Category Archives: pop culture

Book Review: WHY COMICS? by Hillary Chute

WHY COMICS? by Hillary Chute

“Why Comics? From Underground to Everywhere,” by Hillary Chute, published by HarperCollins, is a highly informative, accessible, and delightful look at the evolution of comics, with the primary focus on American comics. As the title suggests, what used to be strictly an underground thing has now emerged virtually everywhere. Chute’s goal is to unpack that phenomenon. She goes about it with great enthusiasm and clearly makes a significant contribution to the ongoing writing about comics. This is a must-read for anyone interested in pop culture, comics, and art in general.

Zap Comix #1, 1968

Okay, so comics are everywhere. Who, for instance, are the characters gracing the cover to this book? Chute, a natural teacher, is so glad you asked. She will come right out and tell you who and then explain the interconnections. First of all, this is Maggie and Hopey, lead characters in what is understood by many to be the greatest ongoing comic of them all, “Love and Rockets,” by the Hernandez Brothers. Where did this comic come from? How does it fit in with other comics? Why is this comic significant? Ah, for that matter, you may shout out, “Why Comics?!” Chute is happy to answer all your questions and much more. Well, this comic is part of a second wave of underground comics in the ’80s. And this comic is a response to a lot of things, including a lack of diversity in mainstream comics. But, before that, there was the original wave of underground comics in the Sixties led by R. Crumb and his Zap Comix. And, as many a conversation on the comics convention floor on zines and mini-comics will attest, even today’s superhero comics genre all began as indie comics by two teenagers, Jerry Siegel and Joe Shuster.

Page excerpt from Art Spiegelman’s MAUS

Chute’s search for patterns in the making of comics leads her to some of the most celebrated trailblazers, notably Art Spiegelman. Chute was the associate editor of “MetaMaus,” the definitive companion to Spiegelman’s “Maus,” and she has a great deal of insight to share. Chute guides the reader from Spiegelman, in his youth in San Francisco to his subsequent work in earnest. It was in 1972 that Justin Green, author of the first autobio comic, “Binky Brown Meets the Holy Virgin Mary,” invited Spiegelman to contribute to a comics anthology. The only stipulation was that the work had to feature anthropomorphic animal characters. And so began Spiegelman’s first steps toward the work in comics most people are aware of, “Maus.” Chute then follows Spiegelman’s progress as he reaches great heights of creativity. Here below, Chute describes how Spiegelman plays with the fluidity of time:

“Spiegelman creates a physical connection between panels set in the past and panels set in the present, linking them, as in panels in which Art’s cigarette smoke is figured as the smoke coming out of an Auschwitz crematorium chimney directly below it on the page. But in others, he exploits the language of comics–the convention that each panel represents a distinct moment of time–to make two different time periods literally intertwine. We see this in the striking page in which Vladek, Art, and Françoise–herself a character in ‘Maus’–converse in the Catskills during a summer visit to Vladek’s bungalow. On their way to the supermarket in the car, Art changes the topic from his stepmother, Mala, to Auschwitz, asking his father about a prisoner revolt. The last panel of the page, in which Vladek describes its fallout, is its largest: as the family car weaves through dense rural roads, the legs of four Jewish girls hanged in Auschwitz after the revolt–witnessed firsthand by Vladek–suddenly appear dangling from the trees. The 1940s and the ’70s collapse, as Spiegelman shows, wordlessly, how the traumatic past lives on in the present.”

Page excerpt from Marjane Satrapi’s PERSEPOLIS

Much in the same way that the 1951 landmark coming-of-age novel, “The Catcher in the Rye,” by J.D. Salinger, became the template for aspiring young novelists, so too did “Maus” serve as a guide for cartoonists on the rise. Observe how Marjane Satrapi’s “Persepolis,” first published in 2000, follows a similar format and technique as Spiegelman’s landmark work. Certainly, Satrapi’s work is wonderfully original. That said, it does follow certain style and content choices first established by leading artists such as Spiegelman. Chute is not making this particular argument but she does lay out the characteristics of what has become accepted in a work by an independent cartoonist: the work is honest, personal, and usually autobiographical; the work is all done by hand, including the borders and lettering, with a less polished finish than mainstream comics; and the work is usually done by one person. In that sense, Satrapi is following in a tradition begun by such artists as Crumb and Spiegelman.

