Category Archives: Art books

Review: ‘Guardians of the Louvre’

Jiro Taniguchi Louvre comics

I would love to know the details on the Louvre series published by NBM. This latest installment, “Guardians of the Louvre,” by acclaimed manga artist Jirô Taniguchi just goes to show once again how unique this subject is and the endless possibilities for it. What a great cartoonist wants in a project, especially one who both writes and draws and has done so for many years, is a task worthy of the enormous effort. And, to sweeten the deal, make it something heroic. A cartoonist loves it when he or she can make a grand gesture.

Reading Guardians of the Louvre

Reading Guardians of the Louvre

What I’m saying about the grand gesture is so very true. Look at how Taniguchi responds to the task: his main character/alter ego is reduced to a little heap in comparison to the Louvre and its many treasures, opportunities, and mysteries. He arrives in Paris completely spent from a bad case of the flu. He is completely overwhelmed, out of his element, his observations through a fever dream. Like Little Nemo on his magic flying bed, we set off on a most unusual journey.

The Louvre, outside of any known realm.

The Louvre, outside of any known realm.

Our hero, due to a bad rabbit stew or some such mishap, is now in tune with the supernatural elements of the Louvre. When you consider that we are talking about a museum that is over 200 years old, as large as ten football fields, holding 70,000 pieces of art going back to antiquity, well, it would not be surprising to find that it has many tales to tell and that it is at least a bit haunted, right? Taniguchi asks that you run with that idea.

And so one grand gesture leads to another. We see poltergeist in all their gloopy glory floating about. We meet a beautiful ghost, presumably the Winged Victory. And, it just goes on from there as we go in and out of time, meet various artists long gone expect very much alive in this moment. The Louvre is a House of Leaves. It is a place that insists you shed your normal skin and walk amongst it. You inhabit a place such as the Louvre and you can’t help but let it inhabit you.

“Guardians of the Louvre” is the latest in the NBM Louvre series. It is a full color hardcover, right to left reading manga-style, 8 x 11, 136 pages. For more details, go right here.

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Filed under Art, Art books, Art History, Comics, France, Graphic Novel Reviews, graphic novels, NBM Publishing, Paris, The Louvre

Review: MUNCH by Steffen Kverneland

MUNCH by Steffen Kverneland

MUNCH by Steffen Kverneland

When an artist draws or paints expressive work, he or she owes something to Edvard Munch. Whether that work is still compelling in the 21st century, is totally up to that artist. In 1893, when Munch created the first version of what is famously known as “The Scream,” he was 30 years-old and there was no question he had unleashed something new. Steffen Kverneland taps into that sense of urgency and excitement in his graphic novel, MUNCH, the latest in the Art Masters series published by SelfMadeHero.

August Strindberg and Edvard Munch

August Strindberg and Edvard Munch

If Edvard Munch was a free spirit, then he met his match when he befriended the flamboyant playwright and artist August Strindberg. Between the two of them, they boldly embodied everything you’d ever want to know about Expressionism. These guys lived it at a raging pace with wine, women, and song. The party was supposed to never end — and then each ending was capable of tearing these fierce bohemians to shreds as they quarreled, mostly over women. That crazy energy is mirrored throughout this book by cartoonist Steffen Kverneland masterfully inserting his own highly spirited debates on Munch with his friend and collaborator, Lars Fiske.

MUNCH by Steffen Kverneland, part of the Art Masters series from SelfMadeHero

MUNCH by Steffen Kverneland, part of the Art Masters series from SelfMadeHero

What such men as Munch and Strindberg, so full of talent and lust, really wanted is explored in Kverneland’s book with great gusto. At times, you feel like you’re there with the model/lover/destroyer of the moment. In the same spirit as Munch’s vow to paint what he saw (what he felt) as opposed to what he literally could see before him, so too Kverneland engages with his subject. Munch is depicted here as any other man, full of flaws, and open to some cartoonish interpretation like anyone else. But this is Edvard Munch, after all! Due respect is made too. Kverneland’s strict use of only actual writing from Munch, rounds out the authentic effect.

