Category Archives: Political Cartoons
A Diary of the Plague Year: An Illustrated Chronicle of 2020. Elise Engler. Macmillan. New York. 304pp. 2022. $34.
Just as we’re settling into 2022, there remains some of that deja vu all over again. We won’t shake off 2020 that easily and for good reason. Artist Elise Engler captures this monster of a year with her daily paintings of the news in this unique collection. What began as a more modest project, a daily painting routine begun in late 2015, took on a life of its own after Trump was elected president. At that point, Engler was compelled to follow the topsy-turvy trail of events all the way into 2020 and beyond. This book covers the first hint of Covid-19 in the news on January 20, 2020 all the way to January 21, 2021, the day after Joe Biden was sworn in as president.
Indeed, truth can be stranger than fiction. You just can’t make up some of the headlines from 2020. On May 19, 2020: “Despite FDA caution, Trump says he is taking hydroxychloroquine as a preventative, threatens to permanently end WHO funding.” And there you have the material for that day’s painting. Engler kept to a steady diet of WNYC radio, a credible news source with editorial positions that moderately favor the left. What’s interesting is the hybrid of sorts that Engler created with her work whether or not it includes an editorial slant. Part of it can function as an editorial cartoon or seem to. But, more to the point, you can see Engler mostly focused with just keeping up with the steady stream of news: a raging pandemic; racial tensions at a feverish level; and a most unusual presidential race.
At turns poetic, Engler’s dispatches can sometimes read as passages from a very compelling dystopian science fiction novel, albeit they’re all too real. Consider July 23, 2020, at random, but indicative of the whole: “House passes bill removing Confederate statues, other figures from Capitol; California surpasses New York in total COVID cases; Trump will send federal agents to Chicago.” All the elements in place, a perfect storm, a most frightening time to witness on any level. Page after page, Engler brings home the realities of our times in concise fashion.
Here’s the thing about the news, it’s hot one moment and then it can either heat up again or suddenly cool off. Bits and pieces, significant by themselves and part of a greater whole, are vulnerable to be trampled upon by the next freight train of even crazier and more explosive news. And heaven help those items of news with any hint of complexity from staying very long on the public’s radar, if at all. Consider November 28, 2020. Another day of news to be processed and lost: “Firing squad, poison gas could be allowed for federal executions under Justice Dept. rules; “Voters, not lawyers, choose the president,” judge writes in repudiation of Trump’s effort to halt PA election process; Iran top nuclear scientist assassinated.” Engler thoughtfully corrals these more elusive bits of data and pins them down in a compelling memorable manner.
Elise Engler proved to be at the right place at the right time having honed a means of production years in advance. To add to the urgency, Engler’s studio is in New York City, what became known as the epicenter of the pandemic, at least in the United States. From her drawing board, she was only a short walk away from a tent hospital set up in Central Park. As the violence and chaos unfolded throughout the year, the paintings became less formal, more open, more expressive. Some moments and images have become embedded in our collective memory. Smaller, more nuanced items, will recede into the background, but find a home in Engler’s book, a record from a seasoned artist who was there at her drawing board when it happened.
A Diary of the Plague Year: An Illustrated Chronicle of 2020 is available as of January 18, 2022 and his published by Metropolitan Books, Henry Holt and Co., Macmillan Publishing Group.
Sometimes, more often than not, a drawing demands that it be drawn and shared. Here is such an example. I created this illustration upon viewing what is such an iconic and powerful moment. This just happened about an hour ago at this writing. You can easily search for news about it. I think even the most ardent Trump supporter can concede the optics are not good. Just take a look. Trump looks like the Mad King none too pleased. It doesn’t take him too long to finally realize it’s time to retreat back to the castle or, yeah, the White House.
WASHINGTON (AP) — President Donald Trump was booed Thursday as he paid respects to late Supreme Court Justice Ruth Bader Ginsburg. He plans to nominate a replacement this weekend for the liberal justice, best known for her advancement of women’s rights.
VOTE HIM OUT!
Barr Spins Before Congress
Today, Barr testified/spun before Congress. A perfect example: Sen. Dianne Feinstein asked Attorney General William Barr what is it about Trump ordering his White House counsel Don McGahn to fire Mueller (as well as demanding that McGahn lie that Trump had ever asked to fire Mueller) that is not obstruction of justice. Barr’s response was to spin a picture of Trump, with his brilliant legal mind, requesting a closer look at Mueller’s conflict of interest; and Trump never outright made such a crude demand as saying, “Fire Mueller!” Huh? Which is more likely, that Trump was simply expressing a legal opinion or that he barked out what he wanted? Feinstein followed up with the question: “So, what was the conflict of interest?” Barr never ever answered that question! He proceeded to tap dance byway of speaking on legal theory to run out the clock. And that is just one example of Barr’s technique. Don’t expect Don McGahn to ever get a chance to testify himself. If he does, that would be well worth seeing.
Working for Trump is not the first time that Attorney General William Barr has been called upon to clean up a mess. Barr had the very same job of Attorney General under George H.W. Bush where he presided over making the Iran-Contra scandal fade away. Papa Bush, with Barr’s whole-hearted support, pardoned six key people from the Reagan administration who were involved, including former Defense Secretary Caspar Weinberger.
If Barr saw no problem in absolving players in Iran-Contra, one of the biggest scandals since Watergate, then he certainly has no problem in helping to somehow make the Mueller report go away; clear Trump & Co. of any and all charges; and just perform his role as a smug little henchman doing his master’s bidding.
If you missed it today, Trump made an announcement that is a rehash of immigration policy which will secure a continuance of the Trump Shutdown.
