Category Archives: Fantagraphics

Review: THE BLOODY CARDINAL by Richard Sala

THE BLOODY CARDINAL by Richard Sala

Everything is always perfectly distilled in a work of comics by Richard Sala. Everything from a dramatically constricted pupil to a young woman’s dainty feet. Sala has a way of cutting to the chase: he knows that he wants thrilling motifs and pretty girls–and he does a beautiful job of it. Sala is in fine form with his latest graphic novel, “The Bloody Cardinal,” published by Fantagraphics.

This new Sala villain makes quite an entrance and certainly looks pretty menacing. The Bloody Cardinal is no slouch, either, when it comes to murder. Clara Clarette, a charming young woman who had just purchased a mysterious book, is killed by the bird fiend. Enter Inspector Coronet, and his trusty compatriot, Dr. Sun. The good doctor has a mystical quality about him. He senses a malevolent bird-like creature is responsible for this crime. Sala does not miss a beat and paves the way for the reader to be undeniably hooked.

If you’re new to Sala, you are definitely in for a treat, especially if you enjoy a devilishly good mystery. At its heart, this is a good tightly-wound mystery. The narrative keeps popping along at a brisk pace. Each panel is a wonderfully rendered watercolor. Some cartoonists, like Sala, also happen to be painters at an accomplished level. You can’t help but appreciate how Sala distills scenes and characters to their essence.

The evil eye.

“The Bloody Cardinal” is an online serial, which follows in the tradition of his early classics, “The Chuckling Whatsit” and “Mad Night.” Perhaps it was one of these previous titles that was your introduction to his work. Sala has enjoyed a career spanning over thirty years with no signs of letting up. He has perfected a vision that, inspired by Gahan Wilson, Edward Gorey, and Charles Addams, he can safely call his own.

There is an undeniably sexy aspect to Sala’s work, as evidenced by all the compelling and voluptuous female characters in this book. The key distinction is that these are sexy, but not sexist, depictions in the service of a bigger picture. You get a worldly sense of the world from Sala: a world of books, mystery, the supernatural, and compelling young women to keep one on one’s toes. It is sophisticated fare accessible to general readers much in the same way that Hitchcock provided that special kind of entertainment in film. You could indeed say that Richard Sala is to comics what Alfred Hitchcock is to film. All those little details add up: apprehensive rats, a demonic puppet hung from a string, obsessive note-taking. The journey we take with Hitchcock as well as with Sala, with its Mcguffins and moody atmosphere, is as important as the destination, even more so.

A harbinger of doom.

In an interview last year with Tim Hodler, for The Comics Journal, Sala provides a window into the motivation behind his work: “What has always appealed to me over everything else, beyond horror or comedy or whatever, is a sense of the absurd. I think I got that from reading Kafka in high school and feeling a shock of recognition. I felt a kinship with absurd humor and black humor. Having an appreciation of the absurd – along with my childhood love of monsters – helped me survive in what was a dysfunctional (that is, crazy) household. I was drawn to the surreal and the expressionistic and the unreal, which is where I felt at home.”

“The Bloody Cardinal” is a 96-page full color trade paperback. This is a book that will appeal to a wide range of readers: anyone, say, 13 and up. For more details, visit Fantagraphics right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Horror, mystery, Richard Sala, Supernatural

Review: EDUCATION by John Hankiewicz

EDUCATION by John Hankiewicz

I enjoy note-taking when I prepare reviews. It’s part of the process that usually remains behind the scenes but this review begs for it. For this book, I write things like, “on page 63 is a perfect example of how the stream of consciousness pays off: giant head of greyhound leading big beam from train headlight.” That is the image I need to highlight for my review of “Education” by John Hankiewicz, published by Fantagraphics, part of their imprint, Fantagraphics Underground.

That head of a greyhound!

Yes, this is a very arty book but it avoids becoming an academic hot mess. Much to enjoy in simply accepting a greyhound head as a beam of light. Much to enjoy in a disjointed narrative if done right. There is certainly a long tradition of artists using text that doesn’t really seem to match the adjacent imagery. Think of Magritte and his play with text and image. Ever mindful of that, no doubt, Hankiewicz seems to relish his playing with text and image, and delightfully recontextualizing images, just like playing improvisational jazz.

