There is one way out of Trump Nation and that involves galvanizing the individuals chosen to be electors to vote their conscience. Everyone who wants to make a difference, go out and protest and focus on one key message: “Electors, Do The Right Thing. Vote for Hillary Clinton.” Will that work? Hell, yes! That’s working with what you’ve got, within the system. In the United States, we have an electoral college system created by the Founding Fathers of this country. The idea is to assure equal representation between all states.
However, it is possible within this system to end up with one candidate receiving the popular vote while the other candidate ends up receiving the higher number in electoral votes. Here’s where it gets very interesting: according to the Constitution, chosen electors of the Electoral College are the real people who will vote for president, when they meet on December 19 in their respective state capitals. And you can reach out to them now and ask them to vote for Hillary Clinton. The message can be general as well as specific to each elector. Seek them out. Follow these steps right here.
Tell your electors, your fellow Americans who will cast the final vote on Dec. 19th, to vote their conscience.
Take it the streets, take it to social media, tell your electors, your fellow Americans who will cast the final vote on Dec. 19th, to vote their conscience. That’s the only route that could prevent Trump Nation. If only the Founding Fathers were here, I am sure they’d agree. It is the only way to turn it around given that Hillary Clinton won the popular vote by 200,000.
EDITOR’S NOTE: As of November 19th, according to new figures released by The Associated Press, Clinton received more than 1.5 million votes than her Republican rival. Clinton received 63,390,669 votes, while Trump received 61,820,845 votes — a difference of 1,569,824, according to The AP. Rounded off to whole numbers, that translates to 48 percent vs. 47 percent.
It’s worth a try, isn’t it? If ever there was a time to break the glass and go for the emergency hatchet, this is it. The Founding Fathers would give that a thumbs up. Trump is a product of the media. So, go out and spread the word to the media. Tell the talk show hosts. Tell anyone who will listen. That’s the best thing I can think to do right now.
For more information, visit change.org. You can sign a petition that will go directly to the Electoral College Electors. Just visit change.org right here.
Wren McDonald is a cartoonist and illustrator. His illustrations appear in The New York Times, The New Yorker, GQ, The Washington Post, The Hollywood Reporter, and many other places. His first full-length graphic novel, a quirky cyberpunk thriller, “SP4RX,” was recently published by Nobrow Press.
If you are in the New York City metro area this weekend, you can see Wren at Comic Arts Brooklyn. CAB is taking place this weekend with the main event this Saturday, November 5th, at Mt. Carmel Gymnasium, 12 Havemeyer Street, from 11am to 7pm, in beautiful Brooklyn! You can find Wren at CAB, downstairs at Table D31.
Wren McDonald has shot like a rocket since graduating from Ringling College of Art and Design in 2013. Wren has a refreshing take on both comics and illustrations: a rare set of skills, talent, passion, and drive. So, without further ado, here is my interview with Wren McDonald, recorded this Wednesday, as he prepares for Comic Arts Brooklyn.
HENRY CHAMBERLAIN: Wren, if we were to do a virtual tour of your studio, what would we find there?
WREN McDONALD: Well, my studio is my bedroom. So, here’s my bed and here’s my desk. That’s my studio! (Laughter)
That’s the set of circumstances for a lot of cartoonists and illustrators, isn’t it?
Yeah, especially living in New York. It just doesn’t make much financial sense to have a separate studio. But I have plenty of room here. It’s pretty spacious. I can spread out and get my work done. I have a super big desk and an iMac. And I actually have (laughs) the extended studio in the living room! There I have a Lasergraph copier where I print out my mini-comics and zines.
That’s for serious cartoonists.
“Did Trump and Clinton Get a Pass on Education?” illustration for The New Yorker by Wren McDonald
I direct folks who are new to your work to go to your website, wrenmcdonald.com. There you will find a cornucopia of stuff. I’m focusing on one of your current illustrations of Trump and Clinton and they are both sitting in a classroom. These two are hyperreal, larger-than-life, cartoonish. You can’t make them up. Could you give us a window into how you created that illustration?
