Category Archives: Superheroes

Review: MISTER MIRACLE (2017) #2

MISTER MIRACLE, script by Tom King; art by Mitch Gerads

I have not been following a Batman title, or any mainstream superhero tile, for quite a while. But all that has changed with just one name: Tom King. As many of you already know, King is the man on Batman. He’s a writer who knows when and how to expand on a moment as he recently did with a whole issue devoted to a certain gathering for dinner (see Batman #29). And then there’s his work on Mister Miracle. King has brought back the character first created by Jack Kirby in 1971. For this latest 12-issue run, Tom King’s script is decidedly existential. Our hero, Scott Free, happens to be one of the fabulous New Gods. His backstory is a little complicated. Think Wonder Woman. To add to the complexity, Scott hides his secret identity as a world-renown escape artist. And, lately, he’s been struggling with his greatest challenge of all: Scott wants to escape death.

So far so good. Any story with a guy dancing with the Grim Reaper gets my attention. What wins me over is the everyday moments between Scott and Barda. They’re, in many respects, just a typical young married couple. Maybe they take each other for granted sometimes. Maybe they push each other’s buttons at other times. That sort of thing. But they’re also awesome superheroes, right? King and artist Mitch Gerads (The Punisher) keep that balance working very nicely. Frankly, any talk, at least at first, of New Genesis and Darkseid and my eyes will fully glaze over. Maybe I’d get into it after a while. I just need a hook. Honestly, all of us readers need something to hook into and the truth is that few of us are going to care as much about the superhero stuff without first investing in the characters. That said, this creative team understands that very well.

Barda and Scott

Okay, so now for the finer points. The comic pretty much sticks to a grid of nine panels per page. It’s a great look and King and Gerads can get really creative with this more arty approach. Well, I say “arty” as I think of that nine panel grid as definitely calling attention to itself. It has a great deal of potential as seen in other titles such as Hawkeye from Marvel Comics. King and Gerads have made good use of this structure for both dramatic and comedic affect. There’s a moment where Scott and Barda must go through the ritual of kneeling before their leader, the Highfather. It’s an extended moment that allows for all the necessary timing. But you’d expect that sort of thing from King, king of the pregnant pauses. It’s totally funny. Now, I’m just wondering if we’re simply going to see more and more of the nine panel grid as it works so well on mobile devices. Hopefully, we’ll always have the Kings of comics overseeing quality control with excellent content.

MISTER MIRACLE #2 is available as of September 13, 2017. For more details, visit DC Comics right here.

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Filed under Batman, Comics, DC Comics, Mitch Gerads, Superheroes, Tom King

Movie Review: WONDER WOMAN

Finally, Wonder Woman gets her very own movie!

“Wonder Woman” is simply the movie to see rounding out its third weekend with U.S. sales at $275 million and $570 million worldwide. You may have noticed there are a lot of showings, including 3D and 4DX versions, and they sell out quickly. All of this is for very good reason. This Wonder Woman movie is very sharp and Gal Gadot in the main role commands the screen at all times, even more so, I dare say, than a Ben Affleck or a Henry Cavill. That had to be part of the thinking behind this first ever Wonder Woman major motion picture. The stumbling block all these decades was supposed to have something to do with whether or not a Wonder Woman movie could ever deliver the box office of a Superman or Batman movie. The answer is YES!

Yes, Wonder Woman can Kick Ass!

“Wonder Woman,” directed by Patty Jenkins, is certainly one of those exceptional movie events. It comes out of that urgent need to get it right. The most brilliant step in getting it right was to set the story during World War I. When was the last time you saw a major motion picture set during WWI? Any young person walking in to see this movie would shrug. There have been a select few, including 2004’s “A Very Long Engagement,” starring Audrey Tautou. The original Wonder Woman comic book was inextricably linked to World War II since it came out during that era. But to rework that same terrain would have been dreadfully tiresome for many a fan. Setting things back to an entirely different epoch opens up different and more compelling options, bringing it all back to basics in a very intriguing way. What could be better than to have a young and idealistic goddess confront “the war to end all wars”? I can imagine that being the pitch to the story by Zack Snyder (Man of Steel) that was fleshed out in the screenplay by Allan Heinberg (Grey’s Anatomy).

