Tag Archives: Family
THE PAINTED TREE — Shopper’s Paradise
Filed under Art, Comics, Gifts, The Painted Tree, Virginia Beach
Comics: David’s Dad’s Movie by Doogie Horner
The comics in the spotlight this time around are by Doogie Horner, a great illustrator who I first took notice of for his book cover design (illustration by Jeremy Enecio) to the madcap fictional adventures of Barack Obama and Joe Biden, Hope Never Dies.
It was shortly after spotting that book that I noticed another one with Horner credited for both illustration and design, a comedy mashup of Jane Austen and zombies! Maybe you’ve seen both of these iconic covers.
But it hardly ends there for Doogie Horner. Along with an impressive creative portfolio of graphic design, illustration and comics, he is also an author and a stand-up comedian. The great thing about whatever Doogie Horner does is that he’s very dedicated. His young adult novel has been well received, This Might Hurt a Bit. And you’ll just have to see for yourself how he tamed a hostile crowd when he was a contestant on America’s Got Talent!
Alright then, I’m very happy to bring to your attention this comic, a sweet story of a boy trying to connect with his dad. Or maybe it has more to do with the kid’s curiosity getting the better of him and his forcing his way into seeing a movie he was told would be too scary for him at his age. Yeah, that’s definitely a big part of the story. Spoiler alert, the movie was scary but not too scary. It depends upon how scary you think The Terminator is for a kid around five years-old. Okay, definitely parental supervision is in order.
The point is that this comic manages to do a lot of things right. It’s funny and engaging for any age. But, most importantly, it flows very well. This is a gentle narrative, told by a child, while maintaining a hip and upbeat sense of humor. The drawing style has a child-like, as well as elegant, simplicity.
So, this is an easygoing look and feel–and that’s actually not easy to do. It takes time to get that natural vibe going. Just ask Doogie Horner. He made it look easy to win over a hostile audience, something easier said and done, but he knows what he needs to know. Part of it is dedication to craft; part of it is learning from past mistakes; and part of it is simply not taking no for an answer. I get a sense of that spirit in this father and son story. Check it out, along with a bunch of other wonderful comics on Doogie Horner’s website.
Seattle | Fremont Troll | Urban Sketching
Urban sketching is a lot of things: fun, stimulating, useful, and an all-around creative workout, especially the more you add to it. I like a little salt and pepper to spice things up, and usually little to no hot sauce. I’m being silly but, yeah, I’m just saying here that I find I’m usually doing more than just urban sketching when I do it. Often, it’s part of a bigger project. Or, like in this example, I’m also crafting a little movie, which is a whole creative endeavor to itself. That said, it’s really part of the process to relax and become one with the subject, regardless of anything else going on in the background. This time around, I tackle one of Seattle’s most beloved landmarks, and one of the all-time great tourist attractions, The Fremont Troll!
The Fremont Troll is in the spirit of the great roadside attractions and then some. Due to the fact of its scale, history, intention, and overall artistic merit, it all adds up to a very unusual yet significant local treasure.
The Fremont Troll is definitely a thing, if you didn’t realize that. There doesn’t appear to be a totally quiet time for the guy as there is always a steady stream of visitors. Like clockwork, whole families pile out of minivans in order to situate themselves to best advantage for a pose with the landmark. The Troll goes back to the hippy-dippy days of the ’70s, well, actually, late ’80s. It was decided that Fremont needed something else that would speak to the quirky counterculture vibe it had cultivated over the years. And so it began as an art competition in 1989 and so it was, the following year. All the way up to today. No matter what your political bent, or vibe, there seems to be something about this community effort that can resonate with people on just about any level.
Filed under Comics, Seattle, Urban Sketching
Interview: Susan MacLeod and ‘Dying for Attention’
Susan MacLeod has developed a crisp and smart cartooning style that puts her shoulder to shoulder with today’s cartoonists. In this interview, we chat about MacLeod’s new graphic memoir, Dying for Attention, a focus on the nursing home care industry. MacLeod also talks about the creative process: growing as an artist, cartoonist and graphic recorder.
MacLeod got an in-depth look at the Canadian nursing home care system through the years that she oversaw the care of her mother and she could see it was wrong. Her conclusion, borne out by research, is that for-profit nursing home care is too invested in the bottom line to ever provide adequate care. It’s the value of human life versus capitalism. An ideal resolution is not likely anytime soon. But being aware of the realities is a first step.
MacLeod is someone with a drive to do good. She finds it highly rewarding when she does a graphic recording session with residents at a nursing home. She always leaves enough room for everyone to have a chance to come up on stage, grab a marker, and add their own contributions to the mural-in-progress. It’s during this process of putting words and pictures together that people try to solve problems and make connections. MacLeod knows this better than many folks. She’s modest but quite insightful too. She knows that what she does matters. And maybe she prefers to let her book speak for itself. In that case, she’s got the best calling card any cartoonist could hope for.
