My new favorite place is the Duck Donuts in Virginia Beach I’ve been visiting lately. It’s a very friendly spot and these are first-class treats. It inspired me to write this poem. I might start posting more of these depending upon my mood . . .
There are donuts and then there are dontnuts.
One group will Do and the other will Dont.
Funny thing is that, either way, neither will stay.
If you’re a dreamy cartoonist with a poetic bent, then you may already know about the comics anthology, INK BRICK. This is a journal dedicated to comics poetry. Issue 9, which debuts at Small Press Expo, features work by 26 creators using the visual language of comics to make poetry. But what is “poetry comics” within a community of alt-comics? Isn’t everything “poetic” at a gathering like Small Press Expo? Yes, it is! I suppose you could say that we’re talking about work at the farther reaches.
Like spoken word, I think there’s more poetry comics being made than some may realize. Essentially, you are already playing with words and images in one form or another if you’re an alt-cartoonist. But, one could say, if you focus on the poetry, then the results can potentially be even more interesting.
The important thing is to relax and not take yourself too seriously. That said, I like what I see in this collection. In that spirit of irreverence and thoughtful searching is work by Johnny Damm. I like his “Weird Comics” presented here. There are panels, word balloons, even superheros, all shifting around looking for something to do, or a way out.
INK BRICK contributors this year are:
Jenna Andersen, Jimmy Comey, Johnny Damm, Clotilde Deschamps-Prince, Zoe Drew, Jamaica Dyer, Oliver East, Kate Farquhar, Sophia Wiedeman Glock, Lauren Haldeman, John Hexer, Daria Komleva-Litvinova, David Lasky, Laurel Lynn Leake, Urbano Mata, Vernon Meidlinger-Chin, Josh O’neill, Lorenz Ohrmer, Alexander Rothman, Kawai Shen, Alexey Sokolin, Chaille Stovall, Deshan Tennekoon, Maria Tetzlaff, Noemi Charlotte Thieves, and Paul K. Tunis.
INK BRICK #9 will debut at Small Press Expo and it is well worth picking up. If you can’t make it out to SPX, be sure to visit Ink Brick right here.
And here is the final installment to the 24-hour comics I did at the Palladian, a Kimpton hotel. The animal spirit is strong and I find myself surrounded by it and embracing it.
Even in what would seem to be the carefree world of alt-comics, there is a creeping feeling of “self-publish or perish” that can nag at many a cartoonist. This can be a good thing as it helps to motivate many who must rely upon their own self-imposed deadlines. Despite all the interest that is supposed to be heaped upon the DIY world and a myriad of other endeavors conveniently labeled as “hipster,” “quirky,” or the grand ole workhorse, “geek,” there’s really no money, let alone a livelihood, to be expected from all the scribbling in notebooks and sketchbooks. Maybe, for some, there’s at least a real feeling of accomplishment from one’s efforts, not just a pat on the back. And, for a relative few who keep honing their craft, and especially at the alt level, each year brings a little more recognition. Each year makes the big picture more clear. This is certainly the case with cartoonist David Lasky. Here’s a look at a special annual publication that he’s been putting together to coincide with the Short Run Comix & Arts Festival in Seattle.
David Lasky and I are of the same vintage. I consider him a good friend and a fellow cartoonist that I’ve always admired. We’re both in Seattle and share a certain sensibility. So, of all the people who take a moment to read what I have to say, he’s one of my readers who I will hope to especially resonate with. Let me put it this way: I appreciate what he’s doing on a deep level. I believe there’s this chasing after the brass ring that was drummed into folks from our Generation X. People like us will make good on the dreams we’ve envisioned since we were little kids, as corny as that sounds. I know that makes sense to David, and probably, I would hope, to everyone reading this.
What we find in “Manifesto Items #5” is special indeed. David Lasky highlights his creation of comics from the past year. It’s a fascinating window into the creative process. Like I say, there’s that “publish or perish” mantra that can dog cartoonists. If a tree falls in the forest, and there’s no one around to hear it, does it make a sound? That’s the challenge that many creators must contend with. They can certainly opt to work alone until a project is complete and many are just fine with that. But some want to keep stoking the fires in between significant work and so they need to hunt down viable options such as anthologies, local publications, and comics jams. In the case of Lasky, it is this short form work, with its room for experimentation, that he loves the most and that he can raise to the level of significant work. We get a nice sampling of all of that, notably a sci-fi satire that appeared in The Intruder.
Perhaps most revealing are a couple of things that feel very natural. One is a father and son comics memoir. David is visiting his dad. And his dad gives him some advice: Rid yourself of clutter! He then proceeds to unload a bunch of books and DVDs on his son who gladly accepts each and every one. I think that speaks to a particular Gen X mad love for all media.
The other is a prose essay recollection of David visiting the Hirshhorn Museum as a little boy to see a Saul Steinberg retrospective. David was fascinated by Steinberg on many levels not the least of which was his noncommercial approach to cartooning! Here you had Steinberg creating cartoon characters without a comic strip or any scent of franchise. Ah, that’s fodder for Gen X rebellion! And to make the point, David emulated Steinberg’s penchant for drawing cartoons directly onto the envelopes he sent off in the mail. How unconventional back then and even today.
Be sure to visit David Lasky right here. Find David at Etsy right here.
