Tag Archives: War

Interview with Garth Ennis: The Art of the War Story

Garth Ennis has been writing comics since 1989. Credits include Preacher, The Boys and Hitman, with successful runs on The Punisher and Fury for Marvel Comics. As well as his own war series War Stories, Battlefields, and Dreaming Eagles, he recently revived the classic British aviation character Johnny Red, and has produced two series of World of Tanks for Wargaming.net. Originally from Northern Ireland, Ennis now resides in New York City with his wife, Ruth.

It is an honor to have the opportunity to discuss comics with such a notable comics writer as Garth Ennis. Even the most casual of comics readers will recognize the name behind such big hit titles as Preacher and The Boys. For this conversation, we focus on the exciting Garth Ennis titles being published by Dead Reckoning, particularly the newly collected, The Tankies. Any writer will easily relate to what Ennis has to say about growing up reading war comics. As a child, the only comics he could access back in Belfast in the 1970s was 2000 AD, a sci-fi anthology, and Battle, a monthly collection of the best British war comics. It was there that he read Charley’s War, a collected comic strip about a boy soldier who enlisted in World War I just in time to fight in the Battle of the Somme. What really struck Ennis was the veracity of these works. These were real stories about real people. It stood in stark contrast to fantastic themes he was reading elsewhere. And it stuck by him. Like any good writer, he has essentially been recreating what had the most impact upon him as a child.

CHARLEY’S WAR

For those of you who are longtime fans as well as new fans emerging from The Boys on Amazon, Garth Ennis has so much to offer the reader in incisive and highly engaging work. Our talk, in fact, pretty much focused on the collected Tankies as there was already plenty there to cover.

Stiles, the man you want in a clutch.

We discuss the main character of Stiles, an awful little man who redeems himself over and over again by leading his men into combat. Stiles may not be likable or pleasant but he knows what can and can’t be done on the battlefield. Stiles is the man. He is not much to look at but, in the end, he wins you over by sheer determination and integrity. And Stiles is the glue that holds together the three stories in The Tankies.

The Korean War. We forget it at our own peril.

As we progressed, we turned our attention to the Korean War. I pointed out that this trilogy of war stories could have easily been all from World War II. Ennis said that, by the time he came around to writing a third Stiles story, it became imperative to do a whole separate story set during the Korean War, a war that has somehow receded into the shadows of history. It’s a sobering thought to think such a war is sort of lost to history given it really had all the factors that could have led to World War III.

THE TANKIES!

So, if you’ve read some Garth Ennis by now, I highly recommend his war stories and you will find a perfect selection of The Tankies, The Stringbags, and The Night Witches, over at Dead Reckoning.

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Filed under Comics, Garth Ennis, Interviews

Interview: Ted Rall and THE STRINGER

War journalism ain’t what it used to be.

Ted Rall is a journalist, cartoonist, and columnist. Ted Rall’s new graphic novel, THE STRINGER, is a political thriller that will appeal to readers who enjoy a full-bodied story with twists and turns. Bringing in his own experience as a war correspondent, Rall’s book has a gripping authentic voice that takes the reader on a wild ride with food for thought.

After so much hard luck, Mark Scribner could really use a lucky break. Be careful what you wish for.

A movie version of The Stringer would be something like George Clooney in Three Kings or Jeremy Renner in Kill the Messenger. It’s a gritty vibe; a fable for our overly-disruptive times. Here is an interview with Ted Rall where we cover the creative process and discuss Rall’s collaboration with artist Pablo Callejo as well as tackle the media and political landscape. Today was a particularly interesting news day with President Biden’s first formal press conference. Rall has some observations on that too. This is a guy who takes on the left with as much gusto as he does the right. It depends upon the issue and who is in power. One way or another, you may disagree with him but you can’t say his thinking is sloppy and he’s just phoning it in.

Forget the old tropes. A younger woman and an older man who are just friends.

