Tag Archives: Comics Journalism

Interview: Ted Rall and THE STRINGER

War journalism ain’t what it used to be.

Ted Rall is a journalist, cartoonist, and columnist. Ted Rall’s new graphic novel, THE STRINGER, is a political thriller that will appeal to readers who enjoy a full-bodied story with twists and turns. Bringing in his own experience as a war correspondent, Rall’s book has a gripping authentic voice that takes the reader on a wild ride with food for thought.

After so much hard luck, Mark Scribner could really use a lucky break. Be careful what you wish for.

A movie version of The Stringer would be something like George Clooney in Three Kings or Jeremy Renner in Kill the Messenger. It’s a gritty vibe; a fable for our overly-disruptive times. Here is an interview with Ted Rall where we cover the creative process and discuss Rall’s collaboration with artist Pablo Callejo as well as tackle the media and political landscape. Today was a particularly interesting news day with President Biden’s first formal press conference. Rall has some observations on that too. This is a guy who takes on the left with as much gusto as he does the right. It depends upon the issue and who is in power. One way or another, you may disagree with him but you can’t say his thinking is sloppy and he’s just phoning it in.

Forget the old tropes. A younger woman and an older man who are just friends.

There’s a friendship that Mark strikes up with Margreet, a female reporter half his age. Running counter to the old romance tropes, they remain just friends. It’s not something that’s emphasized. It just is. And it’s nice to see. Rall is highly opinionated but that doesn’t mean his work is heavy-handed. Often, what I see in Rall is someone who is simply daring to talk about a better world–and that can run against various interests; and a lot of people’s tendency to leave well enough alone. Rall’s attitude is “don’t settle for the lesser of two evils.” Don’t settle on corporate lies. Just don’t settle. That approach is what fuels the best of Rall’s work and that’s what you’ll find in The Stringer.

Visit Ted Rall at his website. For more information on The Stringer, visit NBM Publishing.

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Filed under Afghanistan, Interviews, Ted Rall

Interview: Julia Wald and the Art of the Interview

The Suspension of Disbelief by Julia Wald

I ask that you keep going on this journey with me. I have been carving this niche for years and I feel like I’ve got it at quite a cozy level with just the right content and pacing. That said, it’s time for another thoughtful interview. For my video interviews, I add here a few notes and observations. Traditional journalism, like hard news reportage, will take an interview and create a concise summation. Some magazines are known for their long sprawling interviews where everything is transcribed. Of course, we also have a long tradition of various talk show formats, some thoughtful and some that are so casual as to blur right in with a dance segment on Tik Tok. Hey, I have nothing against fun and entertainment and I’ll engage in that when it makes sense. But, for interviews, I take them seriously, prepare for them, take off my Joe Cool hat and don’t engage in any dancing. Although, in a metaphorical sense, a good interview is sort of like a dance. The person conducting the interview leads while the person who is the subject of the interview goes about picking up one cue after another and making something out of it.

A bus driver finds solace through the suspension of disbelief.

Anyway, I say all this because it’s particularly relevant to this interview. Essentially, this is an interview about interviews: how to conduct one, what it means, what you attempt to get out of it. I interviewed Julia Wald about her new book, The Suspension of Disbelief (review), an illustrated collection of interviews she conducted about life and work during Covid-19. In the course of the interview, we ended up talking about what it means when you’re working at a restaurant during a world-wide pandemic and suddenly it’s like all the lights are out and then, just as suddenly, you are out of a job, your source of income. We discuss who might have stepped in to help and who didn’t.

A disadvantaged man finds hope through knowledge.

