Mike Capozzola is a unique hybrid, a cartoonist and a stand-up comedian. He’s a professional in both for over 20 years. In fact, the two passions are inextricably linked. I enjoyed his set this last Saturday at Seattle’s Comedy Underground. Mike is based out of San Francisco and maintains a busy schedule so it was a real treat to get to catch his act while he was in town. I asked him about his process, specifically about a bit where he describes weird yet appealing movie scenarios, ending each description with, “Yeah, I’d see that.” I came to find out that this movie routine originated as a drawn-out cartoon. The concept as a cartoon did not seem to work. But, when he performed the material on stage, Mike found what he was looking for.
Mike kicked off his first night at Comedy Underground with his ongoing pop culture extravaganza, Evil Cyborg Sea Monsters. This is a multimedia show featuring all the things that us geeks enjoy: sci-fi, superheroes, and monsters. As Mike said during our talk, geek culture is everywhere today but it was a hard-won identity for kids growing up in the ’70s and ’80s. It wasn’t so cool to be a geek back then. That said, we can all freely celebrate being a geek now, like we kids from yesteryear could only dream of.
Mike Capozzola at the Comedy Underground in Seattle
The last time I had one of these free-for-all chats with Mike, I offered up the topic of leaf blowers. He had no problem with them. I took the opposing view. Sure, it’s an honest job but, to my mind, the art of leaf blowing can be overdone. I contend that rakes make for a sensible and quiet alternative for much of these tasks. Anyway, I tried a different tack this time and brought to the table the intrinsic character of Seattle. Given that it’s my hometown, I felt it fair for me to say that there’s some truth to stereotypes regarding a certain coolness and reserve to the natives. Capozzola, based upon is observations, took the opposing view.
Is Seattle Sweet, Bitter, or Just Right? That’s what I’d call our lighthearted search for Seattle’s soul. Overall, I think that my friend here was picking up some strong frontier vibes. And I can’t deny him that joy. Seattle does offer the comforts of urban living in close proximity to an abundance of natural wonder. Mike wanted to take the more sunny view of things too. And it was challenging for me to pursue my case that Seattle is too prim and proper while we were chatting outside in Pioneer Square, hands down the rowdiest part of town. Ongoing hijinks near us just played into Mike’s hands.
We had time to dissect a few other things too, namely Trump. Mike had this to say: “The day after the election, so many people felt defeated. Many thought they could turn to art. For comedians, this meant war. I remember Trump for the last thirty years as being treated as a punchline by the tri-state area media. To see it come to this is wild. It’s like the local screw-up, or Ronald McDonald, or a sled has suddenly become president. He’s given voice to a fringe element in the same way that you’d unlock a mystical box and unleash an ancient curse.” That, my friends, says it all. We chatted about how those of us in the Gen X demographic feel unfairly sandwiched between the mighty Baby Boomers and the Millennials. We were misfits to begin with so it figures. And we decried the overall lowering or lack of standards we live with today. Maybe America deserves a pro wrestler or Mark Wahlberg as their next president.
Contact Mike Capozzola with any questions, such as doing commissioned work or presenting his Evil Cyborg Sea Monsters show, at his website right here.
Welcome to Vape Nation. Illustration by Henry Chamberlain.
Editor’s Note: Comics Grinder strives to cover all aspects of our culture, including the rising trend in vaping. Well, we’ve come a long way in a few years. Here is a guest column by Collin DeSoto on some things to be mindful of regarding good care and maintenance of your vaping device.
Guest column by Collin DeSoto
Every vaper knows the hassle of their device breaking or not performing well, especially if they don’t have a spare at hand. But there are steps you can take to make your vaping device last longer, ensuring that it’s not only working correctly when you need it but saving you money too.
While vaping is cheaper than smoking traditional cigarettes, no one wants to be left out of pocket when their latest investment stops working before they’ve barely had a chance to enjoy it. With the cost of a single vaping device potentially being in the hundreds of dollars, it pays to take care of it, ensuring it continues to work for months or even years.
Try out these seven tips for making your vaping device last longer:
Avoid a burnt or dry hit
You’ll know if you’ve had a burnt or dry hit – it’ll cause a terrible taste. A burnt hit can lead to the coils heating the wicking material, which not only produces a taste you want to avoid but can damage your device too, severely reducing its lifespan.
A dry hit is usually caused by vaping when there’s either no juice or too little juice to heat. Make sure you keep an eye on the amount of e-juice that’s in your device before you switch it on and as you use it. A burnt hit can also happen if you hold down the power button for too long, causing the coil to overheat.
