Category Archives: Trump
Spider-Man and the Mueller Report
Filed under Cartoons, Henry Chamberlain, Political Cartoons, Trump
Trumpworld: Trump and Bill Barr: Nothing to See Here, Folks!
Working for Trump is not the first time that Attorney General William Barr has been called upon to clean up a mess. Barr had the very same job of Attorney General under George H.W. Bush where he presided over making the Iran-Contra scandal fade away. Papa Bush, with Barr’s whole-hearted support, pardoned six key people from the Reagan administration who were involved, including former Defense Secretary Caspar Weinberger.
If Barr saw no problem in absolving players in Iran-Contra, one of the biggest scandals since Watergate, then he certainly has no problem in helping to somehow make the Mueller report go away; clear Trump & Co. of any and all charges; and just perform his role as a smug little henchman doing his master’s bidding.
Filed under Comics, Donald Trump, Editorial Cartoons, Humor, Mueller Report, Political Cartoons, politics, Trump
Seattle Focus: Jason Lutes and BERLIN
Cartoonist Jason Lutes was in Seattle to talk about the new book that collects his comics series, Berlin. It took place at The Elliott Bay Book Company, November 8, 2018. This event included a conversation with cartoonist Megan Kelso. It was co-presented by Short Run.
Berlin is a monumental work in comics. Few cartoonists will come close to such an achievement–and it couldn’t have been created by a nicer guy. What came across, over and over, during this talk is the fact that Lutes is very accessible and down to earth. That open approach plays into part of what makes his landmark work so special. It all began when teenager Jason Lutes wanted to make sense of a documentary about the holocaust he was suddenly exposed to in a high school history class. The teacher for that class was an alcoholic who made no effort to hide his struggles. He literally set up the movie for his class and left to get a drink. That abrupt and careless action ultimately triggered an in depth exploration of Weimar Germany through a creation of an expansive work in comics that would take 22 years to complete.
It was not lost on anyone during Lutes’s talk related to the dismantling of the German government of the 1920s that concerned citizens, just outside on the streets of Seattle, were protesting Trump’s own inroads into dismantling the U.S. government. Timing is everything. That Thursday night book talk directly coincided with protests across the country in support of protecting the Robert Mueller investigation after Trump installed a loyalist as acting Attorney General of the United States. Details are everything. If you follow the characters and the rich narrative of Berlin, you can’t help but get an eerie sense of having a mirror held up to the past and to the present.
Authenticity is everything. What is so appealing about comics by Jason Lutes is the solid storytelling. That involves a dynamic use of the comics medium: a crisp consistency in step with strategically placed visual elements that are pleasing to the eye and move the story forward. A quick example: I was standing in line to get my copy of Berlin signed and I made a point of poring over each page as I flipped my way through. Right around the midpoint, there is a page made up of wordless panels showing a mysterious figure in a row boat. He reaches the shore to find what looks like a vicious snake. He picks it up by its jaws and overpowers it. That same character reappears in the book as does the snake, both providing just the right doses of symbolism as well as pure entertainment. It’s important to note that, while Lutes referred to vast amounts of research and reading, he also fondly recalled the influence of key works in pop culture. Berlin Alexanderplatz, a novel about Weimar Germany, by Alfred Döblin, holds as much importance to Lutes as his viewing of the original Star Wars movie as a kid. Altogether, what you have in Berlin is an honest look from an individual processing and distilling at a meticulous level.
For many in the audience that night, it was an opportunity to revisit a respected work and commiserate with a friend and colleague. Seattle is a lightning rod for countless creative people and that includes a high number of independent cartoonists. There’s a certain sensibility to the alt-comics artist with Jason Lutes being a prime example. As he discussed in his lecture, it was Seattle that he gravitated to in the 1990s. After attending the Rhode Island School of Design, Lutes moved to Seattle and worked for the comics publisher, Fantagraphics. He subsequently worked for the alt-weekly, The Stranger, just as it began publication in 1991. During this era, Lutes became part of a group of cartoonists that went on to form an integral part of the Seattle comix scene. That group included some members that were in attendance that night: Megan Kelso, David Lasky and Jennifer Daydreamer. It was a treat to have part of the gang together again on such a special occasion.
Berlin, the complete collection, is out now. It is a 580-page hardcover published by Drawn & Quarterly. Jason Lutes teaches comics at the Center for Cartoon Studies in Vermont.
TRUMPWORLD: Brett Kavanaugh Loves Beer!
From his opening statement today, one thing is for sure, Brett Kavanaugh Loves Beer! For such a supposedly sophisticated legal mind, Kavanaugh has stumbled and simply come across as upset. “If everyone who loves beer was accused of sexual assault, that would be a very sad world,” stated Kavanaugh today. He proceeded with repeatedly stating how much he still loves beer. Is this a great legal mind? Is this a person of good character? Clearly there is absolutely no moral equivalence between Kavanaugh’s testimony and Dr. Ford’s testimony.
