This is the book for any fan of comics, pop culture, and great stories!
It is my pleasure to present to you my conversation with Ray Carcases on his YouTube channel. Just click the link to the video right below this paragraph. This time around it’s me who is being interviewed. We discuss my new book, George’s Run: A Writer’s Journey Through The Twilight Zone, published by Rutgers University Press. Ray is a kindred spirit and I am so lucky to have gotten this opportunity to chat with him. I look forward to pursuing more of these sorts of conversations with him in the future since he’s a thinker and an excellent conversationalist.
I’ll tell you right now and I’ll bring it up more as we continue to spread the word about George’s Run. I said it in so many words but maybe I didn’t come right out and say it in this interview. I really feel that I’m the ideal spokesperson to guide the reader along as we pursue several pop culture backstories. It’s folks like Ray and myself, from Generation X, that have a certain perspective and so much to share with each other and younger generations. And that doesn’t make me feel “old” at all. It just makes me feel like, as Ray expressed so eloquently, I’m in that group that “know enough to know.” You just don’t get it until you finally reach that point!
An old woman has fought with death a thousand times and has always won. But now she finds herself afraid to let a wounded policeman in her door for fear he is Mr. Death. Is he?
Ray and I got into a groove and built upon one observation after another. We marveled together over the cinematic elements to The Twilight Zone and how you need to appreciate them, “know enough to know,” in order to understand this most celebrated yet misunderstood pop culture phenomenon. I like one moment when Ray observed the quality of Rod Serling’s epilogue to the George Clayton Johnson masterpiece, “Nothing in the Dark.” Just as the scene comes to a close, that one final thought summing up the tension between fear and reason: “There was nothing in the dark that wasn’t there when the lights were on.”
Gladys Cooper stars as an old and dying woman named Wanda Dunn.
The time has come to start spreading the news. My graphic novel, George’s Run, will be out soon. It is in the March edition of Previews, and you can find it here. The book will become available as of May 12, 2023, published by Rutgers University Press–and I could not be more thrilled. If you’ve ever set foot in a comics shop for any significant amount of time, then you’re aware of the monthly Diamond Comic Distributor Previews catalog. Each catalog provides previews of comics and graphic novels that will be available in the next couple of months. The issue for March, which comes out on February 22, features items scheduled to ship in May 2023 and will have my book in it. This is a big step towards getting the book out into the world! And, for a comics fan, it’s a huge big deal.
This is the book for any fan of comics, pop culture, and great stories!
George’s Run has been years in the making. If you’re one of my loyal followers, then you already know that this book is about the power of storytelling, a special blend of it going back to pulp fiction, especially science fiction. I’ll keep you posted every step of the way. For now, if you happen to visit your local comic shops, ask them to check out my book in the March Previews catalog and seriously consider ordering some copies of George’s Run. Your support means everything to me!
Here I am debuting a mini-comic version of George’s Run at Short Run!
An early color version of a page from the book.
I love the promotional material put together by Rutgers. It sums it all up quite nicely:
George Clayton Johnson was an up-and-coming short story writer who broke into Hollywood in a big way when he co-wrote the screenplay for Ocean’s Eleven. More legendary works followed, including Logan’s Run and classic scripts for shows like The Twilight Zone and Star Trek. In the meantime, he forged friendships with some of the era’s most visionary science fiction writers, including Ray Bradbury, Theodore Sturgeon, Richard Matheson, and Rod Serling.
Later in life, Johnson befriended comics journalist and artist Henry Chamberlain, and the two had long chats about his amazing life and career. Now Chamberlain pays tribute to his late friend in the graphic novel George’s Run, which brings Johnson’s creative milieu to life in vividly illustrated color panels. The result feels less like reading a conventional biography and more like sitting in on an intimate conversation between friends as they recollect key moments in pop culture history, as well as the colorful band of writers described by Chamberlain as the “Rat Pack of Science Fiction.”
Here is more marketing material:
New Graphic Novel Traces the Origins of Pop Culture Through the Life of Eccentric Storyteller George Clayton Johnson
“George Clayton Johnson was one of the most brilliant and important writers of the 20th Century, creating classic episodes of The Twilight Zone and Star Trek, as well as co-authoring Logan’s Run and Ocean’s Eleven. George’s Run spectacularly and charmingly invites you on the amazing journey of his life and legacy, from 1929 through the Fifties and Sixties to 2015 and beyond. It’s a trip down Memory Lane via time machine and rocket ship—and it will definitely blow your mind!”