HOLLYWOOD, CA – MAY 25: Actors Gal Gadot (L) and Lynda Carter attend the premiere of Warner Bros. Pictures’ “Wonder Woman” at the Pantages Theatre on May 25, 2017 in Hollywood, California. (Photo by Alberto E. Rodriguez/Getty Images)

The beauty of “Wonder Woman” is how purposeful it is. Yes, we are dealing with the inevitable origin story. But that becomes a big plus as this is used to full advantage. The opening scenes set in Themyscira, the idyllic world that Wonder Woman comes from, have a refreshing vibe to them. There is a certain amount of dutiful explaining going on but, right from the start, we see quick and steady progress from our main character. We see Diana, the little girl, get the early training she demands. In no time, she has grown into a young woman more powerful than even she could imagine. And, all the while, this phase of Diana’s life, comes across not as merely backstory but as essential. Most importantly, there is a sense of urgency and suspense. In a different era, not too long ago (not exactly over with), this depiction of a female paradise could have easily fallen prey to titillation. More harmful than any supervillain, that would have been the worst sucker punch Wonder Woman could have endured.

Yes, a Wonder Woman can be VERY SUCCESSFUL and POPULAR!

So, let me jump to my big point. I went to see this movie with my 21-year-old daughter. She was not really all that aware of the Wonder Woman TV show, starring Lynda Carter. I tried to explain that it was part of its era, the ’70s, and less enlightened. It was too easy to make Wonder Woman a sex symbol for that show. And my daughter quickly picked up on that and said she appreciated how this new Wonder Woman was not sexualized in that way. I also mentioned that I have read more than one account, over the years, of women claiming to have been inspired as little girls by the spinning Lynda Carter did on the show to magically transform into a superhero. Girls would spin and spin and spin. Again, my daughter picked up on that. She said she was more interested in Gal Gadot’s impressive Taekwondo kicks. I am sure that Lynda Carter would understand.

“Wonder Woman” offers a whole new way for girls to be inspired. They no longer have to just spin and spin and spin. What a remarkable job this movie does in playing catch-up. Had a movie just like this come out in Lynda Carter’s heyday, it would have been hailed as nothing short of revolutionary. Superman and Batman movies have dominated the pop culture landscape for decades having left a Wonder Woman movie at a considerable disadvantage. How this movie overcomes that, with a genuinely inspiring main character, clearly demonstrates that there is a demand of strong and powerful female characters. In fact, the revolution continues and this movie manages to depict Wonder Woman as leading the way.

“Wonder Woman” is distributed by Warner Bros. Visit the official Wonder Woman movie site right here.

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Filed under Batman, Comics, DC Comics, Movie Reviews, movies, Superheroes, Superman, Warner Bros., Wonder Woman

Superheroes and Other Media

by Bob Gunn

Comics are a medium unlike any other as they merge visuals with the written word to tell a story. The closest form they have is film and television, but even then, they differ. Comic books are the masters of detail and controlling a reader’s movement. You can put in huge amounts of detail when necessary into a panel to convey information and a reader can look at this for as long as they like and take in as much as they desire. This doesn’t work in a novel, as it would have to be a long paragraph that would be boring to read and is tough to go over the details again and again. A movie can freeze on a screen but it can’t linger too long though. With a comic, however, you can take as much time with each panel as you think it needs and go back and forth with ease to things you may have missed. These are a comic book’s strengths.