That illustration was funny because I got the assignment the day before it was due, which was also the day before I was traveling to MICE Expo in Boston, a comics show that I was just at this last weekend. That was like a super rush job which was really intense. The art director at The New Yorker, Rina Kushnir, who is super great, I work with her a lot, she emailed me the article. She said it was last minute but she asked if I could do it. And I said, yes, of course.
Rina needed sketches in the morning and then the final that evening, around 5pm or 6pm. So, that morning, I sent in like four sketches. They were sort of goofy and funny. Like you say, these candidates are already cartoony so it’s easy to characterize them. Rina chose the one she liked. That was at noon. From that point, I got to work on the final and sent it over in the evening.
Those jobs are always pretty stressful but I enjoy doing them a lot because I feel that I work really hard and get a real day’s work in and have something to show for it.
It’s a beautiful illustration.
I wanted to ask you about your evolving into the illustrator you are today. Your work is appearing everywhere. Only a few years ago you were in Florida just starting out. Could you give us the cook’s tour of how you got where you are today.
Sure, I graduated from Ringling College of Art and Design, which is in Sarasota, Florida, in 2013. When I was in school, I had a website and was posting things on social media, like Tumblr, and I think that helped me get my feet off the ground in terms of people seeing my work.
From that point, I started going to comics shows like TCAF in Toronto, Comic Arts Brooklyn, and MoCCA. I tabled at TCAF and other shows I would just go to. I’d have mini-comics to give out to help make people aware of me. It’s two different paths, comics and illustration, so I’ll talk about them separately.
The illustration stuff is, like I say, social media and tracking down email contacts and networking. And a lot of promotional stuff. You want to create a portfolio that really looks like editorial illustration. Editorial work has a snowball effect. You start to get jobs and you’re seen as a professional.
CYBER REALM by Wren McDonald
The comics stuff is going to shows and socializing. I was approached by Peow! Studio, based in Sweden, about publishing one of my short stories in of one of their anthologies, “Time Capsule.” I thought that was super cool since I was familiar with their work. I was super excited. I think that was the first comics story that I had published out in the world besides my own stuff online, on Tumblr. Soon after that, I talked to Nobrow about doing a short story (CYBER REALM) for their 17×23 series which is a platform to try out new talent. That’s a small format, just 24 pages. We did that and enjoyed working together. So, Nobrow said they wanted to try something longer. That’s what I wanted to do so it worked out that way.
It’s amazing how quickly things came together. Did you already have an idea of what SP4RX was going to be like while you were working on CYBER REALM or did one work just follow the other?
I didn’t have one story cocked and loaded beforehand. I always hear other cartoonists, or writers, when they talk about their work, saying they had this story they’d been working on since they were 10 years-old and it’s part of an epic world they’ve created. I’m not one of those people. When I sit down to write a story it’s about brainstorming and anything that peaks my interest.
For SP4RX, I’ve always been interested in the cyberpunk genre, especially movies and comics. I wanted to work in that genre. I was already creating work dealing with technology, robots, and dystopian settings. I think it just made a lot of sense to me.
We’re always hearing about the digital versus the physical. I direct people to the comic you did for The Comics Journal. How did that come about?
I’m not sure if Nobrow contacted The Comics Journal, or the other way around, but The Comics Journal approached me about doing one of their A Cartoonist Diary columns. I was all for it since I have the attitude of wanting to try something out and make it work. I had not done diary comics before so I had to think about how to do this. Mine is not a traditional diary comic since it has these fantastical elements to it. Despite it being involved with things I was experiencing, the more apt title to it turned out to be “Not A Cartoonist Diary.” That was a fun project.
Over the years, illustration is deemed dead and then it comes right back. It all runs in cycles. You’re firmly in both the world of comics and illustrations. Some cartoonists, I know, have never printed mini-comics nor done the comic fest circuit. But you love that.
Right! I love making comics, reading comics, and telling stories. I am passionate about my comics work because I am able to draw what I want to draw. Illustration is a fun back and forth since it involves work that I would not necessarily choose to draw: it’s more like a puzzle. Okay, how do I use these images to convey a specific idea, very concisely, to pair with the article? It’s a fun back and forth. Maybe I’ve been working on comics for two weeks straight, and then I get an editorial assignment. That’s great, I can take a break from comics and do an illustration, take a break from having my face too close to the page and switch my train of thought–and vice versa.