—Marc Scott Zicree, author of The Twilight Zone Companion
George Clayton Johnson
George’s Run: A Writer’s Journey Through the Twilight Zone (Rutgers University Press; May 12, 2023, 978-1-9788-3420-0; $24.95) is a mashup of gonzo journalism and whimsical storytelling with the overarching theme of how a group of writers influenced each other to create some of the greatest pop culture of all time. This is an exploration of self and creativity.
The reader follows cartoonist-journalist Henry Chamberlain as he seeks to reveal secrets and insights from a unicorn from a golden era. George Clayton Johnson was one of the greatest television writers of the 1960s. George showed up, as if out of nowhere, to command a significant place at the writer’s table for the original Twilight Zone and Star Trek. Co-writing the cult classic novel, Logan’s Run, was to be the cherry on top of a career that began, believe it or not, with George co-writing the story that was to become the original Rat Pack classic, Ocean’s Eleven.
Henry Chamberlain is a cartoonist, artist and writer living in Virginia Beach, originally from Seattle. Henry regularly writes about comics and pop culture on his blog, Comics Grinder. He writes for other venues, including The Comics Journal.
From Henry Chamberlain’s graphic novel, George’s Run
William F. Nolan was one of the grand old men from the golden age of science fiction and horror spanning pulp fiction, television and the movies. Starting out as an illustrator in Kansas City, Nolan ultimately made his way to Hollywood and became part of a group of writers within the orbit of Ray Bradbury, and subsequently Charles Beaumont, all trying to break into television. As part of the inner circle of writers, casually known as, “The Group,” little by little, Nolan gained some ground.
GEORGE’S RUN is now ready for your digital reading pleasure at comiXology. Just follow the link right here. And now, for those unfamiliar with this graphic novel, here are a few words. And, for those loyal true believers who know what I’m talking about, I hope you get to enjoy the book. A print run is coming soon too. This is a book about a bunch of hungry writers all seeking that elusive touch of strange!
Charles Beaumont on the set of “The Howling Man.” Illustration by Henry Chamberlain
Imagine a book that checks off all the boxes: compelling main character, appealing to any age, and a meaningful story. This is a graphic novel about the life and times of George Clayton Johnson. You don’t need to know who he is. But you won’t forget him once you do. George is a gateway to a universe of storytelling. George came from nothing but went on to claim his rightful place among the Rat Pack of Science Fiction, in the heyday of a lot of creative energy, with icons like Rod Serling and Ray Bradbury.
George Clayton Johnson’s Cafe Frankenstein
I encourage you to look up professor Paul Buhle because he provided an essay for my book that really blows my mind! Mr. Buhle is a respected scholar who has worked with various cartoonists over the years. I have also received a testimonial from novelist Jerome Charyn, who you may be familiar with. I have received a testimonial from cartoonist Jeff Smith and cartoonist Craig Frank. I have received a testimonial from Disney writer Martin Olson. A lot of very cool and significant folks have given GEORGE’S RUN a thumb’s up. This is one of those books that is very special, I think, and part of the magic is that it’s offbeat and unusual. At the heart of the activities going on in this book are all the interconnections emanating from the original Twilight Zone. It’s like a mystery within a mystery. It’s like a favorite amusement park ride. I’m looking for an agent who, once she’s read the book, is thrilled by it and can’t wait to let people know about it.
George Clayton Johnson
George is like a Holy Grail of Insight who, Henry, the author of this book, seeks. Henry finds George and unlocks an enigma wrapped in a riddle. So much hiding in plain sight. Within a quirky and dream-like narrative, George and Henry embark upon an adventure in grand storytelling. In the process, the reader becomes immersed in fanciful and insightful observations recollected.
George’s Run: A Writer’s Journey Through The Twilight Zone is NOW available on @comiXology Submit!
The graphic novel, GEORGE’S RUN, is scheduled for a special indie release during Small Press Expo, September 12-13, 2020. This is a 200-page graphic novel that features the life and times of science fiction writer George Clayton Johnson. In his day, George earned his way into the inner circles of such legends as Rod Serling, Ray Bradbury, and cult literary favorites, Charles Beaumont, and Theodore Sturgeon.
GEORGE’S RUN is a story about storytelling. It’s not about just one thing and could easily be misunderstood but it’s worth giving it your attention.