Regularly clean your coil
A coil that’s covered in gunk not only affects the flavor of the vape but how your device functions too. To really increase the lifespan of your device, take the time to keep it clean every few days, with a particular focus on the coil – you’ll get a consistently better taste too.
Most devices will come with cleaning instructions and you can even purchase a cleaning kit, ensuring your device remains fresh –as long as you remember to use it frequently.
User lower levels of VG
When you choose an e-liquid, the base will be a combination of propylene glycol (PG) and vegetable glycerine (VG). You can get varied combinations to suit exactly what you’re looking for. Liquids that have a higher content of VG will result in a vape that feels smoother and thicker and produces more vapor.
While some vapers prefer high levels of VG, it can damage your device, reducing its lifespan and clogging up coils quicker. If you really want your device to last longer, try e-liquids that have higher levels of PG. Or if you want to stick to your current combination increase how frequently you clean your coils and choose a device that has larger coils to prevent gunk gathering.
Vape in short bursts
Having your device constantly turned on will damage it and lead to it overheating. If your aim is to increase the length of time before you need to pay up for another device, short bursts are the way to go.
Inhaling deeply or several times close together means the coil gets too hot and doesn’t have enough time to cool between vapes. Try to give the device a chance to cool between hits and take your finger off the power button.
Store it correctly
If you’ve gone through a few devices and you don’t usually give a thought about how they’re stored, it could be time to change your habits. Ideally, your vaporizer should be stored within a dry case that’s kept out of direct sunlight. Through proper storage, you can increase how long your device will last for.
Recharge your battery
How often do you recharge the battery on your vaporizer? You shouldn’t let it drain completely but you also shouldn’t let it overcharge either, so you need to keep an eye on your battery power as you vape to boost how long the battery will last.
Try to get into the habit of charging your battery every time you store your device.
Disconnect your cartomizer and battery
If you’re not going to be using your e-cig for an extended period of time, such as when you’re asleep, disconnect your cartomizer, the section that contains the coil and e-liquid, from the battery. Even when not in use, it can continue to drain the battery a little and through disconnecting you can increase the time between necessary charge, helping to make your vaping device last longer.
Emerald City Comicon 2017, here in Seattle, is fast approaching. It is a four-day event starting Thursday, March 2nd, and running through Sunday, March 5th. It is certainly a big deal for us locals as well as the Pacific Northwest and all points beyond. Image Comics will make a significant showing this year with a rare gathering of its founders to celebrate the 25th anniversary of Image Comics. This special panel is scheduled for Friday, March 3rd. Be sure to come to ECCC to see Image Comics founders Todd McFarlane, Jim Valentino, Erik Larsen, Rob Liefeld, Marc Silvestri and Whilce Portacio.
Felicity Jones as Jyn Erso. Illustration by Henry Chamberlain.
I went to see “Rogue One: A Star Wars Story” at the Seattle Cinerama Theatre just to make things even more special. Any Star Wars movie is a special event and this latest installment is no different. The big draw for me is the winning performance by Felicity Jones as Jyn Erso, daughter of a great rebel hero who must prove that her father did not fall in league with the Empire. Her journey becomes more complicated as she runs into conflict with her handler, Cassian Andor (played by Diego Luna). Our story takes place in vintage Star Wars, just before 1977’s A New Hope. This movie opens the window further to show just what wonders still lie ahead with a Disney-owned Star Wars franchise.
I’m not a hardcore Star Wars fan but even I could appreciate Peter Cushing back on the screen, digitally re-created, in order to reprise his role as the villain Grand Moff Tarkin. Most of the other CGI trickery was all Wookiee to me. But I did catch the vintage vibe here and there with cantina characters popping up and X-Wing fighter pilots back in action. George Lucas must have decided early on that his Rebel Alliance fighters were going to look more like average folks than hardened warriors. Any minute, you could expect your own grandmother to pop on the screen. In fact, one of the pilots does look to be someone’s grandmother.
The plot is pretty straightforward: earnest and lovely Jyn Erso must press on, save her dad, and save the rebellion. There’s a bunch of doublespeak in the interim and good-natured talk of believing in the force within you. There’s nothing really here with the iconic quality of a Yoda but that’s okay. We’re already treading on iconic vintage soil so that’s plenty. But there is one compelling addition in the form of the robot K-2SO brilliantly voice by Alan Tudyk.
The gang is all here.