Munch and his model

Munch and his model

Kverneland including himself in his work follows a long tradition. I can tell you, as a cartoonist, I find it often unavoidable and an essential element. Kverneland even finds a genuine link between Munch and the comics medium. In the 1880s, Munch had been following a plan that would have led him to auto-bio comics nearly a century before R. Crumb! Words and pictures. There’s always been that link. Munch maintained that his visual art always began as text. And, for a time, he was pursuing illustrated journals. For someone so in tune with sharing his life experience, a life intertwined with words and pictures is inevitable.

Steffen Kverneland discusses the creation of MUNCH with a friend

Steffen Kverneland discusses the creation of MUNCH with a friend

MUNCH is a 280-page trade paperback, available as of May 10th. For more details, visit SelfMadeHero right here.

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Filed under Art, Art books, Bohemians, Comics, Edvard Munch, SelfMadeHero

Review: POP PAINTING by Camilla d’Errico

Pop Painting Watson-Guptill

“Pop Painting,” published by Watson-Guptill, is an essential guide for artists and anyone interested in contemporary art. The art world can seem like a murky and mysterious place depending upon where you look. However, some things about art are pretty straightforward: successful art requires a focus on theme coupled with a dedication to craft. I know this as an artist and art lover. As a working artist, I juggle a number of tasks. And, at those times when I could use some inspiration, I’m always pleased to find great art books from Watson-Guptill that demystify and enlighten.

Pop Painting Watson-Guptill 2016

Camilla d’Errico is a professional artist who follows a certain routine and way of seeing the world. She presents a highly engaging collection of work that falls within the category of Pop Surrealism. This is an art movement that, in a nutshell, takes various elements in pop culture and places them in a dream-like environment. The results can be quite stunning. In her new 248-page full color book, “Pop Painting,” d’enrico shares with the reader her views and her methods. She takes an honest step-by-step approach providing real examples with real solutions.

Pop Painting Camilla dErrico

In the world of art and art-making, there are many things that remain constant and always will be: art training still involves life drawing, perspective, and actual hands-on work. As we bring in other disciplines, we still respect, and need, traditional methods. In the last twenty years, right alongside digital art, we have seen an explosion in interest in art-making stemming from the basic sources of drawing and painting. This had led to the comics medium being acknowledged as an art form in its own right. And this is something that Watson-Guptill has whole-heartedly embraced with books specifically on all aspects of comics from drawing to writing. So, it is no surprise to see this latest book, “Pop Painting,” with its unique focus on Pop Surrealism. It will be of interest to anyone, from the generalist to the specific fan. For more details, visit our friends at Watson-Guptill right here.

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Filed under Art, Art books, Drawing, Painting, Pop Surrealism, Watson-Guptill Publications

Review: ‘Game Art: Art from 40 Video Games and Interviews with Their Creators’ by Matt Sainsbury

Game-Art-No-Starch-Press

With holiday shopping fast upon us, Comics Grinder is ready to start making some holiday gift suggestions. Let’s start with this beautiful book, “Game Art,” published by No Starch Press, a collection of interviews with 40 top video game designers including page after page of eye-popping video game art. And, yes, this is art. You’ll find a wide variety of gorgeous work that would be suitable for framing. This is easily the perfect gift for virtually anyone. Here are some samples:

From "Fatal Frame 4"

From “Fatal Frame II” (Koei Tecmo Games)

From "Fairy Fencer F"

From “Fairy Fencer F” (Compile Heart)

From "Never Alone"

From “Never Alone” (E-Line Media)

From "Gamebook Adventures"

From “Gamebook Adventures” (Joshua Wright)

“Game Art” presents awesome game art that will inspire gamers and aspiring designers alike. Featuring major studios like Square Enix, Bioware, and Ubisoft as well as independents like Tale of Tales and E-Line Media, “Game Art” explores and celebrates the creative process that turns a video game into art. For more details, visit our friends at No Starch Press. You can also find “Game Art” over at Amazon right here.

