Category Archives: Graphic Recording

Eventually Everything Connects by Sarah Firth book review

Eventually Everything Connects: Eight Essays on Uncertainty. Sarah Firth. Allen & Unwin, 2023. 288pp. AUD $34.99 (Graphic Mundi, June 2024 U.S. release.)

Imagine someone in the most uninhibited, vivid and precise way sharing with you what is going on in their mind. We are all capable of such things, given enough trust, and we welcome such primal and articulate sharing. Well, that is what you get in this highly engaging tour de force, a book about everything by an artist at the top of her field. Sarah Firth is an accomplished artist who is known for her work as a graphic recorder. That’s someone who is hired to do a live drawing of any given event or meeting and dissect what is going on, bringing out the essence of ideas and strategies discussed, which results in an info-graphic type of mural. Firth has taken this skill and elevated it to an extended narrative in her new book where she walks and talks the reader through not only her life but what it means to be alive in the first place. Quite an ambitious task that totally delivers on its promise.

Firth’s book was originally published by Allen & Unwin, under the Joan imprint, in Australia and will be published by Graphic Mundi in June of this year in the United States. It’s wonderful to see that Graphic Mundi picked it up in the States as it’s an imprint of Penn State University with a growing reputation for books on health and well being. The book is a collection of eight observational visual essays, each piece is an extended narrative in comics format. In this way, Firth organizes her lines of thoughts by separately covering topics in manageable chunks: the joy of life; sexuality in general; what gets our attention; what makes up a person; and so on. I think each segment is a gem to itself and it all adds up to a satisfying whole that invites rereading.

First and foremost, this book is for everyone and all ages, starting around age 14 but your mileage may vary. While it is not the primary subject, there is nudity and honest discussion of sex, which is in a tasteful and educational manner. On the whole, this book will be of prime interest to young adults, college students and discerning adult readers. Alright, with that said, Firth does a great job with sustaining the concept of the author engaged in a personal essay with the reader. Firth, at times, is literally a symbolic stock character, naked with nothing to hide. She could be you or me. I think it’s a healthy way to address oneself and your audience. In fact, when it makes sense for me, I am happy to include myself naked in my own work. In the end, it’s really the only way to get to the root of the matter: we are all beings, sharing so much in common.

Firth, by profession as a graphic recorder and by nature as an inquisitive person, is a consummate explainer. She knows how to explain. She loves to explain. She will explain anything to you. It is that kind of energy and passion that is like rocket fuel for this marvelous book. I will say that this is just the sort of book that many creatives imagine themselves doing but maybe are daunted as to where to begin. Well, it takes persistence and it definitely takes planning. A careful reading will show you that this is a work built upon a steady amassing of elements.

Take, for instance, the metaphor of the moth that visits Firth at the beginning of her journey and comes back to recap and reconcile at the end. You can imagine that little moth, can’t you? In Australia, it’s the bogongs that are the prominent breed. In fact, the First Nations people of Australia perfected the preparation of this moth as a delicacy. Firth masterfully weaves these moths into her narrative as she does with various other compelling items, some familiar and some uncanny, the very stuff of life. At the end of the book, it is a massive hive of moths, trapped by their unrelenting attraction to bright lights, that provide the satisfying existential grace note.

One of the prime characteristics of an excellent graphic recording is managing to collect as many of the key kernels of wisdom that bubble up during an event. It’s not necessary to capture every insight but the ones that resonate the most in the moment. In the right hands, a capable and confident graphic recorder, the big picture emerges buoyed up by the sum of its parts. And so it is with this book, which is an ideal example of a graphic narrative that adds up to a treasure trove of ideas and thoughts. With just the right sense of storytelling, Sarah Firth assembles and reassembles. Whether it’s a moth, a slug, the perfect quote or a case made for the best way to carve up an orange, eventually everything connects.

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Filed under Comics, Comics Reviews, Graphic Mundi, Graphic Recording

Nick Abadzis interview: The Cartoonist Life

Meet Nick Abadzis. He’s a guy who has basically been a cartoonist all of his life, in one form or another, or maintaining that connection one way or another. Making comics, worthwhile stuff, is never a simple cakewalk. Success in comics, on the professional level, involves persistence, passion and a bit of luck.

