“Pantheon: The True Story of The Egyptian Deities” by Hamish Steele
Who knew that ancient Egyptian (3000 BCE – 30 BC) mythology could be so much fun? Well, a very creative and funny guy named Hamish Steele sure does. Read his take on these creation tales in his new graphic novel, “Pantheon: The True Story of The Egyptian Deities,” published by Nobrow Press. It is always a pleasure to review a book by Nobrow as they consistently bring out books that will appeal to a wide readership. This book I peg at ages 13 and up. A tongue-in-cheek blurb on the back provides a friendly warning. It states that this book contains depictions of “incest, decapitation, suspicious salad, fighting hippos, lots of scorpions, and a golden willy.” So, keep that in mind.
Osiris weighs in.
Steele has created a “disruptive” comic interpretation of Egyptian mtyhology. It is as if he picked the brains of countless students who have had to slog through arcane history and literature and given them exactly what they wanted. How about The Canterbury Tales as told by Borat? The original is “bawdy” but still a bit distant. There is no harm in making it more accessible. In fact, the great Seymour Chwast gave us his take on The Canterbury Tales a few years ago and brings things to life in way that only the comics medium can do. What Steele does is follow the pantheon of gods and pharaohs as they attempt to rule over ancient Egypt, warts and all.
Isis on the hunt.
Take, for example, just how badly things go when a god is insecure. Ra, the sun god, senses that he has outworn his welcome among humans. So, what does he do? He turns his one and only duaghter, Hathor, into fury itself, hell-bent on killing humans. Not the best solution to a problem. Steele plays that up with sly wit. Of course, things get far more complicated once Ra drops off a few gods to fight over who will rule over humans as pharaoh. Gods being gods, nothing is beneath them. And here, Steele runs with it.
With an appealing style, Steele infuses these tales of gods and mortals with a zesty contemporary vibe. Steele’s approach is uninhibited, playful, and spot on. This would be a welcome addition in a high school or college classroom.
“Pantheon: The True Story of The Egyptian Deities” is a 216 page full-color trade paperback, available as of September 15, 2017. For more details, and how to purchase, visit Nobrow Press right here. You can also find this book by visiting Amazon right here.
What if you could run away and live off the land as you help settle the North Pole? Sounds kinda nutty, doesn’t it? Well, it made total sense to Vilhjalmur Stefansson, a Canadian Arctic explorer and ethnologist, active at the turn of the last century. Luke Healy’s new graphic novel, “How to Survive in the North,” published by Nobrow Press, looks back on this most quixotic journey.
Healy brings in a contemporary narrative thread that is interlaced with this bizarre arctic misadventure. It provides a nice counterbalance to the often dire arctic narrative. As weird as the attempt to settle the North Pole is, it is also weird, in a good way, to embark upon a graphic novel based upon this relatively arcane history. But a gem is a gem and it takes a certain talent to see that.
There’s a wonderful depth to this book with its full-bodied scope following the rhythms of a prose novel. Healy’s drawing style is economical while not missing a beat. The pacing, the light but spot on composition, and the compelling dialogue provide a rich experience. A lot of people today are ready to dive in and create their own graphic novels. There is no trick to it and there’s a great chance of failure. But, if you’re in love with it, then there’s no other way. Healy is clearly in love.
In fact, there’s plenty of love to be found within this story. One primary plot line, set in the present, follows the ill-fated affair between Sully Barnaby, a tenured professor, and Kevin, his student. Sully has been put on a forced one-year sabbatical to temper his lack of judgement. It is during this bittersweet one-year paid vacation that the prof immerses himself in the various documents related to the two arctic expeditions of 1912 and 1926. In the process, Sully gains a renewed sense of purpose.
Full Page Excerpt
Was it a very good idea to try to tame the North Pole? Spoiler alert: No, it was not such a good idea. But you will definitely root for the survivors. And reading this quirky and highly entertaining graphic novel is certainly a great idea! This book was first introduced to American audiences via the Center For Cartoon Studies, which launched the careers of Chuck Forsman, Jen Vaughn, and Sophie Goldstein, amongst others.
“How to Survive in the North” is a 192-page full-color hardcover. For more details, and how to purchase, visit Nobrow Press right here.
Wren McDonald is a cartoonist and illustrator. His illustrations appear in The New York Times, The New Yorker, GQ, The Washington Post, The Hollywood Reporter, and many other places. His first full-length graphic novel, a quirky cyberpunk thriller, “SP4RX,” was recently published by Nobrow Press.
