Category Archives: Graphic Novel Reviews

Review: SPILL ZONE by Scott Westerfeld and Alex Puvilland

SPILL ZONE by Scott Westerfeld and Alex Puvilland

A young adventurous woman, her pro camera, her motorcycle, and a most top secret site bursting with supernatural activity. All these elements come together nicely in the new graphic novel thriller, “Spill Zone,” written by Scott Westerfeld, drawn by Alex Puvilland, colors by Hilary Sycamore, published by First Second Books.

You can’t stop a girl and her Canon camera.

One thing I do want to tuck in here: you rarely see a brand name in a graphic novel. But no harm in showing one on occasion. In this case, our main character relies upon a Canon camera. I say to that, bravo. You can’t stop a girl and her Canon camera.

Back to our story: something really weird happened to the little town of Poughkeepsie, New York. Was it an accident involving nano technology and the local nuclear power plant? Are space aliens involved? No one dares to enter the Spill Zone, except for the local thrill-seeking artist, Addison Merritt. She sneaks past checkpoints, takes photos, and sneaks back home.

Rules of the Game.

It’s now just Addie and her younger sister, Lexa, ever since the accident took the lives of their parents. Westerfeld’s script seamlessly brings in various details. Puvilland’s lean style sets the tone. Sycamore’s colors dazzle the eye as they match the story’s mood.

The best thing about this graphic novel is that it successfully takes a lot of crazy fun ideas and lets them run wild. For a while, we don’t know why Addie keeps risking her life to take photos within a toxic spill zone. A big part of it has to do with her stumbling upon a way to support herself and her sister. She sells her photography for top dollar to art collectors. But it gets more complex than that.

Addie and some toxic rats.

Both Addie and her troubled little sis Lex are being lured into something far more dark and sinister. By the end of this book, we have gotten to know these two girls fairly well. We have also gotten to know Verpertine, the doll that talks only to Lex. Vespertine dials up the creepy factor whenever she appears and is one of the compelling reasons to look forward to the next volume to this series.

SPILL ZONE is a full color 224-page hardcover available as of May 2nd. For more details, and how to purchase, go to the Spill Zone website right here.

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Filed under Canon cameras, Comics, First Second, Graphic Novel Reviews, graphic novels, Photography

Review: ‘Ville avoisinant la Terre’ by Jorj A. Mhaya

Our hero

Taking a global view, there’s isn’t a hotter book right now than “Ville avoisinant la Terre,” by Jorj A. Mhaya. It was originally published in Arabic in 2011 by Dar Onboz. And it has been recently translated into French by Éditions Denoël. This is a gorgeous book and it is only a matter of time before there is an English translation. In the meantime, I would encourage you to seek it out now and get ahead of the pack. If you enjoy the convenience of Amazon, you can find it right here. Let’s take a closer look.

The setting: Beirut, Lebanon

Over years, I’ve enjoyed a number of comics in languages I don’t know well or at all. For example, you don’t have to know French to enjoy the artwork of Blutch or Tardi. And so it is with the artwork of Mhaya. He has a wonderfully sensitive and expressive line punctuated by his use of China black ink wash.

A map for some context.

You will get much of the gist of the narrative by simply following along our main character, Farid Tawill, a typical office worker from Beirut. It may be evident from what you see but, just in case, this man’s world has been turned upside down. On his way home from the office, he finds that the apartment building where he lives with his family has disappeared. Further along his search, he finds his whole city as become alien to him. Like a character out of Kafka, or from an episode of “The Twilight Zone,” our hero appears to be in an alternate reality.

Front cover of “Ville avoisinant la Terre” by Jorj A. Mhaya

Alienation is a favorite subject in art. Edvard Munch’s “Scream” series, first begun in 1893, is the most famous example. And it comes as no surprise that, over a hundred years later, we find Munch quite relevant–feel compelled to add more to the discourse on disconnection–and see how the world has forged some pretty heavy links. It’s not lost on Mhaya from his vantage point in Beirut.

