The pure magic of Walt Kelly’s “Pogo” comic strip defies easy description. It appeared in newspapers around the country and galvanized thought among the thoughtful. His strange and beautiful comic strip was, in its day, “Doonesbury,” “The Simpsons,” and “The Jon Stewart Show” all rolled into one, times ten. Its satirical bite was so effective that newspapers would opt for either the innocent joke version or go for the political version of the comic strip. Has Walt Kelly been relegated to the margins? That is where many an odd genius will dwell only to be rediscovered. Thanks to Fantagraphics Books, the Pogo comic strips are getting their due.
Category Archives: Political Cartoons
Comic-Con 2014: A Celebration of Walt Kelly and POGO
Filed under Comic-Con, Comic-Con 2014, Comics, Pogo, Political Cartoons, politics, Walt Kelly
BALLARD COMICS #8
Editor’s Note: Here in Seattle, we have an election this Tuesday. And, here in Seattle, we are going through some vastly problematic growing pains. What exactly are we doing as we sprout condos in every conceivable spot? Well, rest assured, Seattle will elect someone mayor. However, we the citizens of Seattle need to look beyond this, or any, election. Consider, for example, visiting a site looking to make a difference, Reasonable Density Seattle. Sure, growth can be wonderful, just as long as we don’t stomp out the very reasons Seattle is so attractive.
Visit us every Monday for a new installment of Ballard Comics.
Interview: Keith Knight Talks About ‘The K Chronicles’ and the Cartoonist’s Life
Keith Knight is one very funny, and profound, cartoonist. What is the secret to his success? Consider this life lesson: It is all in the doing. It applies in art school, law school, med school, any kind of school. “I’ve been doing this for years,” said Keith to a question I put to him about his success. That comment says it all. It is a part of this interview that stays with me. Knight has created a wonderful life for himself that includes making a living as a cartoonist. He has done it with style and become a significant voice. And he is easy to find and to keep up with, especially with his special subscription service you can check out here.
In this interview, we talk about activism in comics as well as the nature of humor. We go over a long and rewarding career. And we look at some exciting things that lie ahead, like Keith’s first full-length graphic novel, “I Was A Teenage Michael Jackson Impersonator.” Keith has also branched out into live action videos which bring his comics to life. And there is a comedy show, based on Keith’s life as a struggling cartoonist, that is being pitched so we’ll see how things go.
Keith Knight has three comic strips he regularly creates, there are two weekly strips, “The K Chronicles” and “(Th)ink.” And there’s the daily, “The Knight Life.” He also has strips in Mad Magazine: “Father O’Flannity’s Hot Tub Confessions” and “Bully Baby.”
Also in this interview, Keith jokes about his focus being, “the fight for a more decent cartoonist’s wage.” Certainly, his concern is over the same stuff most folks worry about: healthcare, education, and “not being condemned if you’re poor or low-income.” When asked about his thoughts over his legacy, Keith’s mind turns to the 500-page collection of “The K Chronicles,” published by Dark Horse Comics and that you can take a look at here.
Just click below to listen to the interview:
If you’re in the San Francisco area, you can stop by and visit with Keith at the Alternative Press Expo on October 12 and 13.
And you can also listen to Keith on Totally Biased with W. Kamu Bell on FXX, broadcast live on Tuesday, October 22.
Keep up with Keith Knight at The K Chronicles site here and The Knight Life site here.
Filed under Comedy, Comic Strips, Comics, Keith Knight, Political Cartoons, politics, Protest, Race, Race Relations, Social Commentary, Social Justice
TORONTO COMIC ARTS FESTIVAL: MATT BORS, SARAH GLIDDEN, JOSH NEUFELD, AND RUTU MODAN, MAY 11
For those who appreciate comics journalism, this is the perfect panel to catch while at the Toronto Comic Arts Festival this weekend, May 11-12.
You’ve got quite a lineup: Matt Bors, Sarah Glidden, Josh Neufeld, and Rutu Modan.
Details Follow From The Ad Astra Comics site (I’ve added helpful links):
Incredible Talent to Discuss Political Comics at #TCAF 2013
Posted on May 5, 2013 by NMGUINILING
Hey Y’all – It’s official. I will be moderating a panel of incredible artists on at the Toronto Comic Arts Festival (TCAF) – this next weekend. The panel is a presentation and discussion on Political Comics, and features Matt Bors, Josh Neufeld, Sarah Glidden, and Rutu Modan. Here are the deets:
Political Comics Panel
Saturday, May 11
at the Marriott Hotel
90 Bloor St. East
(Around the corner from the Toronto Reference Library)
5pm – 6pm
Let’s Meet the Panelists!