Excerpt from Laika.

Nick got his name on the map, at least in the United States, with the publication of his graphic novel, Laika (First Second). It is the story of the first Earthling (dog) to be sent into outer space. Laika was launched into Earth Orbit aboard Sputnik II on November 3, 1957. The story of this Soviet dog cosmonaut is poignant to say the least and certainly just waiting to be adapted into a thoughtful and inventive graphic novel. Laika went on to in win a number of awards, including the coveted comics industry Eisner Award in 2008 for Best Publication for Teens.

Nick chats about the early days, circa 1980s-90s, going back to his first major work in comics, Hugo Tate. It’s a story that grows darker and more interesting as it unfolds. You won’t easily find it in the States without a bit of digging but that may change soon enough. Nick thinks it might be due for a revisit and reprint. Remembrance of things past  led us to the glory days of British comics and comics journalism as exemplified by Escape magazine, founded by Paul Gravett and Peter Stanbury.

Our conversation also covered a bit of shop talk about the world of graphic recording. It’s not as simple and easy as just drawing pictures of a business meeting. But, if you are a particular kind of cartoonist, one who really knows how to pare down to the essentials and, most important, knows how to listen, you may have a future as a graphic recorder. That said, if you have the stomach for that, then maybe you have the stamina to pursue one graphic novel after another. I always find it a little amusing, perhaps even troubling, that some people think they might someday take up the goal of creating a graphic novel. Honestly, your odds are maybe better that you’ll follow through on writing a prose novel rather than a proper full length graphic novel. But live and learn I always say. Anyway, we have a bit of fun chatting about the curious world of visual storytelling.

A sneak preview of the new book!

Last, but not least, Nick provides us with a sneak preview of his new and forthcoming graphic novel project. It is about race and it has been years in the making. What began as an idea to explore the life of a mixed race couple evolved into a give-and-take discussion of how to expand the narrative. Initially, the book was inspired by the relationship between Nick and his partner, Angela. Nick is of Greek heritage; Angela is of African heritage. The editorial process took over. There were numerous discussions about combining the subject of race with immigration and that led to a number of drafts. Ultimately, the book came back to the original concept. This particular project evolved over the course of 14 years, about as long as Nick has been a graphic recorder. In fact, during the editorial discussions, he would graphic record them. Just goes to show you how important persistence and passion are in this business!

Find Nick Abadzis here.

 

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Filed under Comics, First Second, graphic novels, Graphic Recording, Interviews

Infographic: FedTalks: Digital Transformation

FedTalks, 24 August 2022, Digital Transformation. Infographic by Henry Chamberlain.

FedTalks is a conference series, presented by FedScoop, a gathering of leaders in government and the tech industry. Last week’s FedTalks, on Digital Transformation, sparked a number of lively discussions centered around the focus of the citizen experience. A recent executive order issued by the Biden administration presents a bold vision of streamlining government service to the public. This order is a comprehensive plan to meet the challenges of the 21st century, especially when, left without leadership, government actions are slow and often counterproductive. But that is no longer something that can be ignored or put off for the future, not when our national security hangs in the balance. With that in mind, this conference took on the challenge of presenting twenty-three talks, one after the other, each lasting around ten minutes each, discussing as many facets as possible of the work ahead as the federal government faces a major shift in how it operates: a full-scale digital transformation.

But, you may ask, hasn’t the country already gone through a digital transformation? Well, has it? Business has. Many individuals have. But government, not so much. Government, left to itself, will take the path of least resistance, the path that is most familiar, and definitely not the path that is most visionary. There’s a reason that the very mention of government conjures up thoughts of red tape and bureaucracy. Think about it. Anything that involves government usually, if not always, involves some painfully slow process of unnecessary complexity. And maybe we’ve heard promises of change before. What makes things different this time is that our sluggish ways have left us completely vulnerable to attack from other countries and various other malicious agents.

The Executive Order on Transforming Federal Customer Experience and Service Delivery to Rebuild Trust in Government is the catalyst for change that has arrived not a moment too soon. Here is a link from The White House on that order.

