As the Trump era unfolds, the opposition unfolds too. From USUncut:
Some of these numbers are subject to change, but the historically massive scale of this protest can not be denied. The protests in Washington D.C., Chicago, Los Angeles, and New York City alone totals over 2 million people. Over 670 marches took place worldwide, with thousands of people also taking part in demonstrations in Tokyo, Dublin, Capetown, Paris, Vienna, and Yangon, to name a few.
Cyclists in Seattle are in a highly awkward position.
Seattle would like to be considered a first-rate bicycle-friendly city. Unfortunately, it’s just not up there with Copenhagen or Amsterdam. Not even close. We locals are facing a lot of problems. There’s a huge push to get cyclists on the roads despite intolerant car drivers. We have a poor infrastructure for cars let alone bicycles. We have the City of Seattle with ill-conceived solutions including confusing and impractical bike lanes. We have a city official, Scott Kubly, who used his influence to have the City of Seattle buy a failing bike-sharing system, Pronto Bikes. Cyclists in Seattle are in a highly awkward position. They are risking their own lives to pursue their cycling passion in a city ill-equipped to accommodate them. And, given what they go through, they feel entitled: they push right on through, jump onto sidewalks when they feel a need, and make life for pedestrians just a bit more stressful and even dangerous. I have many fond memories of riding a bicycle. I have fond memories of once driving a car in Seattle–not anymore. Seattle has a long way to go before it can call itself a cyclist paradise.
TRUMP is an informative guide on Donald Trump presented in a comics format by Ted Rall, published by Seven Stories Press. It is not a satire, nor is it a bombastic attack on Mr. Trump. In fact, if you were only to read a brief passage here or there, you might even warm up a bit to the human being that is Donald J. Trump. Yes, of course, this is a human being we’re talking about. To his credit, Trump has provided quite a reality check to what has usually been a rather rote and bloodless presidential campaign process. Well, the powers that be would much prefer it to work that way. But there’s always room for some sort of change. The last hopeful sign of it was the rise of Barack Obama. This time around, some would have you believe that the winds of change are for Trump. With Ted Rall’s compact and concise guide, you might pick up on a number of facts that have gotten lost in the whirlwind.
When one sings a high note, it is essential to leave room for the climb up. And so it is with Rall’s rendition of events. Rall has had a glorious career in comics leaning hard left or involving highly-charged pieces railing against the status quo. But, through it all, I believe Ted Rall has always had something interesting to say. I’ve had the pleasure to review two of his recent books, also with Seven Stories Press: a bio of Edward Snowden; and a bio on Bernie Sanders. SNOWDEN paved the way for some of Rall’s best work. The format of crisp chapters that hit the main points to each topic leads to greater clarity and seems to foster a well-balanced approach.
Trump, a pacifist? Not so much.
Of course, Rall wouldn’t be Rall without some provocation. In the case of TRUMP, Rall is playing fair where he can. Sure, Trump has proven to be a good guy in regards to his own family. Yes, Trump has made the establishment cringe in much needed ways. Who else but Trump would dare to so pointedly criticize the U.S. invasion of Iraq? Well, no Republican dared to cross the Bush dynasty in the way Trump did. Like it or not, that rebuke of the war in Iraq was nothing less than brilliant. However, Rall, while giving Trump some credit, is also building a case that a Trump administration would be fascist. In fact, Rall brings up a comparison to Hitler a number of times.
What makes Rall’s argument work is that he thoughtfully and logically presents the facts. Ironically, as it were, Rall does agree with Trump that America, overall, has been in decline these last forty years or so. But Trump is only exploiting a vulnerability. He heavily relies on his charisma and empty slogans. He blames races of people for America’s problems. And, while he was against the war in Iraq, he shows no qualms about “bombing the hell out of ISIS.” Rall refers back to, Robert Paxton, a history professor he studied under at Columbia. Paxton wrote the definitive, “The Anatomy of Fascism.” Of Trump, Paxton says, “He’s very spontaneous. He has a genius for sensing the mood of a crowd and I think to some degree Hitler and Mussolini had those qualities also. I do not think he’s learned this from a book.”
When the U.S. government could have saved Main Street, it sided instead with Wall Street.
Or is it possible that much, if not all, of what Trump has said and promised on the campaign trail is a bunch of blustery hooey? Rall’s book came out in time to tap into the recurring theme about Trump supporters: They are willing to overlook his offensive statements and take it with a grain of salt. The overriding goal for them is change. Let Trump be Trump and let him give an upturned middle finger to the political elite. It’s a fairly sophisticated stance coming from what most of the media is willing to dismiss as a steaming pile of racist buffoons.
Trump has been Professor Harold Hill to America’s vulnerable River City. Like that masterful Pied Piper, Trump has ingratiated himself with a larger-than-life persona only to come up woefully short on any of his outrageous promises. Trump has inspired Ted Rall to write this book about him and make a case for him being a fascist! But, alas, Trump may prove to be the most empty suit of them all.
