This is a very meta thing to be doing but here’s a review of a magazine that features reviews. Dating back to 1977, in its heyday, The Comics Journal was a monthly source of comics news and reviews, a trailblazer for the burgeoning field of comics journalism and criticism. It has always maintained a certain quirky attitude, consisting of a mix of features and topped off by a expansive soul-searching interview a la Playboy magazine. It mainly attracts those who consider themselves comics aficionados. In 2013, it ceased its print version, staying online, but now it makes its return to print with Issue 303. TCJ returns this month with new editors RJ Casey and Kristy Valenti.
Now, I go pretty far back. I have fond memories of picking up this magazine at Tower Records back in the day (circa 1995), usually with a recent release from Sub Pop Records. I also fondly recall a special dynamic, or synergy, at play between the magazine and its online counterpart that led many of us to the forums section that let you interact with subgroups within subgroups of people in the comics community. This was long before Facebook or social media as we know it today. I think the monthly magazine, as we knew it back then, is still sorely missed. Towards the end of its print run, it came out less often and each issue covered a big theme and came out in different sizes. The consistency of a monthly had been lost. I think, in a perfect world, this latest return to print would do well to go back to that monthly format. Alas, with this latest #303, we’re seeing the start of a twice-a-year format. You might argue that TCJ is simply working with today’s print reality and is offering up a taste to a new generation of what is possible.
The showcase item in this issue is, of course, TCJ founder Gary Groth’s interview with a legendary firebrand, the satirist and children’s book author, Tomi Ungerer. For those of you unaware of Mr. Ungerer’s impressive career, I highly recommend that you read this interview and, before or afterward, check out the 2013 documentary, “Far Out Isn’t Far Enough,” directed by Brad Bernstein. The title is one of Ungerer’s sayings, along with “Don’t Hope, Cope” and “Expect The Unexpected.” I interviewed the documentary’s director and its writer and the fact that Ungerer is a true force of nature was the overriding theme. So, it makes perfect sense for someone as outspoken as Groth to sit down and talk it out with someone as outspoken as Ungerer! It’s a match made in heaven.
Among the various features to be found here, you’ll find them under such titles as “From the Trenches” and “Fair Warning.” For example, under the former is a think piece by cartoonist Ben Passmore, who shares his insights on the alt-comics scene from an African American perspective. And, under the latter, you will find an interview by RJ Casey with emerging comics talent, Fifi Martinez. The thing to always remember about TCJ is that its focus is a serious look at comics as an art form. That leaves little room, if any, for superhero comics, per se. What you’ll mostly find here is a focus on the independent artist-cartoonist. It does a heart good to see cartoonists like Passmore and Martinez provided with a platform.
Ultimately, TCJ remains what it’s always been, a valuable resource that is most appreciated by those who take the comics medium seriously. It’s a niche audience but a fiercely loyal one. In the new more fragmented world we live in, it’s all about niches. That is actually a very positive thing. And niches are supposed to attract outside readers too, right? You can only calculate so much as to how strong a presence you can make on today’s newsstands. For some special readership out there, it will be a great treat to see TCJ on a shelf. Newsstands aren’t going away anytime soon from such places as Barnes & Noble, specialty shops, comic book shops, and even airports. TCJ might just want to make a real push into these venues and see how it goes. I asked about TCJ at my local B&N as well as the Pike Place Market newsstand, one of the granddaddies of newsstands. Neither place had ever heard of TCJ or had any plans to carry it. I asked around a couple of nearby comics shops. They heard of it but were not carrying it. This is TCJ’s return to print, right? Let’s see it out there in the real world.
The reality is that creating any kind of magazine, digital or print, is a big challenge. Everyone in the comics community is rooting for TCJ to make as big of an impact as it can. Those of us already in the choir, can keep singing its praises and wish it well. You can find your copy of TCJ #303 by visiting the Fantagraphics store right here.
Interview: FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY: Brad Bernstein, director and writer; Rick Cikowski, lead editor and lead animator
“Doctor Strangelove” Movie Poster. Artwork by Tomi Ungerer.
FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY is a masterfully created documentary that will hit you on many levels. It is eligible for an Academy Award nomination for Best Documentary and deserves that level of recognition for being so careful to detail with its subject, artist Tomi Ungerer.
I had the honor of speaking with both Brad Bernstein, the film’s director and writer, and Rick Cikowski, the film’s lead editor and lead animator. Both men expressed their love for Tomi Ungerer and provide insight into the making of this impressive documentary, distributed by First Run Features.
For me, I can appreciate what happened to Tomi Ungerer when I look at the iconic poster he created for “Doctor Strangelove.” That poster, much like his “Black Power, White Power” poster are forever part of one’s psyche. And yet, in America, Ungerer’s work in children’s books is not widely known today. That work is just as powerful and was just as well known in its day, as anything else he has created. Thanks to Phaidon, we have many of his great works being reprinted in the United States. But, for decades, it was as if he’d been wiped out of memory in America. How could that be? That is a big part of the fascinating story that unfolds in this documentary.
Tomi Ungerer is a great talent and, for a man who has had a lifelong battle with fear, he is a most courageous man. For someone who grew up under the horror of the Nazis, and went on to conquer the world of illustration in its heydey in New York City, that alone is remarkable. But going that far out, wasn’t far enough for Ungerer.
“Far Out Isn’t Far Enough” brings together a seamless narrative boiling down numerous hours of interviews with Tomi Ungerer, Jules Feiffer, the late great Maurice Sendak, as well as other notable figures like art director and critic Steven Heller. Throughout the film you are treated to very deftly purposed animation that strikes the right cord, whether humorous or somber.
As Brad Bernstein explains, the initial attraction to Tomi Ungerer was his spirited expressions like, “Far Out Isn’t Far Enough.” That really says it all. Ungerer is a man who speaks his mind and does it quite well. His life and work are a testament to a strong will and this documentary honors that spirit very well.
You can listen to the interview with Brad Bernstein and Rick Cikowski by clicking the link below:
And, as the say, tell your friends and spread the word about this documentary. You can visit the official site here and also follow on Facebook and Twitter.
Filed under Art, Art books, Children's Books, Design, Documentaries, Erotica, Illustration, movies, pop culture, Protest, Social Commentary, Tomi Ungerer
Tagged as 1960s, academy award nominations, Art, arts, Children's Books, Design, Documentaries, Entertainment, Erotica, Illustration, Movies, nazi germany, New York City, Pop Culture, Posters, Protest, Publishing, Tomi Ungerer