Filed under Comics, Interviews
Review: PASSPORT by Sophia Glock
Passport. by Sophia Glock. Little Brown & Co. New York. 2021. 320pp. $24.99
There’s this moment in Sophia Glock’s new graphic memoir when the main character (the author’s teenage self) is peering out into the audience from the backstage of a high school play. Marc, one her classmates, points out to Sophia that, if she can see the audience, they can see her. It’s a helpful enough comment also meant to sting, just the sort of callow comment young people will nudge each other along with. It’s a moment indicative of what the reader will find in this mellow yet haunting tale of a displaced young person.
Filed under Comics, Comics Reviews, Graphic Novel Reviews
Review: PITTSBURGH by Frank Santoro, a New York Review Comic
If you enjoy experimental art, then do check out the new graphic novel by Frank Santoro. This is a work that will transport you to an immersive mindscape where Mr. Santoro tracks memories and explores family history. It is a refreshing approach to the comics medium that plays with elements like text and panels, shifts them, redirects them, and presents them in unexpected ways within a finely-tuned structure. Pittsburgh, a New York Review Comic published by New York Review of Books, brings together a lifetime of storytelling. This is one of the notable titles debuting at this year’s Small Press Expo this weekend, September 14-15, in Bethesda, Maryland.
Frank Santoro is a well-respected and celebrated independent cartoonist and trailblazer. If you are looking for a new way of looking at the comics medium, then consider taking his comics course. Frank Santoro’s work has been exhibited at the American Academy of Arts and Letters in New York and the Fumetto comics festival in Switzerland. He is the author of Storeyville and Pompeii. He has collaborated with Ben Jones, Dash Shaw, Frank Kozik, and others. Santoro lives in Pittsburgh, Pennsylvania, which brings us to his latest work. In Pittsburgh, the reader is introduced to life in the Rust Belt, that region of the country known as the manufacturing hub, the area famously known as the demographic which Hillary Clinton neglected to win over enough votes. It’s a tough working class landscape. Santoro shares that region with you: his growing up, his family, and especially the doomed relationship between his father and mother.
How do you best convey your observations and feelings about your family? In a documentary? In a novel? In an art installation? The possibilities are endless. What Frank Santoro has done is find a different path that combines aspects of various disciplines within one. This is a comic but not a comic that you are typically familiar with. This could be called a graphic novel or memoir but it also manages to be something more. At times, I felt as if some of the actions, dialogue, characters and settings in this book were shifting from one medium to the next. Very easily, I could imagine the whole book being turned into an art installation. Santoro’s method basically breaks down barriers and pares down to essentials. He likes to play with geometry and create backbones for his pages. The goal is for each element on the page to play off each other, each opposing page, and the entire work. He wants the process to show through so, if he makes a mistake, he’ll sort of leave it in and lightly cover it up so that you can still see it. In a sense, each page becomes animated with unexpected movement.
The quotidian of life, the everyday moments that can blur into each other, that is what Santoro aims to capture and evoke. This is one of the things that the comics medium does best! It is akin to a tour de force cinema vertie experience with the camera being replaced by a sketchbook. Santoro is hardly alone in attempting this but what he does is distinctive. And he makes it look easy and, in a weird sense that actually takes years of experience to appreciate, it is. Whatever the case, it can’t look forced. It comes natural to Santoro as he edits, rearranges, and composes. He make various choices which include various ways of telling the story most efficiently while allowing things to breathe. He wants ambiguity but he also demands clarity. He keeps to a basic palette that, in the end, brings out all the color he could ever want. In the end, he presents something new and compelling. In this case, it is his coming to terms with having grown up in a dysfunctional family that ultimately breaks apart. Like any good documentarian and artist, Santoro picks up the pieces, examines them, and with heart and soul makes something out of them.
Pittsburgh is a 216-page full color hardcover, available as of September 17, 2019, published by New York Review of Books.
Filed under Art, Comics, Frank Santoro, Graphic Memoir, Graphic Novel Reviews, Small Press Expo
Review: ME, MIKKO, and ANNIKKI, by Tiitu Takalo
Alright, let’s get serious about comics, and let’s take a look at Me, Mikko, and Annikki, by Tiitu Takalo, published by North Atlantic Books. This is a graphic novel in the best storytelling tradition. The gathering up of stories, whether oral or written, is a process that might miss a precise fact here or there but will shine through with a greater truth. Takalo suggests that she might have very well have missed a more nuanced hisorical fact, given that she’s not a professional historian. Her concern is reassuring and, in this case, she has nothing to worry about. She really does get it right. This is the true story of a community’s fight to secure and maintain their homes that rings true in every way.