Henry Chamberlain is your host. He is a cartoonist through and through. He wrote and drew this graphic novel that we’re talking about. Heck, our pal Hank has been behind the whole project from initial thumbnails to digital coloring. The guy could use a little help. For that, consider some of the awesome shout-outs he has earned from some VIPs who care about quality entertainment:
“It clearly is an act of passion!”
— Jeff Smith, creator of the comics series, Bone
“It’s really a one of a kind tale: a madcap ride back into our own pop culture told with a free-wheeling zest.
— Jerome Charyn, author of Cesare: A Novel of War-Torn Berlin
George Clayton Johnson’s Cafe Frankenstein
“GEORGE’S RUN tells the engaging story of George Clayton Johnson’s pivotal role in the core group of fantasy writers who wrote for The Twilight Zone and Star Trek, as well as his amazing novel Logan’s Run. Chamberlain’s graphic novel is a fascinating tribute to a writer who came out of nowhere to influence American fantasy writing forever.”
–Martin Olson, author of Encyclopaedia of Hell
George keeps on running!
So, just to be clear, the book will make a number of introductions into the world with a special highlight being its SPX debut in September 2020. If SPX should be cancelled, it will still enjoy a special September online release. You can keep up with updates here and at the official website for the book. For all intents and purposes, you can consider the book published as of now since I’m providing you with an early bird view of it here.
As time progresses, you’ll be able to find GEORGE’S RUN in different formats and at other venues. A version in color will be out by September.
To the tell the story of a writer and the writing process is quite a unique challenge. Sure, you want to include some scenes of the writer in the act of writing but then what do you do next? This new graphic novel, Philip K. Dick: A Comics Biography, published by NBM, solves the problem very nicely. French writer Laurent Queyssi and Italian artist Mauro Marchesi bring to life a very unusual person, famous writer or not. The appeal of this book comes from how both writer and artist tease out for the reader a portrait of very delicate, chaotic, and brilliant individual. Let the details fall into place as events unfold. See how one person can be so blind to his own destiny while bursting with intelligence and creative output. After a while, you don’t care what he’s famous for. You’re just rooting for him to survive another night as the walls start to cave in all around him.
It’s perhaps helpful for me to mention that I’m putting together a book that parallels this book on Philip K. Dick in very interesting ways. My book is about another science fiction writer, George Clayton Johnson, who was born in 1929, roughly the same year as Dick but who enjoyed a happy and long life. Dick’s life was relatively short and not without its tragedy. Johnson and Dick are very different writers but they both were part of a certain time and sensibility. Even though Dick was somewhat of a recluse, he did enjoy connecting with people on occasion. Like Johnson, he got to know some of his heroes and colleagues in science fiction, like Harlan Ellison and A.E.van Vogt. Both Johnson and Dick had high ambitions. While Johnson generally flourished among people, Dick would much rather recede into the background. Both dared to be as nonconformist as possible. Dick was darker, stranger, and willing to open more doors into the unknown.
An honest assessment, that’s what we crave from a biography. NBM is certainly amassing quite an impressive collection of them. The trickiest to get right, and probably the most satisfying, is the exploration of a creative person and the creative process. That classic writer’s block is on full view on more than one occasion in this book as is the overall struggle in a person’s life. We get a very clear and precise picture that manages to keep to a steady chronological order with necessary temporal detours. This is Philip K. Dick under the microscope. Backed my thoughtful planning, Queyssi provides a script that seems to effortlessly bring into play a myriad of carefully researched dates, places, and times. When you think of it, Dick was essentially an enigma. You didn’t necessary go see Blade Runner with a clear picture of the author of Do Androids Dream of Electric Sheep?
Mauro Marchesi’s artwork is as clean and crisp as Queyssi’s well-chosen words. Marchesi solves another challenge: finding just the right ways to evoke the fantastical in a story about a writer writing weird and strange content. You don’t just want to play with scale and have a scene with Dick reduced to the size of an insect just because you can! But that sort of thing is irresistible so you make the most of it and, when the time is right, Marchesi pulls out all the stops. He has some beautiful wordless sequences that definitely balance out a narrative that, at times, needs to rely more on text. One that really packs in just the right dose of mystery and ambiguity has Dick seated at a park bench trading in a gem for a book with a total stranger. Like spies passing through the night, they discretely make the switch, one finely polished gem for a book that points towards another book in Dick’s future.