Back cover of “Ville avoisinant la Terre” by Jorj A. Mhaya

Mhaya wants you to feel the surreal quality to his homeland. He has stated that he gained a lot of insight from the photojournalism he grew up with: the urgent black & white news photos during the Beirut civil war in the ’70s and ’80s help to inform his moody ink wash artwork.

Page excerpt from VLAT

How much more absurd can life seem to be than to live in a perpetual war zone? No wonder Mhaya has an obese Batman character chasing our hero down the streets.

Page excerpt from VLAT

What Mhaya has done with this book is set up a vehicle upon which to comment upon the absurdity of life, weaving back and forth from the specifics (his own experiences, views, and concepts) and the general human condition. This is what any great novelist, filmmaker, painter, etc. does on some level: set the stage and then perform. It is certainly a process well suited for a graphic novelist.

Page excerpt from VLAT

So, you can see that you can do very well from just reading the images. Yes, you do want the text. In fact, you do need the text. But we can live with just the images. We see the little hooks that motivate the artist: everything from a close-up of a mangy dog to a close-up of a woman’s pretty feet. This or that panel do not just appear out of nowhere. The dog is a symbol of isolation. The feet are a symbol of release.

Page excerpt from VLAT

It appears that our hero is forced to confront his life in every which way possible: philosophical, emotional, sexual, intellectual. He is not just in an alternate reality. He is in a place that forces him to experience a heightened sense of reality. His choices, what he learns, what he survives, will determine his fate.

“Ville avoisinant la Terre” by Jorj A. Mhaya

And here I am commenting up a storm and I’m only relying upon the pictures! Well, it makes total sense that this book went first with a French translation in order to make the natural progression to being part of the prestigious Angoulême Comics Festival. And now English readers can’t wait to join in. The loose translation in English to this book is “City Neighboring the Earth.” I look forward to that title in the near future.

“Ville avoisinant la Terre,” by Jorj A. Mhaya, is an 88-page hardcover, black & white with tones, translated into French by Éditions Denoël. Find it at Amazon right here.

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Review: ‘Cousin Joseph: A Graphic Novel’ by Jules Feiffer

Panel: Where Did America Go?

Jules Feiffer tackles drawing a page of comics much in the way that a painter tackles a canvas. He gets in there with a muscular expressive line and then it’s all, wow, Feiffer has landed another punch, all with such graceful fluidity. You most likely know Jules Feiffer as the writer of one of your favorite books from childhood, 1961’s “The Phantom Tollbooth.” Well, Mr. Feiffer maintains quite an output of stories both drawn and written or strictly in prose. One of his most celebrated plays, and a favorite of mine, is the 1967 dark comedy, “Little Murders.”

I’ve always admired Feiffer’s work and his quirky style of drawing. When he said in an interview that he is only now mastering the art of drawing, I could understand the modesty. It was similar to Akira Kurosawa making a similar comment about filmmaking. Feiffer was adamant about it. Kurosawa was just as humble. Great artists are their own worst critics. Feiffer was saying this in regards to his entry into the world of graphic novels. With the recently released “Cousin Joseph,” Feiffer is midway through a noir trilogy with a spirited plot and a gritty vibe reminiscent of the work of Milton Caniff. I can assure you, the master is doing a fine job here.

Sam out on a job.

What you need to keep in mind about Feiffer is that he is equal parts writer and artist. Perhaps, if he had to choose, he would only be a writer. That’s just to say that his writing is of a caliber that it can certainly stand alone. However, the drawings cannot be denied. A graphic novel, at least a good one, results when the attraction between the words and images becomes so overwhelming that a union is inevitable, essential. That’s what I conclude from reading “Cousin Joseph.” I can see that Feiffer’s narrative is bubbling with ideas. Sometimes an extended prose passage needs proper venting. But, for the most part, this is a dance between word and image.

Calm before the storm.

