Tag Archives: Autobiography

Review: SPELLBOUND by Bishakh Som

Spellbound by Bishakh Som

Spellbound by Bishakh Som. Street Noise Books. New York. 160pp, $18.99.

Graphic memoir is my speciality and I completely embrace the new graphic memoir, Spellbound, by Bishakh Som. What a wonderful book. It’s fun, inspiring and insightful in so many ways. This is the kind of work that I enjoy creating and the kind of work that gains my attention the most. This is work by an auteur cartoonist who welcomes the reader into an inner life, ultimately dropping the veil: engaging, revealing, and sharing. This is an intricate act of self-expression which the reader follows usually without any expectations on how it all turns out. What the cartoonist has to say and how the story is told becomes as important as anything else. In this case, Bishakh Som has a theme we’ve all been reading more and more about, issues of gender fluidity; and this story is inextricably linked to a personal journey, a celebration of the self and self-expression.

Anjali became a way of sorting through issues and showing the world one’s true self.

But before one stands before the world naked, a veil of sorts can help with the process. This is part of what I believe led Som to create an alter ego. As Som proceeded upon his transition from male to female, I can see where he found it a source of comfort and insight to have his female alter ego grace the page. Thus, Som created comics that feature the character of Anjali who became a way of sorting through issues but, even more important, a way of showing the world the true self.

“I’ve always been this way.”

Our story begins with Anjali quitting her job and setting off on a new adventure. This is much like Som’s own story of quitting a focused career in architecture in order to make room for a life in the graphic arts, specifically creating graphic novels. Anjali has embarked upon uncharted waters but doesn’t seem too phased. At first, the biggest challenge seems to be just keeping her cat, Ampersand, at bay. The artwork is very crisp and engaging and certainly meets the biggest demands placed upon comics: clarity and entertainment. Anjali is the perfect metaphor for the determined soul who will not be beaten down by challenging circumstances.

Anjali relaxing and having fun.

When Anjali stumbles upon a family photo album, this triggers countless memories which take her back to growing up in Ethiopia. Anjali’s parents were born in India, both of them intellectuals working for the UN. Over the course of Anjali’s first six years, she grew as fond of Ethiopian culture as she did of American pop culture. When revolution broke out, Anjali’s parents resettled in New York. This led to Anjali going to the United Nations International School and destined to a most urban and erudite life.

One generation gives way to the next.

Over the course of this graphic novel, the reader is immersed in Anjali’s journey: a life rich in exploration and searching, one that beautifully mirrors the life of Bishakh Som. It is a life we see from various vantage points, from the banal and quotidian to moments of insight and epiphany. For instance, Anjali must come to terms with her demanding and conservative parents. In the end, she is witness to their decline and, from that, she gains some wisdom. And she continues to grow with the help of some friends.  For someone who prefers to avoid people, Anjali seems to find her best moments when she is around someone else. It is a lesson that Bishakh Som learned from well.

Spellbound is published by Street Noise Books. For more details, visit here.

 

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Filed under Alternative Comics, Auteur Cartoonist, Comics, Graphic Novel Reviews

Review: ALWAYS GOODBYE by Ray Hecht

Always Goodbye by Ray Hecht

Always Goodbye by Ray Hecht. 88 pages. TWG Press, 2019, paperback, $5.99.

With great insight and humor, Ray Hecht shares his life with the reader in his autobiographical graphic novel, Always Goodbye. This is an ambitious work as Hecht takes stock of his whole life thus far. Hecht sums up his life, year by year, and he’s up to the challenge. He’s definitely an interesting subject: an artist, filmmaker, journalist, and author. What he’s doing here is giving the reader a window into what he’s done all his life: traveling, observing, and creating art. Like the results of a conversation between good friends, this graphic novel provides many gifts.

circa 1990

The theme of the book is found in the title. While traveling can be enlightening and full of adventure, it often comes at a price. And, of course, all travel is not completely voluntary. A lot of the nuts and bolts of travel are not glamorous and bring in a whole lot of issues including the trauma of displacement.

circa 2012

No doubt, Ray Hecht is doing exciting work with comics, both as a creator as well as an instructor. And he certainly has a wonderful track record of prose novels, including South China Morning Blues and The Ghost of Lotus Mountain Brothel. Hecht is an artist down to his bones and I definitely relate to that. Hecht has harnessed a creative drive that’s led to compelling work. Anyone interested in the inner life of an artist will get a lot out of his latest book. If you enjoy a hearty work of autobiography, this will appeal to you. Hecht’s comics have got enough of that quirk factor that earns him a place within that fine tradition of auto-bio comics that includes such luminaries as John Porcellino, Tom Hart, and Lynda Barry.

