A Charles Ray sculpture on the rooftop of the Whitney.
I want to talk about the Whitney Biennial with you. Let’s talk Whitney and let’s see why you should make it over there if at all possible. Have you gone? Do you plan to go? The last day is September 5th! I recently got a chance to see it and I’m still processing! This is just a quick teaser. In a forthcoming post, I’ll cover some of the history behind this New York treasure, a must-see showcase of contemporary art, and then we’ll just take a casual and straightforward look: some art will seem to defy easy access; and some will invite immediate engagement. Take a look at the above sculpture by Charles Ray, for example, it’s all there right away while holding back some secrets. Who is the figure lounging upon a block? It seems that a piece like this is about being transparent as well as being ambiguous, inspiring all sorts of questions.
Titled Quiet as It’s Kept, the 2022 Biennial features an intergenerational and interdisciplinary group of sixty-three artists and collectives whose dynamic works reflect the challenges, complexities, and possibilities of the American experience today. The Whitney Biennial 2022 runs from April 6, 2022 to September 5, 2022.
Meet Boris and Cupcake. They’re your typical art students which means they’re far from typical just about anywhere else. These guys are definitely living inside a bubble that is inside a number of other bubbles. This is a fact that doesn’t get them very far in the real world–or the art world, for that matter. What it all adds up to is the hilarious new graphic novel, Art Comic, by Matthew Thurber, published by Drawn & Quarterly.
Satire runs amok in this send-up of contemporary art with Mr. Thurber’s surreal sense of humor taking things to a high level. It’s an important distinction to make. Thurber is not simply foisting upon his readers a series of rants. He’s actually worked out his narrative to such a precise degree that it reaches a peak of whimsical perfection.
You don’t need to know a thing about art to enjoy this book and, in some ways, you may be better off not knowing a thing. In fact, let this graphic novel teach you all you’ll ever need to know about the art world. Humor, at its best, is capable of being quite educational. Just go along for the ride and you can’t help but pick up a little on the theory of art, the business of art, and even the art of art. You’ll also learn a few things on how to best tell a story simply by not taking anything too seriously. This is a wacky yet savvy book. Thurber does an admirable job of giving it all, the drawing style, the narrative, the jokes, all the way down to the coloring, just the right light touch. I reach out to my friends and loyal readers to assure you that, even if you don’t usually read comics or follow art, you will enjoy this if you have a healthy sense of humor.
Francis Bacon is a little bit less well known to the general public than Warhol and Pollock but every bit as powerful. Bacon was the product of the vibrant and gritty London Soho scene of the ’50s and ’60s. It was a world of rough trade and intellectuals. It was a bubbling cauldron of sexual liberation and creative abandon. Bacon quite naturally exemplified the zeitgeist. Having been caught by his father as he was reveling in wearing his mother’s underwear, he was summarily kicked out of the home at age 16, left to fend for himself. He wasn’t involved with art at the time, never had formal training, but art became his outlet, and he mastered it.
The British contemporary art scene was more introverted than the American. It really wasn’t pop as much as personal. Its answer to Abstract Expressionism was a return to the figure and to the self. Along with various other artists exploring the inner life, like David Hockney and R.B. Kitaj, it was Bacon who took this soulful approach to some of its greatest heights.
Funny how some people mistake Francis Bacon with the great philosopher. And how ironic that this artist, by the name of Bacon, would come to paint on, in part, the theme of meat.
Part of Laurence King Publishing’s This is Art series, this little book packs a lot of valuable information. It is quite a compelling narrative, written by Kitty Hauser with illustrations by Christina Christoforou. It will prove inspiring to any artist working today. Here’s a little taste of the text:
Bacon’s training took place not at art school but through the voraciousness of his eye, and the extremity of his experiences. He liked to observe human behaviour, especially when it was governed by instinct rather than convention. His relative lack of a formal education meant he did not make the usual kinds of distinctions between life and art, or between high culture and low. His mind and his studio were well stocked with images from a multitude of sources – cinema, medical literature, art galleries, everyday life – and some of these images inevitably found their way, sometimes consciously, sometimes unconsciously, into his paintings. ‘Don’t forget that I look at everything’, he said. ‘And everything I see gets ground up very fine. In the end one never knows, certainly I myself never know, what the images in my paintings are made up of.’
Learn more about this fun and informative new artist series by visiting our friends at Laurence King Publishing right here.
One of the most endearing things you’ll see in the documentary, “Cartoon College,” a 2012 film by Josh Melrod and Tara Wray, is Lynda Barry’s declaration of love for anyone who is a cartoonist. Lynda Barry is an interesting case in point. Her style is “outsider” raw while, at the same time, highly sophisticated. It won’t be mistaken for Rembrandt but it’s not supposed to be. Lynda Barry’s comics are authentic, entertaining, and thought-provoking. But can you teach someone how to become another Lynda Barry?