Category Archives: Retrofit Comics

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

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Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Review: A CITY INSIDE by Tillie Walden

"A City Inside" by Tillie Walden

“A City Inside” by Tillie Walden

I was running late and I decided the best thing to do was to run even later. I stopped by to have a gourmet treat, a bison burger at Eve, one of the new trendy eateries in the Fremont neighborhood of Seattle. Eve is not yet a year old but, in human years, I suppose it’s already a teenager. The place is always immaculate and it seems to have settled into a nice groove. I went to my favorite table near the window and the waitress, with a really dazzling arrangement of tattoos, took my order. With a glass of wine, I turned my attention to one of the most pleasing mini-comics I’ve read in quite a while, “A City Inside,” by Tillie Walden, published by Avery Hill Publishing.

By the time I had read Tillie Walden’s mesmerizing book, my bison burger was served. I started munching and thinking over what this book meant to be. I wondered how many people had bison and wine while contemplating a mini-comic by Tillie Walden. That would be a rare subset of a subset of a select group. Everything about this comic adds up to a beautiful rare bird. Think of it as going to a really good art gallery show. Sometimes you’ll get a pang of regret wishing more people were there with you to share the experience.

Up, up, in the air with Tillie Walden

Up, up, in the air with Tillie Walden

Or, instead of art galleries, just think of comic strips. Walden’s work is as accessible, and full of possibility, as some of the best comic strips. Take Little Nemo in Slumberland, for example. Now, there’s some truly fanciful stuff going on. Consider Krazy Cat and Ignatz, early Popeye, even Peanuts. Comics strips, by their very nature, are ethereal and odd. Speaking of Little Nemo, Walden’s alter-ego, just like Nemo, enjoys taking her bed out for a spin like a magic carpet ride. Much of what we see in “A City Inside” is a wonderful ode to a daydream nation and to overcoming the trepidations of a young person. Walden celebrates all the great eccentricity to be found in comics.

The city beckons.

The city beckons.

What Walden does in “A City Inside” is invite you inside her head–or appear to do so. The main character, her alter-ego and/or a universal character, shares her concerns with the reader. The narrative appears to occur during a therapy session. The young woman is contemplating her future. It is one she knows will require overcoming fears and, ultimately, it may require leaving behind her lover. But the important thing is that the future is hopeful. She will find her way. She will gain admission into the wondrous city. Walden does a great job with a light drawing style to go along with her light lyrical prose. Some of the narrative is enigmatic, elusive, ethereal. But, in the end, it all makes sense.

“A City Inside” is a 56-page trade paperback, published by Avery Hill Publishing. Visit Avery Hill right here. And find more Tillie Walden comics at Retrofit Comics right here.

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Filed under Alternative Comics, Avery Hill Publishing, Comics, Independent Comics, Retrofit Comics, Tillie Walden

Review: DEBBIE’S INFERNO by Anne Emond

Anne-Emond-Debbies-Inferno

In her new mini-comic, “Debbie’s Inferno,” Anne Emond takes us deep into the nightmares and misgivings of a young woman and all we have to do is sit back and be amused. There’s plenty to be amused about since Emond is a crackerjack cartoonist in the vein of Lynda Barry. With a spare line and a whimsical touch, she distills angst down to wise and funny bits.

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Filed under Alternative Comics, Anne Emond, Big Planet Comics, Comics, Comixology, Comixology Submit, Independent Comics, Retrofit Comics, Small Press

Review: DRAG BANDITS #1 by Betsey Swardlick and Colleen Frakes

Drag-Bandits-Colleen-Frakes-Betsey-Swardlick

“Drag Bandits” sounds like one of those titles resulting from a game of free association. But, no, it’s more to the point. This story features Stephen, a 17th century aristocrat, who enjoys robbing coaches in drag, thus the title. I’ve followed Colleen Frakes’s mini-comics for years and have always found them to be quite intriguing and reveling in whimsy. For this latest work, she teams up with Betsey Swardlick, who writes the story. Both are graduates from The Center for Cartoon Studies in Vermont, led my master cartoonist James Sturm.

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Filed under Box Brown, Comics, mini-comics, Retrofit Comics, The Center for Cartoon Studies