Always Goodbye is published by TWG Press and available right here.

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Filed under Comics, Graphic Novel Reviews, Travel

Review: WILDFLOWER by Drew Barrymore

Drew Barrymore Wildflower

When writing a book about your life, it’s easy to fall into having the last laugh. With her book, “Wildflower,” Drew Barrymore has chosen to write a book full of laughter, joy, and wise observations. If a book like this seems too idealistic, all one needs to do is dive in and read it and find an authentic voice.

Ever since spending many hours basking in the glow of the last days of a bookstore that focused on cinema, I gained a fuller appreciation of the celebrity autobiography. After you’ve taken the time to study a number of these titles, you just can’t make generalizations. Often, these works are remarkably insightful. You can only take them one at a time. In the case of Drew Barrymore, she consistently writes honestly and vividly. You can hear her unique voice on every page and it’s a story you’ll find refreshingly modest.

There are a number of fascinating moments that come to mind: Drew’s experience in Africa and how she connected that to learning how to heal her relationship with childhood and children.; her frankness about her relationship with her parents and how she learned to create boundaries; and her recollections of growing up in West Hollywood and how she cherished the little touches of nature, especially the bougainvilleas, amid urban life.

With a great sense of irreverence, coupled with a natural spirituality, this is one book by a celebrity, one very unconventional celebrity, that will win you over.

“Wildflower” is a 288-page hardcover published by Dutton, an imprint of Penguin Random House.

If you are in Seattle this weekend, Drew Barrymore will be reading from “Wildflower” at the Center for Spiritual Living as part of the Seattle Arts & Lectures series.

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Movie Review: ‘The Diary of a Teenage Girl’

Phoebe-Gloeckner-The Diary-of-a-Teenage-Girl

Just like “Ophelia,” in John Millais’s 1852 painting, submerging in the waters, so too 15-year-old Minnie Goetze floats and then descends the depths of her bathtub. We see her nude body sinking down the blue-green of her own misery only to resurface as a finely-drawn portrait by the same Minnie Goetze. Welcome to “The Diary of a Teenage Girl,” based upon the book of the same title by cartoonist and writer Phoebe Gloeckner. This is Gloeckner’s fictionalized account of her sexual awakening, circa 1976, at the age of 15 at the hands of a 35-year-old man, the boyfriend of her mother. By all counts, this is a story of rape and incest. Through poetic license, the raw source material is transcended and another transformative story rises from the brackish waters from which it came. And it is up to audiences if they will accept such a journey.

Bel Powley channeling Millais's 1852 painting, "Ophelia"

Bel Powley channeling Millais’s 1852 painting, “Ophelia”

Phoebe Gloeckner took her reality of rape and incest and shaped it into fiction. And then writer-director Marielle Heller took that fiction and adapted it for her film. With a safe distance from the actual events and persons, an uninhibited and honest story is possible. It turns out that 15-year-old Minnie Goetze appears to be empowered by the sexual relationship with 35-year-old Monroe. It’s San Francisco in 1976, experimentation with sex and drugs is in the forefront. Minnie, ill-equipped to navigate through the loopy zeitgeist, finds herself lost and on a classic downward spiral: she has a threesome, drops acid and performs oral sex in a bar bathroom while pretending to be a prostitute. All this happens without any judgment placed upon her.

Okay, just go and read Phoebe Gloeckner's "The Diary of a Teenage Girl"

Okay, just go and read Phoebe Gloeckner’s “The Diary of a Teenage Girl”

This is a complicated film. It is, after all, adapted from a complicated, and quite extraordinary, prose and comics hybrid. It can not be encouraged enough that, if the movie grabs your interest, then you must read the book. In a one-of-kind fictionalized memoir, Phoebe Gloeckner expresses her story in a way that you need to read to believe. In the end, her goal was to create a greater truth. The movie follows closely but, my its very nature, tells a story with a different tone and view. Gloeckner addresses these shifts from her work to the film in this insightful interview with the A.V. Club right here.

Phoebe-Gloeckner-comics

Bel Powley portrays Minnie with a wide-eyed broad innocence. In somewhat a similar sense, so does Kristen Wig as Minnie’s mother, Charlotte. And, in his own way, so does Alexander Skarsgård as Monroe, Minnie’s predatory Lothario. It’s the self-conscious attempt to evoke the act of reading Gloeckner’s unique work that can be problematic. Gloeckner’s narrative is prose followed by an illustration followed by comics and more prose and so on. The crux of the problem of translating Gloeckner’s vision into film is that it really is virtually impossible: you are really walking into a land mine when you mix comics, film, and address rape and incest. Parts of the film seem to read as too cartoony when, paradoxically, the same scene in Gloeckner’s comics does not read so much as “cartoony” as simply entering a different world, reading something within a different world. The film, even if it doesn’t intend to, seems to take its subject too lightly.

