This was a shaky situation right from the start: one mega-corporation owns a universe of beloved superheroes; and another mega-corporation owns one of the most beloved characters from that same universe! How is that going to work? For a brief shining moment, it looked like Disney and Sony could play nice and live in a world where Spider-Man could frolick freely right along with his fellow Avengers. But no more, at least not for now. Disney and Sony simply cannot play nice. Fans have their own opinions on that and have #SaveSpiderman and #SaveSpidey trending like crazy. We wish all involved the best of luck! Tom Holland would have made a great Spider-Man right alongside The Avengers.
Category Archives: Spider-Man
Guest column by George Brandes
In the heyday of the 1990s, the X-Men were far and away the most popular Marvel comic on the shelves. The animated series from the same era remains beloved by fans and the movies still consistently put up big numbers at the box office. But today, one place we’re seeing the X-Men less and less is in the pages of the actual comics. With the attention of the comics becoming ever more focused on reflecting the Marvel Cinematic Universe, it has begun to look as though one popular franchise is being left behind, the X-books.
Unless you’ve been living under a particularly large rock, you know there’s been a bit of a clash of the titans concerning the ownership rights for Marvel properties between Disney and Fox. Fox has the rights to the X-Men and Deadpool while Disney (and subsequently Marvel) gets the Avengers and everyone else. Disney has apparently made nice with Sony, who have the rights to Marvel’s other flagship hero, Spider-Man. The latest iteration of the web-slinger appeared in the recent Captain America: Civil War while Robert Downey Jr.’s portrayal of Tony Stark will make his own appearance in Sony’s upcoming Spider-Man: Homecoming. This reconciles the two once disparate cinematic continuities and their partnership is being reflected in the comics. Marvel continues to push new and exciting Spider-Man stories while experimenting with and expanding the character’s world.
Unfortunately, no such deal has been reached between Disney and 20th Century Fox. As a result, the Marvel Cinematic Universe and the big-screen exploits of the X-Men remain at a noticeable arm’s length from each other. Even in the Avengers films with their inclusion of characters such as the Scarlet Witch, they’re careful to never specifically mention the world “mutant” lest they step on the toes of the films from Fox or recognize that mutants are even a thing in the MCU.
In the publisher’s latest relaunch with its All-New Marvel campaign, fans noticed a significant dearth of mutant-related titles, with the company instead choosing to focus more on the extraterrestrial Inhumans. It doesn’t seem like a coincidence that Marvel and Disney still have the film rights to a potential Inhumans movie while Fox retains its death grip on the X-Men franchise. It should also be noted that Marvel is no longer publishing The Fantastic Four as an ongoing comic, a property whose film rights are also owned by Fox. As a result of this impasse, Marvel has taken to slowly but surely erasing both the X-Men and the Fantastic Four from its merchandising as well.
The lack of X-books certainly isn’t because the characters are no longer popular. If anything, the X-Men are just as popular as ever judging by the money made at the movies. The mutants also continue to make their mark in video games, with three separate X-Men-themed casual titles among similar jackpot-based offerings online. They feature classic line-ups of characters that fans know and love while using the time-tested gameplay of a traditional slot-reel. These games work to expand the property’s reach to a much larger audience than would be possible through just the comics, or even the movies. Also, with the massive overhauls being seen throughout the X-verse, these games are one of the few places you’ll still be able to find the take on Wolverine that you remember from the original cartoons. The comics are now populated by Old Man Logan while the female mutant formerly known as X-23 now wears the Wolverine mantle.
If fans didn’t still connect with the mutants on a personal level, there’d be little incentive to use them as a draw for mass audiences. Clearly, there’s something larger at foot for their notable absence from the comics. The X-Men are obviously still a popular property, so it would be surprising to see the team disappear entirely from comic book pages. Marvel would be cutting off its nose to spite its face if they made such a move, but it wouldn’t be all that surprising given what happened to the Fantastic Four.
The X-Men have been a pivotal property in helping shape Marvel into the company we know it today, and they were also largely responsible for the modern day superhero film boom. While we would seriously doubt to see the mutants disappear completely, the future for homo superior has never looked more bleak. We can only hope that Marvel can reconcile with the property that helped to save it in its darkest hour.
Here is an unusual essay that argues that the screenplay for David Lynch’s “Blue Velvet” was lifted from classic “Amazing Spider-Man” comics. Republished with permission, this essay originally appeared in The Comics Decoder by poet/cultural subversive R. W. Watkins:
Webs in Lynch’s Closet?
Similarities Between Blue Velvet and Early Spider-Man
by R.W. Watkins
Like the classic Stan Lee-era Amazing Spider-Man comics (1963-c.1972), the films and television series of David Lynch depend on a precise combination of suspense, melodrama and jet-black humour amidst a cast of extreme and offbeat characters. This is certainly more true of Lynch’s 1986 neo-noir masterpiece Blue Velvet than any of his other celluloid creations for the big and small screens. In fact, one can make a reasonably sound argument that Blue Velvet not only resembles early Amazing Spider-Man in its tone and aberrant dynamics, but indeed also owes a great deal to the actual early plots and characters of the classic comic magazine.
As death of a superhero stories go, this one takes the cake. “The Amazing Spider-Man,” ends with Issue 700, “Dying Wish: Suicide Run,” and gives us what would seem an ironclad end to the Spider-Man we’ve known since 1962! We had recently seen a death of Peter Parker in “Ultimate Spider-Man,” but not until now do all die-hard fans really gasp in astonishment at the end of an era. Spider-Man’s odometer is being rolled back in such a really big way, above and beyond a new origin shake-up like the “New 52” reboot at DC Comics. And there lies the beauty in what Marvel Comics is currently doing. All readers should appreciate the big changeover that will leave any true believer wondering what will happen next. If you can’t stand any form of spoiler, stop now. But, if you are at all familiar with Spider-Man and are cool with discussing this issue in depth, then read on.