Panel excerpt from Chris Ware’s BUILDING STORIES

Another cartoonist who looms larger in Chute’s book is Chris Ware–and for good reason. The history of American comics is essentially Winsor McCay leading the start and Chris Ware leading the current state of affairs. And it is both of these cartoonists, and so many others in between, who seem to share Ware’s tragicomic point of view of being “well-appointed and feeling lonely.” Cartoonists are something of exotic birds to begin with–whether or not the public notices. But to really make one’s mark in comics, to resonate with critics and fans alike, is quite an achievement. One achieved by such cartoonists as Chris Ware, Charles Burns, and Gary Panter–all of whom would get their big breaks by appearing in Raw magazine, a comics anthology led by Art Spiegelman.

Gary Panter cover for Raw #2.1, 1989

Chute organzies her narrative within categories such as “Why Disaster?” and “Why Sex?” Each chapter category acts as an umbrella that covers a certain facet of comics. In the chapter, “Why Punk?” Chute describes the rise of two friends deeply involved with the punk movement: Matt Groening and Gary Panter, along with other relevant artists like Raymond Pettibon. As for Groening and Panter, they held to their punk ideals while also driven to succeed–“The Simpsons” for Groening; “Pee-wee’s Playhouse” for Panter. Chute makes sure to point out that Bart Simpson–the cartoon character everyone thinks they know–is, in fact, a sly reference (right down to the jaggedy crewcut) to Panter’s underground hero, Jimbo, the antithesis of the mainstream. And, as Chute’s title declares, comics have gone from the underground to everywhere in more ways than one.

Matt Groening holds up Bart Simpson and Gary Panter’s Jimbo

“Why Comics? From Underground to Everywhere” is a 464-page hardcover published by HarperCollins. For more details, visit HarperCollins right here.

Advertisements

Leave a comment

Filed under Alt-Comics, Alternative Comics, Art Spiegelman, Book Reviews, Comics, graphic novels, Hillary Chute, Maus, mini-comics, pop culture, Underground Comics, Zines

420TV Acquires SUPER SLACKERS from David Silverman, Director-Animator of THE SIMPSONS

SUPER SLACKERS on 420TV

As cannabis steadily moves from counterculture to mainstream, the time is perfect for 420TV, the new hub for cannabis news and entertainment, set to launch in early 2018. One of the new shows on 420TV will be a first-run animated series from long-time director of “The Simpsons,” David Silverman. Created for mature audiences, “SUPER SLACKERS” is a comedy about a group of lazy friends unwittingly thrust into the life of superheroes.

Another distinctive feature of this show is that it will be voiced by a a veritable “who’s who” of social influencers whose combined following tops 35 million. “SUPER SLACKERS” features hip-hop artist/actor Jerry Purpdrank; video/music producer & infamous slap-cammer Max Jr.; martial artist, dancer & comedian Dan Nampaikid; professional soccer player-turned-actor, director & content creator, Jon Paul Piques; Smosh YouTube star Olivia Sui; stand-up comedian/writer Arantza Fahnbulleh; and traditional actor/comedian Mickey Gooch, who was recently featured in the hit movie “How to Be Single,” and the indie comedies “Clapper” and “Deported.”

420TV.com

The animated series’ six-episode first season follows a group of friends who discover they have superpowers after their weed is switched with a new strain being used in a government experiment. When a Professor Xavier-type shows up to train them, they have no interest in saving the world. They agree to move into a rent-free government compound, but all they want to do is watch TV and play video games. The Professor is convinced he can turn them into the heroes that the world needs — but can he do it before their infectious laziness spreads to the rest of the agents?