Rest assured, it is not a spoiler to say that this book has no plot, at least not a conventional one. There is plenty of connective tissue here with heart and depth, especially the thing about the stars. We begin with stars signaling the return of someone’s father, and then stars getting caught on a young man’s shirt and other places. In fact, the stars force this same young man to later go naked for a while in order to better detach himself from these pesky stars. Of course, stars are very symbolic. It seems like a cruel joke to have all these stars descending upon our hero with no promise of love or treasure. Lots to enjoy with these pesky stars.

Education, by John Hankiewicz, is a 136-page trade paperback. For more details, visit Fantagraphics right here. And, when in Seattle, be sure to visit the Fantagraphics Bookstore And Gallery right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Fantagraphics Bookstore And Gallery, Graphic Novel Reviews, graphic novels, John Hankiewicz

Review: ‘My Favorite Thing Is Monsters’ Vol 1 (of 2) by Emil Ferris

“My Favorite Thing Is Monsters” Vol 1 (of 2) by Emil Ferris

If you have not heard of this book yet, then let me introduce you to one of the new landmarks in graphic novels, “My Favorite Thing Is Monsters,” by Emil Ferris, published by Fantagraphics. Maybe you have heard of it. Or maybe, like me, you weren’t sure what to make of it at first. Certainly, one quick look through its pages, and you can tell this is something weird and wonderful. And, at 386 pages, this ain’t a book you’re gonna miss sitting there on the shelf.

An enigma begging for resolution.

As a cartoonist myself, the book is also a bit intimidating. All this awesome stuff to process–that I didn’t write and draw! As a reviewer, this is the sort of book that everyone comes out of the woodwork to review. People who never read graphic novels now suddenly have an opinion to express on the next big thing. But, don’t get me wrong, it is exciting to see a book like this gain the spotlight. That said, a number of things make this book significant and worthy of a long life after the current buzz.

A bigger look: two-page spread.

The best way to enjoy this book is to find a cozy seat and explore the pages for a while. Then just settle into it. Ferris has an uncanny sense for narrative flow. In a comic that she did about promoting the book, she included an observation by comics legend Art Spiegelman. He declared that Ferris had tapped into a new rhythm for comics. To be sure, Ferris has a distinctive approach. She beautifully alternates among various possibilities: from full page drawings to panel sequences; from just a hint of color to full color; from lots of text to minimal text. This exquisite contrast propels the reader into worlds unknown.

Deeze, the bad boy older brother.

Our story begins in Chicago on Valentine’s Day, 1968. There’s been a murder, or maybe a suicide, or God only knows what. Something happened upstairs. 10-year-old Karen Reyes has lost her dear friend, her upstairs neighbor in the apartment right above her: the elegant and enigmatic Anka Silverberg. She was shot in the heart. But her apartment door was bolted shut from the inside. So, yes, it was a suicide, right? Well, that’s what the police say. But Karen senses that just can’t be right. And so begins Karen’s investigation. Karen, the little girl who thinks she’s a monster. Yes, she really believes she’s some werewolf girl. And the only thing more scary than that is the M.O.B., that’s short for people who are Mean, Ordinary, and Boring.

Having to answer to mama.

Ferris fuels her work of magical realism with magical kid logic. Karen’s quest to get to the bottom of the death of Anka Silverberg, a holocaust survivor, becomes a multi-layered journey. Narrated by Karen, the reader becomes privy to a child’s inner world in a similar fashion to Jonathan Safran Foer’s celebrated novel, “Extremely Loud & Incredibly Close.” 10-year-old Karen ponders over the validity of monsters and concludes that they have as much right to exist as other unseen marvels like germs and electricity. Karen’s fanciful innocence clashes with harsh reality. Her older brother, Deeze is engrossed in various sexual conquests with little to no discretion as to whether Karen is around to hear it or see it. As a way to protect herself, Karen can always revert back to her own whimsical concerns, like whether or not tulips get homesick for Holland.

One of the many pulp magazine tributes.

This is a genuine must-read resonating with aficionados and the general public alike. Many of the pages in the book have become iconic, particularly the monster magazine portraits. This is a tale that intertwines the tumult of the 1930s and 1960s and ends up casting a mirror to our own very troubled era. The alternating formats that Ferris uses are the hallmark to this most innovative work. Ferris steadily modulates the narrative having the reader swim to the deep end and read passages suitable for a prose novel all the way to deceptively simple comic strip sequences. All the while, everything is held together cohesively with the consistent use of ball point pen rendered art on a background of notebook paper–that and one of the most compelling voices to grace the page.

