Tag Archives: Pegasus Books

Review: ‘Paradise Lost: A Graphic Novel’

“Paradise Lost: A Graphic Novel” by Pablo Auladell

Spanish artist Pablo Auladell battled with demons and angels for some years before he ultimately created a graphic novel based upon the landmark in English lit, John Milton’s “Paradise Lost.” As many a college student will attest, reading this masterpiece can be a bit of slog, but a noble slog. As you immerse yourself in the text, the imagery comes alive. And so this is what happens when a skilled and nimble artist interprets this mighty tome. You get, “Paradise Lost: A Graphic Novel” The new translation by Angela Gurria has just been published by Pegasus Books.

For those familiar as well as new to it, this artful take on Milton’s most famous work is quite satisfying. It’s fascinating to study how Auladell went about interpreting some of the most iconic characters and images of all time. No doubt, it wasn’t easy. As anyone who has ever fancied going about creating their own graphic novel (good luck) and actually followed through, the whole process is quite time-consuming. The level of commitment is very demanding. Auladell is certainly up to the task.

Pages from “Paradise Lost: A Graphic Novel”

The only expectation for the reader is that here is a compelling reimagining of Milton’s epic poem on humanity’s fall from grace. Here is the monumental clash between God and Satan, good and evil, and life and death. For Auladell, he’s accomplished an ambitious work, put his personal stamp upon one of the greatest work of the ages.

Pages from “Paradise Lost: A Graphic Novel”

A work at this level is years in the making. Not days or months but years. There are so many people who wish to create their own graphic novel. But are they really prepared to put in the time required to create something worthwhile? Well, perhaps with the right combination of passion and persistence, each hopeful can achieve their particular dream. One key to all this is pacing one’s self. That’s the big secret. You need to pace yourself. Auladell did exactly that. He embarked upon one phase of the book and then another with no guarantee of a final result other than what pure persistence might promise. One creates hooks for one’s self. For example, Auladell chose to place a jaunty hat upon Satan’s head. That’s a hook that helps to inspire him to draw a legion of demons flying up ahead and so on down the line.

Page excerpt from “Paradise Lost: A Graphic Novel”

So this book is as much as study on the work itself as a study on the progress of creating such a work. As Auladell states in his introduction, he is self-conscious of how the work developed in stages. But to the reader, it will read as a smooth narrative due to an overall consistent quality. In Auladell’s case, he has already set the bar high so we are going from excellent work to even greater work.

“Paradise Lost: A Graphic Novel” is a 320-page hardcover available as of April 4, 2017. For more details, visit Pegasus Books right here.

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Filed under Art, Art books, Comics, Devil, God, Graphic Novel Reviews, graphic novels, Pegasus Books, Satan, Spain

Book Review: ‘1956: The World in Revolt’ by Simon Hall

Illustration by Henry Chamberlain

Illustration by Henry Chamberlain

As a momentous year comes to a close, we look, inevitably, to the future. However, in order to help us on our way, we must also look to the past. If 2016 was the year of Brexit and the rise of Donald Trump, then sixty years ago was the year of the Montgomery bus boycott, the Suez Crisis, and, most significantly, the Hungarian Revolution. A vivid and highly accessible account of the year is provided by Simon Hall in his book, “1956: The World in Revolt,” recently published in the U.S. by Pegasus Books.

"1956: The World in Revolt" by Simon Hall

“1956: The World in Revolt” by Simon Hall

Hall’s book is very readable with a novel’s narrative flow. The interconnections Hall makes are quite impressive as he makes a case for brewing unrest across the globe in the pivotal year of 1956. The seeds of unrest are sown everywhere none the least of which is among the youth. Today, you hear the classic, “Rock Around the Clock,” by Bill Haley and the Comets, and it might come across as a soothing lullaby. Well, relatively speaking. In fact, there’s an undeniable power to it. And, in 1956, it had the power of a cultural sonic boom. There were teenagers dancing in the streets after viewing the rock ‘n’ roll movie featuring Bill Haley and his band. And, around the globe, the status quo was being confronted at all levels. Enough to give those in power plenty of pause.