Ever since the 1930s we have seen comics grow and grow as a medium. We’ve seen people try new ideas and formats in order to create fresh styles and concepts. Whether it’s monthly single issues, graphic novels, page a day webcomics or whatever, you can present them in different ways to further your story or hook a reader. Despite comics being popular entertainment for many years, they have never quite been as loved as their contemporaries. These characters and stories remain fashionable though and have a strong following, and this has allowed people to adapt them in new ways.

Superheroes are a great example of this. Today you can find many costumed heroes who fight villains in any form you can think of. You can go to the cinema right now and enjoy classic comic book characters and obscure ones, all with a big budget. This has brought comic heroes to a wider audience than ever. Most would know about Spider-Man, Superman, Wonder Woman, etc. but now Deadpool, Hawkeye, Black Panther, Cyborg and even Rocket Raccoon have become pop culture icons.

This isn’t the only form we’ve seen superhero style characters, as video games have also been able to successfully adapt them. Comic book style characters having amazing abilities, great villains and interesting locals and gimmicks makes them prime content to adapt for a game and this has been done in many ways. The Batman Arkham series have enabled people to immerse themselves in Batman’s world and fight like he does. Telltales’ Wolf Among Us puts you in more direct control of the cast of Fables and enables you to shape the story. Other games can be wild takes, such as Ladylucks’ Ghostbusters game. The Marvel vs. Capcom and Injustice games abandon the story of comic book characters and instead focus on their abilities and designs, taking a hyperactive and direct approach.

Comic books as a medium will likely be around forever in some form or another. They may find new popularity or become more obscure but it’s safe to say that the characters and stories they contain will be loved forever.

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Interview: Mike Capozzola and ‘Evil Cyborg Sea Monsters!’

Mike Capozzola and “Evil Cyborg Sea Monsters!”

Mike Capozzola is a unique hybrid, a cartoonist and a stand-up comedian. He’s a professional in both for over 20 years. In fact, the two passions are inextricably linked. I enjoyed his set this last Saturday at Seattle’s Comedy Underground. Mike is based out of San Francisco and maintains a busy schedule so it was a real treat to get to catch his act while he was in town. I asked him about his process, specifically about a bit where he describes weird yet appealing movie scenarios, ending each description with, “Yeah, I’d see that.” I came to find out that this movie routine originated as a drawn-out cartoon. The concept as a cartoon did not seem to work. But, when he performed the material on stage, Mike found what he was looking for.

Mike kicked off his first night at Comedy Underground with his ongoing pop culture extravaganza, Evil Cyborg Sea Monsters. This is a multimedia show featuring all the things that us geeks enjoy: sci-fi, superheroes, and monsters. As Mike said during our talk, geek culture is everywhere today but it was a hard-won identity for kids growing up in the ’70s and ’80s. It wasn’t so cool to be a geek back then. That said, we can all freely celebrate being a geek now, like we kids from yesteryear could only dream of.

Mike Capozzola at the Comedy Underground in Seattle

The last time I had one of these free-for-all chats with Mike, I offered up the topic of leaf blowers. He had no problem with them. I took the opposing view. Sure, it’s an honest job but, to my mind, the art of leaf blowing can be overdone. I contend that rakes make for a sensible and quiet alternative for much of these tasks. Anyway, I tried a different tack this time and brought to the table the intrinsic character of Seattle. Given that it’s my hometown, I felt it fair for me to say that there’s some truth to stereotypes regarding a certain coolness and reserve to the natives. Capozzola, based upon is observations, took the opposing view.

Is Seattle Sweet, Bitter, or Just Right? That’s what I’d call our lighthearted search for Seattle’s soul. Overall, I think that my friend here was picking up some strong frontier vibes. And I can’t deny him that joy. Seattle does offer the comforts of urban living in close proximity to an abundance of natural wonder. Mike wanted to take the more sunny view of things too. And it was challenging for me to pursue my case that Seattle is too prim and proper while we were chatting outside in Pioneer Square, hands down the rowdiest part of town. Ongoing hijinks near us just played into Mike’s hands.