As I say, in my video review, it is a hard thing to do in a graphic novel where a cartoonist creates something truly fresh that has the reader seeing things in a whole new way:

This is one of those rare books that can safely be called an instant classic. It is a long work in comics that truly makes good use of a high page count. In fact, a second volume is due out as early as Valentine’s Day of 2018. For more details, visit Emil Ferris right here. And visit Fantagraphics right here.

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Filed under 1960s, Comics, Emil Ferris, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels

Fantagraphic Books to Publish ALL TIME COMICS, a Shared Superhero Universe Featuring the World’s Most Fanta*stic Heroes

All Time Comics, Crime Destroyer #1, Jim Rugg cover

All Time Comics, Crime Destroyer #1, Jim Rugg cover

Alternative comics and superhero comics mix it up in various ways. The Big Two comics publishers, DC and Marvel, will occasionally employ “indie” cartoonists. Image Comics has set a high standard in creator-owned comics that generally deconstruct the traditional superhero genre. And there are all sorts of satirical and subversive answers to the standard cape and tights. That brings us to today’s announcement of the launch of a brash new line of superhero comics titles from the alt-comics stalwart, Fantagraphics. The line of comics goes by the cheeky name of All Time Comics. The project is led by alt-cartoonist and writer Josh Bayer. This is part of a shared universe featuring four heroes: Atlas, Blind Justice, Bullwhip, and Crime Destroyer.

Panel work-in-progress from All Time Comics: writing, pencils, by Josh Bayer; inks by Al Milgrom; letters by the great Rick Parker.

Panel work-in-progress from All Time Comics: writing by Josh Bayer; pencils by Noah Van Sciver; inks by Al Milgrom; letters by Rick Parker.

The fun begins March 31, 2017, with “All Time Comics: Crime Destroyer issue 1,” a 36-page oversized comic book featuring the writing of Josh Bayer, the inks of Ben Marra and the last art by legendary artist Herb Trimpe, who co-created Wolverine. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more. Issue #1 will feature two distinct covers, one by Jim Rugg and the other by Johnny Ryan. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more.

Page from upcoming contribution by Noah Van Sciver (pencils) and Stephen Bissette (inks).

Page from upcoming contribution by Noah Van Sciver (pencils) and Stephen Bissette (inks).

This looks to be a true mashup of the sensibilities of alt-comics and superhero comics. Look for a love of the genre mixed well with irony.

Here’s a look at upcoming titles:

All Time Comics: Crime Destroyer #1

Josh Bayer (story); Herb Trimpe (pencils); Ben Marra (inks); Jim Rugg (cover) + Johnny Ryan (cover); MARCH 2017

All Time Comics: Bullwhip #1

Josh Bayer (story); Ben Marra (pencils); Al Milgrom (inks); Das Pastoras (cover) + Tony Millionaire (cover); APRIL 2017

All Time Comics: Atlas #1

Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); MAY 2017

All Time Comics: Blind Justice #1

Josh Bayer (story and pencils); Rick Buckler (pencils); Al Milgrom (inks); Victor Martinez (cover); JUNE 2017

All Time Comics: Crime Destroyer #2

Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); JULY 2017

All Time Comics: Blind Justice #2

Josh Bayer (story); Ben Marra (story); Noah Van Sciver (pencils); Al Milgrom (inks); Das Pastoras (cover); AUGUST 2017

For more details, follow Fantagraphics right here. You can also follow All Time Comics via Twitter @alltimecomics and via Facebook @ALLTIMECOMICS.

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Filed under Comics, Fantagraphics, Noah Van Sciver, Superheroes

Seattle Focus: Rock Is Not Dead – October 22nd

oct22rockposter

For those of you in Seattle this Saturday, October 22nd, come out to the Fantagraphics Bookstore And Gallery for a launch party for “Rock Is Not Dead,” an international anthology of comics and prose based on rock songs with an accompanying covers CD. Seattle cartoonist Noel Franklin pulled together an artist team to contribute. Fellow cartoonist Mark Campos and Franklin created a comic based on the Throwing Muses song, “Not Too Soon,” and Amy Denio recorded the cover for the CD.