Let me tell you a few things about K-2SO. He’s a big guy, bigger and brasher than C-3PO. I had a little girl seated next to me and she perked up every time that K-2SO acted up. He’s none too refined at times. Where C-3PO relied upon cunning, K-2SO is just as likely to rely upon brawn. In one scene, when a gatekeeper asks if he requires any help, K-2SO simply nods, raises his fist, and pounds the guy to death. It’s a pretty odd scene but easy enough in context to pass over. There’s a war on, you know. In fact, for one quick scene, we close in on ground forces that may as well be in Syria. Then we zap back into space for a bit and, ultimately, we see that everything does not rely just upon brawn but on Jyn Erso guiding the rebels back to a new sense of hope.
One spoiler, perhaps. You probably already know this. It won’t hurt anything really if you don’t but Carrie Fisher appears at the very end. It is a CGI version of her 19-year-old self and she claims victory for the rebellion and welcomes a new hope. That really touched me. The whole experience of seeing a Star Wars movie and in such a regal movie house brought home to me the still enduring power of cinema. With people consuming content is every conceivable way possible, it is reassuring that we can all be drawn back to a more basic and communal activity as going to the movies, to go and sit together to see the big event on the screen. It is not nearly the same powerful experience as it was for moviegoers in the heyday of the box office but it’s still something. It comes pretty darn close.
The latest Star Trek movie pulls us in with great ferocity and it never lets go. “Star Trek Beyond” makes an excellent case for the franchise as it celebrates its 50th anniversary going back to the original television program. With the third in the new Star Trek movies, first launched by director J.J. Abrams, we have reached a point where we can afford a touch more subtlety. And, having explored the Kirk/Spock dynamic rather thoroughly, it’s a good change of pace to turn a bit more focus this time around to Scotty. Yes, Simon Pegg, as Scotty, comes away one of the big winners this time around. Pegg co-wrote the script and, it may come as no surprise, he found a lot of new wrinkles in which to place his character.
By and large, this latest Star Trek film continues with an action-heavy plot. What it tries to do is deliver on some of the less flashy aspects to the franchise and it does a fairly good job of that. You do get a generous amount of banter between the characters. You do get thrills and plot twists. But, even more than action, what a movie franchise of this caliber can always use, considering its stellar cast and resources, is more compelling content. Ease up on the warp drive, breathe in and out, and allow the story and the characters to engage with the audience. But, hold on, I do think this movie is quite engaging and it is not without its thoughtful moments.
Now, this is what is going on right. First, you’ll have a good time with Chris Pine as Captain Kirk. He’s grown with the character. He remains very credible, the guy you want to follow and root for. You get every bit of gravitas you’d expect as Kirk rallies his crew: “We’ve come to understand there is no such thing as the unknown, only the temporarily hidden.” Early in, we follow Kirk down a corridor during a quiet moment. He ponders to himself, “The more time we spend out here, the harder it is to tell when one day ends and the next one begins. It can be a challenge to feel grounded even when gravity is artificial.” Ah, those are the type of nuanced moments of reflection we want. Actually, a little more in and we have a marvelous exchange between Kirk and Bones McCoy (Karl Urban) over some bourbon they found in Chekov’s locker.
What J.J. Abrams aimed for all along was a high wow factor. And that is definitely in place here. It’s very useful to critique a movie within context. That said, as far a providing an all-ages wow factor, this movie is off the charts. Honestly, a lot of what we want is an ultimate razzle dazzle contemporary version of the original show. This is exactly the sort of thing that a big studio is designed to do. The opening sequence, for example, is the gold standard. Kirk walks into an exotic looking chamber. High above is a council of elders made up of imposing gargoyles. Kirk thinks he’s there for a simple ceremony until he’s subjected to harsh questioning by the tribal leader. Things turn ugly and CGI mayhem ensues. It has just the right touch of humor, Kirk swagger, and element of surprise.
This movie is definitely not to be taken for granted. At the end of the day, yes, this is an adventure with an imposing villain, Krall (Idris Elba), and his legion of deadly fighters. You can count on the original show on steroids in that regard. But there’s more to it as well. Running throughout all three latest installments is a grounded storyline: Spock (Zachary Quinto) struggles with survivor’s guilt after his home planet of Vulcan was destroyed. And he finds in Lt. Urhua (Zoe Saldana) a compelling human connection. Perhaps more powerful than his connection to Kirk. We seek a good balance in these kind of movies and, overall, this Star Trek movie delivers. And, if we keep asking for more, that’s alright. This is Star Trek we’re talking about after all.
“Star Trek Beyond” is available on DVD and Blu-ray as of November 1st. And, if you’re a Seattle local, you can always stop by Video Isle and pick up a DVD or Blu-ray rental at Seattle’s best video rental store. Visit them right HERE. And visit them on Facebook right HERE.
Kerry O’Quinn and Friends. Illustration by Henry Chamberlain.
