Confederate statues are being removed, including that infamous Robert E. Lee statue, the one at the center of the tragedy in Charlottesville in 2017. What is essential to know is that these Confederate leader statues were not erected immediately after the Civil War in 1865 but were installed years later, during the era of Jim Crow. According to the Southern Poverty Law Center’s research, the biggest spike was between 1900 and the 1920s. Lost in the shuffle is the question of what happens to these statues once they’re “removed.” One Lee statue in Dallas was removed in 2019 only to be sold to an unknown party. In 2017, New Orleans removed a total of four Confederate statues including one of Lee. New Orleans Mayor Mitch Landrieu said that the monuments represent a “sanitized” view of the Confederacy. Landrieu added that they were erected years after the Civil War ended by people who wanted to show that white supremacy still held sway in the city. The cost of removal was over 2.1 millions dollars. Some of the factors in that huge price tag involved public safety and security but that still seems to be a steep price to pay. And, again, what exactly should be the end result to all of these statues? That’s a very good question.
Artist rebel Banksy offers an option byway of a recent removal of a statue across the pond, that of Edward Colston in Bristol. Colston was a 17th-century slave trader that was responsible for having transported over 80,000 enslaved individuals between 1672 and 1689. This past Sunday, protestors took down the statue of Colston from its pedestal, located in the center of Bristol, and sank it to the bottom of the Avon River. Banksy proposes to keep the infamous statue but repurpose it. As Banksy states on Instagram:
“What should we do with the empty plinth in the middle of Bristol?
Here’s an idea that caters for both those who miss the Colston statue and those who don’t.
We drag him out the water, put him back on the plinth, tie cable round his neck and commission some life size bronze statues of protestors in the act of pulling him down. Everyone happy. A famous day commemorated.”
Sounds like a very good answer. Of course, taking a sledgehammer to these statues is another option. New Orleans Mayor Landrieu led the way with the removal of his city’s four statues. Other cities followed, including Baltimore, Austin, and Durham, North Carolina. But where did these statues end up? The New Orleans statues are kept, to this very day, in some old shed in an undisclosed location.
Adam Driver (left) and John David Washington in ‘BlacKkKlansman’
Do you find yourself flooded by Trumpworld only to wish you could zone it all out? That frenzied state of distraction is exactly what the Donald is aiming for. Spike Lee’s new film, BlacKkKlansman, aims to give us clarity and put things in perspective.
Topher Grace in BlacKkKlansman
Anyone familiar with Spike Lee’s work appreciates its integrity. 1989’s Do The Right Thing deftly confronts American race relations. That is a powerful movie. Lee brings that same energy and intelligence to 2018’s BlacKkKlansman. As a cartoonist, I often wonder about how the comics medium, in all its varied forms, can best address the current Trump crisis. I think Jim Carrey’s cartoony paintings, with their raw quality, have a much greater impact than perhaps most professional editorial cartoons. As for anything remotely falling under the “graphic novel” category, I’d have to give a lot of credit to John Oliver’s parody of Mike Pence’s Bunny Book. That said, whatever the art form, it is the measured response that ultimately wins the heart and soul of the viewer.
White nationalists clashing with counterdemonstrators in Charlottesville, Va., last year. With an anniversary rally planned in Washington on Sunday (8/12/2018), the authorities have planned for weeks to avoid a repeat of last year’s clashes.CreditJoshua Roberts/Reuters
Spike Lee has certainly given careful consideration. Based upon a true story, Lee’s main character is a young and idealistic African American man conflicted by serving his local police force and serving his community at an activist level. The narrative masterfully weaves in the 400-year-old American racial experience: past, present (1972), and future (2018). There are those moments when everything comes to such fine point, especially after the newly-minted undercover detective Ron Stallworth (John David Washington) has gotten settled into his job. One fellow officer talks with him about how white supremacists are steadily going mainstream and it will eventually lead to the White House. Ron shakes his head in great disbelief.
It is Ron’s job, which he carved out for himself, to infiltrate the local chapter of the Colorado Springs Ku Klux Klan. He is obviously in need of help since his phone conversations quickly lead to an invitation to meet in person. That’s where a second Ron Stallworth (Adam Driver), in the flesh and Jewish no less, comes in. And the KKK connection just keeps getting complicated, not to mention dangerous. Soon, the original Ron Stallworth is on the phone establishing quite a friendly relationship with the young KKK Grand Wizard David Duke (Topher Grace). Lee continues to thoughtfully and gracefully connect the dots, as painful as they are–without a heavy hand. And it is that cumulative effect that adds up to the most powerful film I’ve seen this year. The final moments bring us to our present with a fiery defiance and a remembrance of Heather Heyer, may she “Rest in Power.”
Spike Lee delivers a good dose of reality that can stir the soul. We don’t do this much anymore (maybe for Star Wars and superhero movies) but this film will have you in the mood to clap at the end. This movie got me good and I was clapping. I even yelled out that folks can applaud. I did it in that communal spirit that many of us in Seattle respond to. Well, not only in Seattle. And, like a chain reaction, people did applaud. It didn’t last very long since, as I say, we really don’t applaud movies anymore. But it did happen all the same, even if momentarily. We Americans need to respond to the current American crisis every chance we get. BlacKkKlansman responds to that very real need. It’s a start and it will, no doubt, inspire others to do much more, like voting.
Do you think it’s hard to find comics that you can relate to on a human scale? Hopefully, that’s not the case but, for a lot of readers out there, it may seem confusing. Well, the comics medium offers such a vast and wide assortment of possibilities. Consider the story of Wilhelmina Huckstep, “Will” for short, who is a talented and beautiful young woman who has one Achilles’ heel. She’s sort of afraid of her own shadow. More specifically, she’s afraid of the dark.
For a relatively young country, the United States holds a tremendous amount of history, with much of it leading back to Ole Virginny. “All My Ghosts,” a new comic from Alterna Comics, is set in a small town in Virginia, rife with history, and ghosts. Our main character is Joe Hale, the editor and owner of The Wise Progress. This is likely a nod to The Daily Progress in Charlottesville. Given that this story takes place in Wise, a small college town up near the Appalachian Mountains, I believe I’ve hit the nail on the head. It’s a nice quirky setting that adds some extra flavor.
“Mounthaven” is the story of a man on a journey of self-discovery stymied by his own personal set of blinders. Those blinders prove to be a costly problem for him. He seems to be aware of them. He wants them off. He is certain he can see the blinders others wear. That alone is the stuff of novels. This is also the stuff of life which makes this biography, thinly veiled as fiction, all the more remarkable. Throughout the book, there is a narrator leading you through a family history intertwined with the family estate, Mounthaven. By the last third of the novel, it is revealed that the narrator is the main character. And the main character happens to be my father. If that’s not remarkable, at least in my world of reading, I don’t know what is. In fact, out in the world at large, this book should find many interested readers.