There’s a friendship that Mark strikes up with Margreet, a female reporter half his age. Running counter to the old romance tropes, they remain just friends. It’s not something that’s emphasized. It just is. And it’s nice to see. Rall is highly opinionated but that doesn’t mean his work is heavy-handed. Often, what I see in Rall is someone who is simply daring to talk about a better world–and that can run against various interests; and a lot of people’s tendency to leave well enough alone. Rall’s attitude is “don’t settle for the lesser of two evils.” Don’t settle on corporate lies. Just don’t settle. That approach is what fuels the best of Rall’s work and that’s what you’ll find in The Stringer.

Visit Ted Rall at his website. For more information on The Stringer, visit NBM Publishing.

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Filed under Afghanistan, Interviews, Ted Rall

Movie Sketchnote Review: ‘1917’

A story told in the trenches.

1917 is a movie that brings World War I to life, a story told in the trenches and meant to be sobering. Early scenes in the film are looking down into the trenches. The humble title sets the tone for a narrative that focuses the viewer on a specific time, place, and protagonist. This is a journey that one soldier must take in order to save a battalion of 1,600 men. The battalion is being ordered to stand down in order to avoid an enemy trap and two soldiers have been tasked as couriers to send that message.

Crouching toward the goal.

Lance Corporal Schofield (George MacKay) never expected such a dangerous, and pivotal, assignment but there he is, paired with another soldier (Dean-Charles Chapman) who he doesn’t really care for. But any callow sentiment is quickly wiped away once the race is on. As the two move above ground, they can’t help but remain low, crouching toward their goal. It’s not long before Schofield loses his teammate and the focus tightens upon the determination of one man.

Schofield’s silhouette often holds together the composition of scenes.

Designed to play out in the form of a single, extended, endlessly mobile shot, 1917 is visually stunning, bringing The Great War into brilliant 21st century relevance. No, we are not at all that different from our early 20th century ancestors, even with our technological superiority and cultural awakening. Bravery is the overriding theme. Schofield is the unlikely hero who is but a little cog in a system. It has been foisted upon him to do the right thing and that will only happen if he follows his conscience and precisely follows orders. Now, the camera moves closer on Schofield and his silhouette often holds together the composition of scenes.

Schofield retains the grace of the understated hero.

Director Sam Mendes pays tribute to his grandfather’s exploits in this epic film. Both Mendes and co-writer Krysty Wilson-Cairns were guided by family war stories. The narrative is, by all measures, epic in the extreme. Influenced by the lore found in some of the best in cinema, literature, and even video games, this is a movie packed to the gills with intensity, a veritable roller coaster of highs and lows. Sandwiched between two heart-wrenching scenes of mortal combat, there’s even a quiet moment when Schofield stumbles upon a mother and child quietly surviving in the shadows. This tender scene inspires Schofield to sing a few lines from Edward Lear: “On a winter’s morn, on a stormy day, In a Sieve they went to sea!” Not long after that, Schofield himself is fighting the mighty life-threatening river currents. No doubt, this is a movie that can get caught up in its own grandiloquence. And yet, through it all, Schofield remains the stalwart understated hero and preserves for this epic film the irresistible charm of a fable. For all its grandeur, 1917 manages to retain a great sense of humility. Among its many influences is the classic novel, All Quiet on the Western Front, a story that is decidedly humble. Within this big epic film resides a modest human heart.

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Filed under Movie Reviews, Sketchnotes, Storyboards, Visual Storytelling, World War I

Kickstarter: Seymour Chwast’s AT WAR WITH WAR

"At War with War: An Illustrated Timeline of 5000 Years of Conquests, Invasions, and Terrorist Attacks" by Seymour Chwast

“At War with War: An Illustrated Timeline of 5000 Years of Conquests, Invasions, and Terrorist Attacks” by Seymour Chwast

Bob Dylan and Joan Baez flanking a Seymour Chwast poster, 1964. Photo: Courtesy SVA Picture Collection.

Bob Dylan and Joan Baez flanking a Seymour Chwast poster, 1964. Photo: Courtesy SVA Picture Collection.

Legendary graphic designer Seymour Chwast has chosen to run a Kickstarter campaign in support of his latest book project, “At War with War.” Kickstarter, at its heart, is community based. And the issue of war resonates with each and every community. What Chwast has done is review war in a unique way by illustrating five centuries of conflict, chaos, and violence on a continuous timeline. The book is made up of 35 two-page spreads featuring a series of Chwast’s black-and-white pen-and-ink drawings and woodcuts. The Kickstarter campaign will run from 26 April to 7 June 2016. You can find it right here.