SP4RX by Wren McDonald
If we were just chatting, we’d end up talking about books and movies, especially science fiction and cyberpunk. I imagine that “Videodrome” must be a favorite for you.
I do love “Videodrome.” David Cronenberg is amazing but I don’t think that “Videodrome” had a specific influence on SP4RX. Instead, concerning SP4RX, I had just read William Gibson’s “Neuromancer,” which I thought was like the coolest book ever. It is considered “cool.” I wanted to make something “super cool” like that! I’d always been into “Akira” by Katsuhiro Otomo. And “Ghost in the Shell” by Masamune Shirow and his Appleseed series. And movies like Paul Verhoeven’s “Total Recall” or “Robocop.” Or James Cameron’s “Terminator II.” “The Matrix.” “Aliens.” Stuff like that. I wanted to do something in the vein of that genre.
Let’s focus back on SP4RX: a super hacker going up against corporate enslavement. How close are we today to corporate enslavement?
There’s a lot of parallels that I was drawing from. Basic stuff that I’d see on the news. Even just going about my day-to-day, going shopping or whatever, that would end up in SP4RX. It’s a world with hover cars and sci-fi elements but there are plenty of parallels to our real world throughout. For example, I’d be watching some crazy video on YouTube with one newscaster harassing another newscaster and I would basically copy and paste that into the book. Within a sci-fi setting, you can focus on the human element. You don’t get caught up in a specific nation or political agenda. It’s just people in this science fiction world.
Everyone may not get a hover car but we’ve got plenty of the weird and nefarious stuff already. What do you think about Edward Snowden and us being monitored? The future is here.
Yeah, it makes me think that the cyberpunk genre and movement is more relevant than ever. When the internet was first coming about, that genre seemed so cheesy. It’s fun to laugh about it but there’s so much of it that’s relevant. Like you say, that NSA stuff is really happening. It’s important to pay attention to that and be aware.
Panel excerpt from SP4RX
Is there anything you’d like folks to know about that you are currently doing?
It depends upon when you think this post will go up. There’s Comic Arts Brooklyn this weekend.
I can push things up and get this out by Friday. I’d love to go to CAB. I have my own book I’m working on that is very much science fiction oriented. It’s about the science fiction writer George Clayton Johnson. His career and life’s journey has a very intriguing arc. He began with writing the story for the Rat Pack classic, “Ocean’s Eleven” and crescendoed with co-writing the novel that was the basis for the cult classic, “Logan’s Run.”
Oh, yeah, that movie has a nice sci-fi cheesy quality.
Well, the thing with George was that he kept to his set of values and the integrity of his storytelling. “Logan’s Run” is an example of a big studio having its own ideas on what the story should be. It’s totally fun though and I think a remake would be great. The original novel is very different. I think you’d enjoy it.
I will check it out.
Comic Arts Brooklyn
But getting back to CAB.
Yes, I will be at Comic Arts Brooklyn this Saturday, November 5th. You can find me downstairs at Table D31. So, come by and say hello! And I have a new mini-comic that will debut at CAB and then be available on my site which is called, “Dirt Dart,” a 12-page story about a soldier lost on another planet.
Well, it’s been fun talking with you, Wren. I know that you’re having the time of your life.
Yes, staying busy!
Thanks so much, Wren.
Thank you, Henry. When you’re in New York, stop by and we can have a drink.
You can listen to the interview by clicking the link below. I did not make any edits so you’ll pick up on some slight differences from the transcription which is a smoother read. One thing to mention here is that I was not aware of the title, SP4RX, being pronounced “Sparks.” I must have been firmly in the mindset of George Lucas and his 1971 classic, THX 1138:
SP4RX is out now. Find it at Nobrow Press right here. Visit Wren McDonald right here. And, if you are in the New York City metro area, be sure to visit Comic Arts Brooklyn this weekend. Visit CAB right here.