TRUMP is a 192-page trade paperback in full color. For more details, visit Seven Stories Press right here.
The pure magic of Walt Kelly’s “Pogo” comic strip defies easy description. It appeared in newspapers around the country and galvanized thought among the thoughtful. His strange and beautiful comic strip was, in its day, “Doonesbury,” “The Simpsons,” and “The Jon Stewart Show” all rolled into one, times ten. Its satirical bite was so effective that newspapers would opt for either the innocent joke version or go for the political version of the comic strip. Has Walt Kelly been relegated to the margins? That is where many an odd genius will dwell only to be rediscovered. Thanks to Fantagraphics Books, the Pogo comic strips are getting their due.
Editor’s Note: Here in Seattle, we have an election this Tuesday. And, here in Seattle, we are going through some vastly problematic growing pains. What exactly are we doing as we sprout condos in every conceivable spot? Well, rest assured, Seattle will elect someone mayor. However, we the citizens of Seattle need to look beyond this, or any, election. Consider, for example, visiting a site looking to make a difference, Reasonable Density Seattle. Sure, growth can be wonderful, just as long as we don’t stomp out the very reasons Seattle is so attractive.
Visit us every Monday for a new installment of Ballard Comics.
Keith Knight is one very funny, and profound, cartoonist. What is the secret to his success? Consider this life lesson: It is all in the doing. It applies in art school, law school, med school, any kind of school. “I’ve been doing this for years,” said Keith to a question I put to him about his success. That comment says it all. It is a part of this interview that stays with me. Knight has created a wonderful life for himself that includes making a living as a cartoonist. He has done it with style and become a significant voice. And he is easy to find and to keep up with, especially with his special subscription service you can check out here.
In this interview, we talk about activism in comics as well as the nature of humor. We go over a long and rewarding career. And we look at some exciting things that lie ahead, like Keith’s first full-length graphic novel, “I Was A Teenage Michael Jackson Impersonator.” Keith has also branched out into live action videos which bring his comics to life. And there is a comedy show, based on Keith’s life as a struggling cartoonist, that is being pitched so we’ll see how things go.
Keith Knight has three comic strips he regularly creates, there are two weekly strips, “The K Chronicles” and “(Th)ink.” And there’s the daily, “The Knight Life.” He also has strips in Mad Magazine: “Father O’Flannity’s Hot Tub Confessions” and “Bully Baby.”
Also in this interview, Keith jokes about his focus being, “the fight for a more decent cartoonist’s wage.” Certainly, his concern is over the same stuff most folks worry about: healthcare, education, and “not being condemned if you’re poor or low-income.” When asked about his thoughts over his legacy, Keith’s mind turns to the 500-page collection of “The K Chronicles,” published by Dark Horse Comics and that you can take a look at here.
Just click below to listen to the interview:
If you’re in the San Francisco area, you can stop by and visit with Keith at the Alternative Press Expo on October 12 and 13.
Stephanie McMillan is an important voice. She is doing her part to make this a better world through her activism and her comics. And, fortunately for us, those two passions turn into some very compelling work. Her latest collection of comics, “The Minimum Security Chronicles: Resistance to Ecocide,” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here and visit Stephanie McMillan here.
The following is an extensive email interview that I hope you’ll enjoy and be inspired by. What really motivates our actions? What sort of world do we accept and what sort of world could we aspire to? These are some of the ideas up for discussion in this interview.
“The Minimum Security Chronicles: Resistance to Ecocide” is full of whimsy and wisdom as it follows its characters on a journey to save the planet. It’s all up to a group of friends to figure out if they can smash the capitalist system or just give up and go shopping. What makes Stephanie McMillan’s comic strip such a page-turner is her ability to find the right mix of humor and intelligent discourse.
Stephanie McMillan’s sense of urgency and comedy is irresistible. She has placed a whole new generation with the burden of saving the planet but they’re pretty clueless. There’s Kranti and Bananabelle, who just barely know the struggles from the past. Kranti, an African-American, is quick to join a protest rally and yell, “By any means necessary!” And Bananabelle, intuitively, recognizes that won’t go over well with the “mainstream liberals.”
Then there’s Kranti’s brother, Nikko, and his lover, Javier. They are both at the mercy of the current economic tide. Nikko manages to just get by with his design work. Javier, has let things slip in pursuit of his art and relies on Nikko’s meager income. All four of these unlikely heroes will be stretched to their limits as they try to do the right thing.
Guidance and advice comes from Victoria, a theorist guinea pig; and Bunnista, a trigger-happy rabbit. Each of them, in their own way, have some wisdom to share but they are still working on the ultimate answers. Victoria is uncompromising in her ideals. Bunnista is too eager to blow things up.
As the story unfolds, we find ourselves exploring the available options to make this a better world: everything from community gardening to murder is on the table. What is really compelling about this comic strip is just how far it is willing to go. If Kranti and Bananabelle didn’t appreciate what was meant when someone said, “By any means necessary,” they certainly do by the end of this tale.