Anti-war poster by Chwast, 1968

Anti-war poster by Chwast, 1968

Subversive. Personal. Obsessive. Radical. There is no mistaking the work of Seymour Chwast. As co-founder with Milton Glaser of Push Pin Studios, he led a revolution in graphic design producing bold, vibrant work that pushed the limits of nearly every visual medium: posters, advertisements, book jackets, magazine covers, album covers, product packaging, typography, and children’s books. His pioneering role as a designer, author, and activist continues to influence and inspire 21st-century designers.

Seymour Chwast and Milton Glaser at Push Pin Studios, 1968

Seymour Chwast and Milton Glaser at Push Pin Studios, 1968

For more than six decades, Chwast, who celebrates his 85th birthday this year, has used his signature blend of design, illustration, and social commentary to wage a campaign against war.

Excerpt from AT WAR WITH WAR

Excerpt from AT WAR WITH WAR

Chwast finds, “It’s the ongoing relentlessness of the thing, the seemingly never-ending urge to resolve disputes with deadly conflict, century after century. That’s the nagging notion through the years that keeps bringing me back to the subject of war.”

Excerpt from AT WAR WITH WAR

Excerpt from AT WAR WITH WAR

Among Kickstarter rewards offered to backers, Chwast has opened the doors to his archive, with both new and vintage items. Included among the special items are three of Chwast’s personal copies of his first antiwar publication, A Book of Battles, which he self published in 1957; his Vietnam War era poster “War is Good Business, Invest Your Son”; and a one-of-a kind four-color mechanical for a book he wrote with Steve Heller.

Seymour Chwast, at work, 2016

Seymour Chwast, at work, 2016

Be part of a significant book, “At War with War: An Illustrated Timeline of 5000 Years of Conquests, Invasions, and Terrorist Attacks.” The Kickstarter campaign seeks funding for the production of the book, which will involve a master letterpress printer and a specialised process used for creating fine and limited editions. At War with War will include an introduction by former editor and publisher of The Nation, Victor Navasky and edited by renowned graphic design writer, Steven Heller.

Excerpt from AT WAR WITH WAR

Excerpt from AT WAR WITH WAR

The Kickstarter campaign runs run from 26 April to 7 June 2016, and you can find it right here.

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Filed under Crowdfunding, Edward Sorel, Graphic Design, Kickstarter, Milton Glaser, New York City, pop culture, Protest, Push Pin Studios, seymour chwast

Congrats to Combat Flip Flops on ‘Shark Tank’: Interview With CEO Matthew Griffin

Former Rangers Donald Lee, left, and Matthew Griffin pitch their company Combat Flip Flops on "Shark Tank." (Photo: ABC/Tyler Golden)

Former Rangers Donald Lee, left, and Matthew Griffin pitch their company Combat Flip Flops on “Shark Tank.” (Photo: ABC/Tyler Golden)

Fans of “Shark Tank” got to see an impressive three shark win this Friday night for the founders of Combat Flip Flops, Matthew ‘Griff’ Griffin, CEO, and fellow Ranger Donald Lee. Combat Flip Flops are uniquely made with combat boot rubber and have a special charitable connection to Afghanistan and other war-torn regions. At the end of the day, Combat Flip Flops proved to be a superior product that got the financial backing of three wealthy investors on the popular show on ABC.

Matthew "Griff" Griffin models The Cashmagh

Matthew “Griff” Griffin models The Cashmagh

I had the honor of interviewing Matthew Griffin, back in March of last year, prior to the Shark Tank notoriety. Listen to my interview by clicking the link below:

As with any impressive appearance on Shark Tank, all eyes are on where to learn more. Go visit our friends at Combat Flip Flops right here.