Noel Franklin is a Seattle cartoonist who, like many of us in this region, is quite active. We locals know her for such beautiful work as her tribute to the OK Hotel. Franklin recently received grants from 4Culture and the Mayors Office in support of her first graphic novel.

Fantagraphics Bookstore And Gallery is located at 1201 S Vale Street. For more details, visit them right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Fantagraphics Bookstore And Gallery, Noel Franklin, Seattle

Review: PATIENCE by Daniel Clowes

Patience-Clowes-2016

Just like Alfred Hitchcock and Edward Hopper are familiar to neurotic connoisseurs and average slobs alike, so too Daniel Clowes is one of those select alternative cartoonists known to the general public. “Ghost World” is a bona fide cult classic that evokes better than most that special blend of Gen X rage. The Clowesian world is mired in self-loathing coupled with self-delusion forever seeking some sort of redemption through perpetual self-deprecation. Clowes perfected an ironic noir in the ’90s all his own. Since then, many readers have been catching up. His latest graphic novel, “Patience,” finds him in top form. It is published by Fantagraphics Books.

When I first moved to Seattle in 1993, Fantagraphics began publishing “Ghost World” in the one-man comics anthology, Eightball (1989-2004) by Daniel Clowes. I remember it, at the time, as being so perfectly rendered and mirroring the sarcastic bite of the hipster scene I was experiencing. It seemed too good to be true. And yet it did exist. There are other great alt cartoonists to enjoy, to be sure, but Clowes has the pulse on a certain strain of disconnected disquiet. His work will always be inextricably linked with the DIY/zine/grunge era. That’s the sweet spot his characters revolve around whether it’s 2006 or 2029. Clowes, as he ages, just keeps getting better. Like a cartoonist version of David Letterman, he cannot, nor should not, try to extricate himself from his roots. In Clowes, the Gen X muffled rage lives on. In this new book, we see just how timeless a Clowesian world can be.

This is as classic as you can get when it comes to Clowes. The title character is a young woman named, Patience. It is through the actions and thoughts of a young woman, it seems, that Clowes believes the secrets to life can be unlocked or, at least, we have our best chance at experiencing true grace on Earth. To act as our guide, and fully explain the rare quality of said lady, is a stand-in for Clowes. We begin with an attractive young couple. Patience and Jack have just learned that Patience is pregnant. While the timing is not great in respect to their finances, the two of them are happy. And then our story takes a turn that makes it, as billed, “a science fiction love story.”

Clowes has created an excellent vehicle for his vision. He has Patience, his ideal young woman, and he has Jack who, due to just the right touch of strange, becomes an ideal Clowes alter ego. This is quite a remarkable, beautiful, and ambitious work. Clowes gets to play with all the Clowesian toys in this one. It is a far better world, perhaps a tad too melancholy, but a far better world, to have the work of Daniel Clowes in it. Patience makes for a wonderful Clowes girl, full of grit with just the right amount of stubborn optimism. Jack makes for a great befuddled Everyman, just one step away from either utter self-destruction or blissful epiphany.

Patience-Clowes

“Patience” is a 180-page full color hardcover and will be released on March 21st. For more details, and how to purchase, visit our friends at Fantagraphics Bookstore right here.

And don’t miss out on the Daniel Clowes “Patience” book tour. If you are in Seattle, you can see Mr. Clowes at the Fantagraphics Bookstore & Gallery this Saturday. Details are right here.

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Filed under Comics, Daniel Clowes, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, science fiction, Time Travel

Review: ‘Fante Bukowski’ by Noah Van Sciver

Fante-Bukowski-Noah-Van-Sciver

I’d been meaning to read Noah Van Sciver’s latest graphic novel, “Fante Bukowski,” and I guess I was waiting for a good time to do it. I thought I had it figured out: a silly little satire about a ne’er-do-well. It is that, in a nutshell. But, after reading it, I wasn’t totally sure of what to say about it. Well, actually, I had some idea. I couldn’t help but be reminded of Steve Martin in his film debut, 1979’s “The Jerk.” It is both subversively offbeat and totally hilarious.

