DC Comics: Anatomy of a Metahuman is another entertaining and informative title from Insight Editions. This is something that will appeal to teen readers and up. Whatever your level of knowledge of superheroes, particularly from DC Comics, this book is quite appealing. A “metahuman” can mean a lot of things and, in the DC Universe, it is a superhuman power. That includes the most prominent names like Superman and Aquaman as well as lesser know characters like The Cheetah and Martian Manhunter.
This book examines in detail, with bold illustrations, the powers of twelve characters. It’s an investigation carried out by, none other than, Bruce Wayne. So, Batman himself guides the reader through this top secret dossier. You never know what to expect with these metahumans, friend or foe. For the most part, these are villains. Some have gained in prominence since gracing the silver screen, like Bane and Doomsday.
Bruce Wayne doggedly pursues the secrets to Superman’s superpowers.
In the hierarchy of metahumans, it’s hard to judge the order of significance. Each can become a star within context. And often the most interesting things are going on with the least known. And, with that in mind, this book makes for an intriguing collection.
There is a fun and natural flow to this book. The reader will be delighted with the meticulous reporting by Bruce Wayne. He definitely gives it his all in attempting to dissect Superman. The reader will enjoy following Wayne’s obsessive search and question alongside him as he ponders such things as: “While it would explain many of his feats, is negative mass effect even the likeliest reason for his abilities?” In a sense, this dossier is a story within a story.
Wayne goes on to turn his attention to The Cheetah, Aquaman, and on down the line. This is a wonderful way to become more familiar with the DC Universe, all under the metahuman theme. Without a doubt, this is another great title from Insight Editions.
DC Comics: Anatomy of a Metahuman is a 160-page full color hardcover available as of September 18, 2018. For more details, visit Insight Editions right here.
THE ELECTRIC STATE, a graphic novel by Simon Stålenhag, soon to be a major motion picture.
China is the new Hollywood. Who knew? Big studio director Renny Harlin (Die Hard 2 and Cliffhanger) left Hollywood in favor of China years ago. Indeed, China is the world’s fastest-growing movie market. That said, China is poised to deliver its own blockbuster. As reported by The Wall Street Journal, much depends upon the Russo Brothers. Never heard of them? Well, you’ve definitely heard of the movies they’ve directed for Marvel. You know, some of the ones starring Captain America and the whole merry crew of Avengers. They are currently completing the next installment, “Avengers: Infinity War,” due for release on April 27, 2018.
Abra, Odessa Young, Hari Nef and Suki Waterhouse appear in Assassination Nation by Sam Levinson, an official selection of the Midnight program at the 2018 Sundance Film festival. Courtesy of Sundance Institute.
The Russo brothers have recently joined with Agbo, a production company backed by China’s largest private film company, Huayi Brothers Media Corp. The goal is for Agbo to make its own superhero movies and/or related blockbuster movies. However, just because you could bankroll a successful superhero movie doesn’t mean you have the golden touch. There’s a whole graveyard of clunker superhero movies backed by buckets of money. But Agbo has cherry picked from the best. They also have the writers from the next Avengers movie working on projects. And there have been some very interesting developments.
Directors Joe Russo, left, and brother Anthony Russo at a press event last year at Durham Cathedral in England, a location for their forthcoming ‘Avengers: Infinity War,’ slated for release in April. PHOTO: MIRRORPIX/COURTESY EVERETT COLLECTION
The most exciting project is an adaptation of “The Electric State,” a science-fiction graphic novel the brothers see as having franchise potential, directed by Andy Muschietti, best known for last year’s “It.”
Another exciting prospect, in conjunction with the new independent distributor Neon, is a $10 million buy for distribution rights to “Assassination Nation,” a teen-girl revenge thriller that premiered at the Sundance Film Festival earlier this year.
So, China is the New Hollywood? Well, not exactly but definitely on the right track.
When it comes to fighting for the share of a film audience, the battleground is extremely tough. However, amidst the blockbusters, period pieces, and Oscar fodder, one genre has risen above all others and against all odds reigned supreme both in terms of commercial success and cultural reception. That’s right, superhero movies provide us with some of the most lucrative and successful films in recent years, and their star is only going to continue to rise. But what does the future hold for superhero films? And will the current trajectory ever slow down?
2017 was a good year for superhero flicks. According to Box Office Mojo Wonder Woman grossed $412,563,408, and was the 3rd highest grossing film of the year, while Thor: Ragnarok achieved $312,641,320 and 7th place, and Justice League closed out the Top 10. The success shows that superhero movies are still drawing in the public and achieving box office targets. As long as the targets are being met, the studios will still continue to produce films about superheroes. The first female-led superhero movie bolstered the position for DC, with Gal Gadot’s performance as Wonder Woman being highly praised – and with that success comes a possible new subgenre for countless other female superheroes who may have been overlooked over the years.
