I have interviewed Steve Lafler and I’m letting that sink in. The man is a walking encyclopedia of experiences and knowledge. I do hope we can chat again sometime. For a first interview, we covered a lot of ground. I was intrigued and delighted and I’m sure you will be too with this most provocative cartoonist.
Steve Lafler is a very cool cat–and, as promised, we’re about to take a deep dive into all things Lafler. Long before Zoom interviews, I’ve been taking notes and chatting with a good many talented folks. I think we cartoonists, at least a certain subgroup, are compelled to express ourselves in numerous ways. You’ll find, for instance, that comics and journalism have been entwined since the American colonies. In Mr. Lafler’s case, he has devoted a lot of energy in two directions, the love of comics and the love of music. In my interview, I try to focus on how Lafler has lovingly included music, especially jazz, into his comics.
1956: Sweet Sweet Little Ramona is Lafler’s latest title and we enjoy talking about it. The subtext is pretty much in the forefront: our main character, Ramon, seems to be most happy when he gets to be Ramona. Or, if not most happy, then it’s definitely a sweet joy to dress up and be a woman for the night. That said, the comics pretty much speak for themselves. Lafler, himself, has provided a few clues over the years that he enjoys indulging in some gender-bending dressing up. One must follow their muse! I think, with 1956: Sweet Sweet Little Ramona, Lafler beautifully expresses that most basic and primal human need to be true to one’s self.
Peter Kuper is one of the great cartoonists and any book by him is a treat. In this case, you have a highly creative individual out and about for two years in a most stimulating environment, Mexico, specifically in Oaxaca. What could be better than his sketchbook journal of his two years there? The paperback version of his “Diario de Oaxaca” recently came out from PM Press.
Pages from “Diario de Oaxaca” by Peter Kuper
Kuper follows his heart and stream of thought to deliver page after page of enchanting work. He has a special multi-colored pencil that he uses. The lead in the pencil is made up of various colors. That allows much greater spontaneity as he can instantly shift the pencil to get a different color and then another and so on. He seems to have most fun with creating work that has that look of being on the fly–but can also be a mix of a long day, or night, of contemplation.
The sense of excitement and discovery is palpable. In a similar quick manner, he jots down numerous observations in prose as well. The joie de vivre takes a decidedly sober tone as Kuper finds himself covering a fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will. The end result is that Kuper manages to capture both the light and the dark of Oaxaca in an extarordinary collection of dispatches.
“Diario de Oaxaca: A Sketchbook Journal of Two Years in Mexico” is a 208-page paperback with full color artwork throughout. For more details, visit PM Press right here.
Book Giveaway: Be sure to visit tomorrow when the Comics Grinder Winter Giveaway kicks off. Among the items that will be available will be a copy of “Diario de Oaxaca.”