TRUMP is an informative guide on Donald Trump presented in a comics format by Ted Rall, published by Seven Stories Press. It is not a satire, nor is it a bombastic attack on Mr. Trump. In fact, if you were only to read a brief passage here or there, you might even warm up a bit to the human being that is Donald J. Trump. Yes, of course, this is a human being we’re talking about. To his credit, Trump has provided quite a reality check to what has usually been a rather rote and bloodless presidential campaign process. Well, the powers that be would much prefer it to work that way. But there’s always room for some sort of change. The last hopeful sign of it was the rise of Barack Obama. This time around, some would have you believe that the winds of change are for Trump. With Ted Rall’s compact and concise guide, you might pick up on a number of facts that have gotten lost in the whirlwind.
When one sings a high note, it is essential to leave room for the climb up. And so it is with Rall’s rendition of events. Rall has had a glorious career in comics leaning hard left or involving highly-charged pieces railing against the status quo. But, through it all, I believe Ted Rall has always had something interesting to say. I’ve had the pleasure to review two of his recent books, also with Seven Stories Press: a bio of Edward Snowden; and a bio on Bernie Sanders. SNOWDEN paved the way for some of Rall’s best work. The format of crisp chapters that hit the main points to each topic leads to greater clarity and seems to foster a well-balanced approach.
Trump, a pacifist? Not so much.
Of course, Rall wouldn’t be Rall without some provocation. In the case of TRUMP, Rall is playing fair where he can. Sure, Trump has proven to be a good guy in regards to his own family. Yes, Trump has made the establishment cringe in much needed ways. Who else but Trump would dare to so pointedly criticize the U.S. invasion of Iraq? Well, no Republican dared to cross the Bush dynasty in the way Trump did. Like it or not, that rebuke of the war in Iraq was nothing less than brilliant. However, Rall, while giving Trump some credit, is also building a case that a Trump administration would be fascist. In fact, Rall brings up a comparison to Hitler a number of times.
What makes Rall’s argument work is that he thoughtfully and logically presents the facts. Ironically, as it were, Rall does agree with Trump that America, overall, has been in decline these last forty years or so. But Trump is only exploiting a vulnerability. He heavily relies on his charisma and empty slogans. He blames races of people for America’s problems. And, while he was against the war in Iraq, he shows no qualms about “bombing the hell out of ISIS.” Rall refers back to, Robert Paxton, a history professor he studied under at Columbia. Paxton wrote the definitive, “The Anatomy of Fascism.” Of Trump, Paxton says, “He’s very spontaneous. He has a genius for sensing the mood of a crowd and I think to some degree Hitler and Mussolini had those qualities also. I do not think he’s learned this from a book.”
When the U.S. government could have saved Main Street, it sided instead with Wall Street.
Or is it possible that much, if not all, of what Trump has said and promised on the campaign trail is a bunch of blustery hooey? Rall’s book came out in time to tap into the recurring theme about Trump supporters: They are willing to overlook his offensive statements and take it with a grain of salt. The overriding goal for them is change. Let Trump be Trump and let him give an upturned middle finger to the political elite. It’s a fairly sophisticated stance coming from what most of the media is willing to dismiss as a steaming pile of racist buffoons.
Trump has been Professor Harold Hill to America’s vulnerable River City. Like that masterful Pied Piper, Trump has ingratiated himself with a larger-than-life persona only to come up woefully short on any of his outrageous promises. Trump has inspired Ted Rall to write this book about him and make a case for him being a fascist! But, alas, Trump may prove to be the most empty suit of them all.
TRUMP is a 192-page trade paperback in full color. For more details, visit Seven Stories Press right here.
(Why did the above train wreck of an answer from Donald Trump not derail the Trump campaign?)
I write to you because you are in a unique position as someone a whole lot of people admire and trust. You’re a smart and capable person. Otherwise, why should I even bother? Alright, that said, I would like you to seriously consider pushing harder on Donald Trump as he edges closer and closer to a viable occupant of the White House. What do you think?
You played a hard-hitting journalist on “House of Cards.” Let’s do this in real life, “for reals,” as the kids say. You were interviewed on your own show, “Good Morning America,” about what was real on “House of Cards” and you responded that nothing on that show is real. Nothing? Not even being a hard-hitting journalist? Oh, the irony! Say it ain’t so, George!
Do you want to be like most of the American media and keep throwing softballs to Donald Trump? Why, George, why? Would you like to say that I am being naïve about this? Don’t worry, George, I know about your very special connection to the Clintons. That is hardly a secret, am I right? Nudge, nudge, your secret is good with me. Actually, just go for it, no need to be loyal to anyone. Be hard-hitting with your questions to Hillary too.