Kerry O’Quinn is the co-creator and publisher of STARLOG, FANGORIA, CINEMAGIC, FUTURE LIFE, COMICS SCENE and more than a dozen other monthly newsstand magazines. Mr. O’Quinn is featured in an upcoming documentary on fandom, FROM THE BRIDGE, written and directed by Spencer F. Lee and hosted by George Takei. It was my pleasure to get a chance to interview Kerry. Here is someone who tapped into the world of fandom as if he were born to do so. O’Quinn and his partner Norman Jacobs got their start by creating and publishing a soap opera magazine in 1972. By 1976, they were ready to pursue publications aligned with their passions for genre cinema, television, and related pop culture.
Kerry O’Quinn, co-creator and publisher of STARLOG and FANGORIA
Starlog and Fangoria are the flagship publications from that golden era. Starlog was launched in 1976. Fangoria was launched in 1979 and continues in its great tradition of covering the horror scene. These are the prime publications, along with Cinemagic, that would go on to influence thousands of creative people including many of the most celebrated talents working today like J.J. Abrams and Quentin Tarantino. Before the internet, you got your in depth information on the entertainment industry from magazines. One cannot stress enough how significant Starlog and Fangoria were in their heyday.
Fangoria, Issue One, August 1979
Kerry O’Quinn would go on to celebrate the worlds of science fiction, horror, comic books, and fandom in various ways. Some of the most notable are his conventions that paid tribute to the 10th anniversary of Star Wars, the 20th anniversary of Star Trek, and the 20th anniversary of Starlog. It was during the 10th anniversary celebration of Star Wars that Gene Roddenberry and George Lucas would share a stage for the first and only time together. How was such a marvelous feat accomplished? Well, Kerry O’Quinn was friends with both of these legends. It was Kerry O’Quinn who landed an exclusive in depth interview with George Lucas that was so comprehensive that it spanned three issues of Starlog.
Gene Roddenberry meets George Lucas, 1987, the 10th anniversary of Star Wars
Over the years, Kerry O’Quinn has proven himself to be a man of many talents consistently exploring and creating new work. He has become an accomplished screenwriter with a number of projects including “Dragworms,” his unique take on zombies which is actually more character-driven than just blood and guts. What strikes me about Kerry O’Quinn is his energy and determination to pursue his dreams. I can relate to him on many levels. We’re both from Texas. We both love New York. We both juggle a number of passions: writing, drawing, acting, filmmaking. I think some people are just wired to need to do many things and will find ways to realize each goal over the course of a lifetime. That’s what is special about Kerry O’Quinn. That said, he’d be the first to say it is well within reach for everyone to follow their dreams. For more details on his remarkable life and his observations, check out his website here.
HENRY CHAMBERLAIN: Kerry, I want to chat with you about fandom, and the upcoming documentary that you are featured in, “From the Bridge,” and cover as much as we can about your remarkable career. I want to begin by giving a shout out to your friend, Kurt Edward Larson. He conducted such a beautiful and heartfelt interview with you.
KERRY O’QUINN: Kurt and I have known each other for a long time and have a lot of fun things in common. Kurt is such a Star Wars fan–and, when he got married several years ago, I wondered about what to get him–a toaster? a blender? No, what he would want was a day at Skywalker Ranch. I arranged that. He and his wife had lunch there and got a tour of the ranch. So, he was in heaven!
I was talking to a buddy of mine about doing this interview and we got to speculating over the long lines for Star Wars on the very first day of release. We were just kids when it came out. I started to think about how Jaws had attracted long lines too a couple of years prior. From your special vantage point, Starlog was already on the scene having come out in 1976, would you share with us your take on the explosion of excitement over Star Wars in 1977?
It was phenomenal timing. My partner, Norm Jacobs, and I had launched Starlog magazine in 1976, the Bicentennial year. At that time, there was no science fiction that was alive and happening. It was all stuff from the past that was being consumed. You know, stuff from the 1950s, the movies made by George Pal. Those movies were popular with nerds like me. But they weren’t going to win any Academy Awards or get any mainstream cheers of any kind. It was considered trash, like daytime soap operas. Horror movies, stuff like that, was not taken seriously.
Starlog, Issue Seven, August 1977
When we started the magazine, there wasn’t anything like it like there is today. And we had great difficulty starting the magazine for that reason. But, lo and behold, the very next year Star Wars came out. All of a sudden, it made the cover of Time magazine, with exactly the same X-wing cover that we had for Starlog. So, suddenly science fiction was at least getting noticed by a mainstream audience all over the world. It has gone on to become an important part of the culture in the same way that Star Trek has. And in the same way that horror and superheroes have. It’s very trendy today to be a nerd. It wasn’t 40 years ago.
