A true curiosity shop is something to behold. Certain things are a given. Antiques. Vintage. Oddities. The magic comes in when you feel that you’ve entered into another world. If you are in Seattle, then you have to go to Ballyhoo Curiosity Shop. I’ve been thinking about doing a post on this shop for a while now. What I’ve always enjoyed about Ballyhoo is its funhouse experience coupled with its orderly presentation. Ballyhoo invites you to discover new and weird stuff while also making it easy to gain access to it. So, see for yourself in person. For now, enjoy my video tour. I welcome your comments, likes, and subscribing:
It’s human nature to want to wander around and explore. Some people take it farther than others. Some people find a particular itch to scratch. What are you in the mood for? Something old with character or something that pushes the envelope? You can satisfy your cravings in so many ways– and with a touch of strange.
Ballyhoo Curiosity Shop
Ryan Robbins, owner of Ballyhoo Curiosity Shop, is a gracious beacon of light. The key to success in any endeavor is passion. That is exactly what Ryan has to share with all of his customers. With palpable enthusiasm, Ryan described his vision for Ballyhoo as evoking the feeling of being in another world, one where anything is possible. Maybe something out of the movie, “Gremlins,” or “Indiana Jones,” or a haunted house in New Orleans.
Ballyhoo Curiosity Shop
Enter Ballyhoo’s wonderland and you’ve entered a tidy collection of stores within a larger framework: nautical, ethnographic, fossils and minerals. The quirky alongside the esoteric. You’ve entered a museum and funhouse.
We want to be taken out of our comfort zone, at least those of us that like to meet at curiosity shops. We want to slip into the unexpected. And we’re smart, very smart, about it. Maybe we get a tattoo at midnight, but it’s something that we’ve been planning on for months, maybe years.
Ballyhoo Curiosity Shop
Ballyhoo Curiosity Shop
Whatever you may end up purchasing at a curiosity shop comes with a certain level of commitment. Are you ready to own a significant piece of taxidermy? Or how about a gem, a print, or a t-shirt? Some of the oddest items get snatched up by bar owners and tattoo shop owners. Other items find homes as much from tourists as from local shoppers. Yes, Ballyhoo has its share of regulars. So, rest assured, whatever your tastes, there’s something for you at Ballyhoo Curiosity Shop, in Seattle’s Ballard Avenue Historic District.
As always, I welcome your likes, comments, and following. Be sure to like and comment at the Comics Grinder Facebook page too. You help make Comics Grinder special.
Seattle has a great love for books, film, music, and comics–not necessarily in that order. In fact, all those passions are not mutually exclusive. With that in mind, welcome the new kid on the block, so to speak, The Grumpy Old Man’s Comics, Art & Collectibles. Alan LaMont hails from Rochester, New York and he recently relocated to Seattle and is open for business with a shop that combines his love for comics and for art in general. The Grumpy Old Man is located in the heart of Seattle’s Ballard neighborhood on 1732 NW Market Street.
“A Kiss is Just a Kiss”
This video is a conversation with Alan LaMont, owner of The Grumpy Old Man’s Comics, Art & Collectibles. Alan chats about the store, Silver Age comics, and his new art show at the store opening on Feb 10, 2018 with a Valentine’s Day theme, “A Kiss is Just a Kiss.” Alan knows comics. He’s been a collector since the age of 4. His first big stash of comics put him through graduate school. If you are looking for some classic gems, or seek out some historical context to current titles, Alan has got you covered–along with one of the best comics subscriptions services around. Get your current single comics, graphic novels, and a nearly endless supply of comics collectibles from The Grump Old Man.
“A Kiss is Just a Kiss,” Grumpy Old Man’s February art show opens February 10, 2018. For more details, visit the Lamont Arts LLC Facebook page right here.
Jennifer Daydreamer has been published by Top Shelf Productions and regularly contributed illustrations to the Seattle alt-weekly, The Stranger, in the late ’90s. In the course of a creative life, Daydreamer has seen her path take an interesting trajectory. I share with you now a conversation with artist and writer Jennifer Daydreamer on her new project, “Mack Stuckey’s Guide to the Center of the Universe.” A Kickstarter campaign in support of a print run to the book is going on now thru August 28th. You can find it right here. She is the author. Full disclosure, I’m the illustrator for the book, and I contributed to the story. And she’s my partner.