“Fante Bukowski,” is worthy of your attention in all its irreverent splendor. Part of the humor is that it is quite obvious that Van Sciver has no real axe to grind within the literary community and yet he seems to manage to provide some quite effective biting satire. The bite is not aimed at anyone in particular. It’s more like the Marx Brothers poking fun at the absurdity of life in general. And, it’s safe to say that the pomposity and pretentiousness that Groucho ridiculed a century ago has not changed much for Millennials.

And lest you think this book has anything meaningful to say about Charles Bukowski, think again! Our main character decided to have his name legally changed from Kelly Perkins to Fante Bukowski to honor his childhood idol. It’s, by far, the saddest thing, Audrey, another unpromising writer, has ever heard! Fante meets, or stumbles upon, Audrey during a reading Fante gives of an incredibly brief and ill-conceived bit of his so-called poetry. It is Fante’s dumb luck that Audrey finds him attractive and decides to spend the night with him. To her dismay, she discovers that Fante slaves away on an actual typewriter.

While Van Sciver seems to favor light humor, it also seems that he doesn’t suffer fools lightly either. The following scene can’t help but sound familiar to many an aspiring writer: there is much chit chat over a certain literary magazine at a party and it results in Fante pleading with the editor for the chance to submit some work. After some back and forth, the editor accepts Fante’s half-baked drivel. After more small talk, Fante asks how big the magazine’s circulation is. The editor, without a hint of irony, says it’s a dozen. Brilliant. That, and the fact that Fante is obsessed with using a typewriter does seem to say something about a new generation allowing itself to walk into walls it could have easily avoided.

Van Sciver’s latest subject, and what he does with it, is a prime example of a cartoonist who understands why he keeps going back to his drawing board to toil away. He has made certain choices like keeping the artwork within reasonable limits and cranking the humor just right. This is all in the service of telling the tale of a terribly delusional young man. It’s an absurd story. When it’s all said and done, it is a silly satire about a ne’er-do-well. But it’s an impressive silly little satire too.

Fante Bukowski

“Fante Bukowski” is an 80-page trade paperback published by Fantagraphics Books. For more details, visit our friends at Fantagraphics right here.

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Filed under Charles Bukowski, Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Noah Van Sciver

Review: ‘Disillusioned Illusions’ by Greg Stump

Fantagraphics-Greg-Stump-comics

You know those optical illusions where you see an illustration of a boy fishing in a boat and then, once it’s flipped around, you see a bearded lady? Well, how about a vase that, once two shadows pull away, you see two living and breathing silhouettes of a couple of wiseguys? And how about if, once free, they commence to endlessly chatter about various things? Welcome to “Disillusioned Illusions,” the debut graphic novel by cartoonist Greg Stump. This sort of humor is brave and harder to pull off than it might seem. It does one thing in particular that requires skill and a certain temperament: it messes with you, tries your patience, and dares you to see it through to the end.

Panel excerpt from "Disillusioned Illusions," by Greg Stump

Panel excerpt from “Disillusioned Illusions,” by Greg Stump

Now, I read and go out and see my fair share of absurdist humor and theater. I get the joke. Good or bad, this sort of thing is more likely to try my patience than not. Stump’s book reminds me of Dash Shaw’s “Bottomless Belly Button,” also published by Fantagraphics. It too is a prime example of something out to test the reader, see how far it can go with subverting expectations. In the case of Shaw’s work, the reader must be willing to take a leap of faith with intentionally arty/bad drawing and meandering plot, and is ultimately rewarded with an offbeat story. But, first, they are forced to decide to stick around as opposed to coast along with something more familiar. I mean, say, Batman is never going to force you to decide. Well, at least the intention is not there.

Panel excerpt from “Disillusioned Illusions,” by Greg Stump

Panel excerpt from “Disillusioned Illusions,” by Greg Stump

And so, these two wiseguys banter back and forth. The layout and composition is decidedly minimal. And to what end? Is it only to try your patience? Or is it also to stack together something interesting? Or, still, maybe it’s all meant to exist as this offbeat amusement. Let’s look closer. Oh, wait, let’s work with the idea that each silly moment of farce is building on to the next. The two guys begin by figuring out what their roles are. They appreciate the fact that they’re in a “graphic novel.” They realize that graphic novels are supposed to be cool and marketable. And, the longer, the better. So, they begin by padding the content and altering the page count.