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Filed under Business, Combat Flip Flops, Entrepreneurship, flip flops, Mark Cuban, pop culture, Shark Tank, Television

Review: THE REALIST by Asaf Hanuka

Hanuka-The-Realist

For the last four years, Asaf Hanuka has been doing auto-biographical webcomics about his life in Tel Aviv, Israel, entitled, “The Realist.” In many ways, this is a pretty straightforward narrative but, as in any life, things can gain, at any moment, a razor-sharp specificity and intensity. This is, after all, one of the most watched war-torn areas in the world.

So, when a morning can simply consist of a father goading his little boy to eat his toast, that already carries potentially more weight than a similar moment somewhere else. That said, Hanuka seems to carry himself like a man on a mission wherever he might live. The Realist has now been collected for the first time in English as a graphic novel, published by Archaia, an imprint of BOOM! Studios.

The-Realist-Hanuka

Comparable to the work of R. Crumb and Daniel Clowes, Hanuka has a keen sense for depictions of everyday life. What really matters is that he’s FUNNY!

I actually laughed out loud from reading his comics. He wears his version of the average Joe quite well. There’s one strip where we follow Hanuka throughout his day, as if following the daily routine of a computer from start up to sleep mode. At each point of the day, he has options to choose: engage or ignore the bus driver, the neighbor, the co-worker, his son, his wife. End. Repeat the next day. It strikes close to home, and it’s hilarious.

They say that if if you try to call attention to your merits, people will gladly ignore you. However, if you revel in self-deprecation, suddenly you have a following. Well, Hanuka definitely has a following. But it’s more than having readers relate to your problems. Hanuka has an engaging style with his artwork. It’s a crisp rendering of his life that you can’t help but want to know more about.

“The Realist” is an original 192-page hardcover graphic novel, priced at $24.99, arriving in comic shops from Archaia on April 22nd with a cover by creator Asaf Hanuka. For more details, visit our friends at Boom! Studios right here.

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Filed under Archaia Entertainment, Asaf Hanuka, Boom! Studios, Comics, Family, Graphic Novel Reviews, graphic novels, Israel, Middle East, War, Webcomics

Interview: Marco Kalantari and ‘The Shaman’

Director Marco Kalantari on set of THE SHAMAN

Director Marco Kalantari on set of THE SHAMAN

“God sleeps in stone, Breathes in plants, Dreams in animals, And awakens in man.”
~ Ancient Hindu Proverb

I quoted back to the director one of his favorite proverbs. I was wondering about how it connected with his latest work, “The Shaman.” Marco Kalantari said he was looking for a way to create a synergy between today’s science fiction and ancient legends. And, on that intriguing note, we began our interview. “The Shaman” is definitely something unusual with shades of “Star Wars” and “Lord of the Rings” mixed with a distinctive vision. It is one story with great potential for being expanded into a feature length film. What you’ll come away with the feeling you’ve just seen something unusual. And, if you’re in the New York metro area, you will get a first look at it during the Tribeca Film Festival, April 15-26. Details here.

Marco Kalantari is a talented filmmaker devoted to telling a good story with a quirky twist. His short film, “The Shaman,” (review here) is one of the gems you’ll find at this year’s Tribeca Film Festival. His commercial work in the Asian market has led to some of the most remarkable sci-fi inspired mini-movies for such global brands as Nokia, Pepsi, Chevrolet, BMW, HSBC, and Panasonic.

The eccentric Austrian filmmaker started his international career with a Silver Lion in Cannes 2003 for his television commercial for “Medecins Sans Frontiers.” Within a year he became one of the most demanded directors on the Indian TVC market, and soon shot all over Asia, including China, South-East Asia, Hongkong, and Japan. Since 2010 Marco is managed by Savage/Prague in Europe and the US, and by AOI promotions in Japan, being the first foreigner to start such a relationship with a major Japanese production company.

As Kalantari states, he’s been working his way from the East to the West. And it is this Eastern tradition of focusing on stories with vivid characters and intricate worlds which informs his work. He considers himself a “professional dreamer.” In 2006, Buena Vista International released his first movie “Ainoa,” which also travelled to festivals around the world. And it is with “The Shaman” that he further demonstrates his powerful storytelling.

It is a pleasure to share with you my interview with the director. You can listen to it by clicking the link below:

Visit Marco Kalantari and keep up with “The Shaman” right here.

