We turn our attention to Seattle and a most engaging campaign by Sergio Garcia for City Council. This is a vibrant campaign on many fronts. One key element, to start off with, is the distinctive character illustration for the campaign. Garcia appears on campaign posters in the form of a contemporary Seattle police officer with prominent mustache and tattoos. The latest posters boil it all down to Garcia’s iconic mustache. It is a look that is getting people’s attention.
A campaign with style and substance that has struck a chord.
An essential issue that Garcia is addressing is the need for an improved and sensible approach to Seattle’s homeless population and related issues: affordable housing, crime and disruption. A basic need for safety is mired in politics and in desperate need of clarity. This is where someone like Sergio Garcia, with a law enforcement background and fresh perspective, steps in. Seattle citizens, fed up with the lax and chaotic approach to crime from the City of Seattle are more than ready for a fresh change and it looks more and more like Sergio Garcia can lead that new path.
Seattle is ready for a change.
And, with that said, it looks like this is a case where image and substance appear to be in sync. Garcia’s message, along with his brand, appears to be resonating with Seattle voters who are more than ready for a change. Having spoken with a number of business owners, the response I’ve gotten has been consistently positive. If Sergio Garcia wins, it will be thanks to a vigorous grassroots campaign. The primary election is August 6, 2019 and the general election is November 5, 2019.
Vote for Sergio Garcia, Seattle City Council.
For more details, visit the Sergio Garcia campaign site right here.
Top Shelf Productions, founded in 1997, was there early on to contribute to the rise of graphic novels in the United States with such trailblazing titles as Blankets by Craig Thompson and From Hell by Eddie Campbell. When you think of Top Shelf, you think of quality, style, and reliability. Top Shelf was started by Brett Warnock and Chris Staros. When Top Shelf joined IDW as an imprint, Staros stayed on and Warnock retired. Well, Mr. Warnock is back with Kitchen Table Magazine, a food and wellness magazine, that taps into his extensive background as a publisher and art director. To learn more, check out the Kickstarter campaign, active until December 26, 2018, in support of a subscription drive right here.
Kitchen Table illustration by Jim Mahfood
Here’s a few words from Kitchen Table to best describe this new print and digital magazine:
KITCHEN TABLE MAGAZINE is a new print and digital publication that connects adventurous souls, curious cooks, and enthusiastic eaters with talented writers, artists, cartoonists, and photographers who explore not only the how-to’s of cooking, but the whys of eating. We’re at the trailhead of adventure, and would love to have you along every step of the way.
Brett Warnock indulging his passion at a local food truck in Portland, Oregon
We all eat. We all have our particular tastes and interests. Follow Kitchen Table to get a crisp, quirky, and unique perspective. Kitchen Table will share with you a lifelong passion, cultivated in the Pacific Northwest, to keep it fresh, sustainable, and just a little bit weird for good measure. Given Warnock’s special connection to comics, you’ll definitely find a good dose of illustrations here along with excellent writing, photography and design. Visit the Kickstarter campaign in support of a most welcome addition in helping you choose items related to food and overall wellness.
You’ve seen TED talks on YouTube, right? You can always go right to the source at TED.com. If you’re unfamiliar, TED stands for Technology, Entertainment, and Design. TED began in 1984 as a conference that today covers just about any topic. These are powerful short form talks in more than 100 languages.
Considering the “Greater Than” theme
Have you ever gone to a TED event? Well, there are a number of these around the world. I went to an independently run TEDx event here in Seattle. You can discover more about TEDx Seattle right here. With a zeal to learn and a trusty notepad, Jen and I took in a day of TED talks. For fans of TED talks, you can imagine how cool that is!
KCTS, a proud sponsor of TEDx Seattle
This is the first year for TEDx Seattle, formerly known at TEDx Rainier. This last Saturday, we settled into our seats at McCaw Hall at Seattle Center and were utterly delighted with each presentation: from Ranae Holland, a biologist-turned-reality TV star on the hunt for Bigfoot all the way to Suzanne Simard, a forestry expert advocating for all us to address climate change.