And, finally, once an artistic and talented person is inspired to create a book about Covid-19, what responsibility, if any, does she have to the vulnerable people she has interviewed? Well, part of the answer goes back to the dance. If the dance partners have established a sense of trust, then there’s a very good chance that something worthwhile will result that everyone can be proud of. We focus in a bit on American journalist Studs Terkel (1912-2008), the icon of what came to be known as “literary journalism.” Terkel was most active from the 1950s to 1990s, creating his seminal collection of interviews, Working, in 1974. He was part of that old-fashioned gumshoe journalist/creative tradition: loyal to his readers and listeners, to his Chicago, and to the art and craft of journalism. Julia says that Terkel inspired her on her Covid-19 project and it shows and, ultimately, it demonstrates that she did right by all who she interviewed. Julia did it the right way, the old-fashioned way that involves hard work and integrity. It’s the best way. And it’s what inspires me to keep going on this journey.

Visit Julia Wald right here.

The Suspension of Disbelief is available at Push/Pull.

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Filed under Comics, COVID-19, Illustration, Interviews

Comics Spotlight: James Lloyd 

The bits and pieces that make up the texture of everyday life.

James Lloyd is a fellow cartoonist who I consider a friend. Oh, but it’s been many years since I can say that I’ve seen Mr. Lloyd in person. James Lloyd is from Vancouver, BC. I’m from Seattle. So, we do need to properly meet up one of these days. Here’s a James Lloyd comic that was slated to debut at this year’s annual Vancouver Comic Arts Festival (VanCAF), which had to become a virtual event this year. It’s entitled, Black Sunday, and is a beautiful work full of local color, all the bits and pieces that add up to the texture of everyday life. But keep with it as this comic unfolds into a look back at the Fall of Saigon. Yes, that’s the Black Sunday that’s being referred to here. Keep going and you’ll discover a story of searching for family roots and confronting the gentrified Little Saigon in Vancouver. Lloyd makes a comparison between the South Vietnamese forced out of their homeland in 1975 and the more recent squeeze that the Vancouver South Vietnamese business community has experienced from developers.  How often can one be pushed out after doing everything to play by the rules?

From the Fall of Saigon to the gentrified Little Saigon.

James Lloyd is an excellent artist and he is not someone to sit on his hands and is ready to offer up praise and support to a colleague. Praise and support means everything within the comics community which is made up of a lot of loners who would love nothing more than to go back to their drawing board. Well, let’s hope we can all do our part to keep shedding some light on remarkable labors of love.

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Filed under Comics, Comics Journalism, Comics Spotlight

Comics Industry Review: The MNT monthly comics newsletter

The MNT monthly comics newsletter

The MNT is making a monthly comics newsletter and I’m excited to tell you about it. This is a special place to keep up with the comics industry put together by some of the leading talent in comics journalism. For as little as a one dollar pledge on Patreon, you can read this highly informative and entertaining monthly magazine along with monthly news reports.

As a happy warrior myself, both as a comics creator and freelance writer, I am thrilled to see this particular comics vision realized. The MNT is made up of folks I’ve kept up with over the years. It’s smart of them to band together in this unique format. The team: News co-editor Christian Hoffer is a writer and editor who can currently be found writing extensively at ComicBook.com. News co-editor Vernieda Vergara is a freelance writer and manga critic. Her work can be found at Book Riot and Women Write About Comics. Features co-editor Steve Morris has written for a number of websites, including CBR, ComicsAlliance, and is a former Managing Editor for The Beat. Features co-editor Megan Purdy is a freelance writer and editor, and the publisher of Women Write About Comics and Bleating Heart Press. The Process editor and social media manager Kirsten Thompson is a freelance writer and editor who has contributed to The Frisky, Teen Vogue, Femsplain, Women Write About Comics on topics such as feminism, pop culture, and LGBTQIA issues.

The MNT kicked off its first issue in February, 2017. That first issue included: guest essayist Rosie Knight on her experiences within the direct market pointing out the distribution system’s pros and failings; Steve Morris interviews retailer Ariell Johnson about her first year in the industry and her plans for Amalgam Comics and Coffeehouse; Megan Purdy reviews Adam Rapp and Mike Cavallaro’s Decelerate Blue; analysis on Donald Trump’s unexpected impact on comics; analysis on Marvel and DC’s recent changes in price and digital strategy; and a tribute to the career of John Watkiss.

