Year of Zines! Publishing funded in part by Regional Arts & Culture Council and patrons of Pateron, 2020. 224 pages. $12.
What is a zine? Many people have never heard of one or only have a vague idea. A zine is not necessarily a work of comics, although it often includes some form of comics. A zine is often a personal work running for a certain amount of pages, typically a dozen or two dozen. And a zine is cool but it’s not meant to be cool. It just is. If you try too hard to make one, it will show. If you gravitate too quickly to the zine scene without any prior knowledge, it will show–but that’s okay. Zines are intended to be the opposite of the big glossy corporate magazines. Any original zine artwork is usually only at a functional or even crude level. Zines are often ironic and sarcastic and have a rough and gritty aesthetic. Zines tend to be small, modest, the size of a pamphlet or brochure. And they are usually self-published. If they are not, then they’re published by a co-op or non-profit. But zines are most often the work of one person, usually someone who finds themselves misunderstood by a general audience, actually enjoys working alone, and yet is also welcoming like-minded souls. You dig? Blogging and zine-making share a lot of overlap! Alrighty then. With that said, let’s take a look at a wonderful book all about zines, and a collection of zines to itself, Year of Zines! by Sarah Mirk.
Another thing you need to know about zines: the creator is often immersed in one particular subject or theme per zine. Zines take dedication. Zines can sometimes seem obsessive but that’s part of the charm. Think of the fanzine. Now, in case you haven’t heard of them, fanzines are one of the most celebrated forms of zines. These tend to be home-made dedications to a beloved pop or movie star or any cultural phenomenon. This tradition goes back to the dawn of fandom. The most common trait of fanzines is a collage of cut-up photos from various magazines that have been re-arranged within the curated pages of the zine. It’s so punk. It’s so DIY. Before the internet, if you were searching for a platform to express yourself, you most likely found your way over to zines. You figured out some basic layout techniques and made your way to your nearest Kinko’s. Okay, now Sarah Mirk is hip to all this and a whole lot more. Zines today are not dependent upon runs to the local print shop. Zines can be virtual but, at the end of the day, zines are zines and a printed copy stills exerts its own power and energy. Print is not dead, and don’t you forget it! You see this in what Sarah Mirk has done with her own work with zines. She gets it. Zines share a bit of the same vibe as spoken word with their direct and concise narrative. Mirk understands that a good zine requires focus and specificity. If you start a zine on the theme of “not caring,” then you stick with it and see it through to resolution, just like a masterful comedian sees through a precisely-timed bit of comedy.
Of course, zines can cover virtually any topic or subject. Literally, if there’s something you’d like to discuss, then a zine could be a viable platform for you. And, yes, it’s true: no prior experience in the creation of zines is required or expected. You don’t have to worry about prior writing experience or drawing experience or whatever. And the most serious of subjects are open for discussion. In my own experience with leading workshops, I have always stressed that the most important thing is to focus on what you need to say and the rest will fall into place. And so it is in this book. Sarah Mirk is basically talking about her life, all the things she’s dealing with, and the world-at-large. That provides a pretty broad canvas. In her book, she tackles such subjects as gender, privilege, boundaries, finances, the environment, and much more. Perhaps the most important thing to keep in mind is that no one owns the zine scene. Zines are for everyone and Sarah certainly embraces that egalitarian spirit.
So, I hope you’re getting a sense of what a zine is and what a zine isn’t. And, in the process, you’re seeing that Sarah Mirk is a fine practitioner of the subtle art of zine-making. In fact, if you enjoy her collection of zines that she put together over the span of one year, then you’ll likely want to follow her other work and pursuits. One last thing, I’ll point out one more fine example. If you’re looking for a neat little collection of observations of growing up in your 20s, do check out Sarah’s zine, Drink More Water – Be More Honest: 30 Lessons from My 20s. In this zine, Sarah provides an irreverent look at everyone’s favorite decade, your glorious 20s! It’s a time when you might look your best without trying at all while also a time when you have a sinking feeling you don’t know if you’ll ever amount to anything. And then, enter your more sober and wiser 30s. Well, with that sobering thought, there’s so much more I could say about zines but I’ll save it for next time. I like what Sarah Mirk has done with this quirky and highly distinctive art form–and you will too. And I hope you will see how accessible and ubiquitous zines are. In a sense, this review, and certainly this blog, is a zine. See what I mean? You only need to go as far as the nearest desk and chair, or whatever is comparable, and try it out yourself.
Visit Sarah Mirk right here.