Tag Archives: India

Joe Sacco Interview: As Goes India, So Goes the World

I want to make clear that Joe Sacco did not say, “As Goes India, so goes the world.” That’s just my summation, my interpretation, as trite as it may sound. But I’m sure Joe would acknowledge my attempt at finding the universal truths in his latest work of comics journalism: The Once and Future Riot, published by Henry & Holt, releasing on October 14, 2025 and available for pre-order. Well, we had a most agreeable conversation. No doubt, Joe Sacco is a towering figure in comics, known for such landmark work as Palestine and Footnotes in Gaza. My main concern was simply to focus on the new book at hand and resist getting caught up in so many other things we could have talked about. But that was easy since the point I kept coming back to is that this new book has so much to say and proves timeless and highly relevant.

“They are rich people. We are poor people.”

This was an easygoing conversation, just like you’d expect in a coffee shop. I wasn’t there to argue this or that fiery point. I was there to, I suppose, coax along insights. A revelation for me, when I think about it, is that Joe Sacco is quite a regular guy in the sense that he’s not there to persuade you with any sort of slanted rhetoric. No “slanters,” just a progression of logical observations. All of this in the service of talking about this book, an exploration of political violence and focusing on a prime example in India: the communal hatred between Hindus and Muslims that led to the 2013 riots in Uttar Pradesh. How, and why, did this happen? All of this emerges in layers within layers.

“No one is left in the middle.”

Here’s the thing to keep in mind about any book by Joe Sacco: the background is essential because that’s where the meat of the story resides, made up of numerous personal stories. Joe’s tried and true method has been to go about capturing these moments with all their subtle nuances in words and pictures which provides an uncanny result by a reporter who literally has gone beyond the initial hard news to uncover the sort of details that can so easily get lost in the shuffle. During our conversation, I was struck by Joe’s patient and calm delivery, his response to my sometimes excitable questions. He was so engaged in the moment, which is undoubtedly the ideal state you want your guest to be in, that we were able to truly enjoy a conversation and let ideas flow.

The Lie becomes Truth.

One of the most interesting things about this new book is that it poses a lot of questions, more than we can hope to fully answer although we will keep on seeking solutions. As I suggest, this is a book not only about India but about the state of the whole world. Everywhere, we must confront demagoguery; we must confront those with power who prey on those without power; and we must confront our lesser selves who contribute to a polarized society. I shared with Joe what I believed to be the book’s conclusion: a primary way to end the vicious cycle of political violence among a nation’s people is to have a government that the people can rely upon and trust. He asked me if I thought that was his conclusion and I readily said, yes. And he agreed. We played with the thread of that idea. Joe shared that he thought of himself as a Democrat, but with a small “d,” as far from the established Democratic Party as possible. What other options did one have within the current reality? A very good question.

War on Gaza

I brought up something during our conversation that I didn’t think I would, and then I did. At the time that Joe Sacco did his War on Gaza limited series, published by The Comics Journal, I was on the fence about it because I feared it would help, in its own modest way, to contribute to a Democrat loss in the presidential election. It feels like a lifetime ago but, back then, Americans were facing a very close election, which it was, if you admit Trump’s 77 million to Harris’s 75 million votes was close, which it was, the closest one this century. With hindsight, I conclude that Sacco’s comics revisit of Gaza, his calling out genocide, was an honest response that made sense and still does. Democrats are far from perfect but, compared to the current administration, well, you tell me.

Ultimately, Joe and I both let out a collective sigh at confronting the hard truth that the big, truly substantial, leaps of progress still lay way ahead in the distant future. And yet the effort must continue towards that future, no matter how elusive, no matter how far out of reach, it may be.

Enjoy the video interview. As always, your views, LIKES and COMMENTS are very welcome and help us continue to do what we do here at Comics Grinder.

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Filed under Comics, Interviews

Review: SPELLBOUND by Bishakh Som

Spellbound by Bishakh Som

Spellbound by Bishakh Som. Street Noise Books. New York. 160pp, $18.99.

Graphic memoir is my speciality and I completely embrace the new graphic memoir, Spellbound, by Bishakh Som. What a wonderful book. It’s fun, inspiring and insightful in so many ways. This is the kind of work that I enjoy creating and the kind of work that gains my attention the most. This is work by an auteur cartoonist who welcomes the reader into an inner life, ultimately dropping the veil: engaging, revealing, and sharing. This is an intricate act of self-expression which the reader follows usually without any expectations on how it all turns out. What the cartoonist has to say and how the story is told becomes as important as anything else. In this case, Bishakh Som has a theme we’ve all been reading more and more about, issues of gender fluidity; and this story is inextricably linked to a personal journey, a celebration of the self and self-expression.