The MNT team has created a highly consistent publication. And that is saying quite a lot. This is a seasoned group of committed comics journalists who dig deep and know how to deliver professional and compelling content. Each monthly edition features news, interviews, reviews, and guest essays written by some of the best critics and creators in the business. The MNT mid-month News Report delivers breaking news and bite-sized features. Your Patreon subscription goes directly into the pockets of MNT guest essays and staff, ensuring that the MNT can continue to break news and offer critical industry commentary. I’ve become hooked and consider the MNT a reliable source for superior comics commentary and journalism. You will too. Go visit them and see for yourself right here.

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Filed under Comics, Comics Journalism, Comics News, Patreon, The MNT

Review: ‘La Lucha: The Story of Lucha Castro and Human Rights in Mexico’

La-Lucha-Verso-Books

A war zone that may not be on your radar: the border state of Chihuahua and its city of Juarez. It is the site of more murders than war-torn Afghanistan. And ninety-seven percent of these killings remain unsolved. This is thanks to the inextricable link between drug cartels and official corruption. But thanks to human rights activists, these crimes will not fade away. Leaders like Chihuahua lawyer and organizer Lucha Castro won’t allow that to happen. “La Lucha,” published by Verso Books, is their story.

Lucha-Castro-Human-Rights-2015

Edited by Adam Shapiro, head of campaigns at the human rights organization Front Line Defenders, the goal of the book is to put a face to a crisis. Written and drawn by Jon Sack, you have here a series of profiles and reportage that have the urgency of dispatches from the scene. And the art adds to the immediacy of each story.

Chihuahua lawyer and organizer Lucha Castro

Chihuahua lawyer and organizer Lucha Castro

There are all compelling stories to be found here. One example is the story of Marisela Escobedo Ortiz and her daughter, Rubi Marisol. Rubi was murdered by her boyfriend, Sergio Barraza. It was a clear-cut case. However, Sergio Barraza would never be found guilty simply for the fact that he was a member of the Zetas drug ring and that made him instantly untouchable. Rubi’s mother, Marisela Escobedo Ortiz, led a fight to bring Sergio Barraza to justice. She was able to repeatedly track him down when authorities were not. Sergio Barraza was eventually slain in a shoot-out in 2012 with the Mexican Army. But during Marisela’s struggle for justice, the Mexican authorities, from the local level to the federal level, would not get involved. In the end, Marisela was killed for her efforts. This is quite an involved story. An excellent examination of it from Borderland Beat is right here.

Verso-Books-Chihuahua-Mexican-drug-cartels

If Americans are sensitive to Iraq and Afghanistan, then they should surely take notice of Mexico. Yes, if you’re looking for the most bloody war zone, all you have to do is look south of the U.S. border. Marisela Escobedo Ortiz’s murder was captured on video (starts at 1:05). Trust me, you don’t need to know a word of Spanish to appreciate the above video. “Él le disparó en la cabeza.” translates to “He shot her in the head.” Just in case, you need that clarity. Cultural and language barriers should never be an excuse for not understanding. That is what this book breaks free from in a very compelling read.

In memory of Marisela Escobedo Ortiz

In memory of Marisela Escobedo Ortiz

“La Lucha” is an exemplary example of the comics medium. A book like this one proves how complex issues can be presented in a clear and concise manner that can benefit people in a myriad of ways. It can jump start conversations that require a number of facts that are not always easy to follow. It can make a difference. It can even save lives.

“La Lucha: The Story of Lucha Castro and Human Rights in Mexico” is published by Verso Books and is available as of March 31, 2015. You can find it here, here, here, and here.

