Tag Archives: Nikola Tesla

June 30, 2015 · 1:00 pm

Review: Herald: Lovecraft & Tesla Vol. 1 (#1-3)

Much in the spirit of Alan Moore and Kevin O’Neill’s “The League of Extraordinary Gentlemen,” the action-and-character-packed “Herald: Lovecraft and Tesla” manages to deliver on its ambitious promise. You certainly have a sense of urgency going on as we see Amelia Earhart running smack into her ill-fated destiny with key figures, Nikola Tesla, H.P. Lovecraft, and even Albert Einstein, determined to save her. Of course, Amelia would say that a woman doesn’t need any saving! All this glorious activity, written by John Reilly, is brought into a crisp clarity by the pencils of Tom Rogers. And then that is given a warm glow and finish by Dexter Weeks in charge of inks, coloring, and lettering. The new trade paperback collects the first three issues to this six-issue series, published by Action Lab Entertainment.

This is exactly what you would hope it would be: a faithfully realized adventure mashup with a steampunk energy running throughout. You don’t just get all the famous players lined up or lounging about. They’re really walking and talking characters and substantial references are made to who they are and what might motivate them to travel in similar circles. Well, in this case, truth can be stranger than fiction. For instance, the real Nikola Tesla actually did hang out with Mark Twain. Thankfully, the narrative picks up on some essential truths, like the fact that Nikola Tesla, despite his brilliance, was taken to the cleaners by Thomas Edison. Or the fact that the athletic Harry Houdini was actually friends with the intellectual Lovecraft. These choice bits of factoids are treated lightly and smoothly.

We also don’t waste any time in getting to a free-wheeling fantasy, particularly the romantic pairing of Tesla with Earhart. You have to have these two together for the rest of the story to work. It’s Earhart who somehow gets caught up in swiping one of Tesla’s experiments. And this leads to the big chase that slides into confrontations with ancient gods, secret societies, strange technologies, and even occultist Aleister Crowley.

Hats off to Tom Rogers for his spirited depictions of everyone involved and his dynamic handling of settings. He has quite an energetic style that mingles a tight adherence to details with a lively effortless quality. He really enjoys bringing in an intense angular look to his people and places. What Rogers makes look bold and smooth, might turn out stilted in a lesser talent. So, there, you’ve got a very solid creative team all working together on something special, something that I can actually get excited about.

If you happen to be Beaverton, Oregon, this Wednesday, July 1st, stop by the Things From Another World comics shop to see Tom Rogers in person as he’ll be there signing from 3:00 to 6:00 p.m. To RSVP and check out more details on that event, go right here.

And visit our friends at Action Lab Entertainment right here.

Interview: Jeff Smith Talks About BONE, RASL, and THE BEST AMERICAN COMICS 2013

It is an honor to get to interview master cartoonist Jeff Smith, creator of the landmark comics series, “Bone.” There are many subjects to cover with such a giant in comics. For this interview, we focus on the recent release of the collected hardcover edition of his sci-fi noir work, “RASL,” (reviewed here) and his role as guest editor of the just released “The Best American Comics 2013,” anthology (reviewed here).

In this interview, we get down to what matters most, those things that cause a spark in childhood and lead the way for a lifetime. The spark I am thinking of is when a 9-year-old Jeff was quite impressed by a animated feature he saw on TV, “The Pogo Special Birthday Special.” Already, the title of such a show hints at something offbeat. It was the only time that Walt Kelly’s “Pogo” was to be animated and that was by yet another legend, Chuck Jones. The very next day, Jeff received a collection of “Pogo” comics from a classmate. That got Jeff to thinking and set him on his life’s path.

We chat about Nikola Tesla, the offbeat superstar of science in many circles today. He figures large in “RASL.”

From “Best American Comics 2013”: Jesse Jacobs’s “The Divine Manifestation of a Singular Impulse,” excerpt from “By This Shall You Know Him”

And we take a quick tour of “The Best American Comics 2013.” To be fair, Jeff did not have his copy with him so we only discuss some highlights to the book. Suffice it to say, what we do cover gives you a sense of what Jeff was looking for as he made his selections. And while he loves each piece in the book, he does speak fondly of Jesse Jacobs. Smith’s art is far more detailed and realistic, in comparison to Jacobs’s, but it’s clear that they share a similar fanciful sensibility.

You can listen to the full interview by clicking just below:

You can visit Jeff Smith here.

“The Best American Comics 2013,” is published by Houghton Mifflin Harcourt and you can get your copy here.

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Filed under Best American Comics, Comics, Interviews, Jeff Smith, RASL

Tagged as Art, arts, Best American Comics, Books, Chuck Jones, comics, Entertainment, graphic novels, Interviews, Jeff Smith, Jesse Jacobs, Nikola Tesla, Noir, Pop Culture, Publishing, Sci-Fi, Science Fiction

September 30, 2013 · 8:06 pm

Review: RASL by Jeff Smith

Nikola Tesla, the man that Thomas Edison viciously attempted to discredit, has emerged from the fringes and regained his role as the top wizard in the public’s mind. Among the new crop of science fiction that he’s inspired, there is Jeff Smith’s remarkable new graphic novel, “RASL.” Originally a comic book series, starting in 2008, this hardcover collected work goes a long way in stoking the fires of popular imagination.

“RASL,” which stands for “Romance At the Speed of Light,” is a multi-layered roller coaster of a story. Our hero, or anti-hero, goes by the nickname of “Rasl” and, in our first look at him, he appears to be little more than a thief, although a highly unusual and sophisticated one. We see him hang off a high-rise ledge, pop into a penthouse apartment, and make away with an original Picasso. He fights off a lizard-faced man. And he escapes by being zapped by a turbojet contraption. Yeah, then things really go nuts.

Rasl, it turns out, is far more than the coolest thief ever. He’s Dr. Robert Johnson, a genius-level scientist who has gotten a little too close to the military industrial complex. The good doctor knows too much and is left burdened with figuring out what to do with this special knowledge. Much like all of humanity has been burdened since the atomic genie was let out of the bottle, something else is on the horizon to threaten everyone–but this one is not going to fit in any silo.

In matters of life and death, all bets are off and anything can happen. Smith plays quite well with this sort of high-octane tension. It’s a “North by Northwest” kind of pacing mixed in with a doomsday scenario that cleverly unleashes many a favorite sci-fi theme. You get the Philadelphia Experiment mashed with the Tunguska Event. And you most assuredly get a close look at the world of Nikola Tesla. It is Tesla technology, after all, that allows Rasl to “drift” through dimensions.

What keeps this narrative grounded is Rasl and the circle of characters he interacts with on his journey. There are two women, for instance, that are key to helping him maintain his sanity, let alone complete his mission. There is Annie, who only really knows Rasl as a bushy-haired hoodlum. And there’s Maya, who only really knows Rob, the great man of science. She also happens to know Rob as her lover. Too bad she’s also married to Rob’s lab partner, Miles. Between the two of them, Miles and Rob can provide the greatest scientific breakthrough in ages–if only it were that easy and morally unambiguous.

Drawn in a very clean and animated way, “RASL” is a joy to behold. The characters are all very compelling and the storytelling is immersive. It is perfectly tuned which is what makes what unfolds all the more captivating. Rasl must not only deal with what to do to potentially save the planet. He must confront what it means to exist in the first place. Not only that, given the magnitude of this misadventure, the very notion of reality is explored, just like it is in any good work of science fiction. What makes Smith’s tale special is his thoughtful selection of what to bring to the table.