MATT BORS is a nationally syndicated editorial cartoonist and editor based in Portland, OR. He was a 2012 Pulitzer Prize Finalist for his political cartoons, which appear regularly in The Sacramento Bee, Portland Mercury, Pittsburgh City Paper, and on Daily Kos.
In the summer of 2010, Bors traveled to Afghanistan to draw comics and serves as the comics journalism editor for Cartoon Movement where he is currently editing a project on reconstruction efforts in Haiti.
In 2012, Bors was the recipient of the Herblock Prize and the Society of Professional Journalists’ Sigma Delta Chi Award for his editorial cartooning. His first graphic novel, War Is Boring, a collaboration with journalist David Axe, was published in 2010. His latest book is a collection of cartoons and essays title Life Begins At Incorporation. You can find more of his work at mattbors.com.
SARAH GLIDDEN’s first full-length book, a graphic-memoir was How to Understand Israel in 60 Days or Less, based on a Birthright trip she took and was published in 2010 by DC Vertigo.
She is currently working on her second book, a work of graphic journalism following reporters into Iraqi Kurdistan, Lebanon and Syria. Her short pieces of graphic journalism have been published on Cartoon Movement, Ha’aretz, and the Jewish Quarterly. You can find more of her work at sarahglidden.com.
JOSH NEUFELD is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the best-selling non-fiction graphic novel A.D.: New Orleans After the Deluge (Pantheon). In addition, he is the illustrator of the best-selling graphic non-fiction book The Influencing Machine: Brooke Gladstone on the Media (W.W. Norton). He is currently a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. Usually based in Brooklyn, N.Y., he currently lives in Ann Arbor, Michigan, with his wife and daughter. You can find more of his work at joshcomix.com.
RUTU MODAN was born in Tel-Aviv in 1966 and is now one of Israel’s best known cartoonists. She graduated from art school in 1992 and quickly established herself drawing strips for Israeli daily newspapers. In 1994 she was offered to job of editing an Israeli edition of MAD magazine with her classmate, Yirmi Pinkus, featuring reprints of US material supplemented with local originated material. The magazine shut down after 14 issues, but undeterred, Rutu and Yirmi founded Actus Tragicus in 1995, an internationally acclaimed collective and independent publishing house for alternative comic artists, including Batia Kolton, Mira Friedmann and Itzik Rennert. Rutu has worked as an illustrator for magazines and books in Israel and abroad, and has taught comics courses in Israel. She currently lives in Sheffield, England. You can find more of Rutu Modan’s work at her column at The New York Times and you can view her portfolio at Helfin Reps.
Modan’s newest work, The Property, is debuting from Drawn & Quarterly at TCAF this year.
For more information about TCAF 2013 – including a full list of all the kick-ass artists coming to town – head on over to http://www.TorontoComics.com
See you this weekend!
Editorial Cartoon: BOSTON MARATHON MEMORIAL
This editorial cartoon expresses well the mourning we share after the Boston Marathon bombing.
Daryl Cagle is the publisher of Cagle.com and owner of Cagle Cartoons, Inc, which distributes editorial cartoons and columns to over 850 newspapers.
Editorial cartoons are as popular as ever and put to use in a variety of ways in print and on the web. Take a look at the excellent roster of talent at Cagle.com and you’ll see there is something for everyone.
Read Daryl’s blog at: http://www.cagle.com/daryl. View his site at: Cagle.com. Get permission to reprint his cartoons at: PoliticalCartoons.com.
Filed under Editorial Cartoons, Journalism, news, Political Cartoons, politics
PAUL KRASSNER AND THE ART OF THE OFFENSIVE CARTOON
Print Magazine’s Michael Dooley provides a profile on legendary iconoclast, Paul Krassner. If you are looking for the heart and soul of the counterculture in America, the roots of everything from “The Simpsons” to “The Daily Show with Jon Stewart,” then look to Paul Krassner. As editor of “The Realist,” beginning in 1958, Krassner let loose all manner of refined, and unrefined, rebellion from the likes of such talents as Woody Allen, Norman Mailer, Art Spiegelman, Ken Kesey, Joseph Heller, Timothy Leary and S. Clay Wilson.