We had time to dissect a few other things too, namely Trump. Mike had this to say: “The day after the election, so many people felt defeated. Many thought they could turn to art. For comedians, this meant war. I remember Trump for the last thirty years as being treated as a punchline by the tri-state area media. To see it come to this is wild. It’s like the local screw-up, or Ronald McDonald, or a sled has suddenly become president. He’s given voice to a fringe element in the same way that you’d unlock a mystical box and unleash an ancient curse.” That, my friends, says it all. We chatted about how those of us in the Gen X demographic feel unfairly sandwiched between the mighty Baby Boomers and the Millennials. We were misfits to begin with so it figures. And we decried the overall lowering or lack of standards we live with today. Maybe America deserves a pro wrestler or Mark Wahlberg as their next president.

Contact Mike Capozzola with any questions, such as doing commissioned work or presenting his Evil Cyborg Sea Monsters show, at his website right here.

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Filed under Comedians, Comedy, Comedy Underground, Comics, Donald Trump, Geeks, Mike Capozzola, Monsters, pop culture, Seattle, Stand-up Comedy, Superheroes

GIRL POWER Books to Help Planned Parenthood. Downtown Bookworks to Donate From Sales

Downtown Bookworks

Downtown Bookworks

For the next two weeks, Downtown Bookworks (a woman-owned and women-run business) will be donating a portion of the proceeds from sales of My First Book of Girl Power and The Big Book of Girl Power to Planned Parenthood.

Help spread the word. This is a great way to stand with Planned Parenthood, an organization that empowers women. The Downtown Bookworks campaign runs from March 1st thru March 15th.

My First Book of Girl Power

My First Book of Girl Power

The last page of The Big Book of Girl Power sums up how Downtown Bookworks feels and why it supports Planned Parenthood through its donation campaign:

“When women get together to do good things, nothing and nobody can stop them!

What are your your special powers?

How will you use them to make the world a better place?”

Downtown Bookworks would love to see you and your kids enjoying their books. Please connect with them by sharing your comments and pictures on Facebook, Twitter, and Instagram.

Visit Downtown Bookworks right here.

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Filed under Comics, Downtown Bookworks, Planned Parenthood, Superheroes, Women, Wonder Woman

IMAGE COMICS FOUNDERS REUNITE AT EMERALD CITY COMICON 2017 TO CELEBRATE 25TH ANNIVERSARY (March 3, 2017)

Emerald-City-Comicon-Seattle

Emerald City Comicon 2017, here in Seattle, is fast approaching. It is a four-day event starting Thursday, March 2nd, and running through Sunday, March 5th. It is certainly a big deal for us locals as well as the Pacific Northwest and all points beyond. Image Comics will make a significant showing this year with a rare gathering of its founders to celebrate the 25th anniversary of Image Comics. This special panel is scheduled for Friday, March 3rd. Be sure to come to ECCC to see Image Comics founders Todd McFarlane, Jim Valentino, Erik Larsen, Rob Liefeld, Marc Silvestri and Whilce Portacio.

Press release follows:

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Filed under Comics, Emerald City Comicon, Image Comics, pop culture, Seattle, Superheroes

Fantagraphic Books to Publish ALL TIME COMICS, a Shared Superhero Universe Featuring the World’s Most Fanta*stic Heroes

All Time Comics, Crime Destroyer #1, Jim Rugg cover

All Time Comics, Crime Destroyer #1, Jim Rugg cover

Alternative comics and superhero comics mix it up in various ways. The Big Two comics publishers, DC and Marvel, will occasionally employ “indie” cartoonists. Image Comics has set a high standard in creator-owned comics that generally deconstruct the traditional superhero genre. And there are all sorts of satirical and subversive answers to the standard cape and tights. That brings us to today’s announcement of the launch of a brash new line of superhero comics titles from the alt-comics stalwart, Fantagraphics. The line of comics goes by the cheeky name of All Time Comics. The project is led by alt-cartoonist and writer Josh Bayer. This is part of a shared universe featuring four heroes: Atlas, Blind Justice, Bullwhip, and Crime Destroyer.