I remember when I first met George Lucas. He was telling me about having lunch one day at Hamburger Hamlet on Hollywood Boulevard. And it was right across the street from Mann’s Chinese Theatre. He said that he looked across and he saw lines of people. He asked what was going on. And a friend told him that it was his movie that was playing. It didn’t occur to George that huge lines were gathering along the sidewalk for his movie. He was delightfully surprised by the enormous fan reaction to his movie as all the rest of us were.
It was when Star Wars lit up the sky like it did that Starlog went from a quarterly to a monthly magazine. Indeed, we were already there. Starlog was the voice of science fiction. And George launched the science fiction that is very much alive and booming today.
That scene with the long lines, that’s in your interview with George Lucas.
For our Star Wars fifth anniversary issue, I had called to arrange an interview with George Lucas. He had turned down all the big magazines. I was told that he wasn’t doing any interviews but I begged and pleaded. George agreed. I flew out from New York to visit him. This was before he had build Skywalker Ranch. I did an lengthy interview with him in which he told me all kinds of wonderful tales. We were very comfortable talking with each other. We had many of the same values and things that excited us. We talked about everything from space to technology to classic cars. We talked for hours at that first interview. In fact, it turned out to be too much for one issue so I turned into three consecutive parts spanning three issues of Starlog. I believe it is the longest interview anyone has ever done with George Lucas.
Starlog, Issue One, August 1976
Share with us your insights on how Star Trek became a phenomena, after having struggled in the ratings when it was originally broadcast.
It did indeed struggle. In fact, after the first two years, NBC had cancelled the series. And an amazing lady by the name of Bjo Trimble and her husband, John, did something that, at the time, was phenomenal. This was back in the mid-’60s. They organized a letter writing campaign to NBC by fans that generated more than a million letters. A TV network had never received that kind of reaction to the cancellation of a show–and they were stunned by it. Don’t forget that this is before the internet. Fans contacted each other back then with mimeographed newsletters mailed to each other. And then, ten years after the first broadcast of Star Trek, there was Starlog maganzine and fans could communicate with each other through our letters forum–as well as at conventions.
Bjo had gotten a television network to renew a cancelled series. That had never happened before. What Bjo did was allow for a third season of Star Trek. However, NBC scheduled it on Friday nights, which is a dead zone for shows. So, NBC cancelled it for the second time. Everybody seemed to think science fiction was dead. But it was very much alive within this hidden fan culture. And the documentary that my friend, Spencer, is putting together covers how this fan base has grown in the last 40 years. It went from this invisible, almost ashamed, audience to what it has become today when you have 150,000 people show up at Comic-Con in San Diego each year in July. And the biggest movies today are superhero, science fiction, and horror, everything that our magazines were all about.
Star Trek is right at the root of that response, at the heart of it. Gene Roddenberry created a concept of the future that was positive and inspiring: rationality, science, and the better values of human nature would prevail. Star Trek not only inspired the original audience that tuned in for its three-year run. In syndication, Star Trek reached around the world with its universal concept that the human race can be better. Gene deserves everybody’s praise as Star Trek is one of the most inspiring things to be created in any genre. Sometimes science fiction warns us of things that we need to be careful about. And sometimes science fiction shows us that things are within our control, we can make it better, and gives us hope for the future.
I’m thinking of how Star Trek was ahead of its time and so it made sense that it would struggle in the ratings. The same is true for The Twilight Zone. Both of these shows have a lot in common. The primary thing is that they both have subtext. There was social commentary in the guise of fantasy and science fiction, very much ahead of its time–now, we take that for granted, don’t we?
We do but we still need it since we don’t have a lot of it. Even with the science fiction that we have today, with all the dazzling special effects that we didn’t have back in the ’60s. Visually, science fiction today is dazzling, uncontrollable, and amazing. Back then, the effects were kind of clunky, rubber monsters and the like, but nobody cared because–and this is certainly true about The Twilight Zone–the story talked about the issues, important values, and principles.
Science fiction does not show us the day-to-day reality but something that may exist in the future, something that could and that ought to exist. That is the noblest undertaking of art and science fiction is the best at doing that. Rod Serling and Gene Roddenberry are hugely important and we featured them in the early issues of Starlog. At that time, there wasn’t any science fiction, like we know today, so for the first few years most of the content in Starlog was looking at things from the past in terms of movies and television.
Cinemagic, Issue 20, June 1983
You were commenting on the past but then, at some point, you were not only commenting but you were part of the industry. There’s the whole how-to aspect from Cinemagic. There was quite the evolution as you became part of the scene.