HENRY CHAMBERLAIN: Let’s begin, Jen. We can jump in to the very beginning of the Mack Stuckey project.
JENNIFER DAYDREAMER: You certainly did contribute to the prose. There are details in Mack, plot points, character names and so forth, that you came up with. We are both illustrators but you were the instant choice of illustrator. Although I can draw fast, I don’t normally paint in quick thick brush strokes, the kind you do, and so I was excited about a real artistic collaboration with you. Probably our first. I think after you’ve been blogging for ten years, this has been the first time you have interviewed me. So, thanks!
What was the impetus to writing Mack Stuckey?
Well, before 2008, I could score a job pretty easily. I’m a creative type but I have a detailed part of my brain that does well with accounting. I actually enjoy accounting because I find it meditative and so for most of my career I have been able to do accounting work for my jobs. I was in a series of job layoffs. One, the company went out of business, the next, the company transferred my position out of state, another one I was a new hire and when they do layoffs, the new hires usually get cut first. In a nutshell, the book is about the economy and expressing my frustration about it, in a creative way. I just don’t want to spend my time venting at this point. I have expressed my employment dilemmas to my friends over the years. At this point, I’d rather be joking.
Illustration for “Mack Stuckey” by Henry Chamberlain
Where does it take place?
It takes place in Seattle. Poor Seattle. The inspiration to write the book is my need to express myself in regards to the economy and state of housing and living in our city with a disappearing middle class. The story takes place in 2014, by the way, and so, any uptick of the economy happening today, I hope is really happening. I digress. Seattle happens to be the fall guy, the theatrical back drop of the story and so, we make fun of Seattle. Specifically, Fremont. We venture into Ballard, Downtown, and the U District.
For one thing, I create a feud between Ballard and Fremont, either real or imagined. I examine the tension that I think exists between the two locales because when you want to buy something practical in Fremont, like pens and a pad of paper there is only one or two small places to go. There are no standard drug stores allowed in Fremont (I think from building codes) so you have to take your car or the bus or your bike and dip into Ballard for practical needs.
What else is the book about?
Well, we describe the book succinctly on our Kickstarter page! Basically, I created a love triangle between a woman and two men, representing the upper, middle, and lower classes. I don’t come right out and say that in the book, because that would be too explicit, but that is one of the themes. I think there is something for everyone in the book, if you like humor, a sexy romance, or interest in the local icons. I try my hand at what I call comedic erotica.
Tell us about what you’ve been up to in the last few years.
After drawing comics, I was inspired to write a screenplay because that imprint, what was it called?
Yes, Minx, from DC Comics, asked me for some ideas. They cancelled the imprint. One of my ideas was for a dystopian novel about the separation between a guy and a girl and killing in the army, that someday I should write. They really did not like it, too macabre, and then Hunger Games comes out later. I remember believing them at the time that the story pitch is not good, so its a reminder to believe in myself. I wrote the screenplay for the humor submission that they did like. Then Minx was cancelled. I never had a contract, just a “that’s funny, I like that one.” So, I spent about a year studying how to write a screenplay and it took me about 1.8 to finish it, because it was my first screenplay.
Where did that leave you?
With one foot halfway in the door! It left me with one manager who switched companies and his job position and so he could not represent it. Then I found an agent who read it, she is known in the industry and so I felt lucky. She was encouraging. She said I needed edits and she gave me her manager contact and said to try and do edits with him and then resubmit it to her. But her manager nixed it. By the way, I respected how he communicated with me, as he got to it, read the script promptly and let me know his opinion. Everyone I submitted it to over a year’s time or so, was very nice, frankly. I know there is crap that happens in Hollywood, but, somehow, I felt encouraged by people in the business I was in contact with. Most did not have room or time to read it and some commented that my pitch was great and so to keep at it. So, I got my foot in the Hollywood door about an eigth of the way. A toe.
Interesting visual, one toe clinging to a door. But, seriously, it put you in an interesting situation. You were in the thick of transitioning from comics, moving beyond comics.