Here are some great examples to consider:
4 November 1979: Roger Mudd, CBS News, presses Edward Kennedy on why he is running for president and Kennedy, while eloquent, does not seem to warm up to his answer:
11 September 2008: Charles Gibson, ABC News, asks Sarah Palin about the Bush Doctrine, keeps his focus, and it quickly becomes apparent she does not know what the Bush Doctrine is:
30 March 2016: Chris Matthews, MSNBC, engages Donald Trump in conversation to reveal that Trump believes women should be punished for having an abortion:
Each of these interviews became a news story in its own right.
Focus every ounce of journalistic integrity you may have and help to steadily bring down Trump. He is such an easy target. Why not do this, show Trump for what he is, an ignorant irresponsible demagogue. Worth a try, don’t you think?
If you are scratching your head and wondering how to do this, which is highly doubtful, just press him the next time he gives a messy, uneven, and thoroughly unacceptable answer to a question. Yes, Trump has given some really odd responses comparable to Sarah Palin at her worst. (See the above video displaying Trump’s utter ignorance of the U.S. nuclear triad and his attempt to cover himself.) So, just keep that in mind. Trump can easily be toppled. Are you game? Surely, you have nothing to lose except perhaps some rating points but that is really Trump’s biggest bluff of all. It worked out alright for NBC when it fired him.
Here is what you do when you start to lose your nerve, just repeat to yourself this refrain, “Trump is not the boss of me! Trump is not the boss of me!” That may seem silly but I think it could work and you will help save our country from a Trump administration. Look, Katie Couric decided she just wasn’t going to go all warm and fuzzy on Sarah Palin and, well, you know, the rest is history. Check out the video below: here is a typical interview between you and Trump. You’ll note that when Trump feels the heat, he’ll deflect with a vague, “We’ll see what happens.” Or if called out on a fact, he’ll double down on his answer and just move on. Next time, don’t let him just move on. Act like you did when you played a hard-hitting journalist on “House of Cards.”
Lastly, put out of your mind any blowback from Trump. Oh sure, it will sting, whatever he does, whether in person or later on Twitter. But it is only a brief and temporary sting. Stay focused. Be friendly and respectful going into an interview. But at some point, George, pivot to the tough questions. Once you’ve caught him, don’t let him off the hook. Go to it, George!
“Bernie,” the new graphic biography by Ted Rall, published by Seven Stories Press, is a brilliant portrait of the celebrated iconoclast. Following up on his graphic biography of Edward Snowden, Ted Rall has found a kindred spirit in Bernie Sanders. Something broke in the American political system at the end of the Sixties and we have been grappling with that ever since: the demise of liberal activism and the ascent of corporate influence. We see that debate raging in this year’s presidential campaign. Hillary Clinton represents the centrist Democrat; Bernie Sanders represents a way back to progressive values. Rall not only makes a case for Sanders but, in the process, shows us how far afield the American political system has gone and why it is vital to regain balance.
Ted Rall and Bernie Sanders both do not mince words and get to the point: the American middle class is being shrunken out of existence. The American political system is out of whack. Billionaires rule. The common man is left out in the cold. So, where do we go from here? Whatever your political affiliation, it is hard to make a case for the established way of doing things. Rall begins by looking back at how we got where we are. Rall points to the death of American mainstream liberalism with the stunning and utter defeat of Democrat George McGovern to Republican Richard Nixon in 1972. From that point forward, Democrats made a decided turn to the center right. Not only did Democrats abandon pursuit of social programs and saving the environment, they found themselves scrambling to hold onto past accomplishments. In the meantime, the right-wing of the Republican party became toxic.
In the spirit of America’s robust liberal history, there emerges a voice that finds many ears, Bernie Sanders. Rall makes the case that with the Great Recession, Bernie Sanders and his vision, is more relevant than ever. Rall’s simple drawing style is quite effective in keeping to a steady pace. As always, he cuts to the chase and provides numerous examples to make his point. Rall speaks eloquently to anything an Occupy Wall Street protestor might want to share with the public.