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Filed under Art, Art books, Games, Illustration, No Starch Press, Video Game Art, Video Games

Review: ‘The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism’

Mark-Crilley-Realism-2015

You may know Mark Crilley from his manga series, “Miki Falls,” or his series with Dark Horse Comics, “Brody’s Ghost.” Or you may know him as the internet viral sensation. Crilley’s drawing demonstration videos have received well over two hundred million views on YouTube. You’ve probably seen them. The challenge is to create hyperrealistic versions of common objects that look just like the real thing—something humans have been trying to do for thousands of years. The French call it “trompe l’oeil.” And now the secrets behind creating this art have been collected in one book so you can see for yourself what it takes to do your own hyperreal drawings.

The Realism Challenge is easy in a lot of ways. Just follow the step-by-step instruction, and you’ll be amazed at the results you can achieve. Even if you don’t fancy yourself an artist, getting to see the process is fascinating. But chances are that, once you become familiar, you’ll want to try your hand at it too.

Toast--from The Realism Challenge by Mark Crilley--2015

We hear a lot about the hyperreal world we live in. The realistic work of Mark Crilley is perfectly in step with a zeitgeist that revels in intense, vivid, and urgent reality. That said, realistic art is as timeless as the pursuit of realism.

Mark-Crilley-Hyperrealism

“The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism” is published by Watson-Guptill, an imprint of Penguin Random House. It is a 160-page trade paperback, with 200 illustrations, priced at $19.99 (Can $23.99). You can find it at Amazon right here.

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Filed under Amazon, Art, Art books, Comics, Hyperrealism, Illustration, Mark Crilley, Penguin Random House

Review: ‘Freehand Figure Drawing For Illustrators: Mastering the Art of Drawing from Memory’

Human-Figure-Drawing-Watson-Guptill

Whether you are an artist, or would like to be, being able to draw without a model, but from memory, can be a challenge. With David H. Ross, you are definitely learning from the best. Mr. Ross has worked with all the major North American comic book publishers including Marvel Comics, DC Comics, and Dark Horse Comics. I can tell you, as an artist myself, that he knows numerous techniques that do indeed make it possible to work from memory. Look no further than his new book, “Freehand Figure Drawing For Illustrators: Mastering the Art of Drawing from Memory,” published by Watson-Guptill Publications, an imprint of Penguin Random House.

Here you will find the time-honored methods and practical guidelines that you need. In a lot of ways, it all seems rather easy and Ross makes that possible with very clear examples, one step at a time. I believe that clearing all the clutter is essential in art instruction. You address one aspect, focus on that, and move on to the next. Ross begins with the first place you need to go and that’s the space that your model inhabits. If you’ve ever felt a need for a refresher on perspective, you’ll find it here.

David-H-Ross-Drawing

The basics and then some, that’s what this book offers. I have fond memories of art school and having my trusty little wooden mannequin as well as a skeleton and skull to keep me company. But, with this book, you find ways to internalize that reference. That’s a key point. So, when you do have your model in the flesh, you can work faster as you go deeper into your interpretation. Anatomy, posture, bone structure, all of this will already be stored away and allow you to concentrate on the unique character of your model. And, of course, with this book’s guidance, you can always work without a model at all.

“Freehand Figure Drawing” is a 208-page trade paperback, published by Watson-Guptill, an imprint of Penguin Random House, and is available as of July 28th. For more details, visit our friends at Penguin Random House right here.

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Filed under animation, Art, Art books, Comics, Education, Illustration, Penguin Random House, Watson-Guptill Publications

Review: THIS IS CEZANNE, published by Laurence King Publishing

This-is-Cezanne-Laurence-King

Like Van Gogh, Cezanne (1839–1906) stood out from his contemporaries. He was the original bad boy, or “enfant terrible.” He was brash, experimental, and ahead of his time. Unlike Van Gogh, his life and work is not nearly as familiar to the general public. “This is Cezanne,” part of the This is Art series from Laurence King Publishing, provides an inviting and illuminating look at a most intriguing and influential artist. You will delight in this work, monograph by Jorella Andrews and illustrations by Patrick Vale.

Cezanne

Cezanne first gained notoriety, or infamy, from his paintings that parodied some of the leading figures from the older generation of artists. It shocked. It offended. It was a sensation. And that common thread of sensation ran through his later work concerned with the tactile and immersive. A rebel to the end, Cezanne did enjoy working with conventional compositions (still life, plein air, domestic scene), often with a sardonic twist and, just as often, with a gentle quality.