For fans of Philip K. Dick, as well as new readers, this will prove to be an engaging read. As I say, after a while, you’re not thinking of Dick as just a famous writer. No, he’s got some pretty compelling ordinary problems of his own along with the extraordinary ones! One of the most fascinating aspects, however, does have to do with being a famous writer. Time and again you see Dick fighting against being known as a science fiction writer. Back then in what was its golden age, science fiction was snubbed as only being “genre.” You would think someone as smart as Dick could have seen through the snobbery of the literary establishment. But, no, even Philip K. Dick wasted precious time and energy desperately trying to fit in!
Philip K. Dick: A Comics Biography is a 144-page full color hardcover. For more details, visit NBM Publishing right here.
Twilight Zone. Star Trek. Logan’s Run. George Clayton Johnson was a big part of it all. This is his story. Welcome to GEORGE’S RUN, my tribute to the legendary storyteller.
I created a graphic novel all about George, his work, and his times. There was no clear destination in mind other than it needed to be done. I foresee a printed book in one form or another at some point. For now, I roll out a webcomic. A work of alternative comics such as this can definitely benefit from going through the webcomic process even if it receives little obvious fanfare in that state. This is a rather strange and quirky tale as much a story as a story about stories. These pages will further reward upon a second and third contextual reading, I believe, what with the observational bits, factoids, and unexpected detours. All the more reason to see this inevitably in a proper book format.
For those familiar with what I’ve been up to here at Comics Grinder, you’ll appreciate that this announcement is a pretty big deal. That graphic novel project I’ve been referring to all of you is finally making its way into the world as a webcomic. I have loaded up some pages to kick things off and will continue to update accordingly. I will do my best to keep to a weekly schedule. The plan is to update the site every Wednesday. You can find updates here at Comics Grinder as well as enjoy the distinctive webcomic experience at the George’s Run website right here.
It all began with my podcast interviews. You can check out some of my conversations with George over here and over here. I concluded that George’s life story had to be turned into a graphic novel and I’m just the guy to do it!
George Clayton Johnson
If you are a fan of pop culture in any form, this is for you. If you enjoy a fun and quirky tale, this is for you. The best thing is that no prior knowledge is required. You don’t have to know anything about science fiction or the golden age of television or how writers sometimes work together to spin tales like magical little elves.
Prepare to embark upon a journey with a wizard storyteller into the mysterious past and onward into the marvelous future.
George keeps on running!
Okay, that’s my pitch. I know many of you out there are cheering me on. Do drop by and visit the George’s Run webcomic and just say hello. As always, I will keep you posted on the progress of this very special project as it evolves as a webcomic and ultimately finds its way into print. You know, this is something of an open letter to anyone interested in seeing where we can go with a book. Any literary agent or publisher is welcome to contact me. That said, self-publishing has evolved to such great prominence and tangible clout. The bottom line is that, like a film, a novel, a poem, whatever it is, there’s something about being able to take in a work as a whole so I’m excited about seeing this through and ultimately having a book version. Thanks for your support and I’ll continue to do my best.
GEORGE’S RUN, my graphic novel work-in-progress, is humming along. These sort of hand-made-with-care items take time, especially since I’m doing everything. People who know and understand, they understand. What I dearly wish is, in fact, to get this work not only completed but uploaded, printed, and hard-wired onto as many minds as possible.
Hand-drawn lettering completed on this page.
I can do a number of things. I can start showing this to the world as a webcomic, either here and/or at a separate venue. A show of hands for everyone who supports that move. Okay. I can also self-publish, which is certainly an attractive option. And I can also make just the right love match with that certain publisher I might click with.
Always studying pages as they progress.
Anyway, folks have asked, and I just wanted to provide an update. I hope you like this small batch of teaser images. I also just got a pedicure and it seemed like a perfect opportunity to show that off too. Why not, right?
Always looking at work from different vantage points.
I’ve learned quite a lot from this and I don’t regret one moment. Next year will be the 60th anniversary of the very first episode to be broadcast of “The Twilight Zone,” on October 2, 1959. That was “Where Is Everybody?” That is a very good question to ask as I seek to stoke interest in what should be a very worthwhile project.
Mark Gottlieb is a composer and a lucky person to have been a lifelong friend of screenwriter George Clayton Johnson. This friendship led to a collaboration between Gottlieb and Johnson on “Zola,” a compelling musical that features the Dreyfus affair, a scandal that rocked France at the end of the 19th century and reverberates to this very day. There are a number of things to unpack and discuss here. We begin with an overview of what the infamous Dreyfus affair was all about and go from there, with plenty of recollections about the great ole storyteller, the timeless, George Clayton Johnson.