Marco Kalantari’s “The Shaman” will be on view at the Tribeca Film Festival. The first showing will be on Saturday, April 18. For details on The Shaman schedule during the Tribeca Film Festival, go right here.

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Filed under Interviews, movies, science fiction, Tribeca Film Festival

Review: REBELS #1

Rebels-Brian-Wood-Dark-Horse-Comics-2015

If Brian Wood were a high school teacher, he’d be the one any kid could turn to. Wood is at his best when he’s writing about rebellious youth, and just plain rebels. That’s why it’s brilliant to have him on this unusual comic book project. For those who read comic books, when was the last time you read a compelling comic book series set in the American Revolution. Never? Well, here it is.

Wood loves to get his readers deep into the story. He succeeds here as we can’t help but root for Seth, a boy with a very distant father. And then nothing is ever the same again. It turns out that his old man is keenly interested in killing redcoats. And he means to teach his son all he knows. And, before it’s too late, he might even get to express his love for his son.

In the first issue of “Rebels,” we begin a six-chapter arc, “A Well-Regulated Militia.” It is all about the education of one Seth Abbott. Wood does a fine job of laying out Seth’s journey as he, lucky for everyone around him, finds his voice. In time, Seth becomes a man who matters and who can contribute to the rebel cause.

Art bt Andrea Mutti perfectly compliments Wood’s script with authentic settings and characters. It’s very important to Wood to get you inside the story and he certainly succeeds with that.

Yes, if Brian Wood were a high school teacher, he’d be more concerned with a student understanding a subject than whether he or she got an A. So far, “Rebels” has got an A and it looks like it will maintain it.

“Rebels #1” is available as of April 8. For more details, visit our friends at Dark Horse Comics right here.

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Filed under Brian Wood, Comics, Dark Horse Comics, History

Review: ‘La Lucha: The Story of Lucha Castro and Human Rights in Mexico’

La-Lucha-Verso-Books

A war zone that may not be on your radar: the border state of Chihuahua and its city of Juarez. It is the site of more murders than war-torn Afghanistan. And ninety-seven percent of these killings remain unsolved. This is thanks to the inextricable link between drug cartels and official corruption. But thanks to human rights activists, these crimes will not fade away. Leaders like Chihuahua lawyer and organizer Lucha Castro won’t allow that to happen. “La Lucha,” published by Verso Books, is their story.

Lucha-Castro-Human-Rights-2015

Edited by Adam Shapiro, head of campaigns at the human rights organization Front Line Defenders, the goal of the book is to put a face to a crisis. Written and drawn by Jon Sack, you have here a series of profiles and reportage that have the urgency of dispatches from the scene. And the art adds to the immediacy of each story.

Chihuahua lawyer and organizer Lucha Castro

Chihuahua lawyer and organizer Lucha Castro

There are all compelling stories to be found here. One example is the story of Marisela Escobedo Ortiz and her daughter, Rubi Marisol. Rubi was murdered by her boyfriend, Sergio Barraza. It was a clear-cut case. However, Sergio Barraza would never be found guilty simply for the fact that he was a member of the Zetas drug ring and that made him instantly untouchable. Rubi’s mother, Marisela Escobedo Ortiz, led a fight to bring Sergio Barraza to justice. She was able to repeatedly track him down when authorities were not. Sergio Barraza was eventually slain in a shoot-out in 2012 with the Mexican Army. But during Marisela’s struggle for justice, the Mexican authorities, from the local level to the federal level, would not get involved. In the end, Marisela was killed for her efforts. This is quite an involved story. An excellent examination of it from Borderland Beat is right here.

Verso-Books-Chihuahua-Mexican-drug-cartels

If Americans are sensitive to Iraq and Afghanistan, then they should surely take notice of Mexico. Yes, if you’re looking for the most bloody war zone, all you have to do is look south of the U.S. border. Marisela Escobedo Ortiz’s murder was captured on video (starts at 1:05). Trust me, you don’t need to know a word of Spanish to appreciate the above video. “Él le disparó en la cabeza.” translates to “He shot her in the head.” Just in case, you need that clarity. Cultural and language barriers should never be an excuse for not understanding. That is what this book breaks free from in a very compelling read.

