
A story drenched in pop culture and featuring the egg cream.
Filed under Comics, Fiction, Henry Chamberlain, Story
Kitchen Table #5. Cover art by Dorothy Siemens.
AFTER FOUR ISSUES, KITCHEN TABLE MAGAZINE is leveling up—more pages, more stories, and more gorgeous art and photography—with #5: THE ROOTS ISSUE. And dig this groovy cover by the super talented artist and illustrator, Dorothy Siemens!
“Root Hog or Die!” Farmers down on their luck would yell that, along with a hope and prayer, confident that their pigs would find a way to survive. That’s the indie spirit! And so it is with this one tenacious publication, Kitchen Table magazine. Now, right now, is the time to lend a hand and keep this unique voice alive and well. Go to the campaign on Crowdfundr, ending on September 25th, and pitch in whatever you can.
From the campaign:
INSIDE THESE PAGES you’ll find stories, art, and ideas that explore the beautiful, flawed, and interconnected web of our food system, including:
PRINT PUBLISHING HAS NEVER BEEN CHEAP. With the paradigm-shifting chaos that the covid has brought down upon us all—the disrupted supply chains; and everything from printing to shipping to bank fees costing more, plus 40 more pages [from 80 pages to 120 pages] for you to nosh on—we’ve had to raise the price of the magazine. We see no way to continue without doing so.
WHEN YOU BACK THE ROOTS ISSUE, you are joining the larger food community and helping us pay world-class creators, without whom KITCHEN TABLE doesn’t exist. And you’re also helping us shine a luminous light on the small farmers and independent producers, and the movers and shakers and doers and makers who make the food world turn—real people doing righteous things, in a time when we need more real people doing righteous things. People like Josh Winegarner, who produced our bitchin’ campaign video, and Kendl Winter who provided the music. (Thanks, Josh and Kendl.)
WE HAVE SOME SERIOUSLY TASTY REWARDS. Read more on each Reward page.
KITCHEN TABLE CONNECTS INQUISITIVE COOKS, enthusiastic eaters, and imaginative creators in a fresh and tasty publication that investigates not only the how-tos but the whys of eating. Through a mix of personal storytelling and delectable illustration and photography, our magazine endeavors to be an inclusive celebration of food and community.
WE ARE A VOICE FOR INCLUSIVE FOOD CULTURE, sustainability, our relationship with place, and our ability to be present in a world of digital distraction. Our contributors, our feature subjects, and our readers represent a wide range of age, race, nationality, and genders. Our contributors are overwhelmingly female, by a two-to-one margin, and we actively work with and fully support our BIPOC and LGBTQ+ communities.
THANK YOU! Your generosity is most appreciated. Visit it us!
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Filed under Brett Warnock, Comics, Food, Kitchen Table
Casey Neistat in his element, a camera in the Big Apple.
Here’s a deep dive into what led to my latest short film. This one is ostensibly about urban sketching. I’m going to share with you a few things about a workshop that I just completed led by all-time great YouTuber Casey Neistat thru a filmmaking class on the platform, Monthly. I’ve been wanting to level up my moviemaking and this really helped me appreciate the beauty of editing. I came to a deeper understanding of the artistry behind a finely executed work. Just like any other art form, you get back as much as you’re willing to put into the process. It takes time to make connections and to see what to cut out and what to add in.
Lady Yum, Macarons & Mischief
When I began this particular video, I never thought I would end up discovering Lady Yum, the best spot outside of Paris for macarons! But that is the case. When in Seattle, you’ll want to make time to stroll around the Amazon section of downtown and then make your way to the main Amazon building. At street level, you’ll find Lady Yum. And you can always order online since they’ll ship anywhere in the U.S. But I would never have discovered any of this if I hadn’t been open to the process. One of the great bits of advice from Casey Neistat is to continuously seek out “interestingness.” Seek out the best and then, once in the editing process, really dig deeper. Be efficient! Be quick! Don’t be redundant! Don’t be dull!
Casey Neistat in his studio.
I did learn a lot and I still have a lot to practice. Casey compared the filmmaking process to writing. For instance, you don’t need a magic pen in order to write. And that’s very true. You can make awesome videos just from using your smartphone. But, more to the point, the metaphor holds most true in regards to creating order out of chaos. Bit by bit, you mold various random elements into a compelling whole. It is fascinating to see Casey speak to his art in more and more refined details, from one module to the next. By the last segment, he admits that it was enlightening for him to articulate, to “intellectualize” for an audience, the stuff he’s been doing for the last twenty some years, since he was a free-spirited teenager. Add to that the fact that he actually shows you all the nuts and bolts by going out and creating two videos from scratch. Casey has a long history of scrambling to create the next compelling viral-worthy video. He can now pick and choose his projects. It’s just a lot of fun to see him back in the ring and fighting the good fit for artistic excellence and integrity.
The Amazon Spheres
You can “learn” the process but then you need to do it for yourself. In a friendly aside, Casey asks, “You have been taking notes, right?” Assuming that no one has probably bothered to do that. He gives everyone a cheerful nod, “I hope you take as much as you can of what you’ve remembered!” To the very end, at all times, Casey Neistat knows how important it is to engage, relate, and get to the point!
So, I set out to leave the confines of the studio and go outside and make some plein air painting. That led me to the Amazon section of downtown Seattle, specifically the Amazon Spheres, erected in 2018, the two formidable globes housing more than 40,000 plants from the cloud forest regions of over 30 countries. This is a habitat for Amazon employees to go to in order to recharge and remain inspired. It’s quite a sight and easily makes one think of any number of other iconic landmarks, from the Space Needle to the Eiffel Tower. The Spheres are not exactly meant for the general public. There was some limited access inside, two Saturdays out of the month, but that’s been paused. That said, most people would just be happy enough to view it from outside. I was content to complete my mission and then I lingered because I knew I had really just begun. Only much later did I sort of stumble upon Lady Yum and that finally provided a way to hook into something far more interesting with a crunchy goodness.
Filed under Art, Casey Neistat