The theme for this event was “Greater Than,” an umbrella concept that reinforces our sense of community which is greater than the sum of its parts. The talks were further divided into sessions: curiosity > assumptions; future > today; together > alone; and > sum of the parts.
We had stopped by Stumptown Coffee Roasters on Pine and overheard a couple of young women. One said to the other: “And you can spend your whole life in public service, like Hillary, and still lose to a man!” That’s a good sense of what clings to the air and will remain in the air for years to come. So, heading to our TEDx event seemed like quite a fitting place to be: a place to try to make sense of the rifts and the shifts we are currently experiencing.
I was curious about how each talk would act as a thread to a larger conversation. Can we answer the big question, How do we all come together? Celeste Headlee, a longtime host at National Public Radio, made the case in her talk that we are far more isolated than we may realize. The healing won’t take root, said Headlee, until we respect each other and form authentic bonds. That struck a positive and constructive chord that reverberated throughout the conference.
Scott Wyatt talks about urban density.
As the day progressed, Jen and I got really caught up in the talks. In fact, there were so many ideas presented that it is a bit overwhelming to attempt to recap everything and do it justice. I will focus on just a few with some brief comments. Scott Wyatt, a partner at architecture firm NBBJ, hit the nail on the head regarding the critical mass we have reached as a crowded city. Part of the solution is to adapt and that is what Wyatt covered. With more and more of us shoulder to shoulder, it compels us to find ways to live in harmony.
Another compelling talk was on artificial intelligence presented by Oren Etzioni, an entrepreneur and AI researcher. His main point was that the robots are not coming for us and never will. No, it’s quite the other way around. It is up to us to embrace the new tech as it is ultimately there for us and to help us come together.
Eliaichi Kimaro. Illustration by Henry Chamberlain.
Eliaichi Kimaro presented an outstanding talk on her journey of self-discovery. Given the opportunity and the motivation, Kimaro found herself making her first documentary without any prior filmmaking experience. She set out to tell the stories of her ancestors in Tanzania. What she came back with were stories that would summon deep reserves for healing and transformation. Her wish for all of us is that we flood the world with our stories. You can visit the website for Kimaro’s film, “A Lot Like You,” right here.
We also greatly enjoyed the talk by Judge Wesley Saint Clair who has some impressive ideas on providing options for youth who find themselves in criminal court. No, he said, this is not a Hug a Thug program. Instead, it is a no-nonsense program that provides these youth with an opportunity to become part of the community. It was a moving talk and the judge deserves all the support he can get.
We ended the day on a high note with Suzanne Simard, a professor of Forest Ecology at the University of British Columbia. Her talk covered the intricate and complex nature of ecosystems. Simard made clear that climate change is very real. Ultimately, we all must come together, as Simard stated, not only for our sake but for the sake of our planet Earth.
In these uncertain times, we can always count on brave and thoughtful people to speak the truth.
“At War with War: An Illustrated Timeline of 5000 Years of Conquests, Invasions, and Terrorist Attacks” by Seymour Chwast
Bob Dylan and Joan Baez flanking a Seymour Chwast poster, 1964. Photo: Courtesy SVA Picture Collection.
Legendary graphic designer Seymour Chwast has chosen to run a Kickstarter campaign in support of his latest book project, “At War with War.” Kickstarter, at its heart, is community based. And the issue of war resonates with each and every community. What Chwast has done is review war in a unique way by illustrating five centuries of conflict, chaos, and violence on a continuous timeline. The book is made up of 35 two-page spreads featuring a series of Chwast’s black-and-white pen-and-ink drawings and woodcuts. The Kickstarter campaign will run from 26 April to 7 June 2016. You can find it right here.
Anti-war poster by Chwast, 1968
Subversive. Personal. Obsessive. Radical. There is no mistaking the work of Seymour Chwast. As co-founder with Milton Glaser of Push Pin Studios, he led a revolution in graphic design producing bold, vibrant work that pushed the limits of nearly every visual medium: posters, advertisements, book jackets, magazine covers, album covers, product packaging, typography, and children’s books. His pioneering role as a designer, author, and activist continues to influence and inspire 21st-century designers.
