It was one year ago that comics professional Janelle Asselin was in the middle of a raging storm regarding the comics industry’s ongoing problem with the distortion of women. Catch up and/or refresh your memory on that right here. So, to find Ms. Asselin undertaking a whole new way of addressing this issue is quite inspiring. Sometimes, you just gotta go out and show them all how it’s done, right? Enter FRESH ROMANCE.
FRESH ROMANCE is a new generation’s answer to romance comics. This is part of a new imprint, Rosy Press, brought to you by Janelle Asselin, Senior Editor of ComicsAlliance.com and former DC Comics editor. If funded through the now-live Kickstarter campaign, Asselin’s new imprint Rosy Press will debut FRESH ROMANCE in May 2015. This Kickstarter campaign ends April 22. Visit it right here.
The first issue of this monthly digital comic magazine features sundry stories ranging from a clandestine, queer high school love affair to an impeccably researched and illustrated Regency-era romance. In addition to three forward-looking romances, each issue of FRESH ROMANCE delivers a relationship advice column by a quartet of divorced writers, behind-the-scenes art coverage, and a fashion report.
Wonder Woman can lead the way out, above and beyond our current state. Wonder Woman commands respect. That respect can carry over to other female characters. It can carry over to respecting all human beings.
That respect is the key to Wonder Woman’s success and popularity. You just don’t mess with Wonder Woman. She is bigger and more powerful than any one person or corporation. With that in mind, it is my pleasure to share with you my interview with Tim Hanley, author of “Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine.” You can read my recent review here. You can visit Tim Hanley’s site here. And you can definitely pick up his comprehensive study of Wonder Woman right here.
We are comics. When former DC Comics editor Janelle Asselin wrote a scathing critique of the art on the company’s new “Teen Titans” book, the response she got was depressingly predictable: a deluge of insults, some anonymous rape threats and even one (less predictable) attempt to hack her bank accounts. But after much of the online comics community ralliedaround Asselin, a tumblr-based project to show off the true diversity of comics creators and fans took off.
We Are Comics is the brainchild of writers/fans/editors Rachel Edidin, Arturo R. Garcia, and Elle Collins.
An epilogue: In the wake of Asselin’s abuse, Comic Book Resources – the Eisner-winning news site that hosted her original article – has locked its community forums and started over fresh, with a brand-new civility code.
posted by Holy Zarquon’s Singing Fish
We keep making inroads to a better world. It takes effort. We Are Comics is on the right track. You are welcome to join them.
As many of you can imagine, there is a lot of cheesecake that makes its way into comics. As a critic, this is a can of worms that you open when you’re ready for the shit storm that follows when daring to criticize a major comics title. This is what just happened to Janelle Asselin, a seasoned professional in the comics industry after she dared to criticize the above cover for “Teen Titans #1,” published by DC Comics, home to Superman, Batman, and Wonder Woman. Can you guess what Ms. Asselin may have taken issue with?
“Drag Bandits” sounds like one of those titles resulting from a game of free association. But, no, it’s more to the point. This story features Stephen, a 17th century aristocrat, who enjoys robbing coaches in drag, thus the title. I’ve followed Colleen Frakes’s mini-comics for years and have always found them to be quite intriguing and reveling in whimsy. For this latest work, she teams up with Betsey Swardlick, who writes the story. Both are graduates from The Center for Cartoon Studies in Vermont, led my master cartoonist James Sturm.
Dylan Edwards has written and drawn a graphic novel, “Transposes,” published by Northwest Press, that helps us all better understand and embrace the transgender community by exploring a specific group within it, “queer-identified female to male transpeople,” or “QFTMS.” If that sounds a little too Otherly, rest assured that this collection of stories is warm and heartfelt. Through his skills as a cartoonist, Edwards brings to life six distinct true stories of transgender men.
What is apparent from the start is the enthusiasm that Edwards has for sharing with you what he’s learned and, inextricably linked to that, his faith in his skills and the comics medium, itself, to tell these stories. Edwards is not afraid to depict himself in a few pages of introduction. He makes clear this book is not going to be about him but his direct presence sets the tone: we’re going to be irreverent and have fun; and we’re also going to get to the point and be honest. The artwork will be a nice, spare, cartoony style but with a human touch. The narrative will be accessible with some inventive use of form to keep it interesting.
Once we’ve got that covered, we’re all set to delve into a variety of stories about love, sex, relationships, and journeys of self-discovery. As we learn in life, sex is fabulous, exciting, mind-blowing, but it’s only a part of one’s life. Love, compassion, and understanding will rule the day, and days, months, and years in the long-term. Each character in this collection is searching for something greater than themselves.
Even if there’s a desire to remain single and play the field, there’s still a need to reflect and contemplate. In the case of these stories of transgender, of course, the emphasis is more sharply upon the body. However, what we appreciate from this book is that issues of the body are as vital and universal as you can get. Instead of these stories being about just one particular group, they truly speak to anyone.
“Adam,” for example, is a heartbreaking love story about the struggles of one couple to come to terms with not being right for each other. It’s Marni who is quick to pick up on the problems that lie ahead: her girlfriend would much prefer to be a man but just doesn’t know it yet. Bit by bit, Marni helps Adam find his way. As they sit on the couch and have the “we need to talk” talk, it’s clear that Marni’s love for Adam is great and she’ll miss him.
“Henry” is a fine example of Edwards tweaking the traditional narrative. We are presented with Henry’s story as if it were a museum exhibit, due to his fastidious need for proper documentation. We walk through the rooms and display cases to find one person’s struggle with identity. But it’s not all struggle. In quiet safe moments, it’s just learning about one’s self. And then it’s refining what one’s learned, editing as you go, all the way through the rest of your life.
“Transposes” is a book that readers can warmly embrace. It presents specific, as well as, universal truths with art and writing that is inviting and accessible.
“Transposes” is a 115-page graphic novel, priced at $19.99. Visit Dylan Edwards here. And visit our friends at Northwest Press here.