The Dreyfus affair focuses upon a wrongly accused man who made the perfect scapegoat for the time. Considering how Rod Serling was such a steadfast advocate for human rights, it is quite fitting to find George Clayton Johnson, one of Serling’s fellow writers on The Twilight Zone, as co-creator of this musical. Johnson was always a person to side with the nonconformist. So, it was natural when Gottlieb, in search of a libretto, came calling on George. The two entered upon a partnership and worked, off and on, on the Zola musical for many years. Since the death of George Clayton Johnson in 2015, the impetus has been to get the musical out into the world. To that end, Gottlieb is contacting like-minded souls such as myself to help spread the word. As someone who also got to enjoy a special connection with George, it is my pleasure to present to you this conversation I had with Mark Gottlieb recently.
Now, a little history: The Dreyfus affair occurred during France’s Third Republic. It was sparked by the wrongful imprisonment of French army captain Alfred Dreyfus in 1894. The matter would officially drag on until 1906. Dreyfus was convicted of treason for allegedly selling military secrets to the Germans in December 1894. At first the public supported the conviction; it was willing to believe in the guilt of Dreyfus, who was Jewish. Much of the early publicity surrounding the case came from anti-Semitic groups (especially the newspaper La Libre Parole, edited by Édouard Drumont), to whom Dreyfus symbolized the supposed disloyalty of French Jews.
The effort to reverse the sentence was at first limited to members of the Dreyfus family, but, as evidence pointing to the guilt of another French officer, Ferdinand Walsin-Esterhazy, came to light from 1896, the pro-Dreyfus side slowly gained adherents (among them journalists Joseph Reinach and Georges Clemenceau—the future World War I premier—and a senator, Auguste Scheurer-Kestner). The accusations against Esterhazy resulted in a court-martial that acquitted him of treason (January 1898). To protest against the verdict, the novelist Émile Zola wrote a letter titled “J’accuse,” published in Clemenceau’s newspaper L’Aurore. In it he attacked the army for covering up its mistaken conviction of Dreyfus, an action for which Zola was found guilty of libel.
What follows is my interview with Mark Gottlieb. Here we begin with the Dreyfus affair and quickly dig deeper into the issues involved. Then we steadily see how Gottlieb and Johnson joined together as a creative team. In the process, we get a unique inside view into the world of George Clayton Johnson, a unique voice in storytelling. He is best known for iconic episodes of The Twilight Zone like “Kick the Can,” and “Nothing in the Dark.” Among his work, he is also known for writing “Man Trap,” the first episode broadcast of Star Trek, as well as being the co-writer, with William F. Nolan, of the landmark science fiction novel, “Logan’s Run.” Lastly, I have to say, I believe this interview will really hook you in. The proper warm up and set up is done and off we go:
Wren McDonald is a cartoonist and illustrator. His illustrations appear in The New York Times, The New Yorker, GQ, The Washington Post, The Hollywood Reporter, and many other places. His first full-length graphic novel, a quirky cyberpunk thriller, “SP4RX,” was recently published by Nobrow Press.
If you are in the New York City metro area this weekend, you can see Wren at Comic Arts Brooklyn. CAB is taking place this weekend with the main event this Saturday, November 5th, at Mt. Carmel Gymnasium, 12 Havemeyer Street, from 11am to 7pm, in beautiful Brooklyn! You can find Wren at CAB, downstairs at Table D31.
Wren McDonald has shot like a rocket since graduating from Ringling College of Art and Design in 2013. Wren has a refreshing take on both comics and illustrations: a rare set of skills, talent, passion, and drive. So, without further ado, here is my interview with Wren McDonald, recorded this Wednesday, as he prepares for Comic Arts Brooklyn.
HENRY CHAMBERLAIN: Wren, if we were to do a virtual tour of your studio, what would we find there?
WREN McDONALD: Well, my studio is my bedroom. So, here’s my bed and here’s my desk. That’s my studio! (Laughter)
That’s the set of circumstances for a lot of cartoonists and illustrators, isn’t it?
Yeah, especially living in New York. It just doesn’t make much financial sense to have a separate studio. But I have plenty of room here. It’s pretty spacious. I can spread out and get my work done. I have a super big desk and an iMac. And I actually have (laughs) the extended studio in the living room! There I have a Lasergraph copier where I print out my mini-comics and zines.