“SUPER SLACKERS” is created and directed by David Silverman (“The Simpsons”), written by Joelle Sellner (“Sonic Boom”) and animated by Mike Blum (Pipsqueak). Executive Producers are Mickey Gooch (Skit Bags Entertainment), Warren Zide (“American Pie”), digital entertainment manager/attorney Ash Venkatram and entrepreneur Ranajit Chaudhury. Usman Shaikh is Co-Executive Producer. The series was introduced to 420TV by talent manager Leanne Perice.

SUPER SLACKERS on 420TV

“‘SUPER SLACKERS’ is the first original animated series from a director in the traditional space that leverages the talents and audience of household digital stars,” said Ash Venkatram. “By choosing a racially diverse cast and throwing them into the culture of cannabis, we hope to give viewers a refreshing change from the vanilla content they normally consume on linear television.”

“420TV is thrilled to be offering the latest animated comedy created by David Silverman, a wonderfully gifted animator who has a long history of producing tremendously successful shows. His new, first-run series, which will make its global premiere on 420TV, is equal parts funny, twisted and cool. ‘SUPER SLACKERS’ is also a perfect complement to our lineup, as we look to create and secure cannabis-friendly content for both the converted and the curious,” said Alex Nahai, a partner in 420TV.

Added David Silverman: “I couldn’t imagine a more fitting home for ‘SUPER SLACKERS’ than 420TV, with its appeal to a very open-minded, socially connected audience.”

Debuting in early 2018, and initially available through 420TV.com and its mobile applications, 420TV is a premium 4K video-on-demand network devoted to all things cannabis. It will deliver original programming produced exclusively for the multi-platform channel, in addition to acquired long and short-form entertainment. Content categories in development include news, information, food, fashion, comedy, music and animation, as well as acquired feature films, documentaries, music and live streaming events. 420TV was developed by 420 Entertainment Group, comprised of OWNZONES Media Network, Genesis Media and Alex Nahai Enterprises. For more information, follow www.420TV.com.

Leave a comment

Filed under Cannabis, Comedy, Entertainment, Humor, Marijuana, pop culture, Television, The Simpsons

Story & Review: Dive Bar Shirt Club and The Giant Jackalope

The Giant Jackalope illustration by Henry Chamberlain

It is always a pleasure to review anything that falls within the category of attire or accessory in the geek lifestyle. So, Comics Grinder is very happy to share with you Dive Bar Shirt Club. As the name implies, this is a club devoted to shirts. Each month you get a quality shirt honoring a dive bar chosen for its distinction and originality. A new dive bar design is featured every month and, once that month is up, that shirt is retired forever.

We all seek distinction and originality. It’s another way of simply saying that we are attracted to things that are cool. I was on the road, during a carefree summer in my youth, when I spotted what had to be the best roadside attraction I’d ever seen. It was an homage to the jackalope, that staple of Americana, the cross between a jackrabbit and an antelope. This sucker was huge and it was perched atop a glorious dive bar. It was a warm summer night that seemed to promise adventure. I had to walk in.

Inside the bar, I did a double-take. The place was immaculate. I was expecting it to be a well-worn, musty, and gaudy place. But, no, this place was classy. And there was no carryover of the jackalope theme. Instead, the red leather booths were nicely kept and all the brass piping was polished. There were a couple of gents in suits looking very retro. Again, I was expecting a far more casual vibe. The waitress was a beauty all done up in a vintage dress. All this seemed too formal for a place in the middle of nowhere. I was outside a little town in Texas, not a Vegas casino in the ’50s.

Her name was Sadie. “What will you have, stranger?” she asked with the longest lashes I’d ever had the pleasure to admire.

I’d had a good look at the list of mixed drinks. When I read it on the menu, I had to have it. “I’ll take The Jackalope.”

Sadie just stared at me. Her eyes grew wide. With a tremble in her voice, she asked, “You mean, The Jackalope, right?”

“Yes,” I said firmly, “I’m here for The Jackalope!”

I must have raised my voice because the two fugitives from “Mad Men” turned to have a good look at me. They proceeded to get up from their booth and walk over to me.