Exactly. When we began Starlog, we included everything even those things that were very loosely considered science fiction. And that included horror, and articles on special effects, and Hollywood technology workshops, all the way to NASA and the space program. As we evolved, we discovered that we had many different audiences reading our magazine. Some of these people wanted to be filmmakers. They wanted to make these movies that they loved. Therefore, we branched off and created the magazine, Cinemagic which taught young filmmakers the techniques of production and special effects. We had a short film contest each year. We gave out prizes and trophies at a big theater in New York with celebrities to present awards. Some of these award winners are working in Hollywood today.
A lot of folks, like J.J. Abrams and Robert Rodriguez were inspired by Cinemagic. Steven Spielberg, at one time, said that Cinemagic was his favorite magazine, the only magazine promoting the future of the film industry to young people who were unsure if they could recreate the amazing things that they adored on the screen.
Director/Writer Wes Craven, from “Fangoria’s Weekend of Horrors” (1986)
I was curious about the overlap between Fangoria and Famous Monsters of Filmland. There does not seem to have been a rivalry between you and Forry Ackerman. Famous Monsters began in 1958. Fangoria began in 1979. You have Forrest J Ackerman, the founder and editor of Famous Monsters, in your film, “Fangoria’s Weekend of Horrors,” which I must say is an outstanding documentary on fandom in its own right.
What can you tell us about Forrest J Ackerman? What did you learn from him?
He was obviously the precursor to all of our magazines. He did something very daring in his day: to do a magazine about monsters! What kind of freaks are interested in something like that? Well, it turned out that there was quite a few. Again, these people were all in the closet, so to speak. They bought the magazine but they didn’t have any social status whatsoever. They were outcasts. They were unusual. That was me. That was a lot of people. Our magazine brought people out of the closet. I met Forry many years ago, at a convention, and immediately we had a lot in common. We became friends and we remained friends, it makes me sad to talk about it…I was with him just a few days before he died. He was still in good spirits and still telling me jokes.
From “Fangoria’s Weekend of Horrors” (1986) segment with Forrest J Ackerman
Forry was such an important person in my world and he became a very dear friend. I actually went over to his old home out here in L.A. years ago, which was called the Ackermansion. And it was a museum of props and artwork and all kinds of things that he collected from these strange movies that no one gave enough credit to but that he knew that it was an important part of the culture that should be saved and preserved. And there still is no permanent museum for that sort of thing. And I’m hoping that, in the near future, there will finally be a museum that recognizes and preserves science fiction, horror, superheroes, fantasy, all of the films that are now way out of the closet–and a part of mainstream culture, not just in the U.S. but world-wide.
Kerry, there are so many things we can talk about. Ayn Rand. Cannabis. More about Star Wars. There’s your book on how to chase stars, chase your dreams.
Yes, “Reach For The Stars.” It’s a book that has a lot of practical advice on how to make your distant dreams come true.
I also have to touch on your project with HBO which may still find its way back to them. It’s a Twilight Zone type of show called, “Future Tales.” Boy, that would be some show!
I agree, it would be. And it’s still a good idea. I haven’t been able to sell it to the Syfy channel even though that ought to be just the sort of show they would be interested in. I enlisted 45 of the world’s greatest science fiction writers (including Arthur C. Clarke, Isaac Asimov, and Harlan Ellison), we signed agreements, that they would create a story or that we could use an existing story as the basis for one of our episodes. It was an anthology series all about the world of tomorrow. When HBO had me develop it, we were calling it “Future Tales.” Now, I’m calling it, “Exploring Tomorrow.”
I love that.
Me too. Who isn’t interested in tomorrow?
Exactly! You know, Kerry, I’m over the moon. We share so many connections. I’m a cartoonist.
Yes, and I love New York.
And I can see your early interest in cartooning probably having to do with being able to control the whole production and allowing your vision to run free.
That also carried over into animation. In New York, years ago, I was so impressed with Disney and his multiplane animation that created three-dimensional pictures. I got a bunch of plumbing pipes and I built my own multiplane animation stand in my apartment in New York. At the time, my dream was to create a little film that was so damn good that I’d send it out to Disney and he’d have me come out to work for him. That was my dream: to work for Walt Disney! Now, it never did happen and I clearly changed my mind since then but I did produce a few short films on that animation stand. I still love animation, and illustration–that was my original career. I’ve done so many things since then that I have a resume that looks like I’m schizophrenic.
Well, I wish you and Spencer the very best with “From the Bridge.” I’m excited about it and I’m sure it will find a wide audience.
It’s going to be very popular with the fan community–because it’s all about them. And the power that they have grown to hold in the last few decades.