That’s for serious cartoonists.
“Did Trump and Clinton Get a Pass on Education?” illustration for The New Yorker by Wren McDonald
I direct folks who are new to your work to go to your website, wrenmcdonald.com. There you will find a cornucopia of stuff. I’m focusing on one of your current illustrations of Trump and Clinton and they are both sitting in a classroom. These two are hyperreal, larger-than-life, cartoonish. You can’t make them up. Could you give us a window into how you created that illustration?
That illustration was funny because I got the assignment the day before it was due, which was also the day before I was traveling to MICE Expo in Boston, a comics show that I was just at this last weekend. That was like a super rush job which was really intense. The art director at The New Yorker, Rina Kushnir, who is super great, I work with her a lot, she emailed me the article. She said it was last minute but she asked if I could do it. And I said, yes, of course.
Rina needed sketches in the morning and then the final that evening, around 5pm or 6pm. So, that morning, I sent in like four sketches. They were sort of goofy and funny. Like you say, these candidates are already cartoony so it’s easy to characterize them. Rina chose the one she liked. That was at noon. From that point, I got to work on the final and sent it over in the evening.
Those jobs are always pretty stressful but I enjoy doing them a lot because I feel that I work really hard and get a real day’s work in and have something to show for it.
It’s a beautiful illustration.
I wanted to ask you about your evolving into the illustrator you are today. Your work is appearing everywhere. Only a few years ago you were in Florida just starting out. Could you give us the cook’s tour of how you got where you are today.
Sure, I graduated from Ringling College of Art and Design, which is in Sarasota, Florida, in 2013. When I was in school, I had a website and was posting things on social media, like Tumblr, and I think that helped me get my feet off the ground in terms of people seeing my work.
From that point, I started going to comics shows like TCAF in Toronto, Comic Arts Brooklyn, and MoCCA. I tabled at TCAF and other shows I would just go to. I’d have mini-comics to give out to help make people aware of me. It’s two different paths, comics and illustration, so I’ll talk about them separately.
The illustration stuff is, like I say, social media and tracking down email contacts and networking. And a lot of promotional stuff. You want to create a portfolio that really looks like editorial illustration. Editorial work has a snowball effect. You start to get jobs and you’re seen as a professional.
CYBER REALM by Wren McDonald
The comics stuff is going to shows and socializing. I was approached by Peow! Studio, based in Sweden, about publishing one of my short stories in of one of their anthologies, “Time Capsule.” I thought that was super cool since I was familiar with their work. I was super excited. I think that was the first comics story that I had published out in the world besides my own stuff online, on Tumblr. Soon after that, I talked to Nobrow about doing a short story (CYBER REALM) for their 17×23 series which is a platform to try out new talent. That’s a small format, just 24 pages. We did that and enjoyed working together. So, Nobrow said they wanted to try something longer. That’s what I wanted to do so it worked out that way.
It’s amazing how quickly things came together. Did you already have an idea of what SP4RX was going to be like while you were working on CYBER REALM or did one work just follow the other?
I didn’t have one story cocked and loaded beforehand. I always hear other cartoonists, or writers, when they talk about their work, saying they had this story they’d been working on since they were 10 years-old and it’s part of an epic world they’ve created. I’m not one of those people. When I sit down to write a story it’s about brainstorming and anything that peaks my interest.
For SP4RX, I’ve always been interested in the cyberpunk genre, especially movies and comics. I wanted to work in that genre. I was already creating work dealing with technology, robots, and dystopian settings. I think it just made a lot of sense to me.
We’re always hearing about the digital versus the physical. I direct people to the comic you did for The Comics Journal. How did that come about?
I’m not sure if Nobrow contacted The Comics Journal, or the other way around, but The Comics Journal approached me about doing one of their A Cartoonist Diary columns. I was all for it since I have the attitude of wanting to try something out and make it work. I had not done diary comics before so I had to think about how to do this. Mine is not a traditional diary comic since it has these fantastical elements to it. Despite it being involved with things I was experiencing, the more apt title to it turned out to be “Not A Cartoonist Diary.” That was a fun project.
Over the years, illustration is deemed dead and then it comes right back. It all runs in cycles. You’re firmly in both the world of comics and illustrations. Some cartoonists, I know, have never printed mini-comics nor done the comic fest circuit. But you love that.