Patrick-Vale-Cezanne-2015

Bad boy antics aside, Cezanne was deeply interested in art tradition at its roots, going back to basics of line and color. This was also of great interest to a fellow artist provocateur, Edouard Manet. The two of them lampooned mindless art traditionalists. However, they could both be found in the Louvre studying the masters…on their own terms, gleaning what they needed.

This-is-Cezanne-Patrick-Vale-2015

“This is Cezanne” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.

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Filed under Art, Art books, Art History, Cezanne, Laurence King Publishing, Modern Art

Review: THIS IS VAN GOGH, published by Laurence King Publishing

This-is-Van-Gogh-Laurence-King

Vincent van Gogh, the quintessential symbol of the artist. But, just like any public figure, the reality of the person is far more complicated. Unlike popular belief, Van Gogh was no caricature of a madman with a paintbrush. You could say there were two Van Goghs: the tortured soul; and the sophisticated artist attuned to trends in contemporary art. Make no mistake, Van Gogh knew his art and directly from some his most celebrated contemporaries. In “This is Van Gogh,” one of the latest in the “This is Art” series, published by Laurence King Publishing, George Roddam provides a concise and substantial monograph accompanied by moving illustrations by Sława Harasymowicz. This graphic novel format proves to be a most compelling look at the artist suitable for any age.

Van Gogh

As much as loneliness and rejection weighed upon Van Gogh, it’s essential to know that he was just as absorbed with art matters: content, composition, and, most importantly, color theory. Red. Green. Opposing colors on the color wheel. Brought together. They evoke tension. They evoke emotional turmoil. A band of colors, just like the ones used by the local weavers. Behold, their close unison creates a vibrant gray throughout. Black. A more complex and dazzling black is made up by blending multiple colors. Color theory. The impressionists, ah, some became mired in it. Color theory. The Post-Impressionsits, ah, some became too technical about it. Color! Use it. Revel in it. The tension between green and red!

Illustration in "This is Van Gogh" by Sława Harasymowicz

Illustration in “This is Van Gogh” by Sława Harasymowicz

The “This is Art” series is, I cannot stress enough, a wonderful treat and useful art tool. Each monograph is expertly written and the illustrations are from some of the best artists around the world. “This is Van Gogh” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.

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Filed under Art, Art books, Art History, Laurence King Publishing, Van Gogh

Review: Pablo: Art Masters Series

Pablo-Self-Made-Hero-Birmant

To explore the life of Pablo Picasso (1881–1973) is to explore the life of a man who left a huge mark on art, so huge a mark that to take him out of the picture would be, well, unthinkable. To better understand the man, we have this new graphic novel, published by SelfMadeHero, simply entitled, “Pablo.”

How better to get a grip on the man behind the legend than to explore his early years. And who better to guide us than the woman in his young life, Fernande Olivier. This is no simple story of love, or friendship, or an artist’s development. This is the great Picasso, after all. However, with Fernande’s help, we get a down to earth look at him. The creators of this graphic novel have placed Fernande in the role she had always aspired to, that of storyteller. Through the script by Julie Birmant and the artwork by Clément Oubrerie, we get one of the most lucid depictions of the life of Picasso, one of the most celebrated and enigmatic of public figures.

Pablo-Picasso-Fernande-Oubrerie

Fernande. Who was this person? Fernande Olivier (born Amélie Lang; 1881–1966) would become a well-known artist’s model and, ultimately, a writer. She was involved with Picasso from 1904 to 1911. She was one of the models for Picasso’s landmark work, “Les Demoiselles d’Avignon.” Picasso would paint her over one hundred times. Fernande’s memoir entitled, “Picasso and his Friends,” was published in 1930. It outraged Picasso and led to her agreeing not to publish any more details about their time together until after their deaths. Without a doubt, Picasso would not be pleased with this new graphic novel. Fernande is not a woman easily impressed with Picasso’s antics. As we see here, she is a veteran of Parisian art circles. And she proves quite a match for him.