It was fun to try. I felt a cartoonist could get a foot in the door because comic book movies were taking off. I had an agent/lawyer to make some pathway, also, when I submitted, so I was not completely unprofessional and just cold called everyone. I think the writing contributed to writing Mack – the more you create the better you get. Mack has taken 2.5 years to write and I still have some details I want to round it out with. Its basically done. Besides those projects, I have spent a lot of time writing and sketching out a four book Young Adult Fantasy Series which I am eager to launch on social media. For this YA series, I really think a book agent, editor or editors and publishing company is necessary. You need help to keep detail accurate when you are world building.
After Mack, I have one very odd book, I have to get off my chest, then I will launch my YA series. I have spent a year on it. Its not complicated like writing a story but I am scared of publishing it, and so, I have to publish it. I’m scared as I have to dip into some religious and societal explanations. I had an out of body experience or an altered state from drawing my mini comics long ago and it was not until recently when I studied Jung in detail and some Jungian psychologists that I realized there is a biological explanation or a science explanation for it.
Lots of room to dig deeper.
Usually the explanation in our society, is something spiritual or “occult” and so I am eager to lay out my idea to disprove the occult notions, that there may be a more reasonable or logic based explanation. I have not completely ruled out a spiritual component. I think there is a spiritual component, I understand the shamanic explanation for something like that, but I think there is a middle ground, because the explanations from psychologists are so clear and sound. There’s compelling commentary by Oliver Sacks on YouTube (13.45). Maybe you can link the video for our cartoonist friends because it’s interesting if you draw comics.
Yes, consider it done. It will run right below these comments.
What Oliver Sacks has to say I am relating to my experience in the book. I think the brain is activated because of the archetypal nature of comics. What archetypal nature is, should be explained more but there is not room in this intervew to go into that kind of detail.
“There is another part of the brain which is especially activated when one sees cartoons. It’s activated when one recognizes cartoons when one draws cartoons and when one hallucinates them. It’s very interesting that that should be (so) specific.”
Are you still drawing comics? Where would you say you are today in relation to comics?
I love comics. I am following my heart and my heart wants my YA series to be prose – just words – and my illustrations. And so, no, its not comics. I would like to draw comics and be in anthologies, but there is no time at the moment. I am really focused on the projects listed above. I have the door open on comics, the door is not closed. Same with, you know, doing another humor book like Mack. When I was in high school I was the kid that made fun of all the teachers and drew riffs on them and passed them to my friends in class. I have a humor side and I have the side that loves to create long fantasy.
Anything else you’d like to add?
One last word. We make fun of some drug usage in Mack but I don’t do drugs. I am a very very square cat when it comes to things like that. It’s important for me to be clear on this because I don’t like my out of body experiences nor my illustrations to be accused of being “drug influenced.” Because I think fantasy story and art is related to healing and I want to contribute to that. I want to explore more in the future on the connection to drawing comics and naturally based hallucinations.
Thank you, Henry!
Be sure to visit Mack Stuckey right here. To go directly to the Kickstarter campaign on thru 8/28, go right here.
From clockwise: Caitie Auld, Kara O’Connor, Molly Tellers, & Nicole Santora
The sketch comedy troupe Day Job presented two shows at the Ballard Underground this last Friday and Saturday. Day Job is made up of what could very well be the only all-female sketch comedy group in Seattle. The members are Caitie Auld, Kara O’Connor, Molly Tellers, and Nicole Santora. The foursome is currently a threesome as Nicole is out on maternity leave. I caught the Saturday show which featured the comedic talents of Clara Lewis, Casey Middaugh, and Brittany Tipton.
The show kicked off with a long music intro as Clara Lewis took the stage. She wasn’t expecting so much music but gladly shimmied around. Then she launched into a most inspired set on millennial woes. There was also perfect use of fart jokes. In my view, a strategically placed fart joke will carry you through thick and thin. Placement one: Clara clued us in on how she craves letting her guard down and be able to fart if she chooses. Okay, something the audience can instantly relate to. Placement two: Clara distinguishes between letting a fart fend off a bad date before it happens and avoiding a fart end a good date before it happens. All very funny stuff. Clara provided a very quirky and charming set.
Music was everything for Casey Middaugh as her set was a mix of spoken word accompanied by a ukulele. Casey has a winning smile and easily won over the audience with her whimsical sense of humor. It seemed to come from a sweet, and lovingly loopy, place with a touch of Andy Kaufman and Lily Tomlin. Casey gracefully gave us a short tour of her childhood via anecdotes and even a song she wrote when she was six years old. It’s quite an awesome song involving teenagers, Hawaii, and Hula hoops.