“You’re really here for The Jackalope?”

I think I lost it at that point. “I don’t know what you people mean!” I yelled and ran out the front door.

I was heading for my car when it dawned on me. I slowly turned around and looked up. There it was. It hissed and glared at me. Then, with a mighty leap, that monster flew up into the air like the most lucid nightmare. This was followed by a massive thud which was quickly followed by the lightening speed of a creature from hell. And, hell yes, it was distinctive and original!

If you’re like me, you desire that added spice, that distinction and originality. You too can find it in a unique t-shirt from Dive Bar Shirt Club. In the video below, I’m sporting just the ticket. This Dive Bar Shirt Club t-shirt celebrates Goat Hill Tavern in Costa Mesa, California. This is one awesome combination of style and comfort.

Visit Dive Bar Shirt Club right here.

Leave a comment

Filed under America, Americana, Beer, Fashion, pop culture, Style

Interview: Mark Gottlieb chats about project with George Clayton Johnson

Émile Zola illustration by Henry Chamberlain

Mark Gottlieb is a composer and a lucky person to have been a lifelong friend of screenwriter George Clayton Johnson. This friendship led to a collaboration between Gottlieb and Johnson on “Zola,” a compelling musical that features the Dreyfus affair, a scandal that rocked France at the end of the 19th century and reverberates to this very day. There are a number of things to unpack and discuss here. We begin with an overview of what the infamous Dreyfus affair was all about and go from there, with plenty of recollections about the great ole storyteller, the timeless, George Clayton Johnson.

The Dreyfus affair focuses upon a wrongly accused man who made the perfect scapegoat for the time. Considering how Rod Serling was such a steadfast advocate for human rights, it is quite fitting to find George Clayton Johnson, one of Serling’s fellow writers on The Twilight Zone, as co-creator of this musical. Johnson was always a person to side with the nonconformist. So, it was natural when Gottlieb, in search of a libretto, came calling on George. The two entered upon a partnership and worked, off and on, on the Zola musical for many years. Since the death of George Clayton Johnson in 2015, the impetus has been to get the musical out into the world. To that end, Gottlieb is contacting like-minded souls such as myself to help spread the word. As someone who also got to enjoy a special connection with George, it is my pleasure to present to you this conversation I had with Mark Gottlieb recently.

Now, a little history: The Dreyfus affair occurred during France’s Third Republic. It was sparked by the wrongful imprisonment of French army captain Alfred Dreyfus in 1894. The matter would officially drag on until 1906. Dreyfus was convicted of treason for allegedly selling military secrets to the Germans in December 1894. At first the public supported the conviction; it was willing to believe in the guilt of Dreyfus, who was Jewish. Much of the early publicity surrounding the case came from anti-Semitic groups (especially the newspaper La Libre Parole, edited by Édouard Drumont), to whom Dreyfus symbolized the supposed disloyalty of French Jews.

The effort to reverse the sentence was at first limited to members of the Dreyfus family, but, as evidence pointing to the guilt of another French officer, Ferdinand Walsin-Esterhazy, came to light from 1896, the pro-Dreyfus side slowly gained adherents (among them journalists Joseph Reinach and Georges Clemenceau—the future World War I premier—and a senator, Auguste Scheurer-Kestner). The accusations against Esterhazy resulted in a court-martial that acquitted him of treason (January 1898). To protest against the verdict, the novelist Émile Zola wrote a letter titled “J’accuse,” published in Clemenceau’s newspaper L’Aurore. In it he attacked the army for covering up its mistaken conviction of Dreyfus, an action for which Zola was found guilty of libel.

What follows is my interview with Mark Gottlieb. Here we begin with the Dreyfus affair and quickly dig deeper into the issues involved. Then we steadily see how Gottlieb and Johnson joined together as a creative team. In the process, we get a unique inside view into the world of George Clayton Johnson, a unique voice in storytelling. He is best known for iconic episodes of The Twilight Zone like “Kick the Can,” and “Nothing in the Dark.” Among his work, he is also known for writing “Man Trap,” the first episode broadcast of Star Trek, as well as being the co-writer, with William F. Nolan, of the landmark science fiction novel, “Logan’s Run.” Lastly, I have to say, I believe this interview will really hook you in. The proper warm up and set up is done and off we go:

For the interview, click the link right here.

