Without any prompting, as natural as can be, Der Spiegel has instantly compared Boris Johnson to Alfred E. Neuman! Europe remains supportive and hip to MAD Magazine. But what about the United States, where Alfred was born? The lights will soon go out on the print run of MAD Magazine as we’ve known it since 1952. No more ongoing original work after that. Everything is being shuttered, closed down. The only thing left will be a perpetual showcase of archived items left to fill the void. Presumably, the archived edition will sputter out in print after a while. Although the official line goes like this: DC Comics, which publishes the magazine, told ABC News in a statement: “After issue #10 this fall there will no longer be new content – except for the end of year specials which will always be new. So starting with issue #11, the magazine will feature classic, best of and nostalgic content from the last 67 years.” That’s something but it pales in comparison. In the long run, perhaps the end result will be back issues living on forever on the web gathering virtual dust. Of course, MAD Magazine will live on in the memories of its devoted fans. What a sad, sad, sad state of affairs. Does Warner Bros. have such little regard and respect for such a time-honored satirical publication? Well, it doesn’t quite fit into someone’s bottom line. It’s a shame to think that Alfred E. Neuman will gradually fade away as a pop culture icon. Perhaps there’s a chance for MAD Magazine to be saved. It happened with Newsweek. Anyway, the Boris Johnson cover of Der Spiegel speaks volumes.
Category Archives: MAD magazine
Interview: MAD Magazine’s John Ficarra and Nick Meglin on ‘Don Martin: Three Decades of His Greatest Works’
Don Martin. We know his uniquely surreal and eccentric cartoons from MAD Magazine. Who better to shed light on Don Martin, and the world of MAD, than longtime MAD editors Nick Meglin and John Ficarra. Mr. Meglin goes back to the early years of MAD. He retired in 2004 but remains a contributing editor. Mr. Ficarra was brought on board by Mr. Meglin and the two worked together for many years. Both men are quick with a joke and just a pleasure to talk to. The subject for this interview is the uproariously funny work of Don Martin and “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” a 272-page hardcover published by Running Press and available as of November 11.
By 1974, MAD magazine had hit an all-time high in popularity, selling more than 2 million copies per issue. It was also the height of the Watergate scandal, Vietnam War protests, and the counterculture. MAD helped bring about the age of subversive satire that we see today everywhere from “The Simpsons” to “The Daily Show.” It was the underground before there was an underground. And, among the wackiest of cartoonists, in fact, “MAD’s Maddest Artist,” was Don Martin. Martin was from some other planet. “MAD’s Greatest Artists: Don Martin: Three Decades of His Greatest Works,” published by Running Press, lets you see this extraterrestrial cartoonist at his best.