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Filed under Human Rights, Mexico, Verso Books, War

Review: ‘Truth is Fragmentary: Travelogues & Diaries’ by Gabrielle Bell

Truth-Fragmentary-Gabrielle-Bell-comics

“Truth is Fragmentary” is the name of Gabrielle Bell’s latest comics memoir collection and it says it all. Think about it. Truth is indeed fragmentary. You can point out honest, even blunt, bits of truth all you want. People will process it however they choose. Some will deny what you said. Some will misunderstand. Some will have never even come close to getting it. Maybe a few will completely see it your way. It’s a carnival we live in. Thankfully, we have astute and witty observers like Gabrielle Bell. If you’re new to her work, or if you happen to enjoy sly humor, then this is the book for you.

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Filed under Comics, Comics Journalism, Gabrielle Bell, Travel, Travelogue, Uncivilized Books

You Support Comics Grinder, Right?

Wonder Woman Supports Comics Grinder. How About You?

Wonder Woman Supports Comics Grinder. How About You?

Do you support all the wonderful features here at Comics Grinder? I’m sure you do in your own way. You’re reading this now, so that’s something! If you’ve been considering doing a little more, then this could be the right time for it. Here’s a handy checklist.

1. LIKE us on Facebook right here. That’s always a fun and satisfying thing to do. Just go right here.

2. SUPPORT the Comics Grinder GoFundMe campaign right here. It’s a great way to pitch in and keep stoking the fires of the Comics Grinder engine. Let your friends know about it too. On Facebook and Twitter, share a link to the campaign right here.

3. COMMENT and comment often. Your comments are valuable and further grow a sense of community around here. I always appreciate new friends and feedback! And, of course, your likes are always welcome and greatly appreciated.

4. CONTRIBUTE your own writing on comics and pop culture. For the most daring of you out there, feel free to submit something and add to all the fun.

5. DONATE is an anytime thing, whenever you feel like it. You can also buy things here, like a commissioned drawing. Find the donate button right here.

6. BUY is more to the point. Why not buy my new book right here. “A Night at the Sorrento and Other Stories” is for you if you love fantasy, horror, humor, and alternative comics.

7. LUCK plays a role in life more than we know. Just rounded this off to a Lucky Seven. Spread the word about Comics Grinder. You’ll be glad you did.

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Filed under Comics Grinder, GoFundMe, Henry Chamberlain

Review: ‘World War 3 Illustrated 1979-2014,’ edited by Peter Kuper and Seth Tobocman

"War in the Neighborhood" by Seth Tobocman

“War in the Neighborhood” by Seth Tobocman

There is a stark beauty to be found in the 320 pages of this full-color special collection of comics, “World War 3 Illustrated 1979-2014,” published by PM Press and set for release this July. I call it a stark beauty for good reason. I think it is the most economical way to express the urgency and the severity of the issues being confronted. It’s also a quick way to say that this is thoughtful and vital art that you’ll find in this collection of some of the best work to appear in the semi-annual anthology, “World War 3 Illustrated.”

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Filed under Anthologies, Comics, Peter Kuper, World War 3 Illustrated

Review: THE CARTOON PICAYUNE #5, Edited by Josh Kramer

The-Cartoon-Picayune-Josh-Kramer

“The Cartoon Picayune” has hit its stride with its latest issue and is poised to become a leading voice in comics journalism. These things take time and I’m sure that has not been lost on its editor, Josh Kramer. He began by himself, covering local stories in Vermont and New Hampshire. And now he has contributors from around the world. This is a unique anthology that lives up to spirit of what used to be called literary journalism. And we have reached a point now that finds comics journalism to be more readily accepted and understood. It is a subset of comics that has been steadily developing over the years and The Cartoon Picayune can be relied upon to add to this tradition. Issue Five features two full length stories and two brief stories, each exploring the theme of work.

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Filed under Anthologies, Comics, Comics Journalism, Comics Reviews, Comixology, Comixology Submit, Journalism, The Cartoon Picayune

BALLARD COMICS: Drawing Ballard in 24 Hours, #3

Ballard-comics-Henry-Chamberlain-003

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October 13, 2013 · 3:44 pm