Stay tuned for more news on the Zola musical.

Leave a comment

Filed under France, George Clayton Johnson, Mark Gottlieb, Music, Musicals, pop culture, Social Justice

Village Voice Moves From Print to Digital

A Village Voice newspaper stand lays on the ground next to garbage in New York City’s East Village on Tuesday. The Village Voice, one of the oldest and best-known alternative weeklies in the U.S., announced that it will no longer publish a print edition.
Drew Angerer/Getty Images

One of those youthful memories that drifts up for me at various times is seeing a pile of issues of The Village Voice at a friend’s apartment. He liked going through them. Like me, he loved reading and writing. And, if you were serious about writing, you kept up with such publications on a regular basis. Before the internet, The Village Voice was one of those portals that gave you a taste of certain literary trends and urban happenings. It was fun to pore over the pages and even to simply handle this object made of paper, this symbolic series of messages from that bright big city, New York City, the epicenter of all things media and culture. If you aimed to be hip, wanted a ticket to the subculture, you read (and can still read!) The Village Voice. This publication means a lot of things to many people. For me, it was primarily a writer’s magazine. But no longer can you read new print issues, only digital moving forward.

Now, the end has come to that particular experience. The Village Voice has ceased its free print version, a staple of New York City life and urban life beyond. Well, the end occurred a long while back but this is the definitive end: absolutely no more paper copies! Is this really news? I’m not sure that it is as this transition from print to digital has been steadily going on for years. Just like typewriters and phone booths became extinct, so too will all print newspapers bite the dust.

For some steadfast followers of pop culture, they would like to claim some greater significance to the death of the print version of The Village Voice. To be sure, it does seem to be heart-breaking. But, let’s get a grip. All content moving forward is now digital and that’s great. Digital archives are a breeze compared to microfiche or, God forbid, musty old stacks of actual crumbling newsprint. There’s a reason that newspapers have always been printed on the cheapest paper imaginable. They were only meant to be read on the day, or week, they were published and subsequently used for practical purposes like wrapping fish.

Now, don’t get me wrong. I know there are plenty of nerds among us, and I count myself within this group, that can’t help but want to get all sentimental about such things as newspapers. Well, resist that urge. Unless you have more than ample space, say an attic, you don’t want to have a bunch of old copies of this or that newspaper or magazine providing little more than clutter. When was the last time you cracked open that classic issue of Life magazine? Never, right? It’s hard not to be a packrat.

Final print issue of The Village Voice

The practical concern over the shift from print to digital is about the various features in the print version surviving the transition. What about the columnists? And what about the cartoonists? Well, what about them? If a content provider is creating compelling content, then that content is going to find an audience, and it will survive the great transition.

For those of you who did not grow up with newspapers, you’re probably wondering what the big fuss is over. Newspapers, just like magazines, used to be far more powerful and influential. People took far more notice of them and relied upon them. Eyes lingered longer on the text, the photographs, the illustrations, and the comic strips! To this day, I have a memory of a distinctive caricature on the front page of The New York Observer. It was 1976, and I was a precocious tween. The cover featured Sen. Hubert Humphrey. It may have been an illustration by Levine. And the headline asked, “Will He Run?”

The bittersweet fact is that we’re saying goodbye to another link with history. Even as a kid, looking at the cover illustration of Humphrey, I knew that it reeked of the past. Humphrey’s image was being rehabilitated. This was before my time but I knew he was part of the Vietnam War, part of a past that we were steadily coming to terms with. Humphrey was part of the discredited past. Jimmy Carter was part of the future. Seeing that newspaper, holding it, reading it, I could tell there was something slow and quaint about this whole format, acting as much as a portal to the present as to the past.