Hall tackles 1956 in fairly chronological order. We begin with a young and untested Martin Luther King Jr. as he must confront the firebombing on his own home, with his wife and children still inside. Remarkably, no one was hurt from the blast. And thanks to King’s moving address to the crowds gathered, the rest of that cold January night remained calm.

Among the leading news stories that year, the focus was on Egypt, the Suez Canal Crisis, and Egypt’s charismatic leader, Gamal Abdel Nasser.

The greatest undermining of Soviet expansion after World War II was the Hungarian Revolution.

And the end of 1956 would see one more significant sign of things to come: Fidel Castro and his band of revolutionaries proceeded upon their shaky but steadfast push against the Batista regime.

Simon Hall’s book is the first definitive account of the year 1956. Hall’s account presents 1956 as far more than an eventful year but as a source of much significant change that was still ahead. From Poland to South Africa, the call for freedom was loud and clear. Around the world the responses came from world leaders: Eisenhower in the US. Khrushchev in the USSR. Anthony Eden in what was left of the crumbling British Empire. The nationalization of the Suez Canal by Nasser spurred an Israeli-British-French attack that nearly brought in the Soviets–an attack that would ultimately fail. Hall captures it all in a riveting narrative always mindful of those not in power who were brave enough to shout the loudest.

“1956: The World in Revolt” is a 509-page hardcover, published by Pegasus Books. For more information, and how to purchase, visit Pegasus Books right here.

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Filed under 1950s, Book Reviews, Books, History, Pegasus Books

Review: ‘Pocahontas: Princess of the New World’ by Loïc Locatelli-Kournwsky

"Pocahontas: Princess of the New World" by Loïc Locatelli-Kournwsky

“Pocahontas: Princess of the New World” by Loïc Locatelli-Kournwsky

Here is a story that will greatly resonate with anyone struggling with issues of Otherness. There is so much to love about the graphic novel, “Pocahontas: Princess of the New World.” If you are looking for a powerful and accessible way to talk about race and tolerance, here is a compelling new addition to that discussion. Depicted in a direct and straightforward manner, here is the story of Pocahontas and John Smith as you’ve never seen it before. This is truly a unique gift for young and older readers alike. Originally published in French by Sarbacane in 2014, this spirited and quite informative graphic novel by Loïc Locatelli-Kournwsky is now available in an English translation by Pegasus Books.

Truth is stranger than fiction. Loïc Locatelli-Kournwsky plays with that concept by mining closer to the known facts, at least much closer than a Disney animated feature could. Pocahontas was around eleven years-old in 1607 when she was supposed to have famously saved Jamestown settler John Smith from being executed by the Powhatans. The rest is a bit of history and myth. This graphic novel interpretation has Pocahontas in the role of vigilant defender and protector of John Smith and the English colonists. Originally named, Matoaka, there is some dispute as to how and why she became known as “Pocahontas.” Some versions of the story say the name meant “playful one.” But in this version, the Powhatans feel betrayed and the nickname is supposed to simply mean, “shameless whore.”

Young Matoaka

Young Matoaka

Matoaka, later to be known as Pocahontas, would be baptized by the English as, Rebecca. The Biblical reference suggested a healer to two separate cultures. That myth would blossom in the 19th century as she was portrayed as an emblem of the potential of Native Americans to be assimilated into European society. Keeping close to the facts gives way to some poetic speculation as Locatelli-Kournwsky explores the inner world of his celebrated main character. In a number of key scenes, we see that the the clash of cultures is quite overwhelming for Pocahontas. Even once married to John Rolfe and dressed in the best fashion, English society around her does not really embrace her. She is forever seen as part of the wilderness and best suited to remain there. The die is cast, for better or worse, once Pocahontas, always Pocahontas.

Readers will be pleasantly surprised to read a more enlightened account of such a celebrated figure in history. Locatelli-Kournwsky’s artwork is just the right mix of lightness and precision. And the new English translation by Sandra Smith provides a smooth and accessible path to this most engaging story.

“Pocahontas: Princess of the New World” is a 128-page hardcover, published by Pegasus Books and available as of September 6, 2016. Visit Pegasus Books right here.

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Filed under American History, Comics, Graphic Novel Reviews, graphic novels, History, Native Americans, Pocahontas