cities of Your Dreams and Nightmares, published by Monacelli Studio. In fact, the image above is a working drawing related to The Furnace. This particular image did not make it into the book but I thought it might make a nice treat to include here. Obviously, this book is a visual delight–and, without a doubt, a literary delight.

The Furnace is a 208-page full color trade paperback, available as of July 10, 2018. For more details, visit Tor Books right here. And be sure to visit Prentis Rollins at his website right here.

File this book under “Awesome Titles Near Level with Watchmen by Alan Moore and Dave Gibbons.”

Rating: 10/10

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Filed under Comics, Graphic Novel Reviews, graphic novels, Sci-Fi, science fiction, The Twilight Zone, Tor Books

Comics Review: Clockwork Lives: The Graphic Novel

Clockwork Lives: The Graphic Novel

Any escape might help to smooth
The unattractive truth
But the suburbs have no charms to soothe
The restless dreams of youth

–Neil Peart, RUSH – Subdivisions ( Signals Album 1982 )

Any kid growing up in the ’80s and in tune with popular music was listening to Rush in 1982. I fondly remember the single, “Subdivisions,” with its eerie biting satire. Flash forward thirty years, Rush released its 19th and final album, Clockwork Angels, in 2012. The lyrics written by Neil Pert, were adapted into a comic book mini-series by Boom Studios in 2014. And now we have a new Clockworks tale to tell, Clockwork Lives, published by Insight Comics. It is a treat for fans, new and old, promising to deliver something trippy and unusual, another ode to nonconformity.

If I were to storyboard out this narrative, I would be anticipating some really weird and fun visuals. Here’s the thing, this whole story is about dreams and telling stories where anything is possible. The premise is quite whimsical: the great clockworks conductor has passed away; if his sheltered daughter wishes to gain her inheritance, she must venture out into the world, beyond her little hamlet, and collect wonderful stories into a special book.

The Death of the Father

Be prepared to take in one intriguing image after another. It’s like Jethro Tull meets The Wizard of Oz. Or Ozzy Osborne meets Tintin. Or, better yet, steampunk meets The Canterbury Tales. So, curl up in a nice comfy chair and just take it all in. This is coming from Rush’s Neil Peart, after all. Co-writer Kevin J. Anderson worked with Peart on the original Clockwork Angels comics adaptation. As Anderson states in the Introduction, with this new tale, Peart and Anderson did not have album lyrics to guide them. This time out, the world of the Watchmaker, the Anarchist, and Albion, would be set free to develop further.

The Fortune Teller’s Tale

The art (Benjamin Rboly, GMB Chomichuk, Juan Vegas, Moy R., Tom Hodges, Tony Perna, Vic Malhotra) here is gorgeous with a true steampunk sensibility. And the cover, by the way, is designed by Hugh Syme, who did the covers and illustrations for Clockwork Angels and just about every single Rush album.

As our main character, the mellow Marinda Peake, soon learns, it’s good to strike out on one’s own. Before you know it, your life can blossom from a “mere sentence or two” to a true epic. It will prove an enjoyable journey for any reader.

Clockwork Lives: The Graphic Novel is a 176-page full color hardcover available as of June 26, 2018. For more details, visit Insight Comics.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions

Comics Review: Scoop, Vol. 1: Breaking News

Scoop, Vol. 1: Breaking News

The comics I’m enjoying the most lately are coming from Insight Comics. Scoop, Vol. 1: Breaking News is a perfect example of their fresh and engaging content. This is an action adventure featuring 14-year-old Sophie Cooper, a red-headed Cuban-American, high school freshman.

There are quite a lot of specifics here which add up to a story with unique depth and dimension. Sophie’s dad, the kind and responsible type, has been framed and placed under house arrest for embezzlement and money laundering. It is up to Sophie to prove her father’s innocence which leads her to become an intern at a local news station. One thing leads to another, and Sophie is piecing together Cuban history that is somehow connected to some pretty crazy secret lab experiments. I can see why this is just the first volume!

Scoop, Vol. 1: Breaking News

A growing trend for comics publishers is to feature more diverse main characters. Within the last few years, leading the way has been the character of teenage Kamala Khan, Marvel Comics’ first Muslim character to headline her own comic book, Ms. Marvel, which debuted in February 2014. Another compelling title, in the same spirit, is the soon to be released limited series, She Could Fly, featuring Luna, a 15-year-old hispanic high school sophomore, from the Dark Horse Comics imprint, Berger Books. This brings us to Sophie Cooper.

With Sophie Cooper, writer Richard Hamilton (Dragons: Race to the Edge) gives the reader yet another authentic voice. And artist Joseph Cooper (Marvel, DC, Valiant, Dynamite, and Image) proves to be an excellent collaborator. Rounding out the creative team are colorists Peter Pantazis and Alba Cardona. Some of the best comics are the result of a finely-structured collaborative process. That is certainly the case here right down to the details in production. This is a book that is a pleasure to read and behold.

Scoop, Vol. 1: Breaking News

Getting back to specifics, this comic will keep the reader engaged with various added touches. As explained in the afterword, nothing was left to chance. Pantazis and Cardona were careful to find just the right skin tones and just the right shade of firebrand red for Sophie’s hair. When it comes to evoking a sense of urgency and distress, Joe Cooper was sure to depict Sophie’s cracked cell phone and chewed fingernails. And, in story that includes UFOs and alligator-men, Richard Hamilton deftly adds various historical references including the 1953 attack of the Moncada Barracks that ignited the Cuban Revolution.

The unlikely team of Hal Ritz and Sophie Cooper.

In the course of this first volume, we follow Sophie as she navigates her way as an intern for a news station that is not exactly ready for prime time. Sophie discovers she has a nose for news and ends up helping the station’s veteran reporter, Hal Ritz, who shamelessly takes credit for an implausible lineup of journalistic achievements. But Hal is no fool either and readily spots Sophie as a rising talent and someone to keep an eye on. This unlikely team will need all the help they can get as they quickly find themselves well over their heads.

The Devil is in the Details.

Paranormal mystery meets conspiracy thriller in this action-packed comic for young adults. This has a fresh and original kick to it.

Scoop, Vol. 1: Breaking News is a 96-page full color trade paperback available as of June 19, 2018. For more details, visit Insight Comics.

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Filed under Comics, Cuba, Graphic Novel Reviews, graphic novels, Insight Comics, Insight Editions, mystery, Paranormal, Supernatural, Thriller, Young Adult