Hope for the Future
2018 looks to continue the rise of the superhero movie genre, with Avengers: Infinity War, Deadpool 2, and Ant-Man and the Wasp providing sequels of previously successful films. Based on the eponymous villain, Venom will offer an alternate view of the Spider-Man series – which itself received a revamp in 2017, replacing Andrew Garfield with Tom Holland for the Spider-Man Homecoming origin story. Revamps are common in the genre and actually in fitting with the comic books they are based on, which regularly kill off characters, such as when Spider-Man was killed in 2012 only to be revived again. The trick the studios have to pull is to stick to the genre’s roots while finding new and exciting ways to explore superhero backstories and mythos.
But with the regurgitation of heroes in sequel after sequel (Iron Man and Captain America both have 3 films each, with appearances in crossovers and the everyone-involved Avengers films), and the retelling of the same story (Spider-Man has had 3 different actors; Tobey Maguire, Andrew Garfield, and Tom Holland in only 15 fifteen years), there leaves little space for new superheroes to change the genre up. However, one hero, whose exploits were documented in the 1986 movie Highlander, is in the pipeline for a remake. The remake will introduce newer fans to the character, who already has a fan base and in niche areas even appeared as a popular game on the homepage of Betway Casino, featured as an online slot game. The game features content from the classic franchise and can give you a sense of how popular the movie (directed by Chad Stahleski of John Wick fame) will be.
Superhero movie franchises abound.
Franchise and Fans
The superhero movie continues to see a positive return at the box office due to the franchise nature of the genre. The films are based on premises, not plots, which are conducive to expanded arcs, backstories, and fleshed out worlds of characters long forgotten in comic books. As many are based on comic books, which have established audiences, and come from a genre, which also has dedicated fans, studios are more likely to produce superhero movies due to the likelihood of a higher turnout. The established fan base could explain why so many superhero films are given the green light, but easy fans wouldn’t account for the genuine financial success the films achieve.
Marvel vs DC
The Marvel vs DC battle, which dominates the comic world, and has begun to dominate the world of cinema, is another factor that keeps superhero films alive. If only one franchise existed, filmmakers could grow complacent and produce subpar stories knowing people will watch them. The healthy competition and so-called battle the companies are involved in helps keep each franchise fresh in order to stay ahead of the competition. With DC’s release of the Wonder Woman film, Marvel are already considering further exploring Scarlett Johansson’s Black Widow in her own feature. The character starred in many of her own comics, which explored the backstory revealed in Age of Ultron. The opening of major action movies to female leads provides a wealth of avenues that the superhero films can go down – just don’t mention Halle Berry’s 2004 flop as Catwoman!
The Comic Book Industry
The superhero genre of films also helps keep the comic book industry alive. By introducing fans to a character, they can then delve into the entire back catalogue of that character, and everything they have done before. Given that many started in the 1950s, fans potentially have a large amount of material to sift through, helping to build the franchise effect that keeps audiences interested film after film.
The superhero genre, after years of hard work and failed attempts, has finally solidified itself as the head of the box office and a creator of sure-fire hits. The future of the genre looks bright, and filmmakers have to just decide which aspect to focus on. While flops can still occur, the unwavering success of the last spate of films shows just how successful the genre actually can be.
MISTER MIRACLE, script by Tom King; art by Mitch Gerads
I have not been following a Batman title, or any mainstream superhero tile, for quite a while. But all that has changed with just one name: Tom King. As many of you already know, King is the man on Batman. He’s a writer who knows when and how to expand on a moment as he recently did with a whole issue devoted to a certain gathering for dinner (see Batman #29). And then there’s his work on Mister Miracle. King has brought back the character first created by Jack Kirby in 1971. For this latest 12-issue run, Tom King’s script is decidedly existential. Our hero, Scott Free, happens to be one of the fabulous New Gods. His backstory is a little complicated. Think Wonder Woman. To add to the complexity, Scott hides his secret identity as a world-renown escape artist. And, lately, he’s been struggling with his greatest challenge of all: Scott wants to escape death.