If you are in the New York City metro area this weekend, you can see Wren at Comic Arts Brooklyn. CAB is taking place this weekend with the main event this Saturday, November 5th, at Mt. Carmel Gymnasium, 12 Havemeyer Street, from 11am to 7pm, in beautiful Brooklyn! You can find Wren at CAB, downstairs at Table D31.
Wren McDonald has shot like a rocket since graduating from Ringling College of Art and Design in 2013. Wren has a refreshing take on both comics and illustrations: a rare set of skills, talent, passion, and drive. So, without further ado, here is my interview with Wren McDonald, recorded this Wednesday, as he prepares for Comic Arts Brooklyn.
HENRY CHAMBERLAIN: Wren, if we were to do a virtual tour of your studio, what would we find there?
WREN McDONALD: Well, my studio is my bedroom. So, here’s my bed and here’s my desk. That’s my studio! (Laughter)
That’s the set of circumstances for a lot of cartoonists and illustrators, isn’t it?
Yeah, especially living in New York. It just doesn’t make much financial sense to have a separate studio. But I have plenty of room here. It’s pretty spacious. I can spread out and get my work done. I have a super big desk and an iMac. And I actually have (laughs) the extended studio in the living room! There I have a Lasergraph copier where I print out my mini-comics and zines.
That’s for serious cartoonists.
“Did Trump and Clinton Get a Pass on Education?” illustration for The New Yorker by Wren McDonald
I direct folks who are new to your work to go to your website, wrenmcdonald.com. There you will find a cornucopia of stuff. I’m focusing on one of your current illustrations of Trump and Clinton and they are both sitting in a classroom. These two are hyperreal, larger-than-life, cartoonish. You can’t make them up. Could you give us a window into how you created that illustration?
That illustration was funny because I got the assignment the day before it was due, which was also the day before I was traveling to MICE Expo in Boston, a comics show that I was just at this last weekend. That was like a super rush job which was really intense. The art director at The New Yorker, Rina Kushnir, who is super great, I work with her a lot, she emailed me the article. She said it was last minute but she asked if I could do it. And I said, yes, of course.
Rina needed sketches in the morning and then the final that evening, around 5pm or 6pm. So, that morning, I sent in like four sketches. They were sort of goofy and funny. Like you say, these candidates are already cartoony so it’s easy to characterize them. Rina chose the one she liked. That was at noon. From that point, I got to work on the final and sent it over in the evening.
Those jobs are always pretty stressful but I enjoy doing them a lot because I feel that I work really hard and get a real day’s work in and have something to show for it.
It’s a beautiful illustration.
I wanted to ask you about your evolving into the illustrator you are today. Your work is appearing everywhere. Only a few years ago you were in Florida just starting out. Could you give us the cook’s tour of how you got where you are today.
Sure, I graduated from Ringling College of Art and Design, which is in Sarasota, Florida, in 2013. When I was in school, I had a website and was posting things on social media, like Tumblr, and I think that helped me get my feet off the ground in terms of people seeing my work.
From that point, I started going to comics shows like TCAF in Toronto, Comic Arts Brooklyn, and MoCCA. I tabled at TCAF and other shows I would just go to. I’d have mini-comics to give out to help make people aware of me. It’s two different paths, comics and illustration, so I’ll talk about them separately.
The illustration stuff is, like I say, social media and tracking down email contacts and networking. And a lot of promotional stuff. You want to create a portfolio that really looks like editorial illustration. Editorial work has a snowball effect. You start to get jobs and you’re seen as a professional.
CYBER REALM by Wren McDonald
The comics stuff is going to shows and socializing. I was approached by Peow! Studio, based in Sweden, about publishing one of my short stories in of one of their anthologies, “Time Capsule.” I thought that was super cool since I was familiar with their work. I was super excited. I think that was the first comics story that I had published out in the world besides my own stuff online, on Tumblr. Soon after that, I talked to Nobrow about doing a short story (CYBER REALM) for their 17×23 series which is a platform to try out new talent. That’s a small format, just 24 pages. We did that and enjoyed working together. So, Nobrow said they wanted to try something longer. That’s what I wanted to do so it worked out that way.
It’s amazing how quickly things came together. Did you already have an idea of what SP4RX was going to be like while you were working on CYBER REALM or did one work just follow the other?
I didn’t have one story cocked and loaded beforehand. I always hear other cartoonists, or writers, when they talk about their work, saying they had this story they’d been working on since they were 10 years-old and it’s part of an epic world they’ve created. I’m not one of those people. When I sit down to write a story it’s about brainstorming and anything that peaks my interest.
For SP4RX, I’ve always been interested in the cyberpunk genre, especially movies and comics. I wanted to work in that genre. I was already creating work dealing with technology, robots, and dystopian settings. I think it just made a lot of sense to me.