Village Voice, April 10-16, 2013 issue

The bittersweet fact is that we are currently experiencing the long goodbye to all print publications. And they won’t go without a fight. For some oddball reason, the print version of Newsweek rose from the dead. It will finally die off soon enough. The publications that are least financially stable will drop out of the print game even sooner. The alt-weeklies, which many of us cherished in our youth, will concede to only being digital. For example, here in Seattle, both The Stranger and The Seattle Weekly already behave very much as digital entities with their weekly print versions mostly serving as a place to highlight the features that appeared on their respective websites that previous week.

Getting back to the features that used to have a secure home in print: the creators of observation pieces and comics should follow their heart as best they can if they can’t follow their wallet. Start a blog. In the age of newspapers, you had to tap dance, beg, and plead to join the party. Those days are over! To all you heavy sentimentalists, don’t forget, we are well into a new century. Dry off those tears. The Village Voice is still alive in the format for a new age. The print version was your dad’s Village Voice. Sorry, but we can only move forward.

One last thing, be sure to actually read, and support, The Village Voice. Just because it’s digital doesn’t mean it can only survive on sentiment. Visit and support The Village Voice right here.

8 Comments

Filed under Alt-Weeklies, Comics, Culture, Newspapers, pop culture, The Village Voice

Seattle Focus: Surviving THE HAZE

Kayakers paddle in view of downtown Seattle, cloaked in a haze of smoke that swept down into the Puget Sound region from fires in British Columbia. (Elaine Thompson/AP)

The Pacific Northwest is hazy, hot, and bothered. So reports The Washington Post. It has really thrown off the routine of us Seattle natives.

Here in Seattle, we are very low-key. Many of us can tolerate grey skies most of the year. Some of us, like myself, are far more tolerant. I accept grey skies as part of the package. When we reach a sweet spot sometime in autumn, all that grey can be the most satisfying backdrop for contemplation and creativity. But not the haze we are currently suffering through.

The Haze, as some of us have gotten to calling it, is something sinister, a harbinger of climate change things to come. Or, one can hope, just one big temporary pain in the ass. Either way, it has cut into us. This time around, we are dealing with Canadian wildfire smoke. What will we be dealing with next time, and the time after that? Many of us moved to Seattle just to avoid having to face those kind of questions. We thought we’d forever said goodbye to such things as hurricanes and heat waves.

The Seattle Haze t-shirt

So, yeah, we don’t do well with oppressive weather. We can barely handle any snow in winter. For us, The Haze is a really big deal. For those of you with a sense of humor, there’s a t-shirt just waiting for you. Find it right here and here. Cartoonist Jennifer Daydreamer and I created it just for you.

Leave a comment

Filed under Humor, Pacific Northwest, pop culture, Satire, Seattle, T-shirts

The Beatles’ Yellow Submarine Adapted as Graphic Novel

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

What could be sweeter than a graphic novel adaptation of The Beatles’ Yellow Submarine? Yes, Titan Comics has announced a licensing agreement with Apple Corps Ltd to publish such a work! The fan base for The Beatles is in a league all its own so this is a huge deal. If no Blue Meanies get in the way, the book will coincide with the animated film’s 50th Anniversary!

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

The comic adaptation will be written and illustrated by Bill Morrison, Bongo Comics co-founder and creative director, as well as recently announced Executive Editor for MAD Magazine. The Beatles: Yellow Submarine official illustrated adaptation will launch in stores in 2018, to coincide with the 50th Anniversary of the animated musical fantasy film released in July 1968.

“Beatles: Yellow Submarine,” an official illustrated adaptation published by Titan Comics

Directed by George Dunning, Yellow Submarine was an animated adventure inspired by the music of The Beatles. Band members Paul, John, George, and Ringo join Captain Fred in his Yellow Submarine to journey to Pepperland to help free the land from the music-hating Blue Meanies.

4 Comments

Filed under Comics, graphic novels, pop culture, The Beatles, Titan Comics

Interview: Mike Capozzola and ‘Evil Cyborg Sea Monsters!’

Mike Capozzola and “Evil Cyborg Sea Monsters!”