Phoebe-Gloeckner-movie

Not to sound too much like Marshall McLuhan, but when you read comics, you are reading and, when you see something evoking the feeling of reading comics, which happens often in this film, you are reading the content and the medium, and that can be very distracting. It can also be a wonderful combination of distraction and entertainment like the multi-layered tribute to the grand curmudgeon Harvey Pekar in “American Splendor.” If you have a lighter subject, you can get away with much more. But with the double whammy subjects of rape and incest, it raises the stakes so high as to be a virtually insurmountable challenge. With all that said, this is a very unique film. All I can is that I’m happy to find that this 15-year-old character is in the very capable hands of 23-year-old Bel Powley.

“The Diary of a Teenage Girl” is a film that will definitely challenge you. But, keep in mind, to best appreciate what this film is doing, read Phoebe Gloeckner’s book. A new revised edition, published by North Atlantic Books, an imprint of Penguin Random House, has just been released. You can find it at Amazon right here.

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Filed under Autobio Comics, Autobiography, Comics, Movie Reviews, movies, Phoebe Gloeckner

Review: RICHY VEGAS COMICS #8 and #9 by Richard Alexander

From "Richy Vegas Comics #9"

From “Richy Vegas Comics #9”

“Richy Vegas Comics,” by Richard Alexander, are what you would consider very personal and decidedly out of the mainstream. It reminds me a little of the work of Daniel Johnston. Based upon reading numbers 8 and 9 of this ongoing comic, I get the picture of what he’s doing and I can offer up some comments. For those who follow my reviews, you know that, at times, I’ll expand upon the review and make some general observations. I also want to discuss here personal comics in general.

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Filed under Alternative Comics, Autobio Comics, Comics, Comics Reviews, Independent Comics, Richard Alexander, Richy Vegas Comics, Self-Published

Interview: Liz Plourde and Randy Michaels and HOW I MADE THE WORLD

How-I-Made-The-World-Plourde-comics

“How I Made the World,” is an intriguing title, don’t you think? It happens to be the title for a series of comics about Liz, a college student and writer who expresses herself in true epic glory, like any young person should. Now, this is most assuredly a SERIES, not a ONE-SHOT. There may have been a bit of confusion regarding this since the Diamond Previews catalog, the monthly bible for all comics retailers and regular comics buyers, has given the “one-shot” label to this series. Okay, now that we have that cleared up, here is an interview with the creators. It was a pleasure to get to chat for a bit with Liz and Randy.

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Filed under Comics, Interviews, mini-comics, Xeric Grant

Review: HOW I MADE THE WORLD #1 by Liz Plourde and Randy Michaels

How-I-Made-The-World-comics-Plourde-Michaels

“How I Made The World” is a Xeric Award-winning comic that follows the misadventures of Liz, a college student and aspiring writer. From her vantage point, just about everything in her life is epic. And so we begin in this first issue with not just a midterm art project deadline on the horizon. No, this is fodder for our first big story, “The Monster.”

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HOW WE CONNECT: A Review of ‘Welcome To Nursing HELLo’ by Joel Craig

Welcome-To-Nursing-Hello-Joel-Craig

How do we connect? We do it, or try to do it, in a variety a ways. It’s not always easy but it’s far better than its opposite, to disconnect. I aspire to connect with you. I make this preface because I am genuinely inspired by my latest subject for review, Joel Craig’s graphic memoir, WELCOME TO NURSING HELLo.

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Filed under Autobio Comics, Autobiography, Comics, Comics Reviews, Gay, Graphic Novel Reviews, graphic novels, LGBT, mini-comics, Zines

2014 Angoulême Review: HOW THE WORLD WAS by Emmanuel Guibert

Angouleme-BD-Festival

L-Enfance-D-Alan-Emmanuel-Guibert

The 2014 Angoulême Comics Festival, being held in Angoulême, France, is just around the corner: January 30th through February 2nd. As one of Europe’s most premiere comic book events, the Angoulême Festival helps set the tone for the rest of the year in comics. One of the selections featured this year is “L’enfance d’Alan,” published by L’Association. It is by Emmanuel Guibert and chronicles the life of his friend growing up in California in the years prior to World War II. It seems quite appropriate to provide this advance review of the first American edition, entitled, “How The World Was: A California Childhood,” translated by Kathryn Pulver, published by First Second Books.