Seymour Chwast and Milton Glaser at Push Pin Studios, 1968
For more than six decades, Chwast, who celebrates his 85th birthday this year, has used his signature blend of design, illustration, and social commentary to wage a campaign against war.
Excerpt from AT WAR WITH WAR
Chwast finds, “It’s the ongoing relentlessness of the thing, the seemingly never-ending urge to resolve disputes with deadly conflict, century after century. That’s the nagging notion through the years that keeps bringing me back to the subject of war.”
Excerpt from AT WAR WITH WAR
Among Kickstarter rewards offered to backers, Chwast has opened the doors to his archive, with both new and vintage items. Included among the special items are three of Chwast’s personal copies of his first antiwar publication, A Book of Battles, which he self published in 1957; his Vietnam War era poster “War is Good Business, Invest Your Son”; and a one-of-a kind four-color mechanical for a book he wrote with Steve Heller.
Seymour Chwast, at work, 2016
Be part of a significant book, “At War with War: An Illustrated Timeline of 5000 Years of Conquests, Invasions, and Terrorist Attacks.” The Kickstarter campaign seeks funding for the production of the book, which will involve a master letterpress printer and a specialised process used for creating fine and limited editions. At War with War will include an introduction by former editor and publisher of The Nation, Victor Navasky and edited by renowned graphic design writer, Steven Heller.
Excerpt from AT WAR WITH WAR
The Kickstarter campaign runs run from 26 April to 7 June 2016, and you can find it right here.
“Locomotive / IDEOLO,” published by Centrala, is one beautiful and simple idea brought to life for all its worth: take a beloved famous Polish poem for children and then adapt it for adults. The poem is “The Locomotive,” by Julian Tuwim (September 13, 1894 – December 27, 1953) who is remembered for his satirical and subversive poetry. Listen to “The Locomotive” in Polish and, even if you don’t speak the language, it evokes the strains and struggles of the mighty steam-powered monster. What designer Małgorzata Gurowska and journalist Joanna Ruszczyk have done with this book is provide a unique format upon which to meditate on Tuwim’s poem.
I found this book to be a great form of therapy as I lingered upon each page. Gurowska and Ruszczyk provide an intoxicating mix of light and dark content. We have animals that appear to be undergoing an organized exodus while other animals have been neatly packed as surplus. And the same goes for humans. On the train cars, as we begin, it seems that we have everything we would ever need for anything: a celebration, a riot, the next all-out war. As we proceed from train car to train car, the stakes grow higher, the urgency more crushing. Countless suitcases are stored away never to be reunited with their owners. Troops are deployed. War is imminent or already unleashed.
And amid all the mounting tension, there is a cry for change. The political commentary is sly and well-placed challenging the reader to face difficult questions about national identity, racism, anti-Semitism, and attitudes towards ecology and animals. The design is impeccable and does a great job of evoking a highly regimented state of alert. The clean and sharp silhouettes of rabbits, soccer players, and suitcases will hit you with their significance. Contemplate each page and then spread out the entire book, just like an accordion, to fully appreciate it.
From Julian Tuwim’s THE LOCOMOTIVE:
A big locomotive has pulled into town,
Heavy, humungus, with sweat rolling down,
A plump jumbo olive.
Huffing and puffing and panting and smelly.
Fire belches forth from her fat cast iron belly
“Locomotive / IDEOLO” is a 188-page hardcover and is appropriate for ages 9 and up. Visit our friends at Centrala right here.
Christian Dior at work on a new collection at his country house.
Annie Goetzinger has quite a light touch to her drawings that manage to speak volumes. It is one thing to draw pretty women in chic settings and quite another to convey the humanity and complexity behind the story. Goetzinger’s graphic novel, “Girl in Dior,” does just that with her behind-the-scenes look at the life and work of legendary fashion designer Christian Dior.
The launch of a “New Look.”