With a focus on the art of the offensive cartoon in this profile, you are bound to crack up over these vintage cartoons by Dick Guindon, Robert Gross, Sergio Aragones, B. Kliban, Dan O’Neil, Edward Sorel, and many more. You can read all about it here.































Review: TRUMP by Ted Rall
TRUMP is an informative guide on Donald Trump presented in a comics format by Ted Rall, published by Seven Stories Press. It is not a satire, nor is it a bombastic attack on Mr. Trump. In fact, if you were only to read a brief passage here or there, you might even warm up a bit to the human being that is Donald J. Trump. Yes, of course, this is a human being we’re talking about. To his credit, Trump has provided quite a reality check to what has usually been a rather rote and bloodless presidential campaign process. Well, the powers that be would much prefer it to work that way. But there’s always room for some sort of change. The last hopeful sign of it was the rise of Barack Obama. This time around, some would have you believe that the winds of change are for Trump. With Ted Rall’s compact and concise guide, you might pick up on a number of facts that have gotten lost in the whirlwind.
When one sings a high note, it is essential to leave room for the climb up. And so it is with Rall’s rendition of events. Rall has had a glorious career in comics leaning hard left or involving highly-charged pieces railing against the status quo. But, through it all, I believe Ted Rall has always had something interesting to say. I’ve had the pleasure to review two of his recent books, also with Seven Stories Press: a bio of Edward Snowden; and a bio on Bernie Sanders. SNOWDEN paved the way for some of Rall’s best work. The format of crisp chapters that hit the main points to each topic leads to greater clarity and seems to foster a well-balanced approach.
Trump, a pacifist? Not so much.
Of course, Rall wouldn’t be Rall without some provocation. In the case of TRUMP, Rall is playing fair where he can. Sure, Trump has proven to be a good guy in regards to his own family. Yes, Trump has made the establishment cringe in much needed ways. Who else but Trump would dare to so pointedly criticize the U.S. invasion of Iraq? Well, no Republican dared to cross the Bush dynasty in the way Trump did. Like it or not, that rebuke of the war in Iraq was nothing less than brilliant. However, Rall, while giving Trump some credit, is also building a case that a Trump administration would be fascist. In fact, Rall brings up a comparison to Hitler a number of times.
What makes Rall’s argument work is that he thoughtfully and logically presents the facts. Ironically, as it were, Rall does agree with Trump that America, overall, has been in decline these last forty years or so. But Trump is only exploiting a vulnerability. He heavily relies on his charisma and empty slogans. He blames races of people for America’s problems. And, while he was against the war in Iraq, he shows no qualms about “bombing the hell out of ISIS.” Rall refers back to, Robert Paxton, a history professor he studied under at Columbia. Paxton wrote the definitive, “The Anatomy of Fascism.” Of Trump, Paxton says, “He’s very spontaneous. He has a genius for sensing the mood of a crowd and I think to some degree Hitler and Mussolini had those qualities also. I do not think he’s learned this from a book.”
When the U.S. government could have saved Main Street, it sided instead with Wall Street.
Or is it possible that much, if not all, of what Trump has said and promised on the campaign trail is a bunch of blustery hooey? Rall’s book came out in time to tap into the recurring theme about Trump supporters: They are willing to overlook his offensive statements and take it with a grain of salt. The overriding goal for them is change. Let Trump be Trump and let him give an upturned middle finger to the political elite. It’s a fairly sophisticated stance coming from what most of the media is willing to dismiss as a steaming pile of racist buffoons.
Trump has been Professor Harold Hill to America’s vulnerable River City. Like that masterful Pied Piper, Trump has ingratiated himself with a larger-than-life persona only to come up woefully short on any of his outrageous promises. Trump has inspired Ted Rall to write this book about him and make a case for him being a fascist! But, alas, Trump may prove to be the most empty suit of them all.
TRUMP is a 192-page trade paperback in full color. For more details, visit Seven Stories Press right here.
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Filed under Barack Obama, Comics, Donald Trump, Great Recession, Hillary Clinton, Political Cartoons, politics, Seven Stories Press
Tagged as Adolf Hitler, American Politics, Barack Obama, Commentary, Donald Trump, Economics, Entertainment, Fascism, graphic novels, Great Recession, Hillary Clinton, Media, Politcs, Pop Culture, Publishing, Seven Stories Press