Takalo is going from the general to the specific. We get to know her country, Finland; her town, Tampere; her section of town, Tammela; and, most importantly, her neighborhood block, Annikki. We get to know her and her partner, Mikko. We get to know about their lives and dreams, And, ultimately, a story emerges of the saving of Annikki, a blockyard that had been in danger for far too long of being demolished altogether.
The reader can’t help but empathize with Tiitu and her fight to create and maintain a community. This is everyone’s fight. Most of us on this planet but face the basic need of affordable housing. Tiitu, in her youth, stumbles upon what could be the answer for her in the long term. A block of homes are available to the right buyers, those with a certain determination and persistence. Tiitu understands that she must be willing to not only rebuild her home from scratch but also be ready to fight the local bureaucracy and keep the forces of gentrification at bay. Tiitu Takalo charms and informs with her words and pictures: part history, part memoir, and part quirky observation. Takalo offers up a most inviting narrative that just goes to show that, no matter where one lives, whether in Seattle or in Finland, we are more alike than we are different. We all need shelter. We all have an instinct to fight for our lives. And it is all too often the least fortunate going up against the powers that be. Takalo brings all of that home for the reader.
This book was quite a sought after gem when it was originally published in Finland in 2014. Now, for the first time, you can read it in English. The original Finnish text is beautifully translated and edited by Associate Professor Michael Demson and Professor Helena Halmari, editor-in-chief of the Journal of Finnish Studies.
Me, Mikko, and Annikki is a 264-page trade paperback, in full color, and available as of August 6, 2019. For more details, and how to purchase, visit North Atlantic Books.
Filed under Comics, Graphic Novel Reviews
Review: HOBO MOM by Charles Forsman and Max de Radiguès
I am a great supporter of alternative comics and the pursuit of excellence in the comics medium. That means sometimes taking a ruler and wrapping the knuckles of a cartoonist during a bit of constructive criticism. And it means celebrating a work when everything goes right as it does in Hobo Mom, by Charles Forsman and Max de Radiguès, published by Fantagraphics. Hobo Mom gets it right by pursuing a line of specificity to its logical conclusion. Just like a finely-executed novel or painting, all the elements fit into place at a resounding level of precision.
This is the story of a woman who can’t settle down. The open road is in her blood and she is willing to pay the price for her unconventional freedom. Charles Forsman presents his most disciplined artwork to date in seamless collaboration with the script by Max de Radiguès. The pacing is impeccable as you follow one extended scene after another. It’s magical how Forsman and de Radiguès balance so much in a relatively short work. At 62 pages, you need to be prepared to pare down to the essentials in order to give the narrative a natural flow. This is undoubtedly achieved as the reader gets a rich experience within a tight framework. Everything needs to count, down to every panel, ever facial expression, every pause. You need to know what to linger on and when to move on.
Take the first four pages. The first page begins with a big panel that depicts an inviting breakfast being prepared on a skillet taking up half the available space. The next four panels convey a happy relationship between father and daughter, a stable domestic scene. With that established, the next three pages have the luxury of lingering over this happy home: dad goes off to work; daughter tidies up; daughter begins her day; daughter finds comfort in the company of a family pet. Now, we’re ready to move on to what is going on with the absent mother. A rhythm has been set up allowing for the alternating of scenes and characters. Will the hobo mom reconnect with her family or is it just not possible? Here is a book that asks the right questions and lets the reader step in. This book is a prime example of what it possible in the comics medium.
Hobo Mom is a 64-page duotone hardcover, published by Fantagraphics.
Legendary Cartoonist Gahan Wilson in Need of Memory Care Facility
Gahan Wilson. You know that name. Only a few cartoonists rank as high as Mr. Wilson. His distinctive quirky cartoons graced the pages of Playboy for over 50 years. He was also a regular contributor to The New Yorker, The National Lampoon, Fantasy and Science Fiction, and many other publications. Gahan Wilson is in urgent need of a memory care facility. This is a very challenging time for his family. Please consider making a donation to a GoFundMe campaign you can visit right here.
From Gahan Wilson’s stepson, Paul Winters:
Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.
My mother, and his wife of fifty-three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.
Memory care is needed immediately. Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately. Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
Visit GoFundMe and help one of our great cartoonists find his way: Help with Cartoonist Gahan Wilson’s Memory Care at GoFundMe.
Filed under Aging, Cartoonists, Cartoons, Dementia, Family, Gahan Wilson, GoFundMe, Playboy, The New Yorker