We’re always hearing about the digital versus the physical. I direct people to the comic you did for The Comics Journal. How did that come about?
I’m not sure if Nobrow contacted The Comics Journal, or the other way around, but The Comics Journal approached me about doing one of their A Cartoonist Diary columns. I was all for it since I have the attitude of wanting to try something out and make it work. I had not done diary comics before so I had to think about how to do this. Mine is not a traditional diary comic since it has these fantastical elements to it. Despite it being involved with things I was experiencing, the more apt title to it turned out to be “Not A Cartoonist Diary.” That was a fun project.
Over the years, illustration is deemed dead and then it comes right back. It all runs in cycles. You’re firmly in both the world of comics and illustrations. Some cartoonists, I know, have never printed mini-comics nor done the comic fest circuit. But you love that.
Right! I love making comics, reading comics, and telling stories. I am passionate about my comics work because I am able to draw what I want to draw. Illustration is a fun back and forth since it involves work that I would not necessarily choose to draw: it’s more like a puzzle. Okay, how do I use these images to convey a specific idea, very concisely, to pair with the article? It’s a fun back and forth. Maybe I’ve been working on comics for two weeks straight, and then I get an editorial assignment. That’s great, I can take a break from comics and do an illustration, take a break from having my face too close to the page and switch my train of thought–and vice versa.
SP4RX by Wren McDonald
If we were just chatting, we’d end up talking about books and movies, especially science fiction and cyberpunk. I imagine that “Videodrome” must be a favorite for you.
I do love “Videodrome.” David Cronenberg is amazing but I don’t think that “Videodrome” had a specific influence on SP4RX. Instead, concerning SP4RX, I had just read William Gibson’s “Neuromancer,” which I thought was like the coolest book ever. It is considered “cool.” I wanted to make something “super cool” like that! I’d always been into “Akira” by Katsuhiro Otomo. And “Ghost in the Shell” by Masamune Shirow and his Appleseed series. And movies like Paul Verhoeven’s “Total Recall” or “Robocop.” Or James Cameron’s “Terminator II.” “The Matrix.” “Aliens.” Stuff like that. I wanted to do something in the vein of that genre.
Let’s focus back on SP4RX: a super hacker going up against corporate enslavement. How close are we today to corporate enslavement?
There’s a lot of parallels that I was drawing from. Basic stuff that I’d see on the news. Even just going about my day-to-day, going shopping or whatever, that would end up in SP4RX. It’s a world with hover cars and sci-fi elements but there are plenty of parallels to our real world throughout. For example, I’d be watching some crazy video on YouTube with one newscaster harassing another newscaster and I would basically copy and paste that into the book. Within a sci-fi setting, you can focus on the human element. You don’t get caught up in a specific nation or political agenda. It’s just people in this science fiction world.
Everyone may not get a hover car but we’ve got plenty of the weird and nefarious stuff already. What do you think about Edward Snowden and us being monitored? The future is here.
Yeah, it makes me think that the cyberpunk genre and movement is more relevant than ever. When the internet was first coming about, that genre seemed so cheesy. It’s fun to laugh about it but there’s so much of it that’s relevant. Like you say, that NSA stuff is really happening. It’s important to pay attention to that and be aware.
Panel excerpt from SP4RX
Is there anything you’d like folks to know about that you are currently doing?
It depends upon when you think this post will go up. There’s Comic Arts Brooklyn this weekend.
I can push things up and get this out by Friday. I’d love to go to CAB. I have my own book I’m working on that is very much science fiction oriented. It’s about the science fiction writer George Clayton Johnson. His career and life’s journey has a very intriguing arc. He began with writing the story for the Rat Pack classic, “Ocean’s Eleven” and crescendoed with co-writing the novel that was the basis for the cult classic, “Logan’s Run.”
Oh, yeah, that movie has a nice sci-fi cheesy quality.
Well, the thing with George was that he kept to his set of values and the integrity of his storytelling. “Logan’s Run” is an example of a big studio having its own ideas on what the story should be. It’s totally fun though and I think a remake would be great. The original novel is very different. I think you’d enjoy it.
I will check it out.
Comic Arts Brooklyn
But getting back to CAB.
Yes, I will be at Comic Arts Brooklyn this Saturday, November 5th. You can find me downstairs at Table D31. So, come by and say hello! And I have a new mini-comic that will debut at CAB and then be available on my site which is called, “Dirt Dart,” a 12-page story about a soldier lost on another planet.
Well, it’s been fun talking with you, Wren. I know that you’re having the time of your life.
Yes, staying busy!
Thanks so much, Wren.
Thank you, Henry. When you’re in New York, stop by and we can have a drink.