Right! I love making comics, reading comics, and telling stories. I am passionate about my comics work because I am able to draw what I want to draw. Illustration is a fun back and forth since it involves work that I would not necessarily choose to draw: it’s more like a puzzle. Okay, how do I use these images to convey a specific idea, very concisely, to pair with the article? It’s a fun back and forth. Maybe I’ve been working on comics for two weeks straight, and then I get an editorial assignment. That’s great, I can take a break from comics and do an illustration, take a break from having my face too close to the page and switch my train of thought–and vice versa.
SP4RX by Wren McDonald
If we were just chatting, we’d end up talking about books and movies, especially science fiction and cyberpunk. I imagine that “Videodrome” must be a favorite for you.
I do love “Videodrome.” David Cronenberg is amazing but I don’t think that “Videodrome” had a specific influence on SP4RX. Instead, concerning SP4RX, I had just read William Gibson’s “Neuromancer,” which I thought was like the coolest book ever. It is considered “cool.” I wanted to make something “super cool” like that! I’d always been into “Akira” by Katsuhiro Otomo. And “Ghost in the Shell” by Masamune Shirow and his Appleseed series. And movies like Paul Verhoeven’s “Total Recall” or “Robocop.” Or James Cameron’s “Terminator II.” “The Matrix.” “Aliens.” Stuff like that. I wanted to do something in the vein of that genre.
Let’s focus back on SP4RX: a super hacker going up against corporate enslavement. How close are we today to corporate enslavement?
There’s a lot of parallels that I was drawing from. Basic stuff that I’d see on the news. Even just going about my day-to-day, going shopping or whatever, that would end up in SP4RX. It’s a world with hover cars and sci-fi elements but there are plenty of parallels to our real world throughout. For example, I’d be watching some crazy video on YouTube with one newscaster harassing another newscaster and I would basically copy and paste that into the book. Within a sci-fi setting, you can focus on the human element. You don’t get caught up in a specific nation or political agenda. It’s just people in this science fiction world.
Everyone may not get a hover car but we’ve got plenty of the weird and nefarious stuff already. What do you think about Edward Snowden and us being monitored? The future is here.
Yeah, it makes me think that the cyberpunk genre and movement is more relevant than ever. When the internet was first coming about, that genre seemed so cheesy. It’s fun to laugh about it but there’s so much of it that’s relevant. Like you say, that NSA stuff is really happening. It’s important to pay attention to that and be aware.
Panel excerpt from SP4RX
Is there anything you’d like folks to know about that you are currently doing?
It depends upon when you think this post will go up. There’s Comic Arts Brooklyn this weekend.
I can push things up and get this out by Friday. I’d love to go to CAB. I have my own book I’m working on that is very much science fiction oriented. It’s about the science fiction writer George Clayton Johnson. His career and life’s journey has a very intriguing arc. He began with writing the story for the Rat Pack classic, “Ocean’s Eleven” and crescendoed with co-writing the novel that was the basis for the cult classic, “Logan’s Run.”
Oh, yeah, that movie has a nice sci-fi cheesy quality.
Well, the thing with George was that he kept to his set of values and the integrity of his storytelling. “Logan’s Run” is an example of a big studio having its own ideas on what the story should be. It’s totally fun though and I think a remake would be great. The original novel is very different. I think you’d enjoy it.
I will check it out.
Comic Arts Brooklyn
But getting back to CAB.
Yes, I will be at Comic Arts Brooklyn this Saturday, November 5th. You can find me downstairs at Table D31. So, come by and say hello! And I have a new mini-comic that will debut at CAB and then be available on my site which is called, “Dirt Dart,” a 12-page story about a soldier lost on another planet.
Well, it’s been fun talking with you, Wren. I know that you’re having the time of your life.
Yes, staying busy!
Thanks so much, Wren.
Thank you, Henry. When you’re in New York, stop by and we can have a drink.
You can listen to the interview by clicking the link below. I did not make any edits so you’ll pick up on some slight differences from the transcription which is a smoother read. One thing to mention here is that I was not aware of the title, SP4RX, being pronounced “Sparks.” I must have been firmly in the mindset of George Lucas and his 1971 classic, THX 1138:
SP4RX is out now. Find it at Nobrow Press right here. Visit Wren McDonald right here. And, if you are in the New York City metro area, be sure to visit Comic Arts Brooklyn this weekend. Visit CAB right here.