Mike Capozzola is a unique hybrid, a cartoonist and a stand-up comedian. He’s a professional in both for over 20 years. In fact, the two passions are inextricably linked. I enjoyed his set this last Saturday at Seattle’s Comedy Underground. Mike is based out of San Francisco and maintains a busy schedule so it was a real treat to get to catch his act while he was in town. I asked him about his process, specifically about a bit where he describes weird yet appealing movie scenarios, ending each description with, “Yeah, I’d see that.” I came to find out that this movie routine originated as a drawn-out cartoon. The concept as a cartoon did not seem to work. But, when he performed the material on stage, Mike found what he was looking for.

Mike kicked off his first night at Comedy Underground with his ongoing pop culture extravaganza, Evil Cyborg Sea Monsters. This is a multimedia show featuring all the things that us geeks enjoy: sci-fi, superheroes, and monsters. As Mike said during our talk, geek culture is everywhere today but it was a hard-won identity for kids growing up in the ’70s and ’80s. It wasn’t so cool to be a geek back then. That said, we can all freely celebrate being a geek now, like we kids from yesteryear could only dream of.

Mike Capozzola at the Comedy Underground in Seattle

The last time I had one of these free-for-all chats with Mike, I offered up the topic of leaf blowers. He had no problem with them. I took the opposing view. Sure, it’s an honest job but, to my mind, the art of leaf blowing can be overdone. I contend that rakes make for a sensible and quiet alternative for much of these tasks. Anyway, I tried a different tack this time and brought to the table the intrinsic character of Seattle. Given that it’s my hometown, I felt it fair for me to say that there’s some truth to stereotypes regarding a certain coolness and reserve to the natives. Capozzola, based upon is observations, took the opposing view.

Is Seattle Sweet, Bitter, or Just Right? That’s what I’d call our lighthearted search for Seattle’s soul. Overall, I think that my friend here was picking up some strong frontier vibes. And I can’t deny him that joy. Seattle does offer the comforts of urban living in close proximity to an abundance of natural wonder. Mike wanted to take the more sunny view of things too. And it was challenging for me to pursue my case that Seattle is too prim and proper while we were chatting outside in Pioneer Square, hands down the rowdiest part of town. Ongoing hijinks near us just played into Mike’s hands.

We had time to dissect a few other things too, namely Trump. Mike had this to say: “The day after the election, so many people felt defeated. Many thought they could turn to art. For comedians, this meant war. I remember Trump for the last thirty years as being treated as a punchline by the tri-state area media. To see it come to this is wild. It’s like the local screw-up, or Ronald McDonald, or a sled has suddenly become president. He’s given voice to a fringe element in the same way that you’d unlock a mystical box and unleash an ancient curse.” That, my friends, says it all. We chatted about how those of us in the Gen X demographic feel unfairly sandwiched between the mighty Baby Boomers and the Millennials. We were misfits to begin with so it figures. And we decried the overall lowering or lack of standards we live with today. Maybe America deserves a pro wrestler or Mark Wahlberg as their next president.

Contact Mike Capozzola with any questions, such as doing commissioned work or presenting his Evil Cyborg Sea Monsters show, at his website right here.

Leave a comment

Filed under Comedians, Comedy, Comedy Underground, Comics, Donald Trump, Geeks, Mike Capozzola, Monsters, pop culture, Seattle, Stand-up Comedy, Superheroes

7 Ways to Make Your Vaping Device Last Longer

Welcome to Vape Nation. Illustration by Henry Chamberlain.

Editor’s Note: Comics Grinder strives to cover all aspects of our culture, including the rising trend in vaping. Well, we’ve come a long way in a few years. Here is a guest column by Collin DeSoto on some things to be mindful of regarding good care and maintenance of your vaping device.

Guest column by Collin DeSoto

Every vaper knows the hassle of their device breaking or not performing well, especially if they don’t have a spare at hand. But there are steps you can take to make your vaping device last longer, ensuring that it’s not only working correctly when you need it but saving you money too.