Anjali became a way of sorting through issues and showing the world one’s true self.

But before one stands before the world naked, a veil of sorts can help with the process. This is part of what I believe led Som to create an alter ego. As Som proceeded upon his transition from male to female, I can see where he found it a source of comfort and insight to have his female alter ego grace the page. Thus, Som created comics that feature the character of Anjali who became a way of sorting through issues but, even more important, a way of showing the world the true self.

“I’ve always been this way.”

Our story begins with Anjali quitting her job and setting off on a new adventure. This is much like Som’s own story of quitting a focused career in architecture in order to make room for a life in the graphic arts, specifically creating graphic novels. Anjali has embarked upon uncharted waters but doesn’t seem too phased. At first, the biggest challenge seems to be just keeping her cat, Ampersand, at bay. The artwork is very crisp and engaging and certainly meets the biggest demands placed upon comics: clarity and entertainment. Anjali is the perfect metaphor for the determined soul who will not be beaten down by challenging circumstances.

Anjali relaxing and having fun.

When Anjali stumbles upon a family photo album, this triggers countless memories which take her back to growing up in Ethiopia. Anjali’s parents were born in India, both of them intellectuals working for the UN. Over the course of Anjali’s first six years, she grew as fond of Ethiopian culture as she did of American pop culture. When revolution broke out, Anjali’s parents resettled in New York. This led to Anjali going to the United Nations International School and destined to a most urban and erudite life.

One generation gives way to the next.

Over the course of this graphic novel, the reader is immersed in Anjali’s journey: a life rich in exploration and searching, one that beautifully mirrors the life of Bishakh Som. It is a life we see from various vantage points, from the banal and quotidian to moments of insight and epiphany. For instance, Anjali must come to terms with her demanding and conservative parents. In the end, she is witness to their decline and, from that, she gains some wisdom. And she continues to grow with the help of some friends.  For someone who prefers to avoid people, Anjali seems to find her best moments when she is around someone else. It is a lesson that Bishakh Som learned from well.

Spellbound is published by Street Noise Books. For more details, visit here.

 

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Filed under Alternative Comics, Auteur Cartoonist, Comics, Graphic Novel Reviews

DVD Review: LION

LION

“Lion” is quite a heartwarming film. It involves the myriad of humanity in conflict with the individual. It is about what happens when one individual becomes untethered from his unique place in the world. Lost from home, one little boy will lose his past only to seek it out again once he’s a man. It’a an amazing story. And based upon a true story. Up for multiple Academy Award nominations, this is a movie that is every bit colorful and compelling. And it comes out on DVD/Blu-ray on April 11th.

Five-year-old Saroo, having fallen asleep on a train during a scavenging spree, has managed to displace himself about a thousand miles from his village. The scenes of little Saroo (Sunny Pawar) and his brother, Guddu (Abhishek Bharate), stealing bits of coal off of trains is like out of a gritty fairy tale. When Saroo steals some moments of solitude, he can be found basking in lush scenery interspersed with butterflies. But reality strikes when Saroo and Guddu press their luck on the ill-fated night that they are forever separated.

Sunny Pawar as the young Saroo

While Saroo had reveled in the splendor of his home, he suddenly becomes a little boy lost in Calcutta, one of the most populous places in the world. Ultimately, Saroo will be taken to an orphanage where he will be placed with his new family, in Australia, played by Nicole Kidman and David Wenham.

Twenty years on, the all-grown-up Saroo Brierley (Dev Patel) remains haunted by his displacement and sets out, with the help of Google Earth, to track down his original family and home. Given that half the movie centers on Saroo’s search, Patel provides a fine performance as the determined and vulnerable Saroo. His girlfriend, Lucy (Rooney Mara), adds just the right amount grounded counterbalance.

Directed by Garth Davis, screenplay by Luke Davies adapted from Saroo Brierley’s book, this is a great family movie. Director Davis is working here more with an emotional, rather than intellectual, tale that he gently reveals. That said, there is also plenty of food for thought. I was especially moved by a scene with Nicole Kidman where she speaks about her choice to be a parent.

In a time when understanding among cultures is all the more urgent, this is certainly a relevant film with an uplifting and positive story to tell.

At the end of the film, just as the credits are about to roll, a staggering statistic is announced: Over 80,000 children go missing in India each year. In response, the makers of this film have collaborated with various organizations to create the #LionHeart campaign. For more details, visit the official film website right here.

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Filed under Family, Home, India, Movie Reviews, movies, Parents