I interviewed George Clayton Johnson a number of times–a science fiction writer and big supporter of fans–and he always brought up people power. In the end, it is the fans who matter the most.
Absolutely. I’m going to do a panel at Stan Lee’s Comikaze Expo (newly renamed Stan Lee’s Los Angeles Comic Con) here in L.A. next month with Bjo and John Trimble and my friend, Tom DeSanto, who produced X-Men and Transformers, and we’re going to talk about fandom. That’s what it’s all about.
Well, very beautiful. Thank you so much, Kerry.
You’re very welcome, Henry. I always enjoy talking about what I enjoy most of all.
Here is the podcast interview to listen to. Just click below and enjoy:
Check in with Kerry O’Quinn at his website here. If you are in Los Angeles on October 28-30, come see Kerry and enjoy some pop culture fun at Stan Lee’s Los Angeles Comic Con. You can find details on that right here.
“I started writing when I was eleven. I didn’t start writing at age eleven because I thought I was going to become a movie director. I did it because I enjoyed it. I fed off the movies I was watching and the comic books I was reading.”
–Spencer F. Lee, writer/director of FROM THE BRIDGE
FROM THE BRIDGE is a documentary that looks at the career of Kerry O’Quinn, one of the leading figures in fandom, and explores in depth the rich and exciting world of science fiction, comic books, and horror–and the fans who love it. At this point, those fans include a vast number. But it wasn’t always that evident. With this new documentary, due out in 2017, writer/director Spencer F. Lee shares with you his childhood passion that has blossomed into a deep understanding of some of today’s leading forms of entertainment.
FROM THE BRIDGE, directed and written by Spencer F. Lee, executive producers George Noe and Spencer F. Lee, produced by Philip Nelson, and hosted on-screen by George Takei, is a feature film documentary that tells the story of how fans worldwide have “come out of geekdom’s closet” in the last 40 years, largely nurtured and encouraged by Kerry O’Quinn. Having the opportunity to interview both Spencer F. Lee as well as Kerry O’Quinn, I’ve come away with a great appreciation for what this film will mean to an audience. The film features interviews with Stan Lee, Bryan Singer, Gene Simmons, Joe Dante, Nichelle Nichols, Tom DeSanto, Bryan Fuller, Rod Roddenberry, Howard Roffman and many more.
The full podcast interview with Spencer F. Lee is right below. Just click the link:
Up next is my interview with Kerry O’Quinn, co-founder of such landmark magazines as Starlog and Fangoria.
A lot of great things have happened in Seattle. Grunge. Coffee. Software. Amazon. And Bumbershoot, our Labor Day weekend music and arts festival. In fact, the site of the 1962 World’s Fair, now known as Seattle Center, is the site of Bumbershoot. Through it all, Seattle had managed to somehow keep a relatively low profile. It used to be known as a place you could drift away to and that appealed to countless artists and dreamers. But, in the span of a generation, it has gone from being called “the nicest place to live in America” to being called “the fastest growing city in America.” That is quite a leap and it does not come without a steep price to pay.
The Anschutz Corporation’s AEG LIVE division bought out Seattle’s beloved Bumbershoot Music & Arts Festival from local nonprofit, One Reel. Bumbershoot was an emblem of that quirky egalitarian spirit that Seattle has been known for. Last year, was the first year under the control of AEG LIVE. The price hike on tickets raised eyebrows. People noticed. Locals noticed, for sure. Here is my recap from last year.
Here’s the thing, Bumbershoot has been in need of better organization for some time. Crowds keep growing while overall entertainment, including the arts, keeps decreasing. Like it or not, the Bumbershoot that all of us grew up with is no more. It’s not a lot of quirky, authentic, indie fun anymore. There is still a glimmer of the old ghost but it’s now mostly a corporate brand. Can we turn that around? I wish we could. There is a price to pay for being the biggest–and it’s too high a price! Burning Man was once just an authentic feel good thing but no more. So too for good ole Bumbershoot. Bumbershoot no more.
Once a toy has become an artifact of childhood, it has reached a very special place. For the purposes of this exhibit, a look at American toys spanning three decades, the focus is upon the joy and comfort these toys provided. The context is both simple and complex as viewers are invited to study the various exhibits from their own personal point of view. Did you have a happy childhood? If not, maybe a toy helped you along the way? Sectioned off into three decades worth of childhoods, there is plenty to recollect and reassess.