While vaping is cheaper than smoking traditional cigarettes, no one wants to be left out of pocket when their latest investment stops working before they’ve barely had a chance to enjoy it. With the cost of a single vaping device potentially being in the hundreds of dollars, it pays to take care of it, ensuring it continues to work for months or even years.

Try out these seven tips for making your vaping device last longer:

Avoid a burnt or dry hit

You’ll know if you’ve had a burnt or dry hit – it’ll cause a terrible taste. A burnt hit can lead to the coils heating the wicking material, which not only produces a taste you want to avoid but can damage your device too, severely reducing its lifespan.

A dry hit is usually caused by vaping when there’s either no juice or too little juice to heat. Make sure you keep an eye on the amount of e-juice that’s in your device before you switch it on and as you use it. A burnt hit can also happen if you hold down the power button for too long, causing the coil to overheat.

Regularly clean your coil

A coil that’s covered in gunk not only affects the flavor of the vape but how your device functions too. To really increase the lifespan of your device, take the time to keep it clean every few days, with a particular focus on the coil – you’ll get a consistently better taste too.

Most devices will come with cleaning instructions and you can even purchase a cleaning kit, ensuring your device remains fresh –as long as you remember to use it frequently.

User lower levels of VG

When you choose an e-liquid, the base will be a combination of propylene glycol (PG) and vegetable glycerine (VG). You can get varied combinations to suit exactly what you’re looking for. Liquids that have a higher content of VG will result in a vape that feels smoother and thicker and produces more vapor.

While some vapers prefer high levels of VG, it can damage your device, reducing its lifespan and clogging up coils quicker. If you really want your device to last longer, try e-liquids that have higher levels of PG. Or if you want to stick to your current combination increase how frequently you clean your coils and choose a device that has larger coils to prevent gunk gathering.

Vape in short bursts

Having your device constantly turned on will damage it and lead to it overheating. If your aim is to increase the length of time before you need to pay up for another device, short bursts are the way to go.

Inhaling deeply or several times close together means the coil gets too hot and doesn’t have enough time to cool between vapes. Try to give the device a chance to cool between hits and take your finger off the power button.

Store it correctly

If you’ve gone through a few devices and you don’t usually give a thought about how they’re stored, it could be time to change your habits. Ideally, your vaporizer should be stored within a dry case that’s kept out of direct sunlight. Through proper storage, you can increase how long your device will last for.

Recharge your battery

How often do you recharge the battery on your vaporizer? You shouldn’t let it drain completely but you also shouldn’t let it overcharge either, so you need to keep an eye on your battery power as you vape to boost how long the battery will last.

Try to get into the habit of charging your battery every time you store your device.

Disconnect your cartomizer and battery

If you’re not going to be using your e-cig for an extended period of time, such as when you’re asleep, disconnect your cartomizer, the section that contains the coil and e-liquid, from the battery. Even when not in use, it can continue to drain the battery a little and through disconnecting you can increase the time between necessary charge, helping to make your vaping device last longer.

2 Comments

Filed under E-cigs, E-Liquid, Essays, Lifestyle, pop culture, Trends

IMAGE COMICS FOUNDERS REUNITE AT EMERALD CITY COMICON 2017 TO CELEBRATE 25TH ANNIVERSARY (March 3, 2017)

Emerald-City-Comicon-Seattle

Emerald City Comicon 2017, here in Seattle, is fast approaching. It is a four-day event starting Thursday, March 2nd, and running through Sunday, March 5th. It is certainly a big deal for us locals as well as the Pacific Northwest and all points beyond. Image Comics will make a significant showing this year with a rare gathering of its founders to celebrate the 25th anniversary of Image Comics. This special panel is scheduled for Friday, March 3rd. Be sure to come to ECCC to see Image Comics founders Todd McFarlane, Jim Valentino, Erik Larsen, Rob Liefeld, Marc Silvestri and Whilce Portacio.

Press release follows:

Continue reading

4 Comments

Filed under Comics, Emerald City Comicon, Image Comics, pop culture, Seattle, Superheroes