The three accusers of Kavanaugh have welcomed FBI investigations. Kavanaugh talks circles around it when asked if he would welcome an FBI investigation.
Even Senator Lindsey Graham’s histrionic defense of Kavanaugh rings hollow.
Filed under Brett Kavanaugh, Comics, Donald Trump, Political Cartoons, politics, Trump, Trumpworld
Movie Review: BlacKkKlansman
Do you find yourself flooded by Trumpworld only to wish you could zone it all out? That frenzied state of distraction is exactly what the Donald is aiming for. Spike Lee’s new film, BlacKkKlansman, aims to give us clarity and put things in perspective.
Anyone familiar with Spike Lee’s work appreciates its integrity. 1989’s Do The Right Thing deftly confronts American race relations. That is a powerful movie. Lee brings that same energy and intelligence to 2018’s BlacKkKlansman. As a cartoonist, I often wonder about how the comics medium, in all its varied forms, can best address the current Trump crisis. I think Jim Carrey’s cartoony paintings, with their raw quality, have a much greater impact than perhaps most professional editorial cartoons. As for anything remotely falling under the “graphic novel” category, I’d have to give a lot of credit to John Oliver’s parody of Mike Pence’s Bunny Book. That said, whatever the art form, it is the measured response that ultimately wins the heart and soul of the viewer.
Spike Lee has certainly given careful consideration. Based upon a true story, Lee’s main character is a young and idealistic African American man conflicted by serving his local police force and serving his community at an activist level. The narrative masterfully weaves in the 400-year-old American racial experience: past, present (1972), and future (2018). There are those moments when everything comes to such fine point, especially after the newly-minted undercover detective Ron Stallworth (John David Washington) has gotten settled into his job. One fellow officer talks with him about how white supremacists are steadily going mainstream and it will eventually lead to the White House. Ron shakes his head in great disbelief.
It is Ron’s job, which he carved out for himself, to infiltrate the local chapter of the Colorado Springs Ku Klux Klan. He is obviously in need of help since his phone conversations quickly lead to an invitation to meet in person. That’s where a second Ron Stallworth (Adam Driver), in the flesh and Jewish no less, comes in. And the KKK connection just keeps getting complicated, not to mention dangerous. Soon, the original Ron Stallworth is on the phone establishing quite a friendly relationship with the young KKK Grand Wizard David Duke (Topher Grace). Lee continues to thoughtfully and gracefully connect the dots, as painful as they are–without a heavy hand. And it is that cumulative effect that adds up to the most powerful film I’ve seen this year. The final moments bring us to our present with a fiery defiance and a remembrance of Heather Heyer, may she “Rest in Power.”
Spike Lee delivers a good dose of reality that can stir the soul. We don’t do this much anymore (maybe for Star Wars and superhero movies) but this film will have you in the mood to clap at the end. This movie got me good and I was clapping. I even yelled out that folks can applaud. I did it in that communal spirit that many of us in Seattle respond to. Well, not only in Seattle. And, like a chain reaction, people did applaud. It didn’t last very long since, as I say, we really don’t applaud movies anymore. But it did happen all the same, even if momentarily. We Americans need to respond to the current American crisis every chance we get. BlacKkKlansman responds to that very real need. It’s a start and it will, no doubt, inspire others to do much more, like voting.
Filed under Charlottesville, Donald Trump, Spike Lee, Trump
TRUMPWORLD: Sure, Give Bill Browder to Putin!
Anyone in the Trump White House should know that handing over to Putin whistleblower Bill Browder, a very hard thorn in the side of Putin, would be a death sentence for Mr. Browder. And yet White House Press Secretary Sarah Huckabee Sanders said today that the president will consider allowing Russian investigators to question U.S.-born investor Bill Browder, along with former U.S. ambassador to Russia Michael McFaul and others.
Bill Browder and the Magnitsky Act are essential knowledge during this global crisis and opens a wide window onto how corrupt and murderous the Putin regime is. It is unforgivable for anyone in authority in the so-called Trump administration to have no clue about this. Thankfully, there are real adults out there. Later in the day, State Department spokesperson Heather Nauert called the concept “absolutely absurd.”
In a nutshell, Mr. Browder was the first and only American hedge fund investor in Russia, right at the time of the fall of the Soviet Union. He got to see, firsthand, the rise of the oligarchs, and Putin. It was one of Browder’s trusted aides, Sergei Magnitsky, who got too close to Putin’s crosshairs and was murdered by Putin’s henchmen. Ultimately, this led to the passage in Congress of the Magnitsky Act, which keeps Russian criminals, like the killers of Sergei Magnitsky, out of the U.S. The takeaway here is that Vladimir Putin is a very, very dangerous person.
It was an honor for me to review Mr. Browder’s book, Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice. If you want quite a compelling read, I highly recommend this very valuable book. But, by all means, any information you can get is of great value including the recent video clip above with Mr. Browder speaking on Putin in relation to Trump.
Filed under Donald Trump, Putin, Russia, Sarah Huckabee Sanders, Trump, Vladimir Putin