In the end, as divisive and distracting as politics is, there are some humbling facts to consider. Does anyone really want to see their government in the hip pocket of big business and needlessly avoiding investing in its citizens and infrastructure?
Rall makes a strong case for a Bernie Sanders candidacy and what it means. Even if establishment Democrats are resistant, Sanders is paving the way for a return to progressive values. Sanders isn’t planning to change the Democratic Party but his involvement now, in 2016, is the start of a new wave of involvement. Whatever the outcome, the rise of Bernie Sanders is significant.
“Bernie” is a 205-page paperback available now. For more details, visit our friends at Seven Stories Press right here.
Donald Trump has been in the news a lot, don’t you think? But why? Such an obvious question and yet it seems like there’s no clear answer. Well, I had the opportunity to interview Donald Trump and ask him those sort of questions and a whole lot more. In the interview, Mr. Trump seems candid. He is certainly confident. I hope you enjoy this fictitious, and oddly insightful, interview:
Henry Chamberlain: Thank you for doing this interview, Mr. Trump.
Donald Trump: Glad to be here.
HC: I wanted to start with an observation I made some years back. It was on an episode of “The Apprentice.” I remember that you fired a team leader over the name of the brand he chose to use. He went with a name that began with a lower case letter like, or example, he used “munchies,” instead of beginning with an upper case letter, like “Munchies.” You said you couldn’t work with someone who would make such a huge mistake. But it wasn’t a mistake. It was a style choice. You insisted that it was a flat out mistake and that you’d never seen such a style choice made before.
DT: Do we use a lower case letter to begin the word, America? I rest my case.
HC: I have friends who support you.
DT: Of course you do!
HC: I don’t question their integrity or anything like that. What I think has happened is that it’s so easy to get caught up in the hoopla of your campaign.
DT: Look, we’re going to be doing great things, really fantastic stuff.
HC: I liked the interview you did with Jimmy Kimmel.
DT: I like Kimmel.
HC: At least, he was able to bring up the fact that the character of Biff in “Back to the Future” is supposed to be based on you.
DT: Sounds like fun.
HC: I think the problem is that the media does not want to be too hard on you in fear of tearing down such valuable entertainment content. At the end of the day, you’re an entertainment goldmine.
DT: Listen, it’s going to take a gold standard in leadership to get us out of this mess we’re in.
HC: Every time it looks like you’ve stepped on a political landmine, you survive. If the media wanted to focus on your outrageous statements alone, they could. But they keep moving on. Just the one statement you made about viewing thousands of Muslims celebrating on September 11, 2001 would be enough to end the career of most politicians. Just the video of you mocking the disability of a New York Times reporter which you don’t like would be enough to end the career of most politicians.
DT: Look, what this country needs is less of your typical politician. Remember, I am not a politician. I am beholden to no one. When you get me, you get one hundred percent me.
HC: It’s interesting how your outrageous proposals, by default of the media’s inaction, are given credibility. It’s like out of a bad movie to propose a wall along the Mexican border. It’s like out of a bad movie to propose to keep Muslims out of the country.
DT: Listen, these are extraordinary times that demand extraordinary vision.
HC: When do you think your campaign will come to an end?
DT: I’m sorry, I don’t follow.
HC: When will you have had enough fun with this?
DT: Believe me, I’m having a lot of fun. People are having a lot of fun, feeling good about America. I’ve only just begun.
HC: Do you really believe you’ll go head to head with Hillary Clinton?
DT: Please, such a low energy person and with a whole lot of other problems, if you know what I’m saying.
HC: Is there a place for Jeb Bush in a Trump administration?
DT: Ah, a little joke. I appreciate that. Well, you know, I think he’s proven it’s time for him to retire.
Roy and I were just hanging out at the offices of Comics Grinder when we began to consider the current crisis in the Middle East. I had told Roy that Hillary Clinton was talking, actually warning, about the possibility of an Islamist state emerging from Syria and Iraq. This brought to Roy’s mind an essay by Isaiah Berlin, “The Hedgehog and the Fox.” The Hedgehog represents Plato and Big Ideas. The Fox represents Aristotle and Small Ideas. It is a classic that explains the virtues of knowing many small things as opposed to knowing, embracing, being blinded by, only one big thing.