Feiffer is an artist in his eighties in good health and still creating marvelous work. Much like his dear friend and fellow cartooning legend, Edward Sorel, he continues to gain strength and joy from his work. Cartoonists, like many other artists, tend to live long lives. Cartoonists, in particular, seem to have really got it figured out. But getting back to the book, the story makes for a great stand alone, no prior knowledge of the first volume is needed. The main character is Sam, a police detective who seems alright with skirting the law in favor of working for a mysterious client.

All in a day’s work.

The mysterious client that Sam works for is simply known as, “Cousin Joseph.” He has a murky agenda that Sam has never questioned. In fact, as far as Sam’s concerned, the big guy in the mansion was actually doing some good, instilling solid American values. It’s America in the 1930s. Bread lines blur into persistent threats of Communists lurking in the shadows. Somebody’s gotta do something, right? That notion seems to stick for a while. Gradually, it dawns on Sam that the big guy is not the patriot he makes out to be. Feiffer paints a compelling portrait of Sam, a man with his own dark side.

Another flawed character is Valerie, the teenaged daughter of the owner of a factory who is none too keen on unionizing. Valeries’s weakness is a sex addiction. She can’t help herself from preying upon any underage boy she can get her hands on. Later, she turns to any man who she can entice. While a little older than the boys she lures into her web, Valerie is nothing more than a child herself. She, and the boys, provide an opportunity for Feiffer to do what he does so well, to speak to the often betrayed and wounded heart of childhood. The story, as a whole, speaks to betrayed and wounded hearts everywhere.

‘Cousin Joseph: A Graphic Novel’ is a 128-page hardcover, black & white with tones, published by the Liveright imprint. For more details, visit W.W. Norton & Co. right here.

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Filed under Comics, Crime Fiction, Graphic Novel Reviews, graphic novels, Jules Feiffer, Noir

Review: ‘Paradise Lost: A Graphic Novel’

“Paradise Lost: A Graphic Novel” by Pablo Auladell

Spanish artist Pablo Auladell battled with demons and angels for some years before he ultimately created a graphic novel based upon the landmark in English lit, John Milton’s “Paradise Lost.” As many a college student will attest, reading this masterpiece can be a bit of slog, but a noble slog. As you immerse yourself in the text, the imagery comes alive. And so this is what happens when a skilled and nimble artist interprets this mighty tome. You get, “Paradise Lost: A Graphic Novel” The new translation by Angela Gurria has just been published by Pegasus Books.

For those familiar as well as new to it, this artful take on Milton’s most famous work is quite satisfying. It’s fascinating to study how Auladell went about interpreting some of the most iconic characters and images of all time. No doubt, it wasn’t easy. As anyone who has ever fancied going about creating their own graphic novel (good luck) and actually followed through, the whole process is quite time-consuming. The level of commitment is very demanding. Auladell is certainly up to the task.

Pages from “Paradise Lost: A Graphic Novel”

The only expectation for the reader is that here is a compelling reimagining of Milton’s epic poem on humanity’s fall from grace. Here is the monumental clash between God and Satan, good and evil, and life and death. For Auladell, he’s accomplished an ambitious work, put his personal stamp upon one of the greatest work of the ages.

Pages from “Paradise Lost: A Graphic Novel”

A work at this level is years in the making. Not days or months but years. There are so many people who wish to create their own graphic novel. But are they really prepared to put in the time required to create something worthwhile? Well, perhaps with the right combination of passion and persistence, each hopeful can achieve their particular dream. One key to all this is pacing one’s self. That’s the big secret. You need to pace yourself. Auladell did exactly that. He embarked upon one phase of the book and then another with no guarantee of a final result other than what pure persistence might promise. One creates hooks for one’s self. For example, Auladell chose to place a jaunty hat upon Satan’s head. That’s a hook that helps to inspire him to draw a legion of demons flying up ahead and so on down the line.

Page excerpt from “Paradise Lost: A Graphic Novel”

So this book is as much as study on the work itself as a study on the progress of creating such a work. As Auladell states in his introduction, he is self-conscious of how the work developed in stages. But to the reader, it will read as a smooth narrative due to an overall consistent quality. In Auladell’s case, he has already set the bar high so we are going from excellent work to even greater work.