So far so good. Any story with a guy dancing with the Grim Reaper gets my attention. What wins me over is the everyday moments between Scott and Barda. They’re, in many respects, just a typical young married couple. Maybe they take each other for granted sometimes. Maybe they push each other’s buttons at other times. That sort of thing. But they’re also awesome superheroes, right? King and artist Mitch Gerads (The Punisher) keep that balance working very nicely. Frankly, any talk, at least at first, of New Genesis and Darkseid and my eyes will fully glaze over. Maybe I’d get into it after a while. I just need a hook. Honestly, all of us readers need something to hook into and the truth is that few of us are going to care as much about the superhero stuff without first investing in the characters. That said, this creative team understands that very well.
Barda and Scott
Okay, so now for the finer points. The comic pretty much sticks to a grid of nine panels per page. It’s a great look and King and Gerads can get really creative with this more arty approach. Well, I say “arty” as I think of that nine panel grid as definitely calling attention to itself. It has a great deal of potential as seen in other titles such as Hawkeye from Marvel Comics. King and Gerads have made good use of this structure for both dramatic and comedic affect. There’s a moment where Scott and Barda must go through the ritual of kneeling before their leader, the Highfather. It’s an extended moment that allows for all the necessary timing. But you’d expect that sort of thing from King, king of the pregnant pauses. It’s totally funny. Now, I’m just wondering if we’re simply going to see more and more of the nine panel grid as it works so well on mobile devices. Hopefully, we’ll always have the Kings of comics overseeing quality control with excellent content.
MISTER MIRACLE #2 is available as of September 13, 2017. For more details, visit DC Comics right here.
“Wonder Woman” is simply the movie to see rounding out its third weekend with U.S. sales at $275 million and $570 million worldwide. You may have noticed there are a lot of showings, including 3D and 4DX versions, and they sell out quickly. All of this is for very good reason. This Wonder Woman movie is very sharp and Gal Gadot in the main role commands the screen at all times, even more so, I dare say, than a Ben Affleck or a Henry Cavill. That had to be part of the thinking behind this first ever Wonder Woman major motion picture. The stumbling block all these decades was supposed to have something to do with whether or not a Wonder Woman movie could ever deliver the box office of a Superman or Batman movie. The answer is YES!
Yes, Wonder Woman can Kick Ass!
“Wonder Woman,” directed by Patty Jenkins, is certainly one of those exceptional movie events. It comes out of that urgent need to get it right. The most brilliant step in getting it right was to set the story during World War I. When was the last time you saw a major motion picture set during WWI? Any young person walking in to see this movie would shrug. There have been a select few, including 2004’s “A Very Long Engagement,” starring Audrey Tautou. The original Wonder Woman comic book was inextricably linked to World War II since it came out during that era. But to rework that same terrain would have been dreadfully tiresome for many a fan. Setting things back to an entirely different epoch opens up different and more compelling options, bringing it all back to basics in a very intriguing way. What could be better than to have a young and idealistic goddess confront “the war to end all wars”? I can imagine that being the pitch to the story by Zack Snyder (Man of Steel) that was fleshed out in the screenplay by Allan Heinberg (Grey’s Anatomy).
HOLLYWOOD, CA – MAY 25: Actors Gal Gadot (L) and Lynda Carter attend the premiere of Warner Bros. Pictures’ “Wonder Woman” at the Pantages Theatre on May 25, 2017 in Hollywood, California. (Photo by Alberto E. Rodriguez/Getty Images)
The beauty of “Wonder Woman” is how purposeful it is. Yes, we are dealing with the inevitable origin story. But that becomes a big plus as this is used to full advantage. The opening scenes set in Themyscira, the idyllic world that Wonder Woman comes from, have a refreshing vibe to them. There is a certain amount of dutiful explaining going on but, right from the start, we see quick and steady progress from our main character. We see Diana, the little girl, get the early training she demands. In no time, she has grown into a young woman more powerful than even she could imagine. And, all the while, this phase of Diana’s life, comes across not as merely backstory but as essential. Most importantly, there is a sense of urgency and suspense. In a different era, not too long ago (not exactly over with), this depiction of a female paradise could have easily fallen prey to titillation. More harmful than any supervillain, that would have been the worst sucker punch Wonder Woman could have endured.
Yes, a Wonder Woman can be VERY SUCCESSFUL and POPULAR!
So, let me jump to my big point. I went to see this movie with my 21-year-old daughter. She was not really all that aware of the Wonder Woman TV show, starring Lynda Carter. I tried to explain that it was part of its era, the ’70s, and less enlightened. It was too easy to make Wonder Woman a sex symbol for that show. And my daughter quickly picked up on that and said she appreciated how this new Wonder Woman was not sexualized in that way. I also mentioned that I have read more than one account, over the years, of women claiming to have been inspired as little girls by the spinning Lynda Carter did on the show to magically transform into a superhero. Girls would spin and spin and spin. Again, my daughter picked up on that. She said she was more interested in Gal Gadot’s impressive Taekwondo kicks. I am sure that Lynda Carter would understand.