Will an executive order truly make a difference? This one is certainly one of the most articulate, ambitious and credible of such orders. The big takeaway from this FedTalks conference is that people want to rally around a certain set of goals that make sense and can actually lead to a lot of good. So, in that regard, this order is a football in play. The game has begun. And no one appears to want to let the hard-fought momentum slip away. The overall consensus is that experts in tech and government already know that we have a broken system and any push toward fixing it is more than welcome.

FedTalks is a series of discussions and presentations that brings together some of the greatest minds in the tech, government and academic communities. Now in its 13th year, FedTalks is the premier federal IT event, showcasing the most important conversations on topics like modernization, the evolution of zero trust security, the adoption of emerging technologies like AI and 5G, and the importance of culture, talent and innovative thinking in making the government a more digital institution.

Here at Comics Grinder, we remain a steadfast observer and commentator on the cultural landscape, and various related themes. For a look at my specific visual storytelling services, I invite you to refer to WordtoPicture.com.

Henry Chamberlain at work during FedTalks.

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Filed under Comics, FedTalks, Graphic Recording, Infographics

Thaddeus Stevens: An Infographic of an American Hero

Civil Rights Leader Thaddeus Stevens

It was my pleasure to connect with the Thaddeus Stevens Society and its president, Ross Hetrick. As a freelance writer and illustrator, I end up meeting a number of interesting people and learning a lot about so many subjects. In a visual thinker role, I can facilitate in clearing away the clutter, help organize thoughts, and make sure goals connect with results. That brings us to today’s infographic, a concise look at one of America’s lesser known heroes. Thaddeus Stevens was arguably the most important member of Congress during the American Civil War. His passionate and unrelenting work in support of civil rights helped lead the way to the Emancipation Proclamation, and the 14th, 15th and 16th Amendments to the American Constitution, all working to ensure the rights of Black Americans after the war.

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Filed under Education, Graphic Recording, History, Infographics, Sketchnotes

Sarah Firth interview – Eventually Everything Connects

EVENTUALLY EVERYTHING CONNECTS by Sarah Firth

Sarah Firth is one of my favorite creatives. She is a Melbourne based artist who studied visual arts at the Australian National University. In the last decade or so she has earned numerous awards, commissions, residencies and a fellowship. Firth is a creative entrepreneur running a creative services and consultation business offering graphic recording, illustration, animation, film and creative workshops. Her first graphic novel, Eventually Everything Connects, has a publisher, JOAN (Nakkiah Lui with Allen & Unwin), and will launch within a year. More details on that as we get closer to that date. In her new book, Firth explores, as she states, “personal narratives woven together with philosophy, psychology, theory, and criticism. It’s a humorous and idiosyncratic exploration of multiplicity, fragmentation and intertextual play that fits into the autotheory genre.” In this interview, Firth shares a little bit about that upcoming book, the world of graphic recording, and thoughts on the whole creative process, particularly the creation of comics. For one thing, we discuss the amazing Comic Art Workshop residency program. We also discuss the awesome Graphic Storytellers at Work research project. Firth says, “It’s really worth downloading and reading their report. If you want a printed poster contact Gabriel Clarke.”

Sarah Firth, the artist, the person.

So, now I’ve set up for you a little bit about who Sarah Firth is but let me go further in sharing with you about this remarkable talent. I find Firth to be a vibrant artist, unafraid to be silly and to experiment with various media. She mentions in our interview that she began as a sculptor and I’m not surprised. If you take a look at her videos, you get a strong tactile vibe. Firth uses her hands a lot: to mold shapes, to present, to sew, to draw, to perform. And I’m not surprised that such a lively and curious artist gravitated to graphic recording. That is a special discipline that, on the face of it, is essentially documenting some meeting, whether a conference or a workshop, and distilling the essentials from it in concise words and picture. Of course, it’s more than that–as if that wasn’t enough!
Graphic recording can be a vehicle for deep exploration. You can’t just be an artist to do it professionally. And you really can’t just be a writer either. You need both skill sets along with a strong analytical mind, and even sheer guts, to do this at an exceptional level! That said, anyone can do some form of sketchnoting and Firth offers up a free mini-course to help you discover the world of graphic recording.

Graphic recording is just like any other skill, you can do it at your own pace to meet your own needs. You’ll discover that, if you can take notes of any kind and even if you think you can’t, sketchnoting is useful at work and to help you problem-solve just about anything.