Pablo-Picasso-SelfMadeHero-2015

Picasso. The world would know his name. But, as for Fernande, there came a point when she no longer had a place in his life. As his star ascended, she only reminded him of the hard times. Julie Birmant and Clément Oubrerie depict a career that began in poverty and reached its climax with the advent of cubism and modern art. We see Picasso’s art develop through friendships with poets Max Jacob and Guillaume Apollinaire, the painter Georges Braque, and his great rival Henri Matisse. And all through, arguably, the most fruitful and significant time in his career, there was Fernande.

This is a book that provides a fresh new look at Paris, the capital of the art world at the turn of the 20th century. Julie Birmant gives a nod to younger readers by including such terms and phrases as “awesome” and “kill me now” in the dialogue. It’s not overdone and adds a contemporary feel to the action. For the most part, the narrative is straightforward and peppered with intriguing bits of insight. Here, for instance, is a description of the first time that Fernande saw Picasso’s studio: “I still remember the smell: a mixture of wet dog, oil, dust and tobacco…the smell of work.”

This is a very honest and beautiful work. It will appeal to all ages from teen on up. It’s a frank look at the artist’s life and just goes to show that even the great Picasso had to start somewhere and he did not do it alone. In many ways, it’s the very same path that any young artist takes today, including the revelations from reading Rimbaud. Picasso lived that life long before Millennials and this book does a wonderful job of bridging that gap. The young Picasso is made quite relatable and would fit right in any coffee shop today.

“Pablo” is a 344-page trade paperback, published by SelfMadeHero. It is available as of May 5, 2015. For more details, visit our friends at SelfMadeHero right here. You can also find it at Amazon right here.

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Filed under Art, Art books, Comics, France, Graphic Novel Reviews, graphic novels, Modern Art, Pablo Picasso, Paris, SelfMadeHero

Review: THIS IS GAUGUIN, published by Laurence King Publishing

This-is-Paul-Gauguin

We think of Paul Gauguin when we think of the stereotype of an artist running away from it all to an island paradise and going native. Well, at least that used to be the dream. Paul Gauguin certainly lived it. He remains the most celebrated example even if the details cast a shadow on his work. His was a most eccentric artistic and personal journey. Written by George Roddam and illustrated by Sława Harasymowicz, this is a complex story told in a clear and concise manner.

This-is-Gauguin-Laurence-King

Born in Paris in 1848, Paul Gauguin came into the world during an uprising that would have made the Occupy movement blush. It led the family to flee to another familial branch in Peru, but not before Gauguin’s father died of a heart attack. In 1855, the family returned to Paris but Gauguin’s love for the tropics ran deep. Fast forward a few more years, Gauguin’s life reached critical mass. He had allowed himself to enter into a career as a stock broker and had married Mette, a young Danish woman from a respectable family. They had children, five in all. However, he was developing into a very capable artist. In time, he would establish himself among the great Impressionists of the day. And an inevitable conflict would arise.

Teha'amana, Paul Gauguin's 13-year-old lover

Teha’amana, Paul Gauguin’s 13-year-old lover

We look at Gauguin’s work and it feels all part of a whole. The depiction of young women from Brittany eventually makes way for the depiction of young women in Tahiti. Gauguin follows his idealistic and romantic notions. In the same way that he mistakens the traditional head-dresses of the Breton women as significant, so he goes on to project wisdom and nobility upon the Tahitian girls he meets. There is one girl in particular, Teha’amana, only 13 years old, who he takes as a lover. She proves to be very silent. Gauguin sees that as a sign of great wisdom. More likely, it was a child’s reaction to becoming sexually involved with a grown man. Gauguin explained the relationship as part of the local custom.

What we remember most of the work of Gauguin is an unapologetic embrace of primitive culture. His work is a unique offshoot of the Impressionists’ aim to depict daily life. This book does a capable job of providing context to the most celebrated case of an artist going native.

Learn more about this new artist series by visiting our friends at Laurence King Publishing right here.

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Filed under Art, Art books, Art History, Impressionism, Laurence King Publishing, Paul Gauguin