The two wiseguys bicker over whether one should wear a vase as a hat. And then a new character, identical to the first two, is brought in to attempt to spice things up. His name is Rodney and it seems his main purpose is to underscore how little plot there is. In the course of events, you do get the feeling that Stump is bringing in anything and everything that might come across his mind. He definitely evokes a frantic and unstable improv comedy set.

Page from "Disillusioned Illusions," by Greg Stump

Page from “Disillusioned Illusions,” by Greg Stump

Give any artist enough room and maybe they begin to reveal something about themselves or at least about their process. In the case of Greg Stump, he is a notorious kidder. He will pull your leg until he pulls it right off your torso. And then he’ll swing your severed leg above him as he yells out a battle cry. But he is also a meticulous craftsman. Remarkably, what you end up with here is a lot of very funny dialogue and a plot that does grow in a genuinely intriguing and entertaining way. And, most important of all, you will laugh.

All in all, I have to admit that this book grew on me. When it comes to wacky humor, I am open to just about anything. And I conclude here that perhaps it doesn’t matter if the reader or Stump has the last laugh. Because, yes, there is that prankster element running throughout. But the saving grace is an inventive spirit that also runs right along with the smart aleck foolishness. And there are a number of twists and turns as, indeed, one silly element stacks upon another. For those who love offbeat and experimental work, this will definitely appeal to you. Furthermore, just like an optical illusion, there is more here than first meets the eye.

“Disillusioned Illusions” is a 356-page paperback, published by Fantagraphics. You can find it by visiting our friends at Fantagraphics right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Greg Stump, Humor

Review: BLACK RIVER

Fantagraphics-Josh-Simmons

There is no Black River to be found in Josh Simmons’s graphic novel, “Black River,” but that’s besides the point. The characters are all post-apocalypse survivors with nary a need to know one river from another. Nihilism prevails. For such a bare bones story, there are plenty of compelling moments, both grim and poetic.

People can be pretty hostile and dangerous even in the best of times, so it is quite something to have a group of youth running wild into the wasteland. No zombies to contend with, if that’s any consolation. It’s more the drip, drip, drip, of too many lost and rough souls wandering. All this Simmons depicts well. It’s something any hip cartoonist can revel in, if he or she chooses, and he does a good job of it.

With all the jailhouse craziness that ensues, Simmons is a careful artist. He has a deft way of creating just the right amount of detail to evoke a landscape or a town that has been left in ruins. And I really enjoy his rendering of the Aurora Borealis. It comes up a number of times in panels, enough to add to the spacey energy that charges this work.

Much like a good old-fashioned horror movie, a comic such as this, to be any good, relies upon setting up an interesting mood and environment. Without a doubt, Simmons succeeds in this. He gives us some compelling characters among his ragtag group of hardened misfits. And we’re left wanting to turn the page as a morbid sense of curiosity sets in. Of course, things will get darker, as well as more disgusting. This is raw stuff, kids. Mature content. Those familiar with it, will not be disappointed.

Josh-Simmons-Black-River

And if you’re in Seattle, be sure to visit the Fantagraphics Bookstore & Gallery this Saturday, April 25, from 6:00 to 8:00 pm for a reception for the publication of Josh Simmons’s new graphic novel, Black River, and the release of the latest issue of Intruder, #15. Simmons will be joined by his colleagues from the Intruder comix collective. Simmons contributes a story in the latest issue illustrated by Joe Garber. Festivities include a display of Simmons’s original drawings, a black light room, short film screening, a book signing, and complimentary refreshments.

Black River is a 112-page trade paperback, priced at $18.99. For more details, visit our friends at Fantagraphics Books right here.

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Filed under Comics, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Horror, Josh Simmons

Review: MEGAHEX collection published by Fantagraphics Books, by Simon Hanselmann

Megahex-Simon-Hanselmann

Megg, Mogg, and Owl. Say it with me, “Megg, Mogg, and Owl.” They will set you free. Set you on a righteous path. What Simon Hanselmann does with his comics is what any artist and/or writer worth his or her salt does: take you somewhere, make you feel something. The most disturbing, and most exhilarating, moment for me in comics this year, or any year, must be Werewolf Jones taking a cheese grater to his testicles. Pure genius. And I say it with only a touch of irony. In fact, it is a great moment in comics.

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Filed under Comics, Comics Reviews, Fantagraphics, Fantagraphics Books, Graphic Novel Reviews, graphic novels, Simon Hanselmann, Webcomics