In memory of Marisela Escobedo Ortiz

In memory of Marisela Escobedo Ortiz

“La Lucha” is an exemplary example of the comics medium. A book like this one proves how complex issues can be presented in a clear and concise manner that can benefit people in a myriad of ways. It can jump start conversations that require a number of facts that are not always easy to follow. It can make a difference. It can even save lives.

“La Lucha: The Story of Lucha Castro and Human Rights in Mexico” is published by Verso Books and is available as of March 31, 2015. You can find it here, here, here, and here.

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Filed under Human Rights, Mexico, Verso Books, War

Interview: Matthew “Griff” Griffin, Combat Flip Flops, and the Process of Rebuilding

An Afghan Special Forces policeman walks through a poppy field as he searches for Taliban fighters in the village of Sanjaray in Zhari district early April 26, 2008. (REUTERS/Goran Tomasevic)

An Afghan Special Forces policeman walks through a poppy field as he searches for Taliban fighters in the village of Sanjaray in Zhari district early April 26, 2008. (REUTERS/Goran Tomasevic)

It all began with the idea of combining the combat boot with the flip flop, a sort of yin and yang. More precisely, it was about finding peaceful alternatives to war.

One thing that I look forward to once the weather warms up is getting back into flip flops. They can be a haven from the world. But the flip flops that I’m wearing right now face the world head-on. These are Combat Flip Flops. They are more true to their name than you might imagine. And they represent an inspiring story about rebuilding where only chaos and destruction once existed.

OLYMPUS DIGITAL CAMERA

Yep, the above flip flops would do anyone proud in terms of style and comfort. But there’s a lot more going on here. Every item created at Combat Flip Flops was made by people from a region that has known extreme conflict.

OLYMPUS DIGITAL CAMERA

These fashion-forward sandals shown above are made in Bogota, Columbia. This is one of the newest items available from this most enterprising company.

Combat-Flip-FlopsThe story of Combat Flip Flops began in Afghanistan when Army Rangers Matthew “Griff” Griffin and Donald Lee had an epiphany. After serving multiple deployments in Afghanistan and Iraq, they knew they could do more to help people in war-torn countries. Initially, the focus was to transform a boot factory in Afghanistan into a viable flip flop business. But, that specific plan did not work out the first time out and meant reworking one’s way back with a different product that fit that region’s particular economic base. It just meant that one initial setback led down another path. And this process has led to a venture with a wider, and ever-growing, scope.

Matthew "Griff" Griffin models The Cashmagh

Matthew “Griff” Griffin models The Cashmagh

Support Business, Not Bullets

I got a chance to talk with co-founder Matthew Griffin, who goes by Griff, and he proved to be very confident and enthusiastic about the future of Combat Flip Flops. At one point in our conversation, I noted the arrival of spring and how everyone is ready to venture out in flip flops. Griff’s thoughts went back to the arena of combat. It’s spring that marks the beginning of renewed conflict. And, with that in mind, Combat Flip Flops has been doubling its charitable efforts to war-torn regions all through the month of March. And you could say it has been doubling its efforts in more ways than one. What you find here is a direct link back to helping those in great need. You can listen to my interview with Griff by clicking the link below:

Do visit the Combat Flip Flops site and view the assortment of products offered like The Cashmagh:

The Cashmagh
They say you can leave Afghanistan, but it it never leaves you. Over multiple combat deployments, the shemagh became a necessary tool for shade, warmth, cover, and style. It never left the toolbox. Typically made from cotton or polyester, the standard shemagh didn’t meet our standards for a world class product. So we made one. This 100% Afghan Cashmere Shemagh was born in the mountains of Afghanistan. Produced from the finest cashmere in the world, this endlessly functional accessory shows your global perspective, open mind, and willingness to do what others won’t—support business, not bullets. Lightweight, supple, and functional, this performance cashmere shemagh is fitting from the battlefield to the boardroom. We prefer the latter.

Visit our friends at Combat Flip Flops right here.

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Filed under Business, Combat Flip Flops, Entrepreneurship, Fashion, flip flops, Foreign Affairs, Foreign Policy, Iraq, Middle East, Peace, War