Panel work-in-progress from All Time Comics: writing, pencils, by Josh Bayer; inks by Al Milgrom; letters by the great Rick Parker.

Panel work-in-progress from All Time Comics: writing by Josh Bayer; pencils by Noah Van Sciver; inks by Al Milgrom; letters by Rick Parker.

The fun begins March 31, 2017, with “All Time Comics: Crime Destroyer issue 1,” a 36-page oversized comic book featuring the writing of Josh Bayer, the inks of Ben Marra and the last art by legendary artist Herb Trimpe, who co-created Wolverine. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more. Issue #1 will feature two distinct covers, one by Jim Rugg and the other by Johnny Ryan. Upcoming issues feature art by Rick Buckler Jr., Ben Marra, Al Milgrom, Noah Van Sciver, and more.

Page from upcoming contribution by Noah Van Sciver (pencils) and Stephen Bissette (inks).

Page from upcoming contribution by Noah Van Sciver (pencils) and Stephen Bissette (inks).

This looks to be a true mashup of the sensibilities of alt-comics and superhero comics. Look for a love of the genre mixed well with irony.

Here’s a look at upcoming titles:

All Time Comics: Crime Destroyer #1

Josh Bayer (story); Herb Trimpe (pencils); Ben Marra (inks); Jim Rugg (cover) + Johnny Ryan (cover); MARCH 2017

All Time Comics: Bullwhip #1

Josh Bayer (story); Ben Marra (pencils); Al Milgrom (inks); Das Pastoras (cover) + Tony Millionaire (cover); APRIL 2017

All Time Comics: Atlas #1

Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); MAY 2017

All Time Comics: Blind Justice #1

Josh Bayer (story and pencils); Rick Buckler (pencils); Al Milgrom (inks); Victor Martinez (cover); JUNE 2017

All Time Comics: Crime Destroyer #2

Josh Bayer (story); Ben Marra (story, pencils, inks); Das Pastoras (cover); JULY 2017

All Time Comics: Blind Justice #2

Josh Bayer (story); Ben Marra (story); Noah Van Sciver (pencils); Al Milgrom (inks); Das Pastoras (cover); AUGUST 2017

For more details, follow Fantagraphics right here. You can also follow All Time Comics via Twitter @alltimecomics and via Facebook @ALLTIMECOMICS.

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Filed under Comics, Fantagraphics, Noah Van Sciver, Superheroes

Review: BLACK HAMMER

Black Hammer Jeff Lemire

BLACK HAMMER is the latest entry in the fish-out-of-water superhero story. For this first issue, Jeff Lemire tries out a bunch of scenes with his cast of misbegotten superheroes. And the twist at the end of this first issue, should leave you wanting more. Dean Ormston’s artwork compliments Lemire’s script with a light and ethereal quality similar to Lemire’s own artwork. And Dave Stewart rounds out the core creative trio with plenty of those spot on atmospheric colors: autumnal oranges and sunset pinks. Where all this is headed is still unclear but the overall offbeat quality is winning me over.

These are superheroes with a Golden Age vibe to them. The real deal type. And it fell upon them to make some big sacrifices they’d all rather not talk about. But talking things out is good, right? That’s what Abe would say. Of course, Gail would never listen. And Barbalien would just laugh. There’s this one scene where Gail, who happens to be stuck inhabiting a 9-year-old, goes off to sit and brood on a rooftop. Along floats by Barbalien looking like this really big demon. He plops next to Gail and the two of them chat. It’s a good scene but it reminded me way too much of the sitcom, “3rd Rock from the Sun.” You know the show? It has a similar premise: aliens from another world stuck on planet Earth. You can imagine Joseph Gordon-Levitt up there on the roof with a hoodie feeling bad about himself and then John Lithgow comes out to join him.