“Paradise Lost: A Graphic Novel” is a 320-page hardcover available as of April 4, 2017. For more details, visit Pegasus Books right here.

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Filed under Art, Art books, Comics, Devil, God, Graphic Novel Reviews, graphic novels, Pegasus Books, Satan, Spain

Review: LOOK by Jon Nielsen

Page excerpt from LOOK

If you are looking for a fun and light all-ages graphic novel that tackles the big questions, then consider “Look,” by Jon Nielsen, published by NBM Publishing.

This is quite an engaging story told in a gentle tone with wry humor. Jon Nielsen has a fantastic track record with his webcomic, Massive Pwnage. This latest work provides a similar mix of goofy humor and thoughtful observation.

So, what goes on in this book? Well, plenty. First of all, if you can’t empathize with a sensitive robot seeking an epiphany, then I can’t help you. But, if you are, then you’re in luck. This story also includes a robot vulture sidekick!

Page excerpt from LOOK

Drawn in a very clean and spare style, Nielsen presents a comic that is easy on the eyes with a sharp style sense. If you enjoyed the misadventures of Wall-E, then you will definitely have a place in your heart for the misadventures of R-TY, or “Artie,” to his friends. And you’ll love this vulture bot, O-WN, or “Owen,” to his friends. These two don’t really know much outside of a rigorous routine they’ve been following for years until one day…the big questions have to be asked, like, “Why are we here?”

LOOK by Jon Nielsen

LOOK is a 144-page hardcover, priced at $15.99 US, available as of April 1st. For more details, visit NBM Publishing right here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, NBM, NBM Publishing, Webcomics

Review: LITTLE TULIP by Jerome Charyn and François Boucq

LITTLE TULIP by Jerome Charyn and François Boucq

LITTLE TULIP, a graphic novel recently reissued by Dover Publications, by Jerome Charyn and François Boucq, is definitely not something that is cooked up overnight. No, on the contrary, like anything worthwhile, this is a work that is carefully constructed with meticulous precision. It only looks effortless, and it is the sort of comics that I prefer.

Paul, the master, teaches Azami, the apprentice.

This graphic novel immerses the reader in Soviet prison tattoo culture. Within the Russian underground community, these unique tattoos formed a service record of a criminal’s transgressions. Skulls denoted a criminal authority. A cat represented a thief. And, in the case of our story, a tulip represented a young person joining the ranks of a gang. Today, these same tattoos have become fashion statements because of their mystery and fierce beauty. They were, then and now, a way to step beyond the ordinary. For our main character, Paul, they were also a way to step beyond the horrors of the gulag.

Page from LITTLE TULIP: New York City, 1970

Our present setting is New York City, 1970. There is a serial killer on the loose. Paul runs his own tattoo shop and is also a police sketch artist. His work with the police is more than just a gig but a calling, a way to seek justice. Not only does Paul have that uncanny ability to render a likeness based upon a witness’s verbal description, he also has a sixth sense about criminals. He will often act as a medium for hard to crack cases. There may be honor among thieves but, for Paul, there are crimes that compel no mercy.

Paul came from an American family that chose to live in Moscow for a while. The timing could not have been worse since this was the 1950s during the reign of Stalin and the secret police. One misunderstanding too many and the whole family gets shipped off to Siberia where they are immediately separated into a gulag. But, just as all hope may be lost, Paul, now Pavel, has inherited from his father an artistic sensibility that will help him endure the worst.

Page from LITTLE TULIP: Train Trip to Siberia

This is a story as much about one man’s journey among hardened criminals as it is a story about how life and art commingle, how art can save one’s soul. This is a multi-layered masterpiece of a script by renowned writer Jerome Charyn; and a breathtaking, bold, and completely enthralling work of art by renowned artist François Boucq. The structure of this graphic novel is just impeccable: a story told at a easy and natural pace with room enough for metaphysical musings.