Millennial woes from a different vantage point made up Brittany Tipton‘s set. Brittany was very generous in opening up to the audience. From where she sits, low expectations are nothing to sneeze at. But, if you want to hear a more ambitious attitude, then Brittany was game. She invited the audience to take part in a quick and free therapy session before she became a professional and would have to charge an arm and a leg. One brave soul came forward and claimed he was having misgivings about his career choice. Brittany, with a wink and a ton of irony, did the best to reassure him.
And then it was on to a variety of freewheeling and fast-paced sets by the Day Job comedy group. Let me say here that I was very impressed with everything I saw. When you think about it, on any given night, a comedy club is likely to have an all-male show. Of course, we have great female comics and we need to see more of them. Saturday’s show was an excellent example. Is the female sense of humor any different from the male view? Equal, at least. Maybe even better. It seems that certain details in character studies might be handled with more care from a feminine perspective. Sometimes males need to tap into their feminine side. That said, the Day Job crew were on their A game.
One of the most inventive and fully realized scenes from the Day Job set was Molly Tellers as a father clumsily trying to help his teen daughter, played by Caitie Auld, match up with the coolest boy in her high school, played by Kara O’Connor. I’ll break this one down as best I can. Molly has a gift for taking on her characters with a fun and physical gusto. Much of it depended upon just the right goofy voice along with spot on body language. It’s an immersive quality she achieves as she channels her version of a Homer Simpson-like dad. Caitie, as the teen daughter, is a whirlwind of emotional despair. She nails her teen character with determined grace. I think Caitie is a wonderful talent with a delightful presence. Kara, as the most eligible bachelor, is hilarious. With effortless ease, she taps into all the bravado and posturing of a hot teenage boy.
Here at Comics Grinder we love our funny stuff. If you’re in Seattle, specifically if you’re wandering around Ballard wondering what’s up, make your way to the Ballard Underground this weekend. Starting up at 8:30pm, you can catch some of Seattle’s hottest talent as they focus on some serious women’s issues like, uh, “that time of the month.” I will provide y’all with a recap to Saturday’s show as that’s the one I’ll be able to make it out to. But, if you can, do see both!
July 17 – July 18
Jul 17 at 8:30pm to Jul 18 at 8:30pm
The Ballard Underground
2220 NW Market St Lowr LEVEL, Seattle, Washington 98107
Remember when we said we had no more live shows scheduled for the summer?! WE LIED. Day Job is taking a break from filming sketches to bring you two hilarious nights of comedy. We have the honor of featuring some of our favorite female comedians in the area and we cannot wait to debut this show! Everybody will be talking about their periods, moon cycles, and their favorite Cathy Comic…JK they’re gonna talk about whatever the fuck they want because they can!!!
Each night will feature a different line-up of pee-your-pants comedians followed by a 25 minute set by yours truly! Come join us for what we truly believe will be a show to remember! I mean come on, women?! Comedy?! Talk about a good joke!
Friday July 17th and Saturday July 18th at 8:30pm at The Ballard Underground. Pay-What-You-Can and come laugh your bandana off.
Friday July 17th:
Seattle Sketch Group: SUPER FAMOUS featuring Lindsey Leonard & Randy Wood
Saturday July 18th:
Here’s a new painting I did entitled, “Spring Lift.” First day of spring is this Friday, March 20! This painting incorporates thoughts of Seattle in the spring and the Macefield Home, a symbol of resistance.
Editor’s Note: Percy’s & Co. is a shining example of how old and new can come together. Percy’s & Co. is not some cute name that a marketing team came up with. It refers to Percy Sankey who built the building in 1893 to house his dry goods business. The Sankey building has mostly housed liquor purveyors of one form or another. Even when it was a dry goods business, there was a speakeasy in the back room.
Percy’s & Co. might be mistaken by tourists as a business going back over a hundred years. It’s actually brand new but it’s not brash. Just some local kids providing unique cocktails and working with local growers. Percy’s & Co. offers apothecary inspired cocktails. As its website states, these drinks feature “infused spirits, fresh purees, and beneficial tinctures.”
Thankfully, here’s a place that looks like it has a bright future because it bothered to take a careful look at the past. Visit Percy’s & Co. here.