I don’t think it’s such a good idea for this script to resemble a sitcom too much unless we’re heading down a particularly ironic path. There’s also a scene with ole Abe going into town to see his sweetheart, a waitress at the diner. That too has a squarely sitcom quality to it. I am willing to see where this goes. Then there’s Talky-Walky. He’s a robot determiend to invent a way to get off the island…uh, I mean planet. I sense that Lemire really wants to be very playful. So, if you’re in the mood for something whimsical, and ironic, this may end up adding up the further along you go past this first issue.

BLACK HAMMER is available as of July 20, 2016. For more details, visit Dark Horse Comics right here.

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Filed under Comics, Comics Reviews, Dark Horse Comics, Jeff Lemire, Satire, Superheroes

Book Review: ‘A Hundred Thousand Worlds’ by Bob Proehl

"A Hundred Thousand Worlds" by Bob Proehl

“A Hundred Thousand Worlds” by Bob Proehl

Bob Proehl is in touch with the natural, yet complex, details of a mother and son relationship. In Proehl’s debut novel, he has Valerie Torrey face the bittersweet transition of her son, Alex, leaving behind childhood and quite literally having to say goodbye to his mom. It’s complicated but, in this case, inevitable.

Alex Torrey is a nine-year-old boy who hasn’t seen his dad, Andrew, in six years. In Alex’s world, his dad is three things: an actor in Los Angeles; a movie star he can see on TV; and, just for fun, the character he plays, a time traveling secret agent. It was Valerie who made the reckless decision to kidnap her son and raise him in New York. Now, Val seems to want to make things right by reuniting Alex with Andrew. Throw in an assortment of superheroes, monsters, and robots, and you have the engaging debut novel by Bob Proehl, “A Hundred Thousand Worlds,” published by Viking.

This story hangs together very well on the tiny frame of nine-year-old Alex, who is at that magical age of still being very much a child and yet capable of profound observation. He is a character type that has been brilliantly employed in some great fiction from such diverse writers as Günter Grass, John Irving, and Jonathan Safran Foer. So, Proehl has created his very own charming and sad little imp. Alex questions everything. He has certain rituals he follows to help him find answers like reversing the letters to various names hoping to tap into some hidden meaning. It makes no sense to an adult but follows kid logic. From this heartbreaking innocence we can compare our own journey to self-discovery.

Valerie met Andrew while the two were starring in the hit sci-fi series, “Anomaly.” The mystery is what triggered Valerie to run away with Alex to New York. Proehl sets in motion a clever device to get Valerie, Andrew, and Alex reunited. Six years of separation from his father has taken its toll on Alex, a situation crying out for resolution. Valerie leverages her pop culture status and picks up some appearances on the comic book convention circuit, enough to cover her expenses on her odyssey with Alex, from New York back to Los Angeles. Along the way, we get plenty of jokey references to the comic book industry, many which will be appreciated by diehard fans.

Proehl’s work is ambitious as he juggles numerous pop culture references while developing something deeper. He does a wonderful job of straddling the lighthearted accessibility of a young adult novel with the richer field of literary fiction. Valerie, for example, is quite compelling as a flawed character. Andrew has made some obvious bad choices but Valerie has much to work out like her smothering overprotective nature.

Proehl knows how to satirize pop culture quite well. It is remarkable that he also knows how to evoke the qualities that attract us to mass entertainment. Nothing is ever so simple, not a divorce, not a child, not even a comic book.

“A Hundred Thousand Worlds Hardcover” is published by Viking, an imprint of Penguin Random House, available as of June 28, 2016. For more details, visit Penguin Random House right here.