Sarah Firth books.

You get good at graphic recording over time as you develop your own style, your own way of problem-solving. I’ve reached a certain level with my own graphic recording and I know I’ll keep getting better at it. Everyone keeps getting better as long as they’re curious.

THINK ON THE PAGE by Sarah Firth

Finally, I’m not surprised that, after years of doing graphic recording, of getting down into the weeds of processing raw information, that Firth has found her way to creating a graphic novel, one that, in a sense, attempts to make sense of it all. Autotheory, as I understand, is using the self in order to understand the world. That’s a lot of what graphic novels are about and I know Sarah Firth is a natural at synthesizing data and explaining the world around her in whatever medium she chooses to use.

I hope you enjoy this video podcast. And, if you get chance, I’d really appreciate a like and even a comment on my YouTube channel. It’s totally free and it helps to keep this whole enterprise moving along. I will continue to provide more of this kind of content, as I juggle various other projects and assignments in the background. I reached a point some time ago where I can only post the content that engages me the most. As always, your support means a lot and is actually part of this whole process, whether you know it or not. It’s so true. Eventually, everything connects!

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Filed under Comics, Graphic Recording, Illustration, Interviews

Drawing the Meaning of Life

I direct your attention to a short film I made. My goal was to open things up and see what I might come up with in a day-in-life or a window into the creative’s mind. I had some hurdles to jump, namely creating some decent pieces of art on the fly while filming to actually show me being creative; and then it was touch and go as I worked my way up to a moment where I say something to pull it all together. YouTube provides the option to transcribe and create captions so I did that. Here are the words that I spoke, my grand soliloquy:

When we’re drawing, we create a sacred space. We do that because we need to do that. We need to allow ourselves that freedom, that security, to just do whatever. Just do whatever. That goes for just about any kind of activity that requires concentration and focus. We create a sacred space.

We as humans are constantly gathering information. And a lot of the information we’re gathering is just to confirm that we’re okay. Are we okay? Yeah, we’re okay. Is everything fine? Everything’s fine. That’s constantly going on.

So, we gather information. We process data. Ongoing thing. Ongoing activity. There’s a great demand for that. A great demand for collecting data and processing data. What does that have to do with drawing? Well, a lot. I think a lot because I think drawing, well, we know, drawing can simplify things, and highlight things, and bring the essential points into focus.

With clear spot on drawings and concise words combined together, yeah, the act of drawing, it’s there to help in so many ways. So many ways. It’s not just one thing. It’s a lot of things. It’s a form of self-expression and a form of making sense of the world.

I invite you to check out my short film…

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Filed under Art, Comics, Doodles, Drawing, Graphic Recording, Henry Chamberlain

Review: ‘Menopause: A Comic Treatment’

“When the Menopausal Carnival Comes to Town,” by Mimi Pond, in Menopause: A Comic Treatment (Graphic Medicine/Pennsylvania State University Press)

Menopause: A Comic Treatment. Edited by MK Czerwiec. Penn State University Press. 2020. 144pp. $29.95

Mimi Pond was a queen for the night at the Eisner Awards this year as she was the winner in the Short Story category for her take on menopause. Yes, folks, you heard it right, a cartoonist won a prestigious industry award on a subject that has gotten little recognition over the years outside of a Joan Rivers comedy act. What’s more, Mimi’s story is part of the book that also won an Eisner Award–in the Best Anthology category! We all need to get over ourselves on so many levels more than ever. The truth is that we all have bodies (who knew?) and they go through changes as we steadily make our way to our final stop. There is no denying that a woman’s body goes through hell. But it’s not left just to me to say that. This book says it in a variety of ways, both vivid and hilarious.

Running off with the circus!