The House of Dior, at 30 Avenue Montaigne, was meant to evoke a cross between Louis XVI and the dawn of the 20th Century. It was to be made up of white paneling, pearl gray satin, taffeta lampshades, and discretely placed bouquets and kentia palms. It was not based upon anyone’s reality but upon Dior’s own childhood daydreams. It was to be the perfect place, the epicenter for high fashion, beginning with the first Dior fashion show for the Spring-Summer collection for 1947.
Amid the refined mayhem that ensues, we meet our main character, Clara Nohant, a budding fashion columnist. It is through the fictional Clara that we can savor certain key moments and get a sense of the world of Dior. As only a graphic novel can offer, we can get very specific upon what you view and linger upon. In the right hands, this results in such a masterpiece as this. Goetzinger is a master cartoonist. She well knows that she cannot show you every last detail. Instead, she must pick and choose.
She spends a good portion of time simply reveling in that special moment that was the launch of the House of Dior. After all, it sent shockwaves throughout the fashion world and led women, around the world, to consider lowering their hemlines. Having given the reader a solid grounding on that event, she quickens the pace. Clara goes from one major blunder to landing herself the role as the latest model to join the Dior inner circle.
This book is a delight to read through and through. Some books you keep, and this one is a keeper. The art is stunning in how it works within the confines of elegant refinement. Goetzinger’s background in fashion illustration serves her well as she effortlessly captures the flow of fabric and the carriage and grace of the models. And her stylish line is complimented by her gorgeous use of watercolor. In her hands, the fashion world, while always cool and detached, never goes cold. In the end, there’s a warm human touch to this tale of high fashion.
“Girl in Dior” is a 128-page full color hardcover, priced at $27.99, published by NBM Publishing. For more details, visit our friends at NBM right here.
And, if you are in the New York metro area this weekend, be sure to visit the MoCCA Arts Festival and see Annie Goetzinger in person. You’ll be able to see her as part of a panel on writing about the lives of artists:
MoCCA 2015 Programming Spotlight
“Biography: The Lives of Artists”
Sunday, April 12 at the High Line Hotel
12:30 pm in the Rusack Room
Memoir, non-fiction and biography have emerged as significant categories in comics. Comics about artists represent a special challenge: the cartoonist must represent the work of an artist through his or her own visual approach, revealing points of disjunction and harmony. Hyperallergic Senior Editor Jillian Steinhauer will discuss these issues with French comics legend Annie Goetzinger, whose Girl in Dior chronicles the first season of the storied fashion house; James Romberger and Marguerite Van Cook, whose 7 Miles a Second was both a biography of and a collaboration with David Wojnarowicz; and Dutch cartoonist Barbara Stok, whose Vincent makes Van Gogh approachable through a style completely unlike his own.
For more details on the MoCCA Arts Festival, go here.
It is always a pleasure to see illustrations by creatives who work both in comics and illustraion. Dalton Webb is a triple threat as an illustrator, graphic designer, and cartoonist. As we bid farewell to summer and make our way into cold and flu season, Dalton Webb has a spectacular set of illustrations and design work entitled, “Health Rocks!” For us locals, we were treated to the whole campaign in our Seattle Times Sunday supplement. This same supplement is now available at your local Bartell’s and is full of useful information as you follow along the adventures of The Five Senses.
You can find our friend Dalton Webb at his website right here.
Michael Dooley, over at PRINT Magazine’s Imprint, provides a fun and informative recap of this year’s Comic-Con International in San Diego. And, of course, here in Seattle we appreciate a shout out to our favorite son, David Lasky, part of the “Fictionalized Non-Fiction” panel moderated by Heidi MacDonald and also featuring Gilbert Hernandez and Mimi Pond.
David, a new assistant at Comics Grinder marched right into the offices of CG. He had a rather sheepish grin on his face. I wasn’t sure what to make of his quick familiarity. Like past friends of CG, he had a treat for us to consider. But he wasn’t going to give it up until he gave me a little grief. “Alright then,” David said, “you have a thing for feet, don’t you?”