How-The-World-Was-A-California-Childhood-Emmanuel-Guibert-2014

It is a wonderful little miracle each time a life’s story is so vividly brought to life in comics. Cartoonist Emmanuel Guibert created “Alan’s War,” a graphic novel about his friend’s time as a soldier in World War II. For this new graphic novel, he turns the focus over to Alan’s childhood in California. And he does a most interesting thing. He lets Alan’s voice be heard with a deft balance of word and picture. Guibert lets the words breathe by providing them with all the room they need. These are, after all, delicate and quiet reflections and they require a certain tone.

Much of the story is told directly by Alan. His narration is predominant. We only need a smattering of word balloons on some pages. Guibert manages the tempo by alternating layouts: cinematic storyboard, grid sequence, tableau, scrapbook vignette. On one page, he has Alan recalling his grandfather’s habit of spreading out his magazines during his routine lounging. As part of that, he depicts the old man as a magazine cover portrait. This is all in the service of spinning a good yarn.

How-The-World-Was-Guibert-First-Second-Books-2014

Ultimately, this book lives up to its title. Guibert, with a gentle and consistent vision, provides us with a sense of how the world was. This is Alan’s childhood and we’ve been provided a portal back in time to view it. Like anyone’s life it has its struggles, drama, and pain. But we never get pushed out of the story by melodrama. This is an honest depiction, almost as if a camera were left rolling while Alan recollects as well as rolling directly upon key moments in his life. It is left to Guibert to give it shape, and therefore bring out its meaning, and that he does.

Guibert-Lenfance-Dalan-Angouleme-2014

“How The World Was” is a 160-page book, priced at $19.99, and will be released by First Second on August 12, 2014. Visit First Second here.

The Angoulême Comic Festival celebrates its 41st year, having first debuted in 1974. It is now the second largest comic book convention in the world, with more than 200,000 visitors attending each year. Numerous prestigious awards are granted during the four-day festival, known as the Le Palmares Officiel du Festival, covering a wide range of categories, including “Best Album,” “Angoulême Essentials,” and the “Grand Prix de la ville d’Angoulême,” which is awarded to a living creator in honor of their lifetime achievement.

For more information about the Angouleme Comics Festival, visit here.

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Filed under Angoulême, Bande Dessinée, Comics, European Comics, First Second, French Comics, Graphic Novel Reviews, graphic novels

Review: SECOND BANANA by Tessa Brunton

Second-Banana-Tessa-Brunton

One of the great things that comics can do is to take you out of the obvious and transport you somewhere fresh and new. The mini-comic, “Second Banana,” by Tessa Brunton, is an excellent example of the true power of comics to uplift and be awesome. This is a look at what it feels like to be a “second banana,” and a whole bunch of other neat stuff. You see, Tessa’s older brother is something of a genius. At least, I’m assuming this is an auto-bio comic. Whatever case, here is a girl named Tessa and she is doing her best to find her way in life. She is the baby sibling. Rich, the eldest, has left the nest. This leaves Tessa and her older bro, Finn, who dazzles Tessa with his general knowledge, including bogus info about light bulbs and fabulous info about ghosts, monsters, and various other related strangeness. Yes, this is what comics does best. It lets you dream. Brunton has got the knack for tapping into that wonderworld.

Tessa-Brunton-comics

Let me tell you, I’m not twiddling my thumbs over here either. If you want to know what I’m all about, I champion work just like this. I believe you can find this sort of spirit in a variety of comics, whether alternative or mainstream. The bottom line is you really need to want it, the sort of comics that move the medium forward, not backward. For some creators, it may come more naturally to them but it’s still a process: rough drafts, laying out, editing. For readers, well, you know quality work when you see it. Now, when you see work that makes you nauseous, you know it too and you should protest whenever possible. No more nauseous comics!

Tessa-Brunton-Second-Banana-2013

But getting back to what Tessa Brunton has accomplished thus far, I think you’ll find that this mini-comic is very promising. We begin the story with an off-kilter reference to “Little House on the Prairie” which sets the tone. Moving right along, we continue with creative use of panels that establish the pecking order of the characters. With a restrained and crisp line, Brunton goes about expressing the ups and downs of having a bright but domineering older brother. I especially like her panel/word balloon combinations!

The narrative is so heart-felt in this immersive comic. You too will feel the same great disappointment as Tessa did when Finn does a complete 180 on his love and support of monsters and ghosts and dismisses them all as a bunch of folklore. As Tessa puts it, “The world seemed so much smaller without the supernatural.” In the end, this story is bigger than Finn. This is a story about the end of childhood.

You’ll definitely want to get your hands on this exceptionally good mini-comic. It is a 16-pager and only $3. Visit Tessa Brunton here. And visit her store here.

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Filed under Comics, Comics Reviews, Humor, mini-comics, Tessa Brunton