“Wonder Woman” offers a whole new way for girls to be inspired. They no longer have to just spin and spin and spin. What a remarkable job this movie does in playing catch-up. Had a movie just like this come out in Lynda Carter’s heyday, it would have been hailed as nothing short of revolutionary. Superman and Batman movies have dominated the pop culture landscape for decades having left a Wonder Woman movie at a considerable disadvantage. How this movie overcomes that, with a genuinely inspiring main character, clearly demonstrates that there is a demand of strong and powerful female characters. In fact, the revolution continues and this movie manages to depict Wonder Woman as leading the way.
“Wonder Woman” is distributed by Warner Bros. Visit the official Wonder Woman movie site right here.
Comics are a medium unlike any other as they merge visuals with the written word to tell a story. The closest form they have is film and television, but even then, they differ. Comic books are the masters of detail and controlling a reader’s movement. You can put in huge amounts of detail when necessary into a panel to convey information and a reader can look at this for as long as they like and take in as much as they desire. This doesn’t work in a novel, as it would have to be a long paragraph that would be boring to read and is tough to go over the details again and again. A movie can freeze on a screen but it can’t linger too long though. With a comic, however, you can take as much time with each panel as you think it needs and go back and forth with ease to things you may have missed. These are a comic book’s strengths.
Ever since the 1930s we have seen comics grow and grow as a medium. We’ve seen people try new ideas and formats in order to create fresh styles and concepts. Whether it’s monthly single issues, graphic novels, page a day webcomics or whatever, you can present them in different ways to further your story or hook a reader. Despite comics being popular entertainment for many years, they have never quite been as loved as their contemporaries. These characters and stories remain fashionable though and have a strong following, and this has allowed people to adapt them in new ways.
Superheroes are a great example of this. Today you can find many costumed heroes who fight villains in any form you can think of. You can go to the cinema right now and enjoy classic comic book characters and obscure ones, all with a big budget. This has brought comic heroes to a wider audience than ever. Most would know about Spider-Man, Superman, Wonder Woman, etc. but now Deadpool, Hawkeye, Black Panther, Cyborg and even Rocket Raccoon have become pop culture icons.
This isn’t the only form we’ve seen superhero style characters, as video games have also been able to successfully adapt them. Comic book style characters having amazing abilities, great villains and interesting locals and gimmicks makes them prime content to adapt for a game and this has been done in many ways. The Batman Arkham series have enabled people to immerse themselves in Batman’s world and fight like he does. Telltales’ Wolf Among Us puts you in more direct control of the cast of Fables and enables you to shape the story. Other games can be wild takes, such as Ladylucks’ Ghostbusters game. The Marvel vs. Capcom and Injustice games abandon the story of comic book characters and instead focus on their abilities and designs, taking a hyperactive and direct approach.
Comic books as a medium will likely be around forever in some form or another. They may find new popularity or become more obscure but it’s safe to say that the characters and stories they contain will be loved forever.
Mike Capozzola is a unique hybrid, a cartoonist and a stand-up comedian. He’s a professional in both for over 20 years. In fact, the two passions are inextricably linked. I enjoyed his set this last Saturday at Seattle’s Comedy Underground. Mike is based out of San Francisco and maintains a busy schedule so it was a real treat to get to catch his act while he was in town. I asked him about his process, specifically about a bit where he describes weird yet appealing movie scenarios, ending each description with, “Yeah, I’d see that.” I came to find out that this movie routine originated as a drawn-out cartoon. The concept as a cartoon did not seem to work. But, when he performed the material on stage, Mike found what he was looking for.
Mike kicked off his first night at Comedy Underground with his ongoing pop culture extravaganza, Evil Cyborg Sea Monsters. This is a multimedia show featuring all the things that us geeks enjoy: sci-fi, superheroes, and monsters. As Mike said during our talk, geek culture is everywhere today but it was a hard-won identity for kids growing up in the ’70s and ’80s. It wasn’t so cool to be a geek back then. That said, we can all freely celebrate being a geek now, like we kids from yesteryear could only dream of.
Mike Capozzola at the Comedy Underground in Seattle
The last time I had one of these free-for-all chats with Mike, I offered up the topic of leaf blowers. He had no problem with them. I took the opposing view. Sure, it’s an honest job but, to my mind, the art of leaf blowing can be overdone. I contend that rakes make for a sensible and quiet alternative for much of these tasks. Anyway, I tried a different tack this time and brought to the table the intrinsic character of Seattle. Given that it’s my hometown, I felt it fair for me to say that there’s some truth to stereotypes regarding a certain coolness and reserve to the natives. Capozzola, based upon is observations, took the opposing view.