One of McMillan’s goals with this particular story is to raise awareness of how corporations are raping the environment, specifically with bio-engineering. She is seeking answers. And the one thing she keeps returning to is the unequivocal need to rid ourselves of global capitalism. But, at every turn, she shows us how futile that effort appears to be. The great contradiction is that we have no choice but to fight the system, a fight that may appear to be too big to win. All life on the planet hangs in the balance. The only sure thing is that we must persist, live to fight another day. It’s a cliffhanger to the story of life that we must all live with.
And just how do you end capitalism? Well, that is an ongoing discussion. This current comics collection makes that clear. The subject is too vital and complex to address in just one book. For instance, McMillan has a guide to the people’s struggle, “Capitalism Must Die,” that will soon come out. For now, “The Minimum Security Chronicles: Resistance to Ecocide” provides an educational and entertaining look at what happens when people must confront the system.
“The Minimum Security Chronicles: Resistance to Ecocide” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here.
Incredible Talent to Discuss Political Comics at #TCAF 2013
Posted on May 5, 2013 by NMGUINILING
Hey Y’all – It’s official. I will be moderating a panel of incredible artists on at the Toronto Comic Arts Festival (TCAF) – this next weekend. The panel is a presentation and discussion on Political Comics, and features Matt Bors, Josh Neufeld, Sarah Glidden, and Rutu Modan. Here are the deets:
Political Comics Panel
Saturday, May 11
at the Marriott Hotel
90 Bloor St. East
(Around the corner from the Toronto Reference Library)
5pm – 6pm
Let’s Meet the Panelists!
MATT BORS is a nationally syndicated editorial cartoonist and editor based in Portland, OR. He was a 2012 Pulitzer Prize Finalist for his political cartoons, which appear regularly in The Sacramento Bee, Portland Mercury, Pittsburgh City Paper, and on Daily Kos.
In the summer of 2010, Bors traveled to Afghanistan to draw comics and serves as the comics journalism editor for Cartoon Movement where he is currently editing a project on reconstruction efforts in Haiti.
In 2012, Bors was the recipient of the Herblock Prize and the Society of Professional Journalists’ Sigma Delta Chi Award for his editorial cartooning. His first graphic novel, War Is Boring, a collaboration with journalist David Axe, was published in 2010. His latest book is a collection of cartoons and essays title Life Begins At Incorporation. You can find more of his work at mattbors.com.
SARAH GLIDDEN’s first full-length book, a graphic-memoir was How to Understand Israel in 60 Days or Less, based on a Birthright trip she took and was published in 2010 by DC Vertigo.
She is currently working on her second book, a work of graphic journalism following reporters into Iraqi Kurdistan, Lebanon and Syria. Her short pieces of graphic journalism have been published on Cartoon Movement, Ha’aretz, and the Jewish Quarterly. You can find more of her work at sarahglidden.com.
JOSH NEUFELD is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the best-selling non-fiction graphic novel A.D.: New Orleans After the Deluge (Pantheon). In addition, he is the illustrator of the best-selling graphic non-fiction book The Influencing Machine: Brooke Gladstone on the Media (W.W. Norton). He is currently a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. Usually based in Brooklyn, N.Y., he currently lives in Ann Arbor, Michigan, with his wife and daughter. You can find more of his work at joshcomix.com.
RUTU MODAN was born in Tel-Aviv in 1966 and is now one of Israel’s best known cartoonists. She graduated from art school in 1992 and quickly established herself drawing strips for Israeli daily newspapers. In 1994 she was offered to job of editing an Israeli edition of MAD magazine with her classmate, Yirmi Pinkus, featuring reprints of US material supplemented with local originated material. The magazine shut down after 14 issues, but undeterred, Rutu and Yirmi founded Actus Tragicus in 1995, an internationally acclaimed collective and independent publishing house for alternative comic artists, including Batia Kolton, Mira Friedmann and Itzik Rennert. Rutu has worked as an illustrator for magazines and books in Israel and abroad, and has taught comics courses in Israel. She currently lives in Sheffield, England. You can find more of Rutu Modan’s work at her column at The New York Times and you can view her portfolio at Helfin Reps.
Modan’s newest work, The Property, is debuting from Drawn & Quarterly at TCAF this year.
For more information about TCAF 2013 – including a full list of all the kick-ass artists coming to town – head on over to http://www.TorontoComics.com
Editorial Cartoon by Daryl Cagle, published with permission
This editorial cartoon expresses well the mourning we share after the Boston Marathon bombing.
Daryl Cagle is the publisher of Cagle.com and owner of Cagle Cartoons, Inc, which distributes editorial cartoons and columns to over 850 newspapers.
Editorial cartoons are as popular as ever and put to use in a variety of ways in print and on the web. Take a look at the excellent roster of talent at Cagle.com and you’ll see there is something for everyone.