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Filed under Book Reviews, Books, Comic-Con, Comics, pop culture, Superheroes

Review: ‘Bat-Man Is Lost In A Woods’ by David Enos, published by California Clap

"Bat-Man Is Lost In A Woods" by David Enos

“Bat-Man Is Lost In A Woods” by David Enos

This is a review of the comic, “Bat-Man Is Lost In A Woods,” by David Enos, published by California Clap. That is mostly what we will be discussing here. However, I will bring up a few other related things. First off, I set out to write this review while I waited to see an old friend who had just gotten his nipples pierced. He’s a fairly average guy, maybe not the type to do this. But, hey, to each his own. That brings me to a theme I was working with for this review: seeing the familiar within the unfamiliar. So, here I was waiting. I began to imagine getting my own nipples pierced–or at least just one. But I keep thinking there will be issues with airport security. I know for a fact that the SEATAC TSA is prone to fumbling about. So, imagine me sporting nipple jewelry for TSA to have to process. These folks don’t process very well.

Batman and Amity

Batman and Amity

Anyway, let us proceed. Batman. Now, there’s a subject for you. Most of us out there can easily hook into Batman. What David Enos has done is play with that familiarity. His Batman taps into arguably the most accessible version, the Adam West model. The Enos Batman is a no-nonsense guy with little room for drama. The big case he’s on in this story is familiar enough too: a search for a long lost love. It’s the sort of plot that can easily be deadened by a too obvious treatment. Enos is having fun with these tropes by taking everything right up to the edge of the banal. He throws in some light humor and sets this whimsical Batman off on a surreal landscape, a mashup of grim, dark, and camp.

Reading BAT-MAN IS LOST IN A WOODS

Reading BAT-MAN IS LOST IN A WOODS

It is a rite of passage for any cartoonist to create their take on superheroes. There is a divide that will always exist between independent cartoonists and the world of mainstream genre. There is little crossover but, when it happens, it is something to study on a case by case basis. When it does happen, the big two comics publishers have found interesting ways to work with relatively indie creators. It’s pretty simple, the most popular superheroes are mega-franchises. Not just anyone is going to be handed the keys to the Batmobile. The mistake is when an indie cartoonist dismisses genre comics out of hand. As David Enos demonstrates here, there are endless possibilities to work with genre, subversive or otherwise. DC Comics and Marvel can always learn something new from alternative cartoonists.

Writing About BAT-MAN IS LOST IN A WOODS

Writing About BAT-MAN IS LOST IN A WOODS

It is a lot of fun to watch this banal Batman recalling the bittersweet days of his marriage to a pretty young woman named, Amity. Understandably, this is not a character from Batman canon. But she does make for a suitable match in the spirit of Silver St. Cloud. Amity is younger and more prone to pouting than anything else. She just wishes that Batman made more time for her and that they had more of a normal life together. Ah, isn’t that always the way with these sort of relationships? Enos deftly pulls the strings on what seems like a merely juvenile plot that unfolds into a dreamy and disturbing narrative, more like HBO’s “True Detective” but also hinting at the sinister origins of Batman going back to his debut in “Detective Comics” in 1939. There was always something weird about Batman. That’s what makes him interesting. David Enos celebrates that weirdness in this comic.

Pork Chops & Eggs at Coastal Kitchen

Pork Chops & Eggs at Coastal Kitchen

I also have to say here that I had a wonderful meal at my venue for writing this review. If you’re in Seattle, you definitely want to visit Coastal Kitchen in the Capitol Hill neighborhood. I had a delectable dish, Pork Chops and Eggs topped with an out of this world house Romesco sauce made with roasted red peppers and almonds. And, in a funny way, that sort of ties in with my theme: take a familiar meat and potatoes subject and give it a spicy twist!

“Bat-Man Is Lost In A Woods,” by David Enos, is a 32-page full-color comic. You can find it at California Clap right here.

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Filed under Adam West, Alternative Comics, Batman, Comics, Food, Humor, mini-comics, Minicomics, Nipples, Piercings, Satire, Seattle, Superheroes