The very idea of a comic strip like Doonesbury is in the best spirit of what comic strips have been capable of doing. Doonesbury, which launched October 26, 1970, lived up to its ambitious goals. Now, there’s been a seismic shift in reading habits, and comic strips are evolving and adapting to the new cultural landscape. In 2014, the siren song of Amazon compelled Garry Trudeau to shift his focus to writing a sitcom. On March 3, 2014, the “Classic Doonesbury” series began, featuring approximately four weeks of daily strips from each year of the strip’s run. Trudeau continues to produce new strips for Sundays. The times, they keep a changin’. That said, in the #MeToo era, with a focus on Brett Kavanaugh and rape culture, something can be learned from taking a look back at the early efforts of Garry Trudeau in his Yale college newspaper, specifically, the infamous “rape joke.”
And what exactly transpires within this particular comic strip? Our main character, arguably Trudeau’s alter ego, is annoyed by a female student and contemplates raping her. He wants to dance with her and she obliges but only after insulting him. He makes a self-deprecating observation in relation to the idea of raping her.
What made that joke possible? What made young Garry think that was funny and okay? It’s a joke that left me disappointed when I read it. I had purchased a collection of Trudeau’s Yale comic strips many years ago. In fact, I was a teenager, with ambitions related to comics, when I bought the collection of Yale comic strips. It has been said (and this could be internet trolling) that Trudeau admits to cringing whenever he sees the “rape joke” or hears of it and has even had it removed from later editions of this collection of his Yale strips.
What bothered me way back in the early ’80s, when I first read this comic strip was that I immediately knew it was wrong and yet there it was. Trudeau knew it was wrong too. It’s possible to imagine Trudeau, a Baby Boomer with a pre-internet mindset, mistakenly thinking that he could keep that comic strip under wraps. In all fairness to him, I can’t seem to find any response directly from him about the “rape joke.” There’s this recent Trudeau piece, no mention of the infamous joke, from Comic Riffs at The Washington Post.
He should talk about the “rape joke” now, all these years later. I know, not very likely. It is the stuff of legend how Trudeau has avoided the press. I always found that ironic given how outspoken he has been in his celebrated comic strip satirizing society, politics, and the media.
Is it too much to ask of Garry Trudeau to speak about that “rape joke” within the context of our current state? It’s a fair, even intriguing, question for him and it might just inspire Mr. Trudeau on what lies ahead for him. In fact, if he really wants an invigorating project, why not dissect that “rape joke” and come up with some answers. It could be a graphic novel. I’m not kidding.
From his opening statement today, one thing is for sure, Brett Kavanaugh Loves Beer! For such a supposedly sophisticated legal mind, Kavanaugh has stumbled and simply come across as upset. “If everyone who loves beer was accused of sexual assault, that would be a very sad world,” stated Kavanaugh today. He proceeded with repeatedly stating how much he still loves beer. Is this a great legal mind? Is this a person of good character? Clearly there is absolutely no moral equivalence between Kavanaugh’s testimony and Dr. Ford’s testimony.
The three accusers of Kavanaugh have welcomed FBI investigations. Kavanaugh talks circles around it when asked if he would welcome an FBI investigation.
On a recent trip to Tacoma, I went to visit my dear friend, Dalton and his family. Our first stop was Tinkertopia. Dalton said it was just the place to go and he was so right. This place has everything in the way of quirky and functional art supplies and curios and such. Well, there’s a very practical and worthwhile side to this. Tinkertopia plays a vital role in the community as it is in the forefront of the reuse and do-it-yourself movement. Much of what is on display and for sale has been salvaged and recycled in some way in order to enjoy a new life as alternate artwork and arts & crafts supplies. Tinkertopia is also a prime location for workshops of all kinds, especially for kids.
As a cartoonist, I was quite taken with the mini-comics on display which, after a closer look, were the results of numerous 24-Hour Comics Day marathons. I am something of an expert of 24HCD, I suppose, as I’ve been creating comics during that event for a number of years. It’s always fun to see what comes from these comics experiments. The merry band of cartoonists that congregate at Tinkertopia enjoy a perfectly built-in ecosystem for such endeavors. The books on display are by R.R., that’s short for Rerun (aka RR Anderson), the master of ceremonies at Tinkertopia.
Many comics fans, young and old, are familiar with Rerun’s cartooning antics which feature the Hairy Mermaid. Rerun has as a clean and polished style. His sense of humor is highly irreverent and just a lot of fun. Rerun’s fluid line makes it all looks effortless and graceful. But I can see that he’s put in the elbow grease necessary to have a facile way with drawing trucks and squids flying through space from one panel to the next. A nice crisp style like Rerun’s comes from dedication and a genuine tireless love for the comics medium.
If you have a young inventor in the family, or want to throw a unique birthday party, or maybe need help with recycling, come to Tinkertopia. Founded by two Tacoma artists, Tinkertopia is all about resource conservation in partnership with local industries, educators, and activists. There’s always something on to inspire and to educate. In March, for example, you can take part in a workshop to build Tiny Treehouses and Leprechaun Lairs! There are numerous workshops and events at Tinkertopia that will have something for everyone. Go visit Tinkertopia right here.
And one final note: You want to know more about RR Anderson? Well, he’s the real deal trifecta: a cartoonist, inventor, and author. Check out his book, “The Tacomic.” As he puts it himself: “RR Anderson is one of the most curious alternative political cartoonists in FeedTacoma.com history. He fought bizarre underground beings in the lava tubes of Juneau, Alaska; was wounded by a laser before it was invented; and was a founding father of the Cartoonists League of Absurd Washingtonians (C.L.A.W.). Questions? Seek him out drawing on the sidewalk at Friday’s Frost Park Chalk Challenge in the center of downtown Tacoma. Ultimately his work is about friendship, need and other timeless values.” Visit RR Anderson right here.