There is so much politics, a lot of it quite toxic, attached to everything about us, including our bodies. What’s refreshing about this book, in that regard, is that it’s engaged in some primal truth. That is what is so compelling about Mimi Pond’s short story as the main character must confront who she is at the most basic level. She’s mad as hell and she’s not going to take it anymore! This comic is one of those in-your-face show stoppers that takes you out of the page, out of the book, all the way to the Eisner Awards. In the story, a mother and adult daughter are wandering around an old-fashioned carnival when a carnie lures them into a show about empowerment. On stage, there is a troupe of naked middle-aged women doing a spoken word act. The mom is overcome and joins the group on stage, strips off her clothes, and vows to run away with the circus. The mom sees her mad dash as her last chance to shine, to live her life. Psychological road blocks can be every bit as real as anything else standing in the way of fulfillment. One is left with a universal urge to push one’s way through no matter what. And, if dad’s hot casserole gets cold, so be it!

Menopause: A Comic Treatment

With Mimi’s raucous story leading the way, this collection boasts an array of significant work from 28 contributors, explaining, and expressing their views, on the many aspects of menopause, from the general to the more specific and personal. This book is another partnership with Graphic Medicine, co-founded by MK Czerwiec, this book’s editor, as well as a contributor under the pen name, “Comic Nurse.” Menopause: A Comic Treatment is the nineteenth book in the Graphic Medicine Series published by Penn State University Press. The following are some more examples from the book. As I say, it’s a great range of work: some are more medically-focused, created by medical professionals, with simple drawings; and some are from seasoned professional cartoonists more invested in a slice-of-life perspective.

“A Slow Intermittent Leak,” by Jennifer Camper

Jennifer Camper’s “A Slow Intermittent Leak” cuts to the chase with a long hard look at the menstrual cycle, from first period to last. For many men, the reality of blood alone makes periods a highly taboo subject. Of course, those men need to get a grip. Camper is a professional cartoonist and it clearly shows. This is a highly organized and masterfully composed work. The combination of the artwork and engaging prose is a pleasure to read and guides the reader through with humor and grace.

“Burning Up,” by Comic Nurse (MK Czerwiec)

MK Czerwiec’s “Burning Up” is both highly informative and entertaining and is a great example of the power of visual storytelling. For these type of educational comics, art is only part of it and can be pretty simple as it is here. What matters most to the cartoonist is finding just the right balance of words and pictures to best convey the information. Czerwiec’s pen name is “Comic Nurse,” and this piece demonstrates what she is great at: taking challenging subjects and making them relatable. In this case, we follow our main character on a journey of self-discovery and an appreciation of “hot flashes.”

“Surgical Menopause–In Ten Postures,” by Susan Merrill Squier and Shelley Wall

My final sample demonstrates how truly powerful and practical comics can be. “Surgical Menopause–In Ten Postures,” is unique in its specificity as it greatly benefits from two experts in their fields. It is written by Susan Merrill Squier, a professor of English and Women’s, Gender, and Sexuality Studies at Penn State. It is illustrated by Shelley Wall, a medical illustrator and assistant professor in the biomedical communications graduate program at the University of Toronto. The comics coming from the Graphic Medicine community, which this book is a prime example of, are said to provide insight to medical professionals that they typically do not get. It is through the combination of Squier’s eloquence and Wall’s precision that we get a window into the highly idiosyncratic individual. Too often it comes down to doctors vs. patients when, in fact, we’re all just humans. It takes a very sophisticated comic like this is prove a simple truth: we’re all vulnerable and we all need to be carefully listened to. Ironically, despite how articulate this comic is, it is speaking to how easy it is to not speak properly or to be listened to properly. The prime example in this comic: the doctor, in an all too matter-of-fact tone, asks the patient, “Do you want to keep your uterus if you’re having your ovaries removed?” The patient, in an all too defensive posture, replies, “I am not my uterus.” End of discussion. Uterus removed. Oh, but the patient didn’t really mean it, wishes the doctor had questioned her words and now regrets having her uterus removed.

About the Editor

MK Czerwiec, RN, MA, is the artist-in-residence at Northwestern University’s Feinberg School of Medicine and the cocurator of GraphicMedicine.org. She has served as a Senior Fellow of the George Washington School of Nursing Center for Health Policy and Media Engagement and as an Applied Cartooning Fellow of the Center for Cartoon Studies. She is the creator of the graphic memoir Taking Turns: Stories from HIV/AIDS Care Unit 371 and coauthor of Graphic Medicine Manifesto, both published by Penn State University Press.

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Filed under Comics, Comics Anthologies, Graphic Medicine, Graphic Recording, Penn State University Press