Is Seattle Sweet, Bitter, or Just Right? That’s what I’d call our lighthearted search for Seattle’s soul. Overall, I think that my friend here was picking up some strong frontier vibes. And I can’t deny him that joy. Seattle does offer the comforts of urban living in close proximity to an abundance of natural wonder. Mike wanted to take the more sunny view of things too. And it was challenging for me to pursue my case that Seattle is too prim and proper while we were chatting outside in Pioneer Square, hands down the rowdiest part of town. Ongoing hijinks near us just played into Mike’s hands.
We had time to dissect a few other things too, namely Trump. Mike had this to say: “The day after the election, so many people felt defeated. Many thought they could turn to art. For comedians, this meant war. I remember Trump for the last thirty years as being treated as a punchline by the tri-state area media. To see it come to this is wild. It’s like the local screw-up, or Ronald McDonald, or a sled has suddenly become president. He’s given voice to a fringe element in the same way that you’d unlock a mystical box and unleash an ancient curse.” That, my friends, says it all. We chatted about how those of us in the Gen X demographic feel unfairly sandwiched between the mighty Baby Boomers and the Millennials. We were misfits to begin with so it figures. And we decried the overall lowering or lack of standards we live with today. Maybe America deserves a pro wrestler or Mark Wahlberg as their next president.
Contact Mike Capozzola with any questions, such as doing commissioned work or presenting his Evil Cyborg Sea Monsters show, at his website right here.
Emerald City Comicon 2017, here in Seattle, is fast approaching. It is a four-day event starting Thursday, March 2nd, and running through Sunday, March 5th. It is certainly a big deal for us locals as well as the Pacific Northwest and all points beyond. Image Comics will make a significant showing this year with a rare gathering of its founders to celebrate the 25th anniversary of Image Comics. This special panel is scheduled for Friday, March 3rd. Be sure to come to ECCC to see Image Comics founders Todd McFarlane, Jim Valentino, Erik Larsen, Rob Liefeld, Marc Silvestri and Whilce Portacio.
All Time Comics, Crime Destroyer #1, Jim Rugg cover
Alternative comics and superhero comics mix it up in various ways. The Big Two comics publishers, DC and Marvel, will occasionally employ “indie” cartoonists. Image Comics has set a high standard in creator-owned comics that generally deconstruct the traditional superhero genre. And there are all sorts of satirical and subversive answers to the standard cape and tights. That brings us to today’s announcement of the launch of a brash new line of superhero comics titles from the alt-comics stalwart, Fantagraphics. The line of comics goes by the cheeky name of All Time Comics. The project is led by alt-cartoonist and writer Josh Bayer. This is part of a shared universe featuring four heroes: Atlas, Blind Justice, Bullwhip, and Crime Destroyer.
Panel work-in-progress from All Time Comics: writing by Josh Bayer; pencils by Noah Van Sciver; inks by Al Milgrom; letters by Rick Parker.
The fun begins March 31, 2017, with “All Time Comics: Crime Destroyer issue 1,” a 36-page oversized comic book featuring the writing of Josh Bayer, the inks of Ben Marra and the last art by legendary artist Herb Trimpe, who co-created Wolverine. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more. Issue #1 will feature two distinct covers, one by Jim Rugg and the other by Johnny Ryan. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more.
Page from upcoming contribution by Noah Van Sciver (pencils) and Stephen Bissette (inks).
This looks to be a true mashup of the sensibilities of alt-comics and superhero comics. Look for a love of the genre mixed well with irony.
Here’s a look at upcoming titles:
All Time Comics: Crime Destroyer #1
Josh Bayer (story); Herb Trimpe (pencils); Ben Marra (inks); Jim Rugg (cover) + Johnny Ryan (cover); MARCH 2017
All Time Comics: Bullwhip #1
Josh Bayer (story); Ben Marra (pencils); Al Milgrom (inks); Das Pastoras (cover) + Tony Millionaire (cover); APRIL 2017
All Time Comics: Atlas #1
Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); MAY 2017
All Time Comics: Blind Justice #1
Josh Bayer (story and pencils); Rick Buckler (pencils); Al Milgrom (inks); Victor Martinez (cover); JUNE 2017
All Time Comics: Crime Destroyer #2
Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); JULY 2017
All Time Comics: Blind Justice #2
Josh Bayer (story); Ben Marra (story); Noah Van Sciver (pencils); Al Milgrom (inks); Das Pastoras (cover); AUGUST 2017