Contemplating Toys and Childhood
“Toys from the ‘50s, ‘60s and ‘70s” is enjoying its West Coast premiere on display at MOHAI here in Seattle. Originating from the Minnesota History Center, this exhibit asks you to revisit many toys that, by today’s standards, would not be deemed suitable for children on many grounds, including common sense safety! Lawn darts, anyone?? Yep, we don’t see lawn darts sold in today’s toy market. They’re basically sharp steel projectiles. They’re not going to cut it, or rather, they ARE going to cut it! But, you see, lawn darts have a home here–on display only. Lawn darts are not subject to recall within the bounds of this exhibit. They are here to conjure up good lawn dart memories, for those who have them. And they’re also here as a subject for discussion. As much as this exhibit is a trip down memory lane, it also invites viewers to draw their own conclusions.
The Game of Cootie, originally launched in 1949
What are your thoughts on Barbie dolls or toy guns? You’ll find them here ready for your marvel or scrutiny. The point is that you’ll find all sorts of toys, whether or not they pass today’s safety or societal tests. The overwhelming nature of childhood memory takes over. Countless kids loved their toys and now we have the nostalgia for yesteryear and contemporary perspective to guide us. You’ll find a lot of kids attracted to the exhibits. You’ll see lots of families with their toddlers, too young to appreciate any nuances but ready to grab at anything not secured. And then there are the adults who grew up in these respective decades. For them, especially, the exhibit features living room re-creations for each decade on view. For these viewers, the couch is right there to sit and go back in time with, alone or perhaps to share with younger family members.
1960s Living Room Re-creation at MOHAI Toys exhibit
Toys are certainly not easy to pin down. Toys resist being dismissed even if the originals are stored away or thrown away. Toys come at you from every direction. At a certain age, they define your leisure, your means of escape. They can become your world, your identity. They’re based upon all you think you know about the world whether from books, movies, television, just about anything. What does a choice in a toy say about a child? What does a toy say about the adult who chose it for the child? The adult who created it? The manufacturer that produced it? The country that embraced it?
Atomic Disintegrator repeating cap pistol, introduced by Hubley in 1954
Alpha-1 Ballistic Missile, introduced by Amsco Industries in 1958
One of the best examples of how toys can make a difference is the American reaction to the Soviet’s being the first in space in 1957 with the Sputnik satellite. That little object in space caused shockwaves in the United States. Toy makers would definitively enter the Space Age and Space Race. Hubley’s 1954 Atomic Disintegrator, right out of science fiction, was all well and good. But now was the time to step up a focus on science and technology. Amsco Industries responded in 1958 with the Alpha-1 Ballistic Missile, “designed by missile engineers, tested in Cape Canaveral.” And, as the display makes clear, kids ate it up! There’s this priceless quote from the exhibit:
“How did I get interested in science and make it my life’s work? Kids in the late ’50s and ’60s could get toys that complemented that interest. My friends and I loved my Alpha-1 Ballistic Missile: Mix up some baking soda and vinegar, put it into the missile, put it on the launch pad, and pull the string. That baby could really fly.”
–Mike Smith, b. 1952, meteorologist
It was fun, as a discerning adult, to wander back and forth between the three living room areas: the wonder and innocence in the 1950s; the keen interest in science and exploration in the 1960s; and a full circle escape to wonder and innocence in the 1970s. It seemed like, after having landed on the moon, and the rise of the Vietnam War, Americans were ready to refocus. Instead of looking to actual stars, Americans were ready to go see the new blockbuster hit, “Star Wars,” entertainment with its roots in 1930s pulp fiction. They were also ready to buy all the Star Wars toys.
Hey, that’s Han Solo’s Millennium Falcon!
I have fond memories of the ’70s as a kid. And I recall seeing “Star Wars” in 1977, at age 14, at our local movie theater at the mall. It would not have occurred to me to buy all the Star Wars figures, let alone a toy replica of the Millennium Falcon. But it was really nice to see the whole Star Wars set on display here at MOHAI. Any kid would have been thrilled to have owned them back then. But I’m sure that I owned a couple of figures. And I know that I went to see “Star Wars” more than once, despite the very long lines. I didn’t question any of it back then, although I was certainly old enough to do so. I was more than happy to accept it just as fun. I didn’t think about profit motives or the future of franchises or the American spirit. This brand new thing called “Star Wars” left you with a good feeling inside. And that’s the best thing any toy can offer.
TOYS at MOHAI!
“Toys from the ‘50s, ‘60s and ‘70s” is on display at MOHAI through September 25th. For more details, visit MOHAI right here.
Mack Stuckey’s Guide to the Center of the Universe
A Kickstarter campaign has been launched (ends 8/28) for the illustrated novel, “Mack Stuckey’s Guide to the Center of the Universe,” a dark satire set in Seattle. This isn’t your “Sleepless in Seattle” or “Singles.” Join the campaign right here.