You can listen to the interview by clicking the link below. I did not make any edits so you’ll pick up on some slight differences from the transcription which is a smoother read. One thing to mention here is that I was not aware of the title, SP4RX, being pronounced “Sparks.” I must have been firmly in the mindset of George Lucas and his 1971 classic, THX 1138:
SP4RX is out now. Find it at Nobrow Press right here. Visit Wren McDonald right here. And, if you are in the New York City metro area, be sure to visit Comic Arts Brooklyn this weekend. Visit CAB right here.
I headed over to one of my favorite perches, Victrola Cafe on 15th, and started to read some comics. Okay, let me say this: Wren McDonald is one of the coolest cartoonists around. He likes to send time in cyberspace and he takes his readers along for the ride.
CYBER REALM by Wren McDonald
We will start with McDonald’s CYBER REALM, which came out last year, published by Nobrow. And we will ease our way into the newer work out this year by McDonald, SP4RX, also published by Nobrow.
Reading CYBER REALM
The short graphic story, CYBER REALM, is very action packed with tons of irony. Our hero, Nicholas was just minding his own business when thugs sent by The Master terrorize his home. Nicholas is from The Mortal Realm and must serve The Master from The Cyber Realm. But, when Nicholas does not have the extortion money that’s demanded of him, his son his killed and he’s torn apart and left to die. Pretty bloody grim!
Page from CYBER REALM
Lucky for Nick, a bunch of robots rescue him and turn him into a badass cyborg. We’re now locked into an extreme revenge tale with Nick blasting into the Cyber Realm on his relentless quest for The Master. Thanks to a light whimsical touch from McDonald, this heavy-duty tale does not get too dark and moves along quite nicely. This 24-page comic is part of the Nobrow 17×23 series that showcases new talent and helps set the stage for larger works, which brings us to the graphic novel, SP4RX.
SP4RX by Wren McDonald
SP4RX has all the bells and whistles in all the right places. This 116-page graphic novel is a full-bodied cyberpunk adventure that would make William Gibson and Philip K. Dick proud. It’s a story that doesn’t forget to save the cat. There is plenty of heart all the way through. We even have McDonald’s take on our obsession with personifying droids in the spirit of R2-D2. And that only works because we have other lively characters to play off of–some human, some cyborg. After all, this is science fiction.
This is a straight-up common people against the elites plot spiked with an impressive helping of original humor and action. Our hero, SP4RX is your basic hacker for hire. The only problem is that he’s exceptionally good at what he does so he ends up working with some pretty high-powered sorts–and with that can come some pretty high-powered trouble. SP4RX finds himself smack in the middle of the conflict between the rebel forces and the evil all-powerful state. His only hope is that he can do the right thing despite his selfish inclinations.
The general public, also known simply as “lower levels,” has been lulled into accepting Elpis, a cure-all that boosts energy to superhuman levels. But the Elpis program proves to only serve the purposes of those in power. All souped-up on Elpis, the public feverishly increases its performance at work and abandons its humanity. Enter our hero SP4RX to this quirky dystopian tale.
Page from SP4RX
McDonald’s light-hearted cartoony style belies the story’s serious cyberpunk undertones in an uncanny and engrossing way. The way McDonald plays with scale and pacing is masterful. He creates thrilling and immersive scenes that see our characters dodging bullets, running down alleyways, and leaping off ledges—and that includes some artfully rendered interludes into cyberspace. Wren McDonald has created a perfect mashup here of humor and sci-fi.
Nobrow is an excellent publisher focusing on books for all ages. CYBER REALM and SP4RX are suitable for older readers, tween and up. And, as I hope you can tell from my reviews, adults will thoroughly enjoy both of these works too. Visit Nobrow right here.
The opening scene in “Moonhead and the Music Machine,” Andrew Rae‘s new graphic novel, reminds me of a short story by P.G. Wodehouse about a boy who struggles with always being late for breakfast at his boarding school. Too bad he couldn’t have used such an excuse as having a moon for a head. However, Joey, our main character in this fabulous work of comics does have a moon for a head! The panels with Joey’s moonhead catching some more winks while his body trudges off to high school is pure comics magic. It turns out that Joey can tune out the world at will and have an out-of-body experience any time he likes. This might have been a bit too much for Wodehouse to process in his day but he probably would have approved.
Daniel Stope is a well-intentioned young man from the country who has dreams of becoming a professional artist. Of course, one of the best places to foster, as well as dash, such ambitions is going to an art school. In can be honey or vinegar, depending upon numerous factors. Jamie Coe explores the honey and vinegar of art school in his debut graphic novel, “Art Schooled,” published by Nobrow Press.