More more details on LITTLE TULIP, and how to purchase, visit Dover Publications right here.

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Filed under Comics, Crime, Crime Fiction, Dover Publications, François Boucq, Graphic Novel Reviews, graphic novels, Jerome Charyn, New York City, Russia, Tattoos

Review: ‘Witch Doctor, Vol. 1: Under the Knife’

Penny Must Be Fed!

I am still doing a bit of catching up since Emerald City Comicon. It was a privilege to get to interview some of the folks connected with Skybound Entertainment, one of the imprints at Image Comics. While I was browsing through the tables at Artist Alley, I got to chat with Lukas Ketner and he has the distinction of being attached, with writer Brandon Seifert, to Witch Doctor, the first Skybound Original published by Skybound, beginning in June 2011. Lukas was fun to talk to and encouraged me to give Witch Doctor a try if I hadn’t already. Too often, it takes me a while to warm up to horror titles. But, if the title is good, I am liable to become one of its biggest fans. So is the case with the quirky, unpredictable, and totally entertaining Witch Doctor.

Dr. Morrow and Absinthe O’Riley, curator of the Museum of Supernatural History.

What both Seifert and Ketner have set out to do is marry the best of gothic horror with a contemporary CSI vibe. Vampires, for example, are always an interesting topic for discussion. Plenty of theories out there on what makes these strange critters tick. For Brandon Seifert, a former medical student turned comic book writer, he has his own choice contributions…and they can get pretty bloody disgusting. But that’s part of the fun, right?

This is one dazzling work of comics.

Back to Lukas Ketner, the awesome illustrator on this series, he has gone above and beyond in giving us quite a look and feel to our proceedings. I think one of his crowing achievements is the good doctor’s patient/helper, one hauntingly beautiful yet thoroughly hideous Penelope “Penny” Dreadful. She was once a cute young art student with nothing more dire to consider than the state of contemporary art. Then one day, Penelope is infected by a most diabolical parasite that burrows its way into her. It seems that she just barely still exists, if at all. But Penny struck a bargain with our main character, Dr. Vincent, “the Witch Doctor” Morrow. Given Penny’s tremendous ability to slice and dice monsters, she helps the doctor on his special assignments while he keeps her/it fed and attempts to cure her. Penny Dreadful brings to mind Christina Ricci, as channeled by Mark Ryden, while still retaining its own peculiar vibe.

As for the good doctor, you can think of Dr. Vincent Morrow as something of a horror version of Doctor Who. This is a very dapper and clever fellow. And, just like the Doctor Who on the telly, you always have that odd sensation that anything can happen. This comic book series is stylish, clever, and often hilarious horror! One of the biggest mistakes a horror writer and/or fan can make is to just follow the blood. Fixating on the blood alone is, well, just bloody. Ultimately, that is a dead end. Thankfully, Seifert and Ketner create horror with a true heart pumping all along the way. This is one dazzling work of comics.

WITCH DOCTOR by Brandon Seifert and Lukas Ketner

Skybound Entertainment is an American entertainment company founded by Robert Kirkman and David Alpert in 2010. It produces content for comic books, film, television, and other media. For more details on Witch Doctor, if you have not already, proceed to the first volume collection, “Witch Doctor, Vol. 1: Under the Knife,” and use caution or sheer abandon–whatever works for you.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Image Comics, Robert Kirkman, Skybound Entertainment

Review: METEOR MEN by Jeff Parker, Sandy Jarrell, & Kevin Volo

The fate of the world rests on the shoulders of Alden Baylor.

The ideal graphic novel expresses one elegant theme over the span of about 100 pages and leaves the reader invigorated. METEOR MEN is such an example. Boy meets space alien. This is a story that turns that trope on its head over the course of a mix of realism and the supernatural. Jeff Parker (Batman ’66, Future Quest) writes a script with his distinctive quirky worldview. Sandy Jarrell (Batman ’66, Unfair) provides artwork that responds right back to Parker’s offbeat style. And Kevin Volo (Rex Zombie Killer, Max & Thorne) provides colors in step with this moody, enigmatic, and totally riveting tale.

