“Paradise Lost: A Graphic Novel” by Pablo Auladell
Spanish artist Pablo Auladell battled with demons and angels for some years before he ultimately created a graphic novel based upon the landmark in English lit, John Milton’s “Paradise Lost.” As many a college student will attest, reading this masterpiece can be a bit of slog, but a noble slog. As you immerse yourself in the text, the imagery comes alive. And so this is what happens when a skilled and nimble artist interprets this mighty tome. You get, “Paradise Lost: A Graphic Novel” The new translation by Angela Gurria has just been published by Pegasus Books.
For those familiar as well as new to it, this artful take on Milton’s most famous work is quite satisfying. It’s fascinating to study how Auladell went about interpreting some of the most iconic characters and images of all time. No doubt, it wasn’t easy. As anyone who has ever fancied going about creating their own graphic novel (good luck) and actually followed through, the whole process is quite time-consuming. The level of commitment is very demanding. Auladell is certainly up to the task.
Pages from “Paradise Lost: A Graphic Novel”
The only expectation for the reader is that here is a compelling reimagining of Milton’s epic poem on humanity’s fall from grace. Here is the monumental clash between God and Satan, good and evil, and life and death. For Auladell, he’s accomplished an ambitious work, put his personal stamp upon one of the greatest work of the ages.
Pages from “Paradise Lost: A Graphic Novel”
A work at this level is years in the making. Not days or months but years. There are so many people who wish to create their own graphic novel. But are they really prepared to put in the time required to create something worthwhile? Well, perhaps with the right combination of passion and persistence, each hopeful can achieve their particular dream. One key to all this is pacing one’s self. That’s the big secret. You need to pace yourself. Auladell did exactly that. He embarked upon one phase of the book and then another with no guarantee of a final result other than what pure persistence might promise. One creates hooks for one’s self. For example, Auladell chose to place a jaunty hat upon Satan’s head. That’s a hook that helps to inspire him to draw a legion of demons flying up ahead and so on down the line.
Page excerpt from “Paradise Lost: A Graphic Novel”
So this book is as much as study on the work itself as a study on the progress of creating such a work. As Auladell states in his introduction, he is self-conscious of how the work developed in stages. But to the reader, it will read as a smooth narrative due to an overall consistent quality. In Auladell’s case, he has already set the bar high so we are going from excellent work to even greater work.
“Paradise Lost: A Graphic Novel” is a 320-page hardcover available as of April 4, 2017. For more details, visit Pegasus Books right here.
BEOWULF, a graphic novel by Santiago García and David Rubín
If you are looking for a graphic novel that gives a quirky edge to the epic poem, Beowulf, then check out the all-new English translation of the graphic novel version. Originally published in Spain by Astiberri, this new edition is by Image Comics. Written by Santiago García and illustrated by David Rubín, this is a fresh and bloody take on the oldest surviving long poem in Old English (circa 1000 AD).
There’s that scene in Woody Allen’s 1977 masterpiece, “Annie Hall,” with Alvy talking to Annie about her English lit courses. He advises her to take anything but Beowulf. That was the common view on the prospect of reading the Viking epic in its original Old English. But attitudes evolve. An interest in Tolkien and such helps. Robert Zemeckis directed a pretty decent Beowulf movie in 2007. The fact is that Beowulf has influenced countless great works of fiction in numerous mediums. What is distinctive about this new graphic novel is how much it revels in the gritty and gruesome.
Beowulf makes his case.
Our hero is the brave warrior, Beowulf. He’s on a quest to kill the monster known as Grendel, right? In that task, he succeeds. All seems well until he has to confront the wrath of Grendel’s mother–and beyond! If you’ve read this in high school or college, you know it’s pretty rough going for Beowulf. Santiago García’s script and David Rubín’s artwork mean to up the ante.
Consider the fight between Beowulf and Grendel. There’s definitely a contemporary sense of provocation here as Grendel is depicted as having a devilish zeal to inflict pain. In fact, he sexually assaults Beowulf. It is one of the most unusual scenes I’ve read in comics this year. Done with a certain level of restraint, you could possibly miss it if you were quickly scanning through pages.
Use of floating panels.
This is an intelligent and imaginative adaptation. While not without a generous dose of blood and gore, the creators here aimed to tap into the power of the original work. The pacing of the narrative and the robust art make this a highly accessible read. There are interesting touches running throughout like the floating panels within panels offering various points of view and/or an inside look into a character. This has a thoroughly contemporary sensibility and decidedly provocative. Recommended for mature readers.
BEOWULF is a 200-page hardcover, in full color. Direct market release date is 12/21. Book market release date is 12/27. For more details and how to purchase, visit Image Comics right here.