Panel excerpt from METEOR MEN

If and when the aliens do descend from the skies, they won’t be anything like in the movies. They will be something totally out of the realm of our experience. That is a key point in any number of sci-fi tales. And that doesn’t stop Parker, like the seasoned pro that he is, from going in there and telling us his version. So, we begin with Alden Baylor, a teenager who already has much on his mind prior to any alien invasion. The kid is sitting pretty on an estate he’s inherited. Alden’s parents died in a car crash and his uncle is his guardian. So, Alden makes for an ideal young princely sort, complete with a common touch, not fully aware of his high station in life. He’s sensitive and gentle and will prove to make a great representative for us humans.

Page excerpt from METEOR MEN

We come to see that an alien race has descended all over Earth via a meteor shower. Among all the potential human connections that could have been made everywhere from Moscow to Timbuktu, the only one that takes hold is the one between Alden and the space creature that crash landed on his property. Alden’s alien friend is melancholy and mysterious. But, push comes to shove, and this guy is potentially dangerous–all for the sake of protecting Alden. Deeper into our tale, Alden learns far more than he ever imagined he would ever know not only about extraterrestrial life but about the very essence of existence.

Among alt-comics, there are basically two fronts: the more low-key comics that rely upon a niche audience; and the more vibrant comics that reach out to a wider readership. METEOR MAN is a vibrant comic. Of course, the hope is that any truly worthwhile comic finds readers even if it is essentially a labor of love. I see METEOR MAN as one of those “labor of love” projects that catches on with casual as well as seasoned readers of comics. Word of mouth has boosted its visibility and it has received good press, including a glowing review from WIRED MAGAZINE. I’m happy to add my praise.

METEOR MEN by Jeff Parker, Sandy Jarrell, & Kevin Volo

METEOR MAN is a 128-page full cover trade paperback. For more details, visit Oni Press right here. Order it through Amazon right here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Jeff Parker, Oni Press, Sci-Fi, science fiction, Young Adult

Review: THE BEST WE COULD DO by Thi Bui

THE BEST WE COULD DO by Thi Bui

THE BEST WE COULD DO, by Thi Bui and published by Abrams ComicArts, is one of those rare graphic novels with an in depth family theme. This sort of book belongs in the select group of titles like PERSEPOLIS and FUN HOME. In fact, you usually need to turn to the superhero genre, with all its universes and lineages, to find a story in comics that focuses on anything remotely to do with family. I say this tongue-in-cheek but it’s fairly true. Anyway, anytime you add family, you are likely adding something interesting to your story. What happens in Bui’s graphic novel is thoughtful, funny, and totally interesting. When was the last time you read an epic saga about a Vietnamese family? Well, this fills that void in a very compelling way.

Page excerpt from THE BEST WE COULD DO

Thi Bui studied art and law, thought about becoming a civil rights lawyer, but became a public school teacher instead. Someone with that kind of background is just the sort of cerebral and sensitive type of person who gravitates to creating comics. Bui was born in Vietnam and arrived in America with her family as a refugee from the Vietnam War. Her immigrant experience, without a doubt, is part of a continuum that will outlive our current political machinations. This is a story that goes beyond that and addresses the struggles that any family will confront as one generation must come to terms with another. It is also a story about finding one’s self both within and outside the context of family. As Bui discovers, close proximity to family does not necessary mean close ties to family.

Page excerpt from THE BEST WE COULD DO

Overall, Bui has adopted a solid alt-comics approach to her work. It has that intimacy and spontaneity that evokes work coming out of a sketchbook. While Bui is not a career cartoonist who has honed years of experimentation with comics, she provides an engaging and polished style. It will be interesting to see if she chooses to further develop her work in the comics medium. She has created a beautiful book.

Page excerpt from THE BEST WE COULD DO

“The Best We Could Do: An Illustrated Memoir” is a 336-page hardcover available as of March 7th. For more details, visit Abrams ComicArts right here. You can purchase through Amazon right here.

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Filed under Abrams, Abrams ComicArts, Comics, Family, Graphic Novel Reviews, graphic novels, Immigrants, Immigration, Vietnam, Vietnam War

ECCC 2017 Review: TOUCHING EVIL VOL. 1: THE CURSE ESCAPES

Close-up on panel from TOUCHING EVIL

Dan Dougherty is an award-winning author and illustrator. He is known for his humor comic strip, BEARDO, as well as various genre comic books. TOUCHING EVIL is an ongoing supernatural thriller series. It has an otherworldly quality about it that will compel you to keep reading. Dougherty has recently collected the first seven issues into one volume. Here is a taste of what you can expect in the following review. I also got a chance to chat with Dan for a bit at Emerald City Comicon and we did a quick video interview that you can check out at the end.

Panel excerpt from TOUCHING EVIL

Getting back to TOUCHING EVIL, there is much to say. First off, Dougherty has an uncanny way, both with his writing and his drawing, of calibrating a moment. Let me set this up. Our main character, Ada, is a beautiful and vibrant woman in the prime of life. She has a promising career as an attorney. She has a teenage son. And then, one day, she is assigned a task that results in a tragic outcome of supernatural proportions. When this happens, it seems oddly inevitable.

Essentially, Ada has the power of life or death over anyone with dark intentions. She touches them. They die. Meanwhile, her son has taken to wearing these black leather gloves with skeleton fingers. All this leads up to a pivotal moment: in order to secure she doesn’t accidently kill her own troubled son, Ada manages to slip on her son’s gloves before she hugs him. This is one of those masterful Dougherty moments: a sorrowful mother, her skeletal hands resting on the back of her son.

Page excerpt from TOUCHING EVIL

This is some wild story, if I haven’t made that clear yet. It gets under your skin, burrows its way in. Think The Twilight Zone meets Breaking Bad. It’s a certain vibe that hooks you in. Dougherty revels in well-placed details that later on elaborately blow up. A key aspect to the curse that Ada inherits is that anyone who she ends up executing by touch is a new soul who inhabits her mind. The death count mounts, as you may expect, and it gets crowded in Ada’s head. There’s a play within a play going on. Or you can think of it as a horror version of “Being John Malkovich.” Parts horror, cerebral, and offbeat humor, this is a highly engaging graphic novel.

Page excerpt from TOUCHING EVIL

And I get back to how Dougherty draws. His style is clean and crisp. Dougherty can make you believe you’re in a scary penitentiary and you’re walking down to its scariest section, The Ghost Room. He will make you believe in ghosts, demons, and being trapped in hell. And, without a doubt, you’ll get wrapped up in Ada’s plight.

Page excerpt from TOUCHING EVIL

Dan Dougherty is one of those talents in comics who is doing everything right. Well, that’s certainly an understatement. Whatever Dougherty does, it is going to continue to work out well. Maybe he’ll just follow a Jeff Smith model and keep building up what’s he doing on his own. He is an exciting talent and I highly recommend that you seek out this very intriguing work.

TOUCHING EVIL by Dan Dougherty

TOUCHING EVIL VOL. 1: THE CURSE ESCAPES is a full color 240-page graphic novel written and illustrated by Dan Dougherty.
Colors: Kanila Tripp and Wesley Wong
Cover art: Tom Kelly, with interior covers by Stephen Bryant
Additional inks: Monica Ras

This limited edition 240-page hardcover collects issues 1-7, as well as a never-before-seen bonus story, pinup gallery with art from Ryan Browne, Andrew Dimitt, Tom Kelly, and Doug Klauba! Read “season one” of Touching Evil in its most beautiful presentation!

Visit Dan Dougherty right here.

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Filed under Beardo Comics, Comics, Dan Dougherty, Graphic